CORNELL UNIVERSlTYLiBRARY
3 1924 066 284 872
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JOURNAL
OP THE
ASIATIC SOCIETY OF BENGAL
• VOL LXX.
PART I. (History, Antiquities, &c.)
(Nos. I and II, and Extra Nos. I and II. — 1901.)
EDITED BY THE
jiONORARY j^HILOLOGICAL ^SECRETARY.
“ It will flourish, if naturalists, chemists, antiquaries, philologers^and men of science
in different parts of Asia, will commit their observations to writing, and send them to
the Asiatic Society of Calcutta. It will languish, if such communications shall be long
intermitted; and it will die away, if they shall entirely cease.” Sir Wm. Jones.
CALCUTTA :
PRINTED AT THE BAPTIST MISSION PRESS,
AND PUBLISHED BY THE
ASIATIC SOCIETY, 57, PARK STREET.
1901.
$
4
*
A. \ if S'/
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CONTENTS
OP THE
JOURNAL OF THE ASIATIC SOCIETY OF BENGAL,
Vol. LXX, Part I.— 1901.
No. 1. Page •
Abii-l-FazV s account of the Multan Sirkar in the Third Book of the
Ain-i- Akbari. — By E. D. Maclagan, C.S. ... ... 1
Notes on the Sasi Dialect. —?y Rev. T. Grahame Bailey, B.D.,
M.A., Wazirabad ... ... ... ... 7
On the antiquity and traditions of the Jami ‘ Masjid and the Rauza
of Hazrat Mauland Muhammad Arab , at Sailkupd , Sub-Division
Jhenidah , District Jessore . — By MaulavI ‘Abdul Walt, Sub-
Registrar of Sailkupd ... ... ... ... 15
Supplement to Note on Vaisali and other places mentioned by the
Buddhist pilgrims. (With Plates I and II). — By W. Hoey,
Esq., Litt. D. ... ... ... ... 29
The Kaluha Hill in the District of Hazaribagh . — By Nundolal
Dey, Munsif Tamluk ... ... ... ... 31
No. 2.
A Revision of the Symbols on the lKarshapana> Coinage , described in
Vol. LIXj J.A.S.B.j 1890 , Part J, No. 3 , and Descriptions
of many additional Symbols. — By W. Theobald, M.N.S.L. 38
On the symbols and devices met with on Copper Coins of Ancient
India , both those cast in moulds and those struck with diesf from
Taxila , Ujain , Eran , Benares , and other contemporary Mints . —
By W. Theobald, M.N.S.L. ... ... ... 64
Index to the Journal of the Asiatic Society of Bengal , Vol. LXX ,
Part I (Nos. 1 and 2), 1901 ... ... ... 89
iv
Contents.
Extra No. 1.
Page .
.4 Report on the British Collection of Antiquities from Central Asia .
Part II. ( With 13 Facsimile Plates, 3 Tables, and 6
Woodcuts). — By A. F. Rudolf Hoeknle, C.I.E., Ph. D.
( Tiihingen ) : —
Introductory remarks ... ... ... ... 1
Section III. — Manuscripts ... ... ... ... 6
Section IV. — Pottery , Terracottas , Miscellaneous Objects ... 42
Appendix to Part II ... ... ... ... 1
Supplement to Part II ... ... ... ... 1
Errata in Part I ... ... ... ... ... 7
Extra No. 2.
Sketch of Ladakhi Grammar, in co-operation with other Moravian
Missionaries, compiled by A. H. Francke, Moravian Mis¬
sionary : —
Introduction ... ... ... ... ...
Grammar
Appendix ... ••• ... ... ...
1
9
47
LIST OF PLATES
ISSUED WITH
JOURNAL OF THE ASIATIC SOCIETY OF BENGAL,
Vol. LXX, Part I.— 1901.
Plate I : Copperplate Inscription of Jayadityadeva II.
Plate II : Map of Country between Kanauj and Gaya.
For a List of Plates, Tables, and Woodcuts, issued with
Extra No. 1, see ‘ List of Illustrations ’ in that number.
ERRATA.
Epigraphical Note on Palm-leaf, etc., in Journal As. Soc. Beng.,
Vol. LXIX, Pt. I.
ERRATA.
Epigraphical Note on Palm-leaf, etc., in Journal As. Soc. Beng.,
Yol. LXIX, Pt. I.
i' - - i ^cjo
h • ' % 4 -«p n
JOURNAL
OF THE
ASIATIC SOCIETY OF BENGAL.
— «c*3S—
Part I. — HISTORY, LITERATURE, &e.
No. 1. — 1901.
Abu-l-FazV s account of the Multan Sirkar in the Third Hook of the
Ain-i-Akbari. — By E. D. Maclagan, C.S.
[Read December, 1900.]
Abu-1-Fazl in the Third Book of the Ain-i-Akbari describes among
other provinces the Suba of Multan (pp. 325 to 336 of Jarrett’s
Translation, Vol. II). This Suba was divided into 3 Sirkars one of
which, the Sirkar of Multan, includes the present British district of
that name. Having been stationed in that district for some years I
venture to make a few suggestions regarding certain difficulties which
present themselves in Abu-1- Fazl’s description of the Sirkar.
In commencing to describe the Suba Abu-1-Fazl gives an account
of the rivers which flow through ifc ; he says : —
1 The Bihat joins the Cinab near the province of Shor and after
a course of 27 kos they unite with the Ravi near Zafarpur
aud the three flowing collectively in one stream for 60 kos
enter the Indus near Uc. Within 12 kos of Firozpur, the
Biah joins the Satlaj which then bears several names, viz.,
Har, Hari, Dand, Nurni, and in the neighbourhood of
Multan, confluent with the former four, their accumulated
waters unite.’
The difficulties of this passage are fully considered in Col. Jarrett’s
note and I regret to say I can throw little light on the matter.
Presuming the Jihlam aud Cinab to have then met near Trimwu Ghat
(their present meeting place) the measurement of 27 kos (or say 54
J. b l
1
2 E. D. Maclagan — Abud-FazV s account of the Multan Sirhar. [No. 1,
miles, see Jarrett Ain. II. 166 n) locates the junction with the Ravi not
far from the present point of junction and this although the Ravi is
known to have run at a later date, or at least to have had an alterna¬
tive course, past Multan and to have joined the Cinab south of that
city. There is now no trace of any village in the Multan district which
can be identified with Abu-l-FazTs Zafarpur.
As regards the still more mysterious sentence about the Bias and
Satlaj rivers I may note that in the tract lying between the old bed of
the Bias in the Multan district and the present bed of the Satlaj there
are numerous meandering depressions which no doubt represent the
courses of parts of one or both these rivers. Among the names by which
these depressions are known are Viliari and Bhitari which are no doubt
the counterparts of the Eari or Har-hari of our text. The word
Dhandh is applied in this and other Panjab districts to any depression
through which a liver or its branch is liable to flow, and in some places
the word Wahind or Wend is used in the same sense ( e.g ., in the name
of a village, Wahind Sarmanl — the word being connected with tvahan
to flow). Another word applied to the old depressions in Multan is Nai
( e.g ., Sukh-nai, Sidh-nai), and the Nurni of Abu-1-Fazl should perhaps
be read as ‘ Nur-nai.’ Depressions of the nature described are also
known as ‘ wTalas ’ or ‘ walls.’
The Sirkar of Multan contained five separate tracts, viz. : —
(i) Bet Jalandhar Duab, between the Bias and Satlaj.
(ii) Bari Duab, between the Bias and Ravi.
(iii) Ricnau Duab, between the Ravi and Cinab.
(iv) Sindh Sagar Duab, between the Cinab and Indus.
(v) Birun-i-Panjnad, outside the Five Rivers.
The reading of the word ‘ Bet ’ in ‘ Bet Jalandhar Duab * is
doubtful, see Jarrett II. 315 n2 It is said that in old documents the
phrase is ‘Bast’ or ‘ Bist ’ ‘Jalandhar Duab;’ but this is not among
the variants quoted by Blochmann (vernac. p. 550). Bist is said to be a
contraction for ‘ Bias-Satlaj,’ after the manner of ‘Bari’ ‘Ricnau,’ &c.
The mahals of the Bet Jalandhar Duab and the castes inhabiting
them are given as follows by Jarrett. I have added remarks and sug¬
gestions against each : —
Mahals. Castes. Remarks.
Adamwahan ... Hasar ... ... This village is now held by Sayyids, blit is said
iii the settlement records to have been founded
by one Adam, a Cannar by tribe. The word
Hasar ( ) must be an error for Cannar
( 3*^ )• The Cannars are still a well-known
tribe in this neighbourhood, and own land in this
village.
3 901 . ] E. D. Maclagan — Abu-l-FazV s account of the Multan Sirkar. 3
Mahals. Castes.
Jalalabad ... Bliim ...
Dunya pur ... Uki, Ranu
C
Raj pur ... Junab
Sliergarh ... Kachi, Junah,
Bikanah, Malah
Fathpur ... Junah
Kahror ... Junali
Khaibuldl ... Jat and another
name illegible
[Bl.^» jA**-
Remarks.
This village lies ten miles north of Lodhran :
there is an old mosque here and remains of the
old town. BliTm is probably a mistake for
‘ TaliTm : 5 the Tahlms being still found in all
parts of the Multan district, but now chiefly in
the south-west of the Kabirwala Tahsil. Tradi¬
tion however ascribes the foundation of this
village to one Jalal Malitam and it is just
possible that ‘ Bhim ’ here thus stands for
* Mahtam,’ but in other instances (see below) it
is almost certainly a misreading for ‘ Taliim.’
A well-known town in the Lodhran Tahsil.
The tribe referred to is probably that of the
Utheras, a common tribe in this Tahsil, though
no longer owning land round Dunyapur. Possibly
the cognate tribe of the Nuns is also included
so that the names of the tribes would read :
‘Uthera, Nun.’
Rajapur, some 3 miles north of Lodhran, is
indicated; and by Junali is meant ‘Joyali,’ a
very important tribe along the Satlaj. There
are still Joyas in the village, though they ascribe
their immigration to the last century.
This is a village about 5 miles north of Mails!,
found in the time of the Emperor Slier Shah and
still showing ruins of its former prosperity. The
Each! are certainly Khichi, a tribe of Rajputs
still holding a good deal of land in the neighbour¬
hood. Junalis = Joyas (see above). Bikanah, (v.
1. Bhanah, etc.), I cannot identify: the Wigamals
and Sarganas, tribes of this Tahsil, suggest
themselves. The Malah may refer merely to the
boatman caste, but there are none of this tribe
now in the neighbourhood of Sliergarh.
A big brick-built village, afterwards the head
of a pargana : and, according to tradition, founded
by the Joyas. It lies about 9 miles south of
Mails!.
A municipal town, lying half way between
Lodhran and Mails!. The Joyalis still hold a fair
amount of land in this neighbourhood.
Kliai, now a heap of ruined mounds, lies about
15 miles north of Mails! : there are local tradi¬
tions as to its extreme prosperity in the days
when it received canal irrigation from the Bias.
It was called Khai-buldi from one Buld!, a
Biloch, who is said to have founded it. The
4 E. D. Maclagan — Ahu-l-Fazl's account of the Multan Sirlcar. [No. 1,
Mahals. Castes. Remarks.
tribe referred to may be ‘ Jat Mitru,’ the Hitrii
Jats being tbe chief tribe now in that neighbour¬
hood but the traditional date of the Mitru immig¬
ration is after Akbar’s time. Or the doubtful
name may be read ‘ Sauru,’ the Saurus being
a tribe in possession of land in the neighbour¬
hood.
Gkalii Kliarah Kalu, Jat ... This refers doubtless to the tract near the
present junction of the Cinab and the Gharali
(as the lower Satlaj is locally called), which is
inhabited, mainly, by the Ghallu tribe of Jats
and its off shoots. The malial would thus be
‘ Ghallu Gliarah,’ and the tribe * Ghallu Jat.*
Similarly as regards the Bari Duab : —
Islampur
Isma'ilpur
Multan Town ...
Tulambah
Bhlm, Maral ...
Maral
Bhlm,
Sbaikhzada
Sohu ...
I have been told by a peasant that Islam¬
pur was the old name for Gardezpur in the
Shuja’abad Tahsil ; but the Marrals have left no
traces of their power so far south and I expect
the Islampur is near Kasba (in the south of the
Multan Tahsil) which is the present headquarters
of the Marral tribe. The Islampur ‘ topa ’ is
still spoken of as a measure of capacity in the
Shuja'abad Tahsil.
Site unknown. I have been told verbally how¬
ever that this place lay near Kotll Nijabat, some
12 miles east of Shuja'abad : and this is not
unlikely.
The vernac. is ‘ Bulda Multan ’ and this term is
applied in all Imperial sanads, etc., to the tract
round the city (chiefly to the north and east)
not to the city itself. The Sliaiklizadas are the
Quraishls who held charge of the famous shrines
of Balia-ul-Haqq and Eukn-i-‘Alam.
This is Tulambah on the Ravi in the Kablr-
wala Tahsil and the tribe referred to is that of
Villages of the ...
pargauali of
Caukhandl
Suburban dis- Bhlm ...
trict of Multan
Villages of the
parganah of
Khatpur
the ‘ Sahus,’ still very prevalent in those parts.
Caukhandl itself was in the Ricnau Duab
(see below).
The vernac. is ‘Havel! Sliakr.’ The Havel!
parganah of Imperial times seems to have stretch¬
ed along the Cinab river north of Multan, and
this is now the chief habitat of the Tahlm tribe
in the district.
Khatpur was in the Ricnau Duab (seejbelow).
1901.] E. D. Maclagan — Abu-bFazV s account of the Multan Sirkar. 5
Mahals. Castes.
Villages of the
parganali of
Deg Ravi
ShalTalampur
Villages of the
parganah of
Khai-buldi
Matilah
Remarks.
This parganah was in the Ricnau Duab (sec
below).
Site unknown. I have been told verbally by
native informants that this lay somewhere in the
south-east of the Multan Tahsil.
This is the Khai-buldi referred to on page 3.
This should probably be read as * Metla ’ and
held to refer to some part of the country held by
the Metla Jats who are now scattered about in
the north and east of the Multan Tahsil.
The Ricnau Duab : —
I raj pur and Kharal
Deg Ravi
Caukliandi ... ditto.
Khatpur ... Jat, Sindha ...
Dalibhati . . . Kharal
Kalba ... ... Jatj Soliu
This mahal lay in the Montgomery district
apparently between the Deg and Ravi rivers.
The Kharrals are still a powerful tribe on the
Ravi.
ditto. ditto.
There is an insignificant village of this name a
few miles west of Sarai Siddhii, through which
the Ravi now runs. As it is called Khatpur
Sandlia, from the Jat tribe of Sandhas, there is
little reason to doubt its representing the village
of the text.
Not identified. The place was probably in the
Montgomery district and the latter end of the
name is probably ‘ Bliatti,’ and refers to the
tribe of that name.
This should be read * Kulambah.’ In later
Imperial times the parganah north of the Ravi
was known as Kulambah and that to the south
as Tulambah. The tribe in possession was that
of the Sahu Jats already mentioned under
Tulambah (p. 4).
The Sindh Sagar Duab : —
Villages of . See under Bari Duab (p. 4).
Islampur
Rangpur ... Jat ... ... This is a well-known village near the Cinfib
north of Muzaffargarli.
#
Raipur Kanki... Bliirn ... ... We should probably read * Raipur Kanakke.’
There is a village called Amlrpur Kanakke on
the west bank of the Cinab.
Miscellaneous ...... . .
villages
(The Indus it must be remembered was much nearer to the Cinab then than it
is now, hence the small number of mahals of the Duab.)
f> E» D. Maclagan — Abu-l-FazV s account of t lie Multan SirJcar. [No. 1,
Beyond the Five Rivers : —
The mahals of this tract need not be mentioned in detail as they
are nearly all outside the present Multan district. It will be noticed
however from the list that the Indus flowed north of Sitpur in the
Muzaffargarh district and that the Cinab apparently joined the Satlaj
some miles to the east of the present point of junction. The village of
RaprI, about 8 miles west of Jalalpur Pirwala, which now lies slightly
to the east of the Cinab, then lay on the west. The ‘Majloli Ghazipur’
of the text may be the present Ghazipur in Tahsil Shuja‘abad, but if so
the river Cinab must have run very much to the east of its present
course. There is moreover a tradition that the present Ghazipur
(which is a large brick village, once the headquarters of a Sikh
parganah) was founded in the last century by the Nawwabs of Dera
Ghazi Khan. The list of mahals also includes a place called Ubaorah,
and if this is the village of that name lying immediately south of
Jalalpur Pirwala, the Cinab must have then cut off a very considerable
tract of country which now lies on its eastern bank.
1901,]
T. G. Bailey — Notes on the Sasi Dialect ,
7
Notes on the SUsi Dialect. — By Rev. T. Grahame Bailey, B.D., M.A.,
Wazirabad.
[Read January, 1900.]
‘ Sasi ’ is the name given by Panjabis to one of the criminal tribes
of the Panjab. The Sisls are a deeply interesting people. Sunk low
in the scale of civilisation, addicted by nature and education to criminal
habits, clinging to traditional beliefs peculiarly their own, living in the
midst of, yet holding aloof from, other races, they invite the attention
of students of ethnology and students of comparative religion alike.
But their linguistic interest is paramount. Being criminals they con¬
ceal their language with scrupulous and extraordinary care. Many
are the stories they tell of Panjabis and Europeans, who attempting to
become conversant with their speech, relinquished the project in des¬
pair, being baffled at the unforeseen magnitude of the task they had
undertaken. Such stories are, needless to say, exaggerations.
The StlsI Dialect may be subdivided into two, the main dialect,
and the criminal variation. While the former will certainly repay time
spent on it by students of language, the chief interest lies undoubtedly
in the latter. Here we have the remarkable phenomenon of a dialect
which owes its origin to deliberate fabrication for the purpose of aiding
and abetting crime. Siisls themselves are unaware of its source ; yet in
the presence of strangers they unconsciously use a dialect which is not
a natural growth but a conscious manufacture. So much has this
become new part of themselves that S^sls from any district in the
Panjab will speak the same dialect and be ignorant of the fact that
what they call this language is originally a conscious imposture, a
deliberate fraud, a carefully laid plot to keep in natural darkness deeds
which would not bear the light.
The main dialect is used by all S^sls, both children and adults,
in ordinary conversation. It closely resembles Panjabi, though some¬
times more like Urdu, and if spoken with a clear and deliberate enun¬
ciation, might be partially understood by a Panjabi. The criminal
variation is absolutely unintelligible except to the initiated. Even
8
[No. 1,
T. G. Bailey — Notes on the SUsi Dialect.
SUsi children understand it very imperfectly. It is used in speaking
in the presence of aliens. In the grammatical notes below I have
indicated words belonging to this variation by the word ‘ criminal ’ in
parentheses. The fact, above alluded to, that the Sasi dialect resem¬
bles, sometimes Panjabi and sometimes Urdu, is worthy of attention.
The 1st and 2nd pers. pron. give a good example of this. The singular
is closely allied to Panjabi, but the plural is even more closely allied
to Urdu. All Sftsis can speak Panjabi, but do so with an accent and
intonation peculiar to themselves.
Main Dialect .
Pronunciation: Vowel sounds are the same as in Panjabi. Conso¬
nants vary only in so far as they extend the use of the guttural ly
pronounced aspirates. In Panjabi initial bli, gh, jli, dh, dh, have a
pronunciation entirely distinct from that which they receive in Urdu.
In S§isi we find in addition to these mh and nh, of mhara==hamara,
and nliara = sara (crimiual), cf. Panjabi nherni. This peculiar guttural
sound is traceable, as in Panjabi, iu vowels, but here no rule can be laid
down. Experience alone will bring accuracy.
Grammar, greatly resembles Panjabi and Urdu.
Noun, Scheme of Declension.
Thus, bhukal, dog (criminal), kiita, dog (ordinary, cf. kutta).
Gen. bhukala — ga, — ge, — gi, — gi5. \ { kutte ka ke ki (Sing.)
kute — ga, „ „ „ ) (. ki, pi. Urdu.
Dat. bhukala I „
> gu = kutte ko.
kute J
Abl. bhukala, kute tho = kutte se.
Loc, bhukala, kute bich = kutte me.
Ag. bhukal! kute = kutte ne.
9
1901.]
T. Gr. Bailey — Notes on the S %si Dialect.
Similarly the same postpositions may be affixed to the plural
endings as in the diagram, and so with other nouns, as kanaju, grain,
(m.) bageli, eight-anna bit (f.), ban, sister (f.) Sing, bana (obi.) ban§
(ag.) PI. bans (nom.) bane (obi.) bane orB (ag.).
Adjectives.
Masculine. Feminine.
Singular. Plural. Singular. Plural .
Nom. bhaira bhaire bhairl bhairlf ) = Panjabi bhnira.
Obi. bhaire bhair© bhairla bhairi© ‘
Adjectives ending in a consonant are indeclinable.
Pronouns, Personal, Fh\st Person.
Third Ter son.
J. i. ‘2
10
T. Gr. Bailey — Notes on the Sds't Dialect.
Interrogative.
[No. 1,
Sisi lias a peculiar pronoun, tiarga, without a parallel in Panjabi
or Urdu. It means ‘ the tiling or subject under discussion/ and is used
to prevent a stranger’s knowing what is being talked. It has a number
of significations and quite baffles the uninitiated.
It should be noted that while in Urdu we have three 2nd Pers.
Pronouns used in addressing a single person — tu, turn, ap — and in
Panjabi two — tft tusf, — in Sasi there is only one — tau. I have always
been addressed by Salsis in the 2nd Sing. Of course in speaking Urdu
and Panjabi they conform to the usages of those languages.
Sasi
Urdu
Sasi
Panjabi sa, si si se, san san, siS.
Dutna, eat (criminal) dut-ta, dutia,
Aorist. D fit — e — e — e — § — o — e.
Future. — aggri — atjgra — agra — Sgre — agre — aqgre [Fern.
arjgri, &c., agria, &c.]
Imperf. dut, duti§ (polite ) ; plur. duto.
Cond. Past, diitta (fern, duttl) dutte (fern, dut till).
Prest. dut-tS hai (fern. — ti hai, &c , plur. dut — te Ii5, &c.
Imperf. — t! siyyt, &c.
Past, dut- is (fern. — 1), plur. — e (fem. — iai).
Similarly hona, hota, huwwa, fut. hogra.
jana jatta, gaya (geawa) jigra.
Passive. Similar to Panjabi liau maria jUgra (fem. marl jlgri)
= I shall be killed.
Singular.
Masculine. Feminine.
siyyS siyyi
Third.
hai
hai.
Plural.
Masculine. Feminine,
siyye siyyiS
Verb, Auxiliary, Present Tense.
3901.]
11
T. Gr. Bailey — Notes on the Sasi Dialect.
The Panjabi passive form is also found. Kahida hai = akhida hai =
it is said. When the root of a verb is prefixed to another verb, the root
usually adds — i, e.g., marl jatta = marjata, kuli nliodaggra ( criminal ) =
Panj. karchad§>ga = I shall finish off.
Adverbs, call for little notice.
ethi = Panj. iththe, here ; othi = 5ththe, there ; kare = kiththe, where ?
jare = jiththe, where; ida==istarah, thus; eth8 = ithth8, hence; otho =
otlitho, thence; eth8 tikar = ithth8 tikar, thus far; nff = udhar, thither;
bhalak = bhaj ke, to-morrow.
Bhi = phir, then, a second time, is very characteristic of Sasi. It
is so constantly used and is so gutturally enunciated that Panjabis
sneeringly employ ‘bill bln karna ’ or ‘bhi bhi re re karna ’ to signify
the talking of a S^si, thus they will say “what were you doing among
those who say ‘bhi bhi re re ? ’ ” meaning “What business had you
among the Slsis ? ”
aije = hsS, yes; iwwiyo or iwke = now, quickly.
Prepositions, generally as in Panjabi.
ghara ge agge = ghar de agge, before the house.
The Urdu se, from, is th8 ; but when se is used in comparison of
adjectives, &c., it becomes saththa in SUsi, e.g., sari saththa bhaira =
sab se kliarab.
Interjections.
The most noticeable is ‘ duliai re!' or criminally ‘duhangire!’
to express surprise or horror. The common word for sal am is dua hoti
(du‘a hoti).
Criminal Variation.
This is a thought out and deliberate attempt of surpassing interest
to disguise the ordinary dialect. S^sis call it Farsi, Persian, and many
really believe that it is connected with Persian. Of course this is
erroneous. One of the chief difficulties in deciphering (so to speak)
the Slsi dialect is the existence of these two varieties side by side.
The criminal variety is marked by two distinct features, (1) a number
of words not found in the other, (2) a series of semi-systematic changes
of already existing words. These changes vary, the same word being
sometimes changed, sometimes unchanged, sometimes changed in one
way, sometimes changed in another.
Subjoined is a list of the principal changes,
s changed to d, nab = sab (sahib) ; nat = sat, seven,
s ,, nh, nbara = sara, all.
12
[No. 1,
T. G. Bailey — Notes on the SUsi Dialect.
Changes formed by additions of letters, sometimes with vowel
change.
b prefixed to vowels, bek=*ek, bun = un, bea = ea, bethl = ethi.
k „ ,, kodmi = admi, man ; kdth = ath, eight ; kodha =
adha, half ; kundar = andar.
kli prefixed to consonants, kharaju = rajl=raz!, satisfied; khaditha =
ditlia = Panj. diththa, Urdu dekha, seen,
dha ,, ,, dha ban = ban ==bahin (Urdu) sister ; dha-
gal = gala, neck.
Verbs whose roots end in a vowel have sometimes p inserted after
the root : —
depna = dena, give ; lepna = lena, take ; liopna = liona, be.
Verbs whose roots end in ah, change ah to aug.
Kaugna, = kahna, say ; raugna = rahna, remain ; ana, come, and jana,
go, become asarna and jasarna, respectively.
jana has two criminal past participles, one regular jasarna, one
gauga, formed from gay a on the analogy of kaugna, raugna, &c.
g is added in mharga = mhara = hamara, our ; tuarga== tuara = your ;
merga = mera, my ; terga = tera, thy; kihrga = kihra, who? jihfga =
jihra, who, cf. Pune dialect sara, our; suara, your; mhara, my; tuara,
thy.
I have noticed occasionally peculiar double changes.
khadepaqra = depagra = deqra = detlga, I shall give; khajihrga =
jihrga = jihra, who.
Special words : — It is almost impossible to distinguish between
criminal and ordinary special words.
bora, boy
bori, girl
bhauta, brother
ban, sister
bhatani, woman
kajja .
khet j ’ Ja*
goliya -j
nokli j ’ cul,r“
baut, thief
barml, wife
kini, khatri
cawal, rascal
bhukal ^
kuti j > d°K
1901.]
13
T, Or. Bailey — Notes on the ScLsi Dialed.
t'inda, pig
lalsi, cow
khimat, buffalo
chabra, be-goat
lauda, ox
kudra, liorse
timi, food
kliisu, corn
cai, water
tasli, bread, food
cipra, piece of cloth
dhula, =gur, coarse- sugar
khaula, house
nad, village
pirl, oil
sarband, arrangement
lalli, night, cf. Arabic lail
\
laba
balrni > , rupee
khupna ’
khat, bed
bai = bat, matter
raiqk, meat
konna, one anna
dhormi, two anna bit
chaugli, four ,, ,,
bagelT, eight „ ,,
guluba, tobacco
burkna
togna
:na ) .
> , huqqa
a )
pauni, shoe
bind!, ear-drop
gedi, Panj. jhamnx
retna, lose
dlmna
1a ) ’
eat
dutna
gumana = hide cf. Persian
gum
nunjna, sleep
thaugkna, sit
khlmna, weep
15hna, beat, cf. Kashmiri
layun
t5gna, drink
bei
kulna, cup kar-
na, keep quiet
gum
naththi
kulna, do
lugna, die
&c., &c.
I close witli a rather free rendering of the parable of the Prodigal
Son in Criminal Sssl, a strange combination truly. I have written
below the lines a literal translation into Urdu.
“ Bek kodml siyya, buske dhor bore siyye, khika bora
ek admi tha (si) uske do larke the, cliota (nikka) larka
apne dhabap tg kaugne lagga bha! jihrga kundra bic hope buska
apne bap se kahne laga ki . jo andar mi hai uska
k5dha hissa manU dep. Bun kaugia lepilep, bhi bun lepi
adha hissa mujhko de. Usne kaha lele, pliir usne le
liyya. Nhi bull turl gauga te nhare balue nhare naise
liya. Phir wuh cala (tur) gay a, aur sare rupaie sare paise
nharab krill nhode. Nhi bara jhukha khatang hopia. Buske
kharab kar chore. Phir bara bhukha tang liua. Uske
nas kuch nahl raugia; nhi buh tundl ga khanaukar hop!
pas kuch nahi raha ; phir wuh suaro ka naukar ho
gauga, par jhukha lugi gauga. Ts apne khadila bic nhocia
gay a, par bhukha mar gay a. Tab apne dil me soca
merge dhabapte nas kitne khanaukar hope te buh dutia kulte;
mere bap-ke pas kitne naukar hai aur wuh khaya karte ;
te manu nahl khadepagra ? Hau buske nas turl jasragra.
aur mujhko nahi dega P MaT uske pas cala jaBga.
Jad buh kha turi gauga buske khabap te busko naukhia te
Jab wuh cala gaya uske bap ne usko dekha aur
bara kliimia te busko dbagal lai lepia: buske naste baril
bara roya aur usko gale laga liya : uske waste bari
14
[No. 1,
T. Gr. Bailey — Notes on the Sasi Dialect.
nhonil nboniS pushaka leasriS te buske naste raiijk kuli depia.
sohni sohni poshaki leae aur uske waste gosbt kar diya.
Buska dhabara bora nari tawia; bun kaugia bau terge nas
IJska bara larka sar para; usne kaba maT tere pas
khroj raugta, ria, tai mans kuch nalii depia. Dhabap te
roz rabta raba, tune mujliko kuch nalii diya. Bap ne
kaugia kbajihrge merge bopaT balue naise terge liopal ; kliika
kaha jo mere bai rupaie paise teie liai ; chota
b5ra lugi gauga siyya, biwke kbaji wi tawia, gawaci
larka mar gaya tba, ab ji bill para, kho (gawac)
gauga siyya biwke khalabi tawia.
gaya tba ab mil (labh) para.
1901.] Maulavl ‘Abdul Wall — Jdmi ‘ Masjid at Sailhipd.
15
On the antiquity and traditions of the Jdmi ‘ Masjid and the Rauza of
Hazrat Maulana. Muhammad ‘Arab, at Sailkupa , Sub-Division
Jhenidah, District Jessore. — By MaulavI ‘Abdul WalT, Sub-Registrar
of Sailkupd .
[ Read March, 1899. ]
On my arrival at Sailkfipa 1 in 1891, it struck me that the Mauza‘
was remarkable in many respects : it contained an old mosque, said <o
be in existence from long centuries; a maqbira (tomb) of a Muham-'
madan saint, commonly called “ Maulana Sahib,” and of a Wazir.
Vague traditions regarding the Masjid, and the life of the saint, were
current, but none — Hindus and Musalmans — could tell anything for
certain about them. Even the khadims were miserably ill-informed.
After a long time, while searching for old Farmans, Sanads, Parwanas,
Fatwas, Kablnnamas, and other documents, in the possession of certain
families, I was able to form — with the help of certain old residents of
the village — a tolerably correct idea about the antiquity and traditions of
Mauza‘ Sailkupa, and its ancient mosque. It wns, however, with con¬
siderable difficulty and questionings that I came to know of the
existence of these old deeds, and with still more entreaties, I had access
to them. Owing to the want of education and culture, the Muham¬
madans of the day do not trouble themselves about the relics of old
things left by their ancestors. They only care for such documents that
may be required by the Law Courts — from the period of resumption of
stipendiary lands and grants.
The Mauza‘ Sailkupa, within Jhenidah Sub-Division, is prettily
situated on the left bank of the river Kumar, ten miles north of
Jhenidah. It is one of the principal trading places of Jessore. A
Thana was established here in 1863, 2 and a Sub-Registry Office in 1875,
1 The Mauza* is spelt in various ways : Salkopa, Sailkupa, Saulkupa, or as in
Persian deeds SolkSpa. The etymology is very uncertain. Sail, Saul, or Sal = a
kind of fish, K5pa or Kupa = vvell, i.e., well, or hollow place for Sail fish. The popu¬
lation of the village according to the census of 1891 was 4128.
2 The part north of the River Kumar belonged to Pabna District before 1863.
16
Maulavl ‘Abdul Wall — Jd mi1 Masjid at Sailkupa.
[No. 1,
It has an old bazar , a Zamindari Kachari, formerly belonging to the
Te-ani Raja of Mabmudshahl Pargana, &c., but subsequently a
masouary building was erected by Babu Guruprasad Nandi, a
Taluqdar, and now from several years the Narail Babus’ Kachari is
located therein.
An indigo factory, with a two-storeyed house has been pulled
down. The Kumar, since about 50 years, has shifted a good deal, and
several houses have been swept away. The site of the old Bazar —
which was on the south of the present one — with three rows of shops,
have gradually disappeared. A 'permit ghat, called Pahca-chatra ghat,
with an office, close to Qazi-para Khal have also gone. The village is
divided into Mahalla’s. The quarter in which the mosque with tfilaL
(tank) and the Rauza of the Maulana Sahib are situated is called
Dargah-para or Masjid-para. One Mahalla is called Nagarpara (town)
inhabited mostly by tradesmen, and £ahas ; another quarter is called
Khalisa-para (or Government Khas lands).1
Murshid Qull Khan in 1722 completed his Kamil Jama ‘ tumdri (or
complete rent roll) and divided Bengal into Sarkars, Caklas, and
Parganas. On the establishment of the British Administration,
Divisions, Zilas, and Parganas, &c,, were substituted. Of the old
Divisions, Pargana has survived. While examining old deeds, I found
that Qasba (town) Sailkiipa was lying in Sarkar Mahmudabad, Pargana
Tara ujiyal, Muzaf Suba-i-Jannatu-l-Bilad Bangfila2 (heaven of
countries, Bengal). The present Zamindari Kachari of Mahmiidshahi
Pargana, &c., (incorrectly called Muhammadshahi) is still styled
“ Cakla Kachari,” and the several Parganas which constituted the
Cakla are briefly called Mahmudshdhi WaghairaliuJ
The Jami‘ Masjid is situated in the centre of the Mauza‘, which was
Sailkupa was one of the places from which price lists were sent to the Collector of
Jessore as early as 1790 A.D. J. Westland, Report, p. 209.
1 The following idols have been established at Sailkupa by pious Hindus :
SiddheQvarl Krsna-Balaram, and Ram-G5pal. The last named pair of idols are
very famous, and have endowments of rent-free-lands.
* Mahmud Shahl and Tara-ujiyal are mentioned among the Parganas of Sarkar
Mahmudabad in the Am-i-AJclciri : Yol. II, p. 133, Jarrett.
8 Madhav Bhattacaryya of Ulla (near Naldanga) was Court-Pandit of Sultan
Husain Shah from whom he got five villages. His descendants, the Rajas of
Naldanga, got from time to time several Parganas, about 34 or 35, which they had
intact, till the estate became, to a great extent, lost to the family. Their Cakla
Kachari was close to the Sub-Divisional head-quarter at Jhenidah (extracted from a
Vernacular paper, also vide Report on the District of Jessore, its Antiquities, its
Ilistoxy and its Commerce by J. Westland, Esq., Second Ed. 1874, pp. 42-49, but
the information given in the Report is incomplete).
17
1901.] Maulavi ‘Abdul Wall —Jdimi1 Masjid at Sailkupa,
formerly called town, and measures inside 31£ feet by 21 feet. The
wall is a massive one, 5^ feet thick. The building may be divided into
two blocks lengthwise, eastern, and western, each of which contains
three cupolas or domes of conical shape 21 feet high from the floor,
which go up to the utmost height of the roof, supported by arches, 12
feet high on two stone pillars beneath, not more than 1J feet square and
6 feet high. Where the arch springs, which support the cupola above,
there is a sort of capital. These two stone pillars are posted in the
middle of the building at an equal distance from the walls, and from
each other, in such a position that between them they support the
whole edifice; the two cupolas or domes remain on both aisles of them,
east and west ; the remaining two domes are in the middle of these two
pillars, also east and west, — thus making up six domes or cupolas. On
the western wall, a mimbar or pulpit, and several curved mihrabs or
arches, with spaces to keep ciragh , &c., are still to be seen ; but they are
in a bad state of preservation. Inside, the mosque is rectangular,
outside, the walls on the east and west are projected outwards, and look
like a huge Rahil fish. The cornices on all sides are very beautiful and
well planned. Over the top of the entrance or facade the space appears
to be raised, the bricks of which are carved and ornamented, but broken
and fading away. There are oblong spaces designed to receive
epigraphs which have never been inscribed. There are six small door¬
ways, besides the main entrance — two on the north, two on the south,
and two on the east, on either sides of the main entrance. The height
on the outside from the ground is 18 feet, less by 3 feet, than the
cupolas.
The materials with which the Masjid is built are burnt bricks and
cliunam of shells or kauri . It appears to me a work of considerable
skill. There is a piece of stone lying on the ground. This stone, and
the two pillars, mentioned, are of the same colour and quality.
As to the origin of the Masjid (called in Imperial Farmans Masjid -
i-J&mi1 or Cathedral mosque), it is stated that King Nasir Shah, son of
Husain Shah, of Bengal, while travelling from Gaur on his way to
Dacca (?) came to Mauza‘ Sailkupa. With Nasir Shah were Hazrat
Maulana Muhammad ‘Arab, a renowned Darvish, and Murskid
(spiritual guide) of the King ; Hakim Khan, a Path an ; Saiyid Shah
‘Abdu-l-Qadir-i-Baghdadi ; and a Faqir. The Maulana on seeing the
village was very much delighted and said “ I like this place, I will
inhabit here.” The above-mentioned three persons who were the
disciples of the Maulana wished also to remain with their Murshid at
Sailkupa. Nasir Shah consented to this, and left his Wazir Shah ‘All
in the service of his pir. The King granted a few Bigahs of Idkhiraj
J. i. 3
18 Maulavi ‘Abdul Wall — Jfimi1 Masjid at SailkupH. [No. 1,
lands, and was pleased to call the Mauza‘ “ Nasirpur,” after his own
name. 1 * * * * *
; •' The above is the substance of a dastavlz (attested by several
persons) which the descendants of Shall ‘Abdu-l-Qadir-i-Baghdadi sub¬
mitted about a century ago, when the stipendiary lands in their
possession were threatened to be resumed, and enquiries were instituted
as to their title.8
The further particulars about the mosque are these : — when the
King left Sailkupa, he directed that a Masjid should be built, and a
tank excavated for the Maulaua, to supervise which the Wazir, or
Minister, remained behind. Shah ‘All (for that was the name of the
Wazir, or a high official, as I think he was) commenced building a
Masjid, and digging a tdlab ; but unfortunately Hazrat Maulaua
Muhammad ‘Arab died when the work was in progress. The Wazir
built a Maqbira over the grave of the Maulana, and soon after he too
died — a small tomb was build for him on the west of the Maqbira of the
Maulana Sahib.
• •
They say that Maulana Muhammad ‘Arab was from Baghdad ; and
was very much venerated for his sanctity. He lived, curiously enough,
on a wall, where food used to be sent to him by means of cliinka (made
l Old men still remember the Mauza* being called Nasirpiir specially by Faqirs.
A Nasirpuri man was considered to be a very clever fellow. If a Sailkupaite ever
said a witty thing, “0, he is a Nasirpuri” was the remark of the other persons,
present. The Mauza‘ is no doubt a very ancient one. Its narrow galis, congested
population of tradesmen and others point out that it was a flourishing city centuries
ago — before the British rule. Only royal mosques, established in towns or cities,
where there may be a Muhammadan Judge (Qazi) are termed Jami‘, or Cathedral
mosques. It is very probable that Sailkupa was the seat of a Nawab or Faujdar.
It is said that there were 50 Munshis and Maulavis in it, until a comparatively
recent time. Sailkupa men call the other villages Bhar, and their inhabitants Bharo
(rustics). The latter call Sailkupa nagar (town).
8 In another paper the applicants wrote that there was a fight in 1149 B.S.
between the Zamindars of Mahmudshahi and RIjshahl. The soldiers of the former
being defeated came flying to Sailkupa and were pursued by the soldiers of the
latter, who set fire to, and pillaged, the houses of Qasba Sailkfipa. The royal Fur¬
mans, &c., were then burnt down. This event is supported by Mr. J. Westland
(Report, p. 44), who says that Raja Raghu Dev Ray of Naldanga (Zamindar of
Mahmudshahl) was deprived of his Zamindari for disobeying the summons of the
Nawab of Murshidabad, which was bestowed upon Raja Ram Kant Roy of Nat5r (in
Rajshahi). This occurred in 1144 B.S. (1737 A.D.), but three years later the Nawab
restored it to the family. There is some confusion of dates. The Raja’s property
was restored, and he was well treated at the recommendation of Mir Ghulam
Darvish Cousin of Mulla Khairu-l-Islam of Sailkupa, who was, it is said, at
Murshidabad, on his way from Delhi to Sailkupa,
1901.] Maulavi ‘Abdul Wall — Jdmi1 Masjid at Sailkupa . -19
of twisted ropes) but none ever had seen him eating it. The King
hearing of his sanctity went to see him. The saint being told that the
King was coming to meet him, said to the wall upon which he was, —
“ Badshali jab ate hai, diwar tu bhi kuch age barh.” The wall moved
on. The King being convinced of his sanctity, became a disciple of
the saint, who spoke to the King that he wished to go to a Mauza‘ called
Sailkupa. After a long search, they came to Sailkupa and landed.
Having carefully examined the place, the Maulana Sahib said, “ this is
my destination, I will not stir from here.” After his arrival, many
Muhammadan families came to, and settled in, the village.
Historically I kuow nothing who the saint “ Muhammad ‘Arab ”
was, but it is very probable that h6 came with Nasir Shah, at whose
command the Cathedral mosque— the silent spectator of a by-gone age
— was built. Nasir Shah (as stated above) was the son and successor
of Husain Shah ; but in history, he is called Nusrat Shah or Na§ib
Shah, who reigned after his father. I had, therefore, some doubt,
at first, as to the authenticity of the contents of the aforemen¬
tioned dastdviz , but recent researches based on numismatic and
epigraphical evidences have established the fact that the son and
successor of the great Husain Shah was called Nasiruddin Nusrat Shah
(who may briefly be called Nasir Shah, as I have done in this paper).1
Another oral tradition, which I heard from an old man— descended
from a very ancient family of Sailkupa — says that the Masjid is the
work of Husain Sbah, who was a powerful monarch, and renowned
throughout Bengal for his charities, and benevolent acts. The Ta‘dads
of the rent-free lands granted — in recognition of their former claims —
to the descendants of Shah ‘Abdu-l-Q.adir-i- Baghdadi, by the British
Court, also bear the name of Husain Shah as the donor. It is, therefore,
very probable that Nasir Shah came to Sailkupa with his spiritual
guide, while Husain Shah was reigning.
The brick-built tombs of the Maulana Sahib, and the Wazir Shall
‘Ali, are at a distance of about 35 feet, east of the mosque. The big
tank on the north of the Masjid and the llauza, which, it is said, had
l Sultan ‘A la’uddin Husain Shah reigned from A.H. 899 — 925 = A.D. 14 93- 1518.
His sou who calls himself on all his coins and inscriptions hitherto discovered,
^UaLJl I y\ fj Lj^Jf ^j|
«•
i.c., ‘ the Sultan son of the Sultan Nasirud-Dnnyii wad-DIn Abu-1. Muzaffar Nusrat
Shah, sou of Husain Shah the Sultan, Al-Husaini,’ reigned from A.H. 925 —
939 = A.D. 1518 — 1532. The dates given in the Riyazus-Salatln, and other Histories,
are generally incorrect. .
20
Maulavi ‘Abdul Wall— Jami1 Masjid at Sailkupa. [No. 1,
a masonary ghat or steps, is silted up. There is still to be seen the
foundation of a pakka wall which was intended to go round the mosque
and the Rauza. The traces of a Bhandar-Khaua, as well as
(whatever it may mean) as stated in several Imperial Parwanas, have
well-nigh vanished. The Jami‘ Masjid is now in ruins. Neither it,
nor the Rauza has any inscription. It appears that the work was
suddeuly stopped, before it was finished.
The common folk of Sailkupa know little about the early history
of the Masjid. They are, however, fond of telling beautiful stories
regarding the — what they call, ‘ roofless 5 1 3 * 5 * — mosque, the stone pillars, and
the black stone lying close by. The mosque, they say, was made in one
night, by some supernatural agent, who after having built the masjids,
at both the Panduas (Bara Pandua near Maldah, and Chota Pandua
in the Hugli District) and other places, commenced building the
Sailkupa mosque. Very early in the morning, while it was dark,
and the work was nearly completed, sounds of grinding cird (prepared
of rice) by gayals, or cirkutis by means of DJienki — a sign of the
approaching dawn — were heard, and the work was left half done.
The above story is an old one and I have heard it told in other
places. It only means that the mosque is very old, beyond the memory
of any living man, and that all traces of its origin are lost. This
tradition rightly says that the work was left in an unfinished state, as
surely it was.8
The alleged descendants of the disciples who originally came with
the Maulana Sahib, except those of the Faqzrz (that became extinct
some four years ago) still survive, but they cannot correctly trace up
their descent, and compared with other prominent residents of the
Mauza‘, have held rather very inferior positions.
It is popularly believed that a boastful man cannot lift the black
stone, but one, with humility and faith, would do so. Women are
admitted into the mosque, who rub their breasts to the stone-pillars for
the preservation of children about to be born, or for the recovery of
diseases.
1 As the domes are of conical shape and very high, and till lately covered with
rubbish and vegetation, the report, that the mosque had no roof and in spite of it
the rain-water did not fall within it, found credence among the credulous.
3 The mosque was partially repaired in 1896-97 by the writer, but abandoned
for want of support and co-operation of the local Mnsalmans. The Rauza of
Maulana Sahib, and that of the Wazir, were repaired by MunshI Qaimud-Din, in
1889.
5 It is said that the name of the Fuqir was Caudan Sikka, but this I could not
find in any of the documents examined by me.
1901.] Maulavi ‘Abdul Wall — Jami1 Masjid at Sailkupa. 21
Appendix. .
Of the many prominent residents of Sailkiipa in* the last century,
Saiyid Shall Abu ‘Ubaidullah alias Mir Ghulam Darvish was one. He
went to Dehli, and acquired several Farmans and Sanads from Emperor
Shah ‘A lam ( A.H. 1173-1221 = A.D. J759-1806) and other high
officials. Some of these are briefly noted below, and one transcribed
in full except the Schedule attached thereto. They show how matters
stood a century and more ago uuder the dual form of Government — of
the puppet Emperor, and his all-powerful officials, on the one side, and
the pushing East India Company, on the other.
1. This Parwana was written on the 16th Ramazan, the 9th year
of the Julus (Regnal year). It runs thus: —
y*
The Seal :
jjj Jt
- I | vd #JR
Text : ’
ilbJ| CaIa. j Jla. 0U^.A5 ^(j«>aaLc
|^U iif.j &R.C AajIj AftJUI-o olijf £,c
^ v£? ^ ^
•V ^ ^ »• *
JJppj^^A/o jl Ait^. &*h.$ tȣj ^ Ax*J jjtsPj?
laa jjbj i— >-^-^3 a^j! j yi
LTi))* *bl ‘HP5 pi »’A v-^i *f^f «JjUc j
^5/0 ^taJjy h ca^£ lb ^;W| »«>jj 0f ±yjji y
tpldf & 1+-*^ j^h«A/0 v-A^fj CUaa>J .
w •» f ^
.? j 1/C ^Kap v_jb ^R/C «l^k. £A,w
22 Maulavi ‘Abdul Wall — Jami‘ Masjid at Sailkupa. [No. 1,
j*J»b J J AJL4*iJ| (JUx*» fjic ob©t>2k.
f' '
a.clh/0 ^y-'f ^ i5^|«W jjlf <^3
C^-A/O
) J obvj'iA &Jf oJA|<X>0 ^ Uj
^U/O ^tiX) (^*3^1 J BJaKa^J.* (^ic Jbo ^C
^mIsj hhj ^ ,>aj H«v.3 ^ ^. jb ai«*»J ^ £j^+xj
* ;?
J'«w*jA tj>X 2f^-a»^y) f ^jl4^-'\j3 lj anj| ^jl-gu^O i_
ad** tJ^LJl ^tArfj ^A^j1^ iXiifa t^Alki ^as:^3
*•
* (i-A/O oJb ^3jXJ c5^*/0
( Sr fj£ )
$[) ^1 &£-) J<i^J>vj^ jLs^i jj^vib l^ft/O
a^p"*'0 o.jtlai. J Ovobo| ^ OoJy i_*«Aho ^hwJJlj ^bcjj
i,XS\^ isl*jk< o^^jt &*•& jfji^J f^iXJ
^•d+Xat/C Jffcij ,}lh)| cl^ vjbdW ^bT jjb-^y tjb <xl^c
^1-C !«»[<< t>*v ^_^CJ^k3 « ^.sXVao ^3 ^ii. J ^Jcb i^l^f<X/0 £•&£
•• t »
(jr*^j* J f {j£^ <^s * .J >^tr^ LS* } viAJj'Cjll ^ ^x^Aidt ch*-^
jji&jo J6j<* AftJbu/c jfjty &*/c ^Ia ^ a)^j if,*
K;y^ aa^ai jl ^j'i &*kte j j ^c\^\ *tx} ^ j gls.^ j
aJd| «>XXC ^j| s>J.^j ib^f 0,b£5Jtj ^>^9
^33 31 ^ilajj jt+t t
^a)A ^jb«i./Ai/o j*lij &£ ^3 ^ <^1*69 au<£k^ ^*3 aiAJ^f y
iJ*’!jj'$ {*^3 Jt£> )y.y° \\ (Jjjlla^ &jl (jjJ &$ dyM ks**»£
* *
ai> ^iAi ;b> bkj j J-.3 b
# bj <i>wj^ij aSof Ja ^ i>l^.b ^jf ^b
The word on the top stands foi* aJJ| ^a 11 He is God, &c.” Then
a little below to the left occur “ Maulana Muhammad ‘Arab — may his
secrets be sanctified.” In the next line similarly removed a little
towards the left (certain words of which cannot be deciphered) occurs
the name of “ Saiyid Hasan Ragh l&di ” part of the last word italicised
2.3
1901.] Maulavi ‘Abdul Wall — Jam i5, Masjid at Sailkupa.
is obliterated. Saijid Hasan was the person to whom Mir Ghulam
Darvish (the donee) traced his descent.
Then occur the following names and titles of the Minister in the
seal affixed to the right side of the paper, the name of the Emperor
occurring on the top : — “ Waziru-l-Mamalik Jumlatu-l-Mulk Madaru-1-
Muham 1‘timadu-d-Daula Asaf Jah Burhanu-l-Mulk Shujau-d-Daula
Abul-Mansur Khan Bahadur Safdar-Jaug Yar-i-Wafadar Sipali-Salar
Fidvi-i-Badshah-i-Ghazi Shah ‘Alam— — 1 175 A.H.
Next comes the document itself, in which occur the following : — •
The Mutasaddis (officials), present and future— of Sirkar Mahmuda-
bad, within the heaven of countries, Bangala (Bengal) are hereby
informed, that under the Sanads of His Imperial Majesty dated the
3rd year of the lucky reign “ the posts of Mutawalli (donee), Imam (one
who conducts the service), Khatib (the reader of sermon) of the Masjid-
i-Jami‘, and the Rauza-i-Munawwara (the illuminated sepulchre) of the
Qudwatu-s-Salikin (foremost of the Salihs) the Hazrafc (here the space
is left blank out of respect to the Maulana, as his name occurs on the
top), with —
The waqf properties pertaining thereto, situated in the Qasba (or
town) of Sailkupa, Pargana Taraujiyal, of the aforesaid Sirkar, are : —
four Khar-muhras (or shells) per shop ;
a handful of all sorts of grains, &c., from every package (?) that
are imported to every ganj, gola, ghat, and hat, with —
nawara (revenue of Nawara Mahal ?) within the Jurisdiction of
the above Sarkar.
Also 52 Bigahs of land ( Kasrl ?), and a khanabari (place for
dwelling purposes) within the said Qasba and other villages of the
aforesaid Pargana, were granted to Saiyid Shah Abu ‘ Ubaidullah,
better known as Mir Ghulam Darvish, Husaini, Qadiri, one of the
descendants of Zubdatu-l-‘Arifin (one of the selected ‘Arifs), the Hazrat
(blank, name on the top) as Aima-i-Madad-i-Ma‘ash (the aima tenure of
Madad-i-Ma‘ash 1 description) ... not for any services to be rendered,
&c., &c. - .
Now a fresh Farman dated 11th Jumadi-us-Sani, the 8th year of
the Julus, conferring rights and privileges enumerated, to the above
referred gentleman, and ousting- Nazimu-l-Islam son of Khairu-1-
Islam (who has no Sanad from the Huzur or His Majesty) has been
issued. [The officials are then enjoined to enable the donee to get the
above duties, except the Imperial revenue, &c., &c.].
1 The royal grants in land called Madad-i-Ma‘iish were given as subsistence
allowances to respectable Musalman families who used to devote themselves to the
service of God, and who were of limited means. — 'Atn-uJikbari,
24
Manlavl ‘Abdul Wall — J&mi1 Masjid at Sailkupa. [No. 1,
The endorsement on the other side of the deed gives a precis of the
application by the Wakil of the Darvish (meaning Mir Ghulam
Darvish), and directions to send a communication to the officials of the
Khalisa-i-Sharifa (holy crown lands) with a schedule of the property
and other titles and privileges, also two Bigahs of land close to the
Rauza for building a Qoncj-house (gharial khana), and a khdnqah.
2. This is the copy of a Parwana of the above description issued
by the said Minister on the 12th Rajab of the 4th year of the Julus of
Emperor Shall ‘Alam, and therefore of a previous date. The copy is
sealed by the seal of
ojUc £,JJf ^
The Parwana is addressed to the officials of Pargana Taraujiyal, Sirkar
Mahmudabad. It directs : —
3J& & ^ <y*b] J pi** Jt J* {Sjb
“ •• * ** ••
p &X/Vi *U rv &*>yj<
)\j* y 3 (5^
y** <3^ y ^b)
!»>^l )yx'° ^♦ar/0
3 {Sjb jj ^<^1)1 1^1
• • ••
0^0 9
<3^ LS)b'° 1
^ M
. ij ,,S^ }(ff jA^ . . ajLv.if ^^ybo
It appears from the august daftar that... and 40 Bigahs of land
under the Parwana of the aforesaid daftar dated 27th Jumadi-us-Sani,
4th year of Julus, under the seal of Maulavi ‘Aqibat Mahmiid, the
Sadru-s-Sudur,1 have been given to the above-referred gentleman (Mir
G.D.), accordingly it is written by command (of His Majesty) that they
(the officials of Pargana Taraujiyal) should keep intact and maintain
as before the. ..and 40 Bigahs of Banjar land 8... as Madad-i-Ma‘ash of
<t m* ■ .
1 Sadrs were the highest Law Officers, who were in charge of all lands devoted
to ecclesiastical and benevolent purposes. Sadru-s-Sudur = Head of the Sadrs, or
Administrator-General. (Translation of the Am by Prof. Blochmann). Probably
Maulavi ‘Aqibat Mahmud was the title of Abu Sa‘id Muhammad Mahmud. His son
too was Sadru-s-Sndur. His grandson is Maulavi ‘Abdu-l-Qadir of Silhat (Sylhet).
Tazkira-i-‘Ulama-i-Hind by Rahman ‘All (Newal Kisor Press, Lakhnau, 1891.
pp. 128-129).
8 Banjar is that land which may be cultivated after an interval of five or
more years, Am-i-Aklari , Yol. I, p. 207.
1901.] Maulavi ‘Abdul Wall — Jdmi ‘ Masjid at Sailkiipd.
25
the said Darvish and his heirs, and for the expenses of the Talaba
(students), &c., &c.
On the back are endorsed the purport of the petition and other
directions, as in the previous Parwana.
3. This is a paper in which Mir Ghulam Darvish as Mutavvalli of
“ Rauza-i-Munawwara ” points out to the Sadat and Mashaikh of
Sailkupa that the Jami‘ Masjid and the tomb of the saint are now in
a dilapidated state, owing to the inability and poverty, &c., &c. ; and
the students, servants, wayfarers, and others, are, therefore, in distress.
Then follow details of other necessities. This document is attested by a
large number of Muhammadans (about 65) and is dated 1174 A.H.
No signature is in Bengali.
[There can be very little doubt that this paper was used to get the
royal grants.]
4. Copy of a Parwana dated 8th Zil-Qa‘da, 1168 A.H. hearing the
seal of —
cXUl
* i
in which Kishen Dev Ray, Zamindar of Pargana Taraujiyal, &c., is
informed that Saiyid Bakhsh-ullah. who is descended from Saiyid Shah
‘Abdu-l-Qadir-i-Baghdadi, and is Mutawalli of the tomb of the Maulana
Sahib, did not receive his fee of Rs. 2 for the expenses of the
(both the ‘Ids) last year through the delinquency of the residents,
and the Zamindar is directed to realize this sum
5. This is a Sanad, dated 1179A.H. = the 7th year of Shah
‘Alam’s reign, sealed by iS)^
appointing Mir Saifullah as Khadim of the Masjid, and of the astana
(tomb) in consideration of the claims of his predecessors to the same.
In this deed Mir G\D. says that the office of tauliyat and Khitabat, &c.,
of the mosque and the holy Mazar has always remained in his (G.D.’s)
family, and these duties have never been delegated to any one else.
[ Considering the terms of the previous paper (4) where Bakh-
shullah (son of Saifullah) is mentioned as Mutawalli , the contention of
G.D. appears to be unsupported.]
J. i. 4
26 Maulavi ‘Abdul Wall — Jamic Masjid at Sailkupa. [No. 1,
6. Copy of a nuvishta (letter) signed by Kishen Dev, Caudhuri or
Zamindar of Pargana Mahmudshahi, &c., dated 15tb Shawwal, 1174
A.H. = 1 1 tli Ckait, 1168 B.S. addressed to Ram Narayan Siqdar, Kar-
machari (officer) of Mauza‘ Devtala (a village close to Sailkupa, where
was located a Kachari at the time). It runs: — that Mir Talibuddin
and Mir Ghulam Darvish had disputes as to the Ciraghi (tenure) of
Sailkupa and Devtala. G.D. procured from His Majesty Sanads and
Parwanas sealed by the seal of Sadru-s-Sudur. According to these,
and a Sanad of the Naib-i-Qazi, and nuvishta of myself, G.D. got pos¬
session thereof. Subsequently Mir T. too procured a nuvishta. Both
have met. According to His Majesty’s Sanad Mir G.D. should get the
possession.
7. In June 1842 a case under Regulation II of 1819 (popularly
called Doem Qanun) was decided by Mr. Francis Lowth, Special
Deputy Collector of Jessore. Government was plaintiff, Mir Qiyamud-
din, and after him Mir Talibuddin (and others) were defendants. The
suit was instituted on 7th March, 1837 A.D.
Under a Bubakar, dated 19th Feb., 1839, Bansi Badan Majumdar
was appointed Amin for the measurement of the Lakhiraj property of
Mir Qiyamuddln and Mir Talibuddin of Sailkupa. On his arrival
Mufizuddin alias Cand Miyan presented a Farman of Emperor Shah
‘A lam granting to Mir Ghuhim Darvish thirty thousand bigahs of rent-
free land as Madad-i-Ma‘ash, situated thus : —
North : The river Garai,
South : The Kumar,
East: Sankor Jola (a silted-up water channel),
West : Pitamvarir nala.
He also contended that Mir T.’s lands were included within the land of
the grant, and claimed as heir of G.D. the property — which was in
possession of various persons. Cand also presented the boundaries of
956 bigahs out of the entire Estate.
The filing of this Imperial Farman produced great commotion.
The Amin reported the matter, upon which 14 more Amins, each with a
Piyada and two rasan-girs (rope-holders) were sent out for the mea¬
surement of the land included in the Farman.1
Krishna Dev Dev Ray (of Naldanga), Zamindar of the Parganas,
Radha Caran Ray, Zamindar of Narail, and Mir Haidar ‘Ali — as heir
of T. (deceased) and others, entered protests. Mir Haidar ‘All applied
that his ancestors came originally from Baghdad, and acquired 777
1 In 1840 A.D.
1901.] Maulavi ‘Abdul Wall — Jdmic Masjid at Sailkupa.
27
bigahs of lakhiraj land at Sailkupa, and remained in possession thereof.
T. was the nephew ( of his grandfather — Mir ‘All Riza. T. filed
his Ta‘dad in 1202 B.S. and became dispossessed from the greater part
of his property. After his death, Mir Ghulam Nabi, father of Haidar,
being unable to get possession of the property, gave it in ijara to Brij
Kis5r Nandi (father of Guru Nandi), and from him Haidar was getting
the rent. ,
Radha Caran went so far as to call the Farman a forgery, and the
case was decided accordingly. The Farman was dated in the 10th year
of the Julus of Emperor Shah ‘Alam and the 12th of Nawab Sadru-s-
Sudur corresponding with 1184 A. H. = 1175 B.S. The Diwani was
granted to the East India Company in 1172 B.S. = 1766 A.D., so the
Farman was dated three years after that grant. Had it been genuine it
would have received the sanction (Manzuri) of the Company, and entered
in official records, as it was necessary in all such grants made subse¬
quent to 1766. Neither G.D. nor his successors were in possession of
the property. Haidar got a decree for 100 bigahs and 4 kattas, as sole
heir of T. whose possession was proved.
This Farman was never returned. The particulars are extracted
from an official Faisila of suits No. 1014 and 1015 of 1842. 1
A careful perusal of the papers above noted shows that Mir Ghulam
Darvish imposed himself upon the Court, and the easily-gained officials,
and by mispresentations acquired his Sauads, Farmans, and Parwauas.
His profession that his ancestors were always in the enjoyment of the
mangement of the Masjid-i-Jami‘, the Rau^a of the Maulana Muhammad
‘Arab Sahib, and the properties thereof, are not only untrue, but also
his claim that he was descended from the illustrious “ Saiyid Hasan
Baghdadi.” was doubted. Mulla Khairu-l-Islam. and his son Nazimu-
1 The Amin on his arrival at Sailkupa acted in a high-handed manner, forcibly
summoning such persons as were interested in the matter, and demanding large
sums as bribe ; to this the villagers protested. The Amin reported falsely that his
piyada was seized and beaten, and his Capras taken away. The villagers too lodged
counter charges of corruption and extortion on the part of the Amin. After en¬
quiry the Amin was worsted. The commotion thus produced had its comical side, a
Musalman poetestar composed a long Sari or rhapsody which used to be long sung.
The following lines are from it: —
“Bamsi Badan name ami khyati rakhibd
Guru Nandir int bhaqge Camd Miyar bati libo
Majar Doem Qanun, turn! dekhale
Loker eto sarabengo (?; ”
[ I will keep prominent my name of Bansi Badan ; will pull down Guru Nandi’s
bricks (house), and carry them to Cand Miyau’s. Thou oomic doem Qanun!
(Regulation 11), thou hast shown us so much of&man’s fool’s-errand. ]
28
Maulavi ‘Abdul Wali — Jami<‘ Masjid at Sailkupd. [No. 1,
1-Islam were powerful rivals, and they stoutly opposed the claim. So
did Mir Talibuddin. Mir Ghulam Darvish’s claim on thirty thousand
bigahs of land under the Imperial Farman, and the subsequent events
under the Regulation II of 1819 are an episode in the history of the
Mauza‘ not easily to be forgotten. But whatever the decision of the
Special Deputy Collector, the Farman was a genuine one — never doubted
even by the formidable rivals of his day.1
Mir G.D. built a Kachari, somewhere close to the present Police
station at Sailkupa, but before many months had elapsed, a messenger
is said to have come on boat, and induced G.D. to accompany him to
the Nawab or Emperor. Since then Mir G.D. has not been heard of,
or his claims been put forth — till a comparatively recent date by one,
who was in no way related to him, and when there was neither Emperor
nor Nawab to decide the fate of the country.
*
1 Under Regulations XIX and XXVII of 1793, and II of 1819 various sorts of
rent*free land and other tenements were resumed. Sec. 18 of the last named Reg.
laid down that no Farman of the Emperor of Dehli, nor any Sanad or Parwana of
any Vazir, Nawab, or Raja shall be considered valid ground for title, unless such
deeds could be verified from official records, aud their genuineness attested by
living witnesses.
u
1901.]
W. Hoey — Supplement to Note on Vaisali.
29
Supplement to Note on Vaisali and other places mentioned hy the
Buddhist pilgrims. — By W. Hoey, Esq., Litt. D.
(With Plates I and II.)
[Read January, 1901.]
[This paper is an additional Note to the article by the same author on the
identification of Kusinara, Vaisali and other places mentioned by the Chinese
pilgrims, published in this Journal, Vol. LXIX, 1900, Part I, pp. 74 ff. A map
illustrating the same, and a facsimile plate of the Inscription of Jayadityadeva II.
( see l.c., p. 88 f.) are issued together with it. — Ed.']
In October 1899, just before leaving India, I paid a visit to Sewan
and some other places in the Chupra district, which seemed to me to
invite examination. The result I desire to append to the article al¬
ready submitted to the Society.
The first place to which I would call attention is Titaria, west of
Sewan, between the Daha and Sondi rivers. It is remarkable for a
very bold and massive stupa, which is visible from a great distance.
An obvious derivation suggests what this locality will probably prove
to be. It would not require much reflection to recall the word titar
(Sansc. tittiri), meaning a partridge. Now, in Hwen Thsang’s Record
we find it said that, beside the great brick vihara, in which was the
figure representing the Nirvana, and its adjacent stupa with the pillar
bearing a note of that fact, there was another stupa, built to commemo¬
rate the bird which plunged into the water and flying up shook its
wings over a forest fire to extinguish it. Mr. Beal has rendered the
Chinese word used to denote the bird by * pheasant,’ but this may be
an error, or indeed the pilgrim may have been in error. The pheasant
is not known in the plains of India, as far as my knowledge goes, but
the partridge and the sand-grouse, both known as titar, do occur : and
I venture to think that Titaria is the place referred to by Hwen Thsang.
In that case the huge stupa in its neighbourhood would probably be
that before which stood the pillar recording the fact of the Nirvana.
I was not able to go to the stupa myself for the country round was
flooded after the rains.
30 W. Hoey — Supplement to Note on Vaisali. [No. 1,
Coming from Sewan west by the road to Partabpur Factory, one
crosses the Daha (Sondi) and then the Satnar Nala, and leaving
Titaria on the south, goes on to the Sondi. The people call the Satnar
Nala also Satnariya Nali and say that in bygone days it was the stream
at which suttees took place. It seems to me that the name
may have some connection with the seven (sapta) princes who were
prepared to fight with the Mallas for the relics of Buddha, had not
Drona intervened and divided them. Bhata-pokhar (Sansc. bhakta-
puskara) may be the place where the relics were divided. At that
place there are brick remains, probably of a stupa.
There are remains at Gosopali not far from the Satnar Nala.
There is also farther on towards the Sonda a village called Malpali or
Nandpali, supposed to be an old site.
In view of these observations I wish to withdraw the derivation
suggested by me for Sewan, as (Javayana, the place where the bier
rested, and to say that Kusinara is not Sewan itself. Indeed, it occurs
to me that Sewan may be no other than the word denoting boundary
and mean the spot where one left the Vaisali territory when crossing
over the river to the Kusinara kingdom.
The second place which I wish to bring to notice is Don Buzurg,
or simply Don, a large village lying seven miles south of Mairwa, a
station on the Bengal North-Western Railway line. The village site
is a range of high ground composed of massive bricks, extensive and
of undoubted antiquity. Close up to this site is a huge mound, dis¬
tinctive in outline and character, bare, timeworn and rugged. It is
called Drona’s Mound. When I inquired who this Drona was, I was
told that he was a great Muni, the Dronacarya, who in ancient days
taught the kings of the countries round about the use of arms. There
seems to me to be here a confusion of the Drona who was the tutor of the
Kuru and Pandu princes, with the Drona of Buddhist history, who
far from teaching the use of arms, interposed to prevent the resort to
arms and divided the relics of Buddha to the seven claimants. The
mound is one which should be examined.
As I have now left India, I trust some one will thoroughly examine
the sites which I have indicated, for I feel sure that the result will be
a help in the cause of research as far as the identification of Buddhist
sites in India is concerned.
1901.]
N. Dey — Kaluha Hill in the District of Hazaribagh .
31
The Kaluha Hill in the District of Hazarihagh . — By Nundolal Dey,
Munsif , Tamluk.
[ Read April, 1901.]
[This paper was received by the Society in December, 1900. In the meantime
Dr. M. A. Stein has published in the Indian Antiquary, Vol. XXX, 1901, March,
p. 90 if. a much more complete and accurate account on the Kaluha Hill, incorporat¬
ing the results of a visit paid by him to this site in October, 1899. Notwithstanding
this, the article by Babu Nundolal Dey is published here, as he has the credit of
having first attempted to give a complete account of this site of antiquarian interest,
of which previously only little was known. But for all the details in his paper, the
reader should at the same time consult Dr. Stein’s article, above referred to. — Ed.]
The Kaluha hill was visited by me on the 21st April, 1899. The
Kaluha-pEhar, properly so called, forms the western boundary of a
secluded and romantic valley situated on tlie eastern bank of the
Lilajan river. It is situated in the district of Hazaribagh about 26 miles
to the south of Buddha- Graya, and 16 miles to the north of Chatra, and
6 miles from the Jori out-post of the Huntarganj Thana. The nearest
village from tbe hill is Dantar at the distance of about a mile and a
half. The valley is surrounded by hills on all sides, and is accessible
only by two paths, one leading from the eastern side and the other from
the western, that is, from the side of the Lilajan river. The eastern
path is the easier of the two, though it passes through boulders of rocks
and blocks of stones, as it takes a winding course over the hills, whereas
the other path from the Lilajan side passes over the steep side of the
rock. Though all the hills surrounding the valley are known by the
name of the Kaluha hills, yet the name of Kaluha-pahar, properly so
called, is confined only to the range on the western side of the valley.
My present remarks relate only to this western range, as the pilgrims
and visitors do not see the other parts of the valley.
From the entrance over the eastern hill of the valley to the top of
the western range or Kaluha-pahar , it takes more than an hour to go.
The intermediate space is dotted with small hills, knolls and low
plateaus which add to the picturesqueness and grandeur of the whole
32
N. Dey — Kaluha Hill in the District of Hazaribagh . [No. 1,
scenery. The western hill is the highest of all the hills that surround
the valley ; and the narrow path takes a winding course over the dizzy
height of the steep rock amidst boulders which, from the entrance to
the top of the hill, are marked with vermillion so that one may not lose
his way. But the hill can be ascended by means of a dooli , as I did,
if proper arrangement be made beforehand of men to take it up.
As the top of the western hill is approached, figures of Buddha in
the conventional form of meditation are seen sculptured here and there
on the rock. Just on the top of the hill, at the termination of the path,
there is a narrow doorway in good order, 4 cubits in length, situated in
the centre of a wall of hewn stones, which connect on either side the
high precipices which form the natural wall of the place. Thus it will
be seen that if the door, as there was evidently one before in the door¬
way, be closed, it would shut out all ingress into the top of the hill,
except by the entrance on the western side of the hill which I mentioned
before. The eastern doorway leads to a level landing-place which was
evidently the court-yard of some building now in ruins, and the build¬
ing is said to have been the residence of JEtaja Virata of the Mahabharata.
There is no artificial wall on the northern side of this range, as the
towering precipitous rocks on this side form the natural wall ; but on the
western side overlooking the Lilajan, there are vestiges of walls of similar
hewn stones filling up the interstices between high rocks, thus forming a
continuous line of wall. There is a similar doorway, as above described,
five cubits in length in the wall on this side also ; and I have not the
slightest doubt that formerly there was a flight of steps from this door¬
way leading down to the river Lilajan which laved the side of the hill
before, though it has now receded a little further to the west. There
are remains also of a similar stone wall on the southern side of this
range.
The enclosure thus formed is more than one-fourth of a mile in
length from north to south, and about one thousand paces in breadth
from east to west. I speak of the measurements by guess only. This
enclosure is divided in the middle by a deep ravine which has got its
declivity from the north to the south. Though the ravine is now dry,
yet on the northern side, notwithstanding its declivity to the south,
the water has scooped out for itself a hollow resting place forming a
beautiful pond about 200 cubits in length, overgrown with lotus plants
and other water-weeds. The temple of Kule9varl is situated on the
hill on the western side of the ravine, and on the eastern side of the
ravine there is a wide plateau running up to the eastern border of the
Kaluha-pahar, rising in two tiers. This western hill and the plateau
on the two sides of the ravine extend only to a short distance to the
33
• 1901.] N. Dey — Kaluhci Hill in the District of Hazaribagh.
south from the southern border of the pond ; and at the southern side
and on the southern portion of the enclosure there are other detached
hills of which I shall speak hereafter.
Though the enclosure above described forms a natural stronghold,
yet I did not find the remains of any fortress within it, excepting the
slight trace of a battlement on the south-eastern wall. On the north¬
western side of the hill situated on the western side of the ravine, and
not far from the western doorway above described overlooking the
Lilajan river, is the temple of the goddess Kule^vari which means the
Lady of the Kula mountain. It is a small homely square building
facing east with a dome surmounting it : it consists only of two small
rooms, and in the inner room the image of the goddess is placed in a
niche in the central part of the western wall. The image of Kule^ari
is the image of the fourhanded Durga in her Mahisa-viardini form
and it is one cubit in height. Two fairs are held here every year in the
months of Caitra and Alvina, when, I understand, people from Gaya,
Benares, Mirzapur and Chapra come to visit the shrine.
Just outside the temple at its northern side below a Pipal tree
(Ficus religiosa), I found some dozen figures of Buddha in the medita¬
tive posture, but they are all in a mutilated condition, though they
can be distinctly recognised as figures of Buddha. A small piece
of stone among them contains a sculpture of the birth of Buddha in
the lower compartment and his death in the upper, but the figures have
become so much mutilated and obliterated that they can hardly be
recognised. There were also two fragments of a frieze with small
images of Buddha carved upon them. The Pandas told me that
formerly many such figures in the meditative attitude abounded the
place, but they have been taken away gradually by the persons who
visit the shrine.
At a short distance to the south of the temple of Kulepvaii and
on the same hill, is a small low cell facing west formed by two boulders
of rock with a stone slab on the top of them. One must creep inside
the cell to get a view of the image there. It contains an image which
is worshipped as the image of Bhairoji. But on close inspection it was
found to be the Jaina image of Parpvanatha in the posture of meditation
with the usual row of snake-heads on the top of the head. I could
not make out whether the image was of white or black stone, as a
thick coating of black paint has been laid upon it to make it appear
glossy and shiny. Just in front of this cell and at a distance of only
1| cubits, is the back of another low small cell similarly formed ; it
contains a stone image of Buddha in the same contemplative attitude :
the face has been mutilated, and the broken part has been smeared
J, 1. 5
34 N. Dey — Kaltiha Hill in the District of HazaribagTi. [No. 1,
with vermillion. But the hanging lobe of the ear and the matted top-
knot on the head and other indications are sufficient to identify it with
the image of Buddha. This image is not worshipped notwithstanding
the vermillion paint, and the Pandas told me if I liked I could remove
it, indicating that they did not care for the image at all.
From this hill to the opposite side to the plateau, the dry bed of
the ravine should be crossed. On coming to the slope of the plateau, one
meets with a small cavern, the circular mouth of which is one cubit in
diameter and three or four cubits in depth with little or no water in it :
this is called the Surya-kunda or Patala-Gahga. On the side of it is an
ima°*e of Buddha. At a short distance from it, there are some figures
of Buddha grouped together in one place. But it is evident that they
are not in situ , and all of them are mutilated in some part of the bod}'
or other.
At a very short distance higher up on the north-eastern side in the
sanie tier of the plateau, is a small temple (10 cubits by 10 cubits)
with a domed top, standing on a rectangular terrace about two cubits in
height from the ground. The temple faces north and it consists of the
sanctum only. In the centre of the southern wall, there is a niche
which contains a broken image of Buddha covered with heaps of small
stones. The head, the arms and the trunk were broken : the arms
were missing, but when I joined the head and portions of the trunk to
the pedestal over which were the hands in the meditative posture upon
the cross-legs, they made up an entire figure of Buddha. I was given
to understand that whoever visits this temple throws a stone at the
image. This is very significant. If it ever be proved that the temples
and other buildings of the Buddhist period of this place have been
destroyed, — and the destruction was not brought about by any natural
causes, — it was certainly owing to Hindu hatred and not to Moslem
bigotry.
On the north-west of this temple, there is a brick plinth of an
oblong building called the Baithak , 27 cubits in length from north to
south by 10 cubits in breadth from east to west. It was evidently a
large hall, as I did not find any sign of a partition-wall ; but at the
same time I did not find any indication of cells on any side.
Higher up on the same plateau but in the upper tier, there are the
remains of a brick building (12 cubits by 10 cubits), which appeared
to me to be a temple, which faced west as is clear from the flight of
steps that led into it, but there was evidently a door also on the
northern side. Just to the north of this building I found nine mortices
on the surface of the level rock placed in three rows, indicating that
there was a wooden frame-work which evidently served as a nave to the
1901.] N. Dey — Kaluha Hill in the District of Hazuribagh. 35
temple. Behind this building and extending almost up to the eastern
border of the western range, there is a brick plinth of an oblong build¬
ing called the Scibha-Baithak , which is 58 cubits in length by 18 cubits
in breadth. I could not find here also any vestige within of a partition
wall or cells on any side. At a distance of about 50 eubits to the
north-east of the Sabha-Baithak there are the remains of another oblono*
c3
plinth, 21 cubits by 12 cubits. The whole of this upper tier is called
Mnrud-Mdruz , Within the space enclosed by the mortices, there are
several lines of an inscription engraved on the surface of the rock in
Sanskrit, but so much obliterated by exposure as to have become nearly
illegible. But it is clear that the commencing word is “ Samvat,”
though I could not make out the date. It is said that at this place
Virata’s daughter Uttara was married.
To the north of the Mdrud-Marut and at the nortli-eastein corner
of this range which I have called the western range of the valley, there
is a precipitous rock which sharply rises against the sky. This is
Called the Akdgalocana : it is the highest peak in the whole range.
In the central part of the Akdgalocana , there are 10 seated figures of
Buddha carved in one place on the rock ; each figure has got the figure
of a woman on either side with chowry in hand. There are inscriptions
in Sanskrit on the top of this row of figures, and I think some of the
letters are fairly legible, aud I could read some of them, though I could
not make out any sense from them: a competent antiquarian, however,
would I suppose be able to decipher them. Immediately below
this row, there is a row of carved animals as elephants, horses and
lions. A little further on there are five seated figures of Dhyani Buddhas
and five standing figures of Buddhas or Bodhisattvas carved in another
place on the rock in one row, and there are inscriptions above and
below the standing figures and between them, I could make out the
figures “ 22 ” though I could not read the two preceding figures after
the word “ Samvat.” Below this row, there are figures of animals as
above described in one row:
I am quite sure that a competent antiquarian would yet be able to
make out the dates of these inscriptions from the inscriptions them¬
selves, though many of the letters have worn off and become illegible.
I could not, on account of my weak health, get upon the top of this
hill ( Akagalocana ), but I have been told by those who have visited the
peak that a little further up from the rows of figures above described,
there are the remains of a brick chamber 18 cubits in length by 12
cubits in breadth, the bricks of which are of very large size. If this be
so, there can be no doubt about the antiquity of the place. On the top
of this hill beyond a narrow perpendicular fissure which has severed the
36 N. Dey — Kaluha Hill in the District of Hazaribagh . [No. 1,
hill into two parts, there are two impressions of feet — evidently of
Buddha — carved on a boulder which could be seen from below.
On the southern side of the enclosure, that is to the south of the
hill on which the temple of Kule^ari and the cell of Bhaironath are
situated, and to the south of the hollow trough forming the pond, there
is a hill on the side of the Lilajan, on which are to be seen tiie remains
of a colonnaded hall. On the south-eastern side of this hill, there is
another detached hill called the Satgharwd, which is remarkable for its
very curious boulders and cells. There can be no doubt that at some
very remote period this hill was subjected to a very severe earthquake
which shivered it into fragments, and which caused the fissure on the
top of the Akagalocana on the northern side of the range. The huge
boulders that are scattered about with boulders on their tops form very
excellent cells where persons can live with convenience, and the cool
breeze that blows through them during the hottest part of the day,
induces the visitor to have his mid-day siesta here.
It will be remarked that excepting the image of Kule^vari, I did
not come across the image of a single deity belonging to the Hindu
Pantheon. The place is entirely Buddhistic. It is my strong convic¬
tion that Kaluha-pabar is the Makula Parvata of the Burmese annals of
Buddhism. Buddha is said to have passed his sixth Wasso (or rainy -
season retirement) on the Makula mountain (see Bigandet’s Life or
Legend of Gaudama) . Kaluha is simply a contraction and corruption of
Makula , the letter ( Ma ) of *T«j^r ( Makula ) having dropped by lapse
of time, and the word Kula changed into Kaluha according to the
guttural pronunciation of the people of the district. The word Kula,
however, still exists in the name of the goddess Kule^vari (Kula-fi
i^vari) which means, as I have stated, the Lady of the Mountain Kula.
Its propinquity to Buddba-Gaya and perhaps its situation near the
ancient road to Rajagrha or Qravasti which was often visited by
Buddha, might possibly have led him to select this secluded spot as a
fit place for passing the customary rainy-season retirement on the sixth
year after attaining the Buddhahood. I have been told that a few
years ago, when the dispute about the Buddha-Gaya temple was going
on, the Burmese tried unsuccessfully to get a lease of the hill from the
Pandas and the proprietor. But I cannot vouchsafe for the truth of
this statement. The known sanctity of the place as being the tem¬
porary residence of Buddha and its natural strong position, perhaps, led a
neighbouring chieftain professing the Buddhist faith to fix his residence
here at a later period. There can be no doubt, however, that the
Brahmins appropriated this sacred place of the Buddhists and set up an
image of Durga, perhaps after the expulsion of Buddhism. They either
Journ a, u, As. Soc. Beng., Vou . LXX, 1901.
Photogravure.
Survey of India Offices, Calcutta, June 131
COPPERPLATE INSCRIPTION OF JAYADITYADEVA H.
( Journxil,As.Soc.Bmg.,Yol.LKll,l900,Pag& 88 ff.J
Journal. As. Soc., Bengal, Vol. LXX, 1901.
Plate II.
MAP OF COUNTRY
BETWEEN
KANAUJ AND GAYA
TO ILLUSTRATE
(1) — The Route probably taken by Buddha when he fled
from home;
(2) — That probably taken by him when he left Pataliputra
on his last journey; and
(3) — Some of the places mentioned by Chinese Pilgrims.
Scale 1 Inch = 16 Miles. W. HOEV.
? continuous red, line shows No. (1) ami the dotted red line No. (%) .
■
'
■
37
1901.] N. Dey — Kalnha Hill in the District of Hazarihagh.
deliberately concocted the story that the place was the site of Raja
Virata’s palace in order to conceal its Buddhistic origin, or they were
led to the belief by the five figures of Buddha, either seated or stand¬
ing, carved on the hill of Akagalocana, which they took to be the
images of the five Pandavas who had taken refuge in the court of
Virata.
I feel quite confident that if proper measures be taken for the
exploration of this place and the decipherment of the inscriptions before
they get further obliterated by a competent antiquarian, it wrould not
only elucidate the name of the place and fix the date of the sculptures
and buildings, but throw much light upon many matters which are yet
hazy and doubtful.
38
W. Theobald — Karshapana Coinage.
[No. 2,
A Revision of the Symbols on the 1 Karshapana' Coinage, described in
Vol. LIX, 1890, Part I, No. 3, and Descriptions of many
additional symbols. — By W. Theobald, M.N.S.L.
[Read December, 1899.]
In my previous paper on the symbols met with on the earliest
Indian coinage, the ‘Puranas’ or ‘Karshapanas’ proper, I had
followed the example set by Thomas and Sir A. Cunningham in draw¬
ing no fixed line between the above earlier symbols and those met with
on the later coinages of Ujain and Eran, but the publication of the
“ Coins of Ancient India ” has rendered it expedient and practicable
to distinguish between the symbols of the earlier and later coinages,
although many of the earlier symbols have survived and re-appear on
the coins of more local and modern issues. The revision, therefore,
which I now propose to make, consists mainly in the removal from my
first list, of all symbols which are not known to occur on the early
‘ Karshapanas,’ with a few others which are mere duplicates, uninten¬
tionally inserted or erroneously identified. The following symbols have
been removed from the list.
No. 37 a Rhinoceros and 45 a Panther ; both these identifications
of Thomas I regard as erroneous.
Nos. 253 and 284, duplicates of other numbers.
No. 57, on later coins of the Kunindas.
Nos. 67, 75, 140, 161, 187, 188, 305, of doubtful identification.
Nos. 236, 241, from coins found at Wai.
No. 258, a Cappadocian symbol.
Nos. 259 to 277 inclusive, Scottish symbols.
Nos. 37, 62, 110, 129, 140, 154, 167, 173, 195, 202, 203 204
206, 207, 208, 209, 210, 211, 213, 214, 217, 219, 220, 221, 223, 226*
227, 228, 232, 235, 237, 238, 243 and 251, all on coins of Eran or
Ujain, making a total of 65 symbols to be deducted from the 312, leav¬
ing a total of genuine symbols of the older coinage, of 247. All above
that number in the present paper are additions now made to the list.
1901.]
W. Theobald — Karshapana Coinage.
39
A few remarks will not be out of place here on some erroneous
identifications of Indian animals made by previous writers, through
unfamiliarity with Zoology and its technicalities ; for example, an ani¬
mal possessed of a long tail and crescentic, unbranched horns, cannot
by any Zoologist be correctly described as a ‘Deer.’ This very error
is made in J. As. Soc. Ben. for 1838, page 1051, PI. XXXII, figs. 2,
3, 4, 5, 7, 8, 9, 10, which all represent specimens of silver and copper
coins of Amoglia-bhuti. On the obverse of these coins an animal is seen
turned to the right. In the letter press this animal is termed a ‘ deer ’
and this error has been religiously perpetuated down to the present
day.
In “ The Coins of Ancient India ” two excellent figures are given
of two very perfect silver coins, the animal being termed a ‘ Deer ’ on
p. 72. As these plates are photographs it is as well to consider them
carefully, as they are to all intents and purposes as accurate for refer¬
ring to, as the coins themselves. In both figures the animal displays a
long bushy tail, and a pair of unbranched crescent-shaped horns, both
of which characters absolutely prohibit its being considered a ‘ deer ’
whilst the second, fig. (No. 2), displays the rounded forehead and an
exaggerated attempt to represent the moist ‘ muffle ’ which indicates
pretty clearly that the animal is a buffalo. In 1841 Professor Wilson
described the animal as a Stag in Ariana Antiqua, p. 415. In 1865 Mr.
Thomas described the animal as a sacred deer, with “ curiously curved
horns and a “ bushy tail” in the J. As. Soc. Ben., p. 65. In 1875 Babu
Rajendralala Mitra described the animal as a “ curiously antlered
deer ” in J. As. Soc. Ben., p. 82, despite the fact that nothing approach¬
ing an ‘ antler ’ is seen about the animal, and lastly Mr. Rodgers des¬
cribes the animal as a ‘ deer ’ in his Catalogue of the Coins of the Indian
Museum, p. 9.
Of course all this unanimity of error arose from not one of the above
writers possessing any clear notions of the technical points which separate
the Cervine from the Bubaline section of Ruminants, or those possess¬
ing deciduous horns from those whose horns are carried on a bony core.
Another Zoological error Mr. Thomas made, was in confounding the
buffalo, with the elegant little ‘ Chikara ’ (Gazella bennettii) or ‘ ravine
deer ’ as it is erroneously named by Anglo-Indians, (it being a Gazelle
and no deer), when he described the helmet of the King (Huvishka)
as guarded by buffalos’ horns : see Jainism, PI. II, fig. 16. This pecu¬
liar head-dress has not been figured either by Sir A. Cunningham, or
in the British Museum1 Catalogue of Coins of the Scythic Kings.
1 Note. — With respect to the note to page 145, some doubt may, I think, be
entertained, whether the coin quoted to support the contention of the object in the
40
[No. 2,
W. Theobald — Karsliapana Coinage.
Cunningham in his paper on the coins of the Kushaus (Nam. Chron.
Vol, XU, PI. IX), figures and describes four types of the Obverses of
the gold coins of Huvishka, A. B. C. B. My collection contains speci¬
mens of B and C , only, but it also contains two specimens of the type
described by Thomas, with horns on the helmet of the King, which is
unnoticed in the other works quoted, though I make little doubt the
type exists in both collections. The type is similar to JB with a
pointed and tliickljT-jewelled helmet, but the helmet is crossed by what
Thomas describes as buffalos ’ horns, but which I regard as those of
the elegant Indian Gazelle (Gazella bennettii ;) united in front of the
helmet by their bases, and carried up, and backwards, their tips appear¬
ing clear of the head behind, and pointing upwards. Two Gazelles’
horns thus adjusted and suitably mounted would not only form an
artistic ornament, but serve also as an efficient guard against a sword
cut. The idea, however, of encumbering a man’s head, by way either of
ornament or defence, with a clumsy pair of buffalo horns is preposterous.
In 1858 The Honorable Walter Elliot published his Numismatic
Gleanings in the Madras Journal of Literature and Science, wherein
a number of Punch-marked coins are figured, many of which were
reproduced with scant acknowledgment by Thomas in Numismata
Orientalia, Part I, in 1874. Some of Mr. Elliot’s remarks require
notice. At page 229 we read “ A dog, always in the same form, with
his forelegs half crouching as if in play, is found on figs. 8, 11, 12,
13, 14, 15, 16, 18, 20, 21, 26,” that is on eleven coins selected for
figuring. Now in only one of these figures, ( Fig. 8 ) is there the
slightest connection indicated between the ‘ dog ’ and the ‘ Stupa ’ or
‘ Chaitya ’ whereon it is most usually represented as standing. In
fig. 8, only, is a single chamber of the ‘ Chaitya ’ discernible under the
dog’s hind legs, whereas in my own collection, the association of the
dog and Stupa is seen in no less than nine coins ; and the only explan¬
ation that occurs to me is, that the artist, not understanding the
significance of the little hemispherical marks under the dog’s legs,
omitted them, in some instances at least, as unintelligible and unim¬
portant. Then again on p. 230 Walter Elliot describes the ‘Taurine’
or “ ball and crescent ” as associated in figs. 19 and 27 with a “ plough.”
Now Thomas in N.O. fig. 9, reproduces these figures, with a slight
King’s hand being an ear of corn, does anything of the sort, as a similar coin in my
possession displays traces of riugs beneath the object in question, which is usually
regarded as an iron-bound mace. Neither the figure 9 of PI. XXYIII, nor my own
coin suggests to me an “ ear of corn ; ” the design might be clearer, but I think it
probably represents a bird, such as a falcon, in the attitude of crouching, before
taking flight from the King’s hand, or the mace whereon it is perched.
41
1901.] W. Theobald — Karsliapana Coinage.
variation and without any reference to Elliot’s paper. In Elliot’s figures
the upright object which I regard as a hammer (No. 299 of this paper)
is represented as having on one side a broad oblong head, and a sharp
adze-like cutting edge on the other, with a small bamboo handle passing
through it, as is usual with Indian hammers to this day. This ‘ head ’
is altered in Thomas’ figures, and shows a curved outline which does
not belong to it, as though to support its claim to be considered as a
plough. It is true that at p. 61, Thomas places a note of interrogation
after the word “ ploughs,” but the alteration made in Elliot’s figures is
undoubted, especially as regards fig. 19.
At p. 230, Elliot remarks “ The uppermost arch of the 1 Cliaitya ’
is often surmounted by a ball and crescent.” This, I am convinced, is
a slip of the pen for “ a crescent ” only, as the “ ball and crescent ” or
‘ Taurine ’ symbol is never, so far as I know, found imposed on the
‘ Cliaitya,’ where the crescent is usually present. Again on p. 230, Elliot
remarks “ The tree sacred to Buddha is seen on figs. 9, 13, 18 and 26.”
The tree on fig. 9 is a sacred tree with a railing below, and may be
intended for the sal ( ‘ Thiyali ’ of the Burmese, or the Shorea obtusa,
Wall, which they hold sacred) beneath which Buddha was born. This
symbol is No. 302 of this paper. The tree, however on figs. 13 and
18 and probably on 26 is quite different and may represent the cocoa-nut
palm, Symbol No. 301 of this paper.
Passing now to the consideration of the Symbols on Punch-marked
coins, Thomas in his Essay on Ancient Indian weights, in Numismata
Orientalia, on p. 61, enumerates among the animals figured as symbols,
“ Deer,” “ Rhinoceri,” and “ Panthers.” As regards the Rhinoceros
-
the evidence is very insufficient. The first figure on the sixth line ( 5
bis), which is regarded by Thomas as a Rhinoceros, is repeated on page
62 in more detail, and is there clearly seen to be intended for a bovine
animal, as the outline of the die is notched, to correspond with the
hump, as is always the case where a bovine occurs on these coins, and
the only figure I have ever seen which might claim to represent a Rhi¬
noceros, was on a round copper coin of Ujain (?). The Rhinoceros,
therefore, must be deleted from the list of animals represented on these
coins. As regards the Bull too on these coins, it always seems to be
made to face to the right, and the two figures in Num.-Orieut., Plate I,
which face to the left, are in my opinion heads of elephants, drawn
vertically, and whose tusks are thus converted into horns :
In the same Plate there are four figures numbered 6, which at
p. 61. Thomas describes" as “Panthers, &c.” Now of these four
figures the first is probably a dog No. 25 of the present paper, and the
remaining three figures are goats No. 19 of my list, and curiously
42
W. Theobald — Karshapanci Coinage.
[No. 2,
enough neither fox nor goat is included by Thomas in his Plate by
name, though neither are rare on the coins, while so far as I am aware
the ‘ Panther ’ is never represented. As from an examination of good
specimens of these three figures regarded by Thomas as representing
“ the Panther of Bacchus “ with his vine ” (p. 59, Num. -Orient. ) it is
certain that the animal was provided with straight horns, the Panther
must also be struck out of the animals which occur on the coins. The
“ vine ” is there, but the animal has horns, and is really a goat.
The next instance of erroneous identification to be recorded is from
the Catalogue of Coins of the Indian Museum by Mr. Rodgers. Here
No. 7532 figured on PI. II, fig. 1, is described as a horseman. Now
neither horse nor horseman occur on any early Punch-marked silver
coins, and the figure in question can be easily identified from the Plate
as a humped Bull to the right with a Taurine in front of it, identical
with No. 29, fig. 16, of my former paper, or No. 12 of my present list..
A similar figure to the last on No. 7542, PI. II, fig. 2 is also misnamed
an elephant, which is the more curious as on both the above figures the
hump is distinctly visible. Another rather amusing mistake is made
with No. 7544, PI. II, fig 3, where the common symbol of a peacock
perched on a ‘ Stupa’ is described as a very small horse : The import¬
ance of correcting such an error lies in the fact that the horse is an
animal wholly absent (so far as I know) from these coins. On Nos.
7539, 7543 and 7545, a ‘ deer’ is recorded, but as no figures are given,
1 am unable to suggest the correct attribution, though ‘ deer ’ I am
confident is wrong.
Lastly, I must not permit any personal considerations preventing
my inserting my own name among my illustrious predecessors in error,
and I must, therefore, declare that my identification of the gangetic
crocodile seizing a ‘ liilsa ’ was an error, which a reference to the
original drawing of Walter Elliot’s fig. 24 has enabled me to correct.
In N.O. fig. 7 the tail of neither animal is given, but in the figure of
Walter Elliot the bifurcated tail of a fish is clearly seen and hence I
conclude a porpoise (Platanista) is intended, and I presume when the
chance offers, a porpoise eats fish, as well as the crocodile. The
incident was moreover long anterior to Buddhism and is made use of
in Hesiod’s description of the ‘ Shield of Herackles.’
A SEA VIEW.
“ There was seen of mighty Ocean, safely fenced a spacious bay,
“ All of purest tin its waters, smooth, as though a river, lay :
“ Many a dolphin there was sporting, there was chasing shoals of fish,
“ Which for safety fled before them, some on that side, some on this ;
1901.]
W. Theobald — Karshapana Coinage.
43
“ And two dolphins, all of silver, half emerging from the flood,
“ Crunched between their jaws the fishes, as though formed of flesh
and blood.”
Shield of Herakles. 207, 213.
In some parts of this paper I have applied the term ‘ Thyrsos * to
objects seen on these coins. I am, of course, aware that the ‘ Thyrsos ’
proper is a wand or staff ending in a ‘pine-cone,’ but I think the term
may be extended for want of a better, to any symbolic staff, with an
enlarged apex, excluding the ‘ hasta pura ’ which though common on
the gold Scytliic coins is not met with on the silver ‘ puranas ’ or copper
coins.
In the list of symbols now given, which occur on the silver
Karshapanas (round or square) the first column contains the number
of the symbol in the present list ; the second column, the number and
figure of the symbol in my previous paper, and the following are the
abbreviations used: —
N. 0. — Thomas’ Essay on Ancient Indian Weights in the Numis-
mata Orientalia, 1874.
A. I. = Cunningham’s “ Coins of Ancient India.”
The numbers in brackets are the ‘ series numbers ’ of coins, when
in my own cabinet.
O. and _R., for Obverse and Reverse symbols respectively.
B. M. = British Museum.
A. C. — Cabinet of Sir A. Cunningham.
N.G. and W.M 7.= Walter Elliot, Numismatic Gleanings, Madras
Journal of Literature and Science, 1858.
One male and two female figures. A. I., PI I
11. (8). ’
Figure with three dots above.
Figure with five dots above.
Figure with water-pot in left hand.
Plumed warrior with tall Club in left hand and
water-pot in right. Cat. Coins, Ind. Mus No
12374, PI. II, p. 7. (115). ’
Figure, perhaps Agni.
Hand, in a square area. A.I., PI. I, fig. 12. (6).
Elephant to right. A. I., Pi. I, fig. 5. (2).
Elephant to left. W.E., Pi. YU, figs. (Obv.) 14,
(Rsv.) 13.
Elephant to right, margined with ‘ Taurines.’ N.O.
Humped Bull to right. (1).
Do. with ‘ Taurine ’ in front. (87, 41 ) Cat. Coins
Indian Mus., No. 7532.
Do. with ‘Taurine’ in front, reversed. (11).
Do. with ‘ Fish ’ in front and above rump, in an
oblong area.
(94).
44
W. Theobald — Karshcvpana Coinage.
[No. 2,
1901.]
YV. Theobald — Karshcipana Coinage.
45
J. if 7
46
W. Theobald — Karshapana Coinage.
[No. 2,
1901.]
47
W. Theobald — Karshapana Coinage.
48
W. Theobald — Karsliapana Coinage ,
[No. 2,
1901.]
W. Theobald — Karshapana Coinage.
49
50
W. Theobald — Karshapava Coinage.
[No. 2,
1901.]
W. Th eobald — Karshapana Coinage.
51
* (67, 77, both coins of rude execution ).
52
W. Theobald — Karshapana Coinage.
[No. 2,
W. Theobnld — KarsJiapcina Coinage.
53
1901.]
J. i. 8
W. Theobald — Karshapana Coinage.
[N o. 2,
54
W. Theobald — Karshajpana Coinage.
55
1901.]
Three spheres, united into a cluster by three short
stalks, (54). This symbol is really compounded
of three Numbers 165 symmetrically united.
Spear-head between ‘ Taurines,’ N.O., the last three
figures on the penultimate line. These figures
suspiciously resemble No. 252 of the present
paper, but if correctly drawn they must be differ¬
ent as there is no trace of a spear-head on the
coins examined by me, but the support is distinctly
a handle.
Three ‘Thyrsi’ standing on a rectangular base.
(62).
A sphere in an incused area, bounded by three seg¬
ments of circles, concave exteriorly and with a
small crescent within the cusps of each segment.
(67).
Six equal and similar spheres round a central one,
in a circular area. (67).
Some branched object. (Unsymmetrical) with two
‘ Taurines ’ below. (70).
A spear-head (?) with open centre, resting on an
inverted crescent for a base. (74).
An irregular pentagon in a square incused area.
(73). A small punchmark.
A central sphere surrounded by five crescents with
five dots between the ‘ cusps ’ which point out¬
wards, and five intervening dots as well, the whole
in a circular area. (77 ). The coin is one of rude
fabi’ic.
Two upright branches, the left-hand one regularly,
the right-hand one irregularly trifid, in a trape¬
zoidal area. (79).
A bent, unsymmetrical branch in an oval area.
(80). .
May be intended for a rude human figure. (80).
‘ Taurine ’ in an oval area. (83, 100).
Lingum-yoni and crescent attached. (83).
Two parallel strokes each in a lenticular area, which
areas coalesce at the side. On a coin the pro¬
perty of Mr. Blackett.
A central ‘ Thyrsos ’ carrying two transverse bars,
each supporting a short thyrsiform object on
either side of the central support ; the whole in a
tall triangular area. (108).
Tree like No. 253 but with spatulate apex. (118).
‘ Taurine ’ with straight ‘ cusps.’ N.O., tenth figure
on last line.
Four symbols No. 296, the eight straight ‘ cusps ’
forming spokes of a wheel, in a circular area.
(135).
A variant of No. 126, the terminal elements of
which present the usual form of a fish with a pair
of lateral fins on either side. (136).
A moneyer’s hammer between two ‘ Taurines,’ W.E.,
PI. VIII, figs. 19 and 27. This is the implement
termed a “ plough ” by Thomas. N.O., fig. 9.
A five-pronged harrow. The prongs are round above
and with three points below. W.E., Pi. VIII, fig.
27.
56
W. Theobald — Karshapana Coinage.
[No. ‘2,
1901.]
W. Theobald — Karshapana Coinage .
57
58 W. Theobald — Karshapana Coinage. [No. 2,
POSTCRIPT.
Afc page 266 of my former paper I mentioned the ‘ Swastika’ as a
symbol found on the silver ‘ Karshapanas.’ This is an error into which
I fell by accepting the authority of Thomas, who figures it in his
plate of symbols N.O. on the last line, and without considering that
Thomas made no distinction between the symbols of the silver Karsha¬
panas, and those impressed on the copper coins of a distinctly different
monetary value. It is tolerably certain that the ‘ Puranas ’ were a silver
currency only ; the few specimens known in copper having been made
with the intention of plating them with silver. This is proved by the
majority of such pieces still retaining traces of the silver which once
covered them. How this was effected I cannot say, but the process
was most dexterously carried out and the result a most perfect imitation
of a silver coin. A specimen in my collection exemplifies this, as
the thin covering of silver maintains the most perfect adhesion to
the base metal, which shows through it by wear at different places.
Neither was the process confined to these coins, as I have an excellent
example of the same fraud in a hemi drachma of Menander; a Bull
and Horseman coin of Samanta Deva of Kabul, and two Indo-Sassanian
coins of different types. The weight of these spurious copper
* Puranas ’ is about 45 grains, and as the silver could hardly have
weighed less than ten grains, the coin when new, would by its
appearance and weight have disarmed suspicion. On three of these
copper coins before me (which with a number of other coins were lent
me for examination by Dr. Codrington) there occur the following
symbols of the present list, and no symbol whatever not found habitually
on the silver coins; Nos. 12, 15, 72, 85, 99, 126, 140, 163, 164 ; but it
is their light weight when worn which betrays their real character.
Symbols on other silver coins than the ‘ Karshapanas ’ or ‘ Puranas ’
PROPER, WHETHER STRUCK WITH ‘PUNCHES’ OR ORDINARY DIES.
It may be as well to notice here some symbols and devices which
though occurring on coins, in some cases of an entirely different class
from the ‘Puranas’ are yet related to the symbolism of the better
known and earlier issues. The coins in question fall naturally into
local groups from their ‘ findspots, Saharanpur, Mathura, Wai, and
the Konkan.’ The Saharanpur coins of the ‘ Kunindas,’ are described
in “The Coins of Ancient India,” page 70, and the silver coin of the
tribe supplies us with numerous symbols, some new, and some merely
variants of forms met with on the early ‘ Puranas.’
1901.]
W. Theobald — Karsliapcina Coinage.
59
SAHARANPUR COINS.
2
3
.
4
5
6
8
9
10
11
O.
0.
O.
0.-
0.
0.
E.
R.
R.
R.
A Buffalo. This animal occupies the centre of the obverse, aricl
(as already remarked) has always been incorrectly described
as a Deer. In some coins the ear is distinctly seen A. I., IV,
fig. 2, while in others it is omitted.
A female figure with the head turned towards the Buffalo, and in
some cases displaying the hair done up into a prodigious ‘ bun ’
at the back of the head, as seen in No. 1, symbol of this paper,
on the ‘ Puranas.’ This figure is clad in trousers, baggy above
and tight below, such as are worn by women in the Punjaub
at the present day.
A pair of Cobras, erect on their tails and facing each other.
A. I., V, figs. 1 and 2. A variant of this symbol is seen on the
coins of the Odumbaras, A. I., IV, fig. 14. It was these snakes
which betrayed Mr. Thomas into the strange mistake of des¬
cribing the animal above which they occur, as a deer with
curiously twisted horns ! On all well-preserved coins, however,
whether silver or copper, there is no connection between the
snakes, and the head of the animal above which they occur.
This assertion is verified by PL XIX, of Thomas’s Prinsep’s
Indian Antiquities and Pi. XLIV, figs. 2, 3, 4, 5, 7 and 8. Not
only do these figures support this view, but figs. 9 and 10 of
the same plate absolutely refute the notion of their being
horns, by displaying the crescentic bubaline horns as usual,
but without the Cobra emblem above. It is strange the well-
known sacred emblem of a pair of snakes never seems to have
occurred to any of the describers of this coin, some of whom
must probably have been familiar with the lines of the poet.
“ Pinge duos angues, pueri, sacer est locus, extra
Mejite.” Persius. Sat. I, 113.
“ Paint up two snakes; the spot, boys, is sacred, and if you “ want
to commit a nuisance, you must go outside.”
Sir A. Cunningham (A.I., V., figs. 1 and 2, p. 72) contents himself
with styling these snakes “a Buddhist symbol,” without being
more explicit, or in any way alluding to the mistakes of previous
describers. The symbol also occurs by itself on the reverse
of a coin figured by Thomas. (T.P., XIX, fig. 6) so that it is
difficult to understand how the real significance of the symbol
came to be se overlooked.
A variously shaped emblem on a sort of handle in the woman’s
right hand ; either a cruciform objectwith three dots (A.I., V,
fig. 1), or a flower (A.I., V, fig. 2). The first is a symbol commonly
carried by Vishnu, on later coins.; see Sir W. Elliot, N.O., PI. Ill,
fig. 105.
A square figure supportings a T. In some coins, probably from
inferior execution, the figure is rather trapezoidal than square.
A ‘ Stupa ’ of three chambers supporting a T. This T. is of course
a later variant of the ‘ Chattra’ (No. 70). This symbol is placed
below the belly of the buffalo but is omitted on some coins.
A six chambered ‘ Stupa’ surmounted by a T. A. I., V, fig. 1.
A ‘ Triratna ’ above the last.
A tree, on the right of the ‘ Stupa,’ with three tiers of horizontal
branches, with a railing below. This tree is in all probability
intended to represent the Deodar of the adjoining hills, though
in a very conventional manner.
Below the ‘ Stupa ’ is a line, which is usually regarded as a snake.
The line is sometimes very zig-zag, and in some later coins is
seen duplicated in which case the rippling of water is what is
60 W. Theobald — Karshapana Coinage. [No. 2,
The chief innovation on these coins is the substitution of a T. for
a Chattra (No. 70) and the curved stem of the Food altar or receptacle
(No. 148).
With regard to my identification of No. 10 with the Deodar, a few
words may be said. The same type of tree occurs on some of the coins
of the Yaudheyas, A I., VI, fig. 9, where it is described (p. 78), as the
“ Bodhi tree.” Now my reason for the above identification is that the
peculiar horizontal branches spreading out from the trunk, very faith¬
fully convey the idea of the Himalayan Cedar, rather than any other
tree, though in a conventional manner. It was moreover a tree which
must have been familiar to the inhabitants of the districts bordering
the Sutlej, many of whom must have entered the hills for business or
devotional purposes and have been struck with the noble trees of that
species which covered the hills ; the importance moreover attaching
to the tree is proved by one of the names of Siva, being ‘ Kedare^vara ’
or ‘ Lord of Cedars.’
According to Sir Emerson Tennent, the ‘Bodhi tree’ of Ceylon
was the ‘ Pipal ’ (Ficus religiosa) which is not among those capable of
identification on the coins; On the coins of the ‘ Audumbaras ’ two
perfectly distinct trees are identified by Sir A. Cunningham as the
Audumbara Fig tree (Ficus glomerata), namely, A.I., IV, figs. J
and 2 and No. 255 of this paper. It would seem therefore that
Sir A. Cunningham applied the term ‘ Bodhi tree ’ indiscriminately
to any tree depicted on a Buddhist coin, and this raises the question
whether any attempt was made on the coins to represent any parti¬
cular species of tree. Now without wishing to imply that every
type of tree represented on the coins was intended to represent a
separate species, still I think a limited number of trees may be identi¬
fied both on the coins and Sculptures. First comes the Deodar on the
coins of the Kunindas and Yaudheyas. Then the Vine is easily to be
1901.]
W. Theobald — Karshapana Coinage.
61
recognised on the copper coins of Taxila. A. I., XT, fig. 9, where vine
tendrils and grape clusters form the bottom line of symbols on the
coin. If the vine occurs on the 4 Puranas ’ (as I believe to be the case)
it is in the highly conventional form of grapes adhering to an upright
stem; this attribution is largely helped out by the presence of a goat,
and by the fact that there is no other fruit which can be suggested
with greater probability. The cocoa-nut palm may or may not be
intended by symbol No. 301 ; one argument in favour thereof being,
that the symbol seems unknown on coins from the Punjaub, and is
restricted to coins from Southern India, that palm being only found on
the sea coast. The Mango (Magnifera indica) is not represented on the
coins, but is clearly seen on the sculptures of Barhut Stupa (A. I.,
Frontispiece).
MATHURA COINS.
62
W. Theobald — Karshapana Coinage.
[No. 2,
28
29
0.
O.
Karsha, Karsha and half- Karsha pieces, bat there are few
symbols on them.
A variant of the ‘ Taurine ’ in Dr. Codrington’s opinion, fig. 64 :
the right hand figure.
A quadrefoil object ; fig. 64; the left hand figures.
A curious symbol which may be described as a sphere within a
ring, from which two small spheres are suspended, each by two
lines or bands. The Reverse of all is blank.
COINS FROM THE KONKAN.
The silver coins figured on the same plate as the above by Sir W.
Elliot (fig, 61) are of an entirely different type and as they
weigh only a trifle over fourteen grains, are quarter-Karsha
pieces. I have described some of them in the Jour. As. Soc.
Bengal for 1894, Part I, No. 2, from which I now extract the
following symbols.
A twelve-rayed sun, the rays being long and equal to the radius
of the disk, whence they issue as sharply tapering rays. This
symbol only occurs on one of my coins (2103), and seems to
have been cut on the same die as the other symbols, which
intentionally seem to overlie it ; if this is not so, it is the older
impression.
A humped Bull, walking to the 1., the horns forming a crescent on
the top of the head. Beneath the Ball is a solid square mound,
or ‘ chabufcra,’ and below it an oblong object representing a
tank twice as long as broad, and not quite as broad as the
square above.
A small ‘ Triskelis ’ revolving to the 1., over the Bull’s rump.
An upright Staff in front of the Bull.
On either side of the ‘ chabutra ’ (on some coins) is a ‘ Taurine’
laid horizontally, with the cusps directed from it. (2102).
Behind the ‘ Triskelis ’ on the right is a small ‘ Swastika,’ re¬
volving to the left.
Between the ‘Swastika’ and the ‘ Taurine ' on some coins is a
small lined square.
On the left of the Triskelis is a dot in a circle. (2103).
A variant of No. 126 formed of four tricuspid * Taurines,’ that is
each, Taurine has a median prong between the ‘ cusps ’ with
four dots between the ‘ Taurines.’ N.O., 11, fig. 61, figured by
Sir W. Elliot. (2102).
A rude ‘ Stupa ’ of three tiers, with a crescent above and a Tau¬
rine at the side.
Some branching, cactus-like plant.
A Hare within a circle, round which are some letters, one of which
resembles the Gandharian * ri.’ (Dr. Codrington).
INDEX OF THE MORE IMPORTANT SYMBOLS.
J 901.]
W. Theobald — Karshapanci Coinage.
63
‘ Chattra’ or umbrella
Dog
Doubtful Symbols ...
Dot or Sphere
Elephant to right ...
Elephant to left
Fish
‘ Food receptacle ’ ...
Fox or Jackal
Frog
Goat and Vine
Hare
Human forms and dwellings .,
Invertebrata
Kid ... ... . .
Lamp
Lingum
Miscellaneous
Otter peering about
‘Owl heads’
Peacock on Stupa ...
Porpoise
Praying wheel
Rat ... ...
‘ Stupa ’ or ‘ Chaitya ’
‘Taurine’
‘ Thyrsos ’
‘ Triratna ’
‘ Trisul ’
Triskelis
Trees and shrubs
Turtle ...
Various animals
Weighing machine ...
Wheels and stars ...
70, 71, 72, 73, 74, 75, 76, 78, 79, 81, 82, 83, 84, 86,
87, 88, 121, 123, 127, 129, 248, 305, 316, 307.
25, 307, 315.
54, 55, 59, 132, 167, 171, 174, 181, 186, 203, 201,
206, 213, 215, 217, 221, 230, 290, 299, 304.
61, 64, 65, 66, 67, 68, 152, 154, 156, 157, 165, 178,
180, 184, 205, 218, 227, 228, 232, 233, 234, 237,
240, 243, 244, 245, 250.
8, 10.
9.
41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 53, 81, 86,
88, 126, 130, 135, 136, 150, 151, 219, 298, 317.
148, 169, 191, 311, 313.
26, 27, 60, 89, 183.
39, 40.
19, 314.
17, 18, 21, 58, 179.
1, 2, 3, 4, 5, 6, 7, 56, 57, 164.
52.
20.
75, 82, 83, 101, 104, 105, 112.
96, 125, 137, 246, 247, 292.
85, 131, 138, 144, 149, 168, 169, 170, 176, 177,
189, 190, 192, 193, 194, 195, 197, 198, 199, 200,
201, 202, 207, 208, 209, 212, 220, 222, 225, 226,
231, 238, 249, 274, 276, 293, 300, 310, 318, 320,
321, 323, 325.
24.
69, 76, 221.
30.
31.
252.
23.
25, 30, 97, 98, 99, 100, 101, 102, 103, 104, 135.
10, 12, 13, 21, 25, 36, 39, 49, 63, 77, 80, 83, 88, 89,
94, 103, 106, 107, 108, 109, 110, 111, 112, 1L3,
114, 115, 116, 117, 118, 119, 120, 123, 127, 128,
129, 133, 134, 136, 139, 145, 148, 156, 158, 173,
185, 187, 188, 197, 237, 240, 241, 245, 251, 291,
296, 297, 307, 310.
122, 124, 147, 166, 172, 294. 47, 48.
95.
223 277.
87, 90, 91, 92, 93, 114, 155, 159, 196, 248.
235. 236, 239, 253, 254, 255, 256, 257, 258, 259,
260, 261, 262, 263, 264, 265, 266, 267, 268, 269,
270, 271, 272, 273, 288, 289, 295, 301, 302, 306,
312, 319, 324.
35, 36, 37.
22, 28, 38.
163.
115, 128, 140, 141, 142, 143, 153, 175, 210, 211,
214, 216, 221, 229, 235, 242, 275, 303, 308, 309.
64
W. Theobald — Copper Coins of Ancient India.
[No. 2,
On the symbols and devices met with on Copper Coins of Ancient
India , both those cast in moulds and those struck with dies , from
Taxila, Ujain , Eran , Benares and other contemporary Mints. — By
W. Theobald, M.N.S., London.
[Read December, 1889.]
The unit of the most ancient copper currency in India, was the
Pana of 144 grains with its divisions and multiples as below. (Coins
of Ancient India, p. 59).
NAMES, VALUE, AND WEIGHT OF THE COPPER COINS OF
ANCIENT INDIA.
(a) The two-cowrie piece was described by me in the Jour. As.
Soc. Bengal for 1891. The three-quarter of a Pana piece (6) is not
mentioned by Sir A. Cunningham, but I have a piece (3288) identical
in type with fig. 9, PI. II, Coins of Ancient India, and which weighs
104 grains, and must therefore be a three-quarters of a Pana. A large
copper piece of Eran, (c) in the possession of Mr. Blackett weighs 347
grains, which is sufficiently close to the theoretical weight of 360 grains
to show that it represents two and a half Panas. This, the owner has
kindly allowed me to describe.
65
1901.] W. Theobald —Copper Corns of Ancient India.
Copper, square, cut from a ribbon seven-eighths of an inch broad,
and a trifle more than an eighth in thickness. Weight 347 grains,
showing a deficiency of but thirteen grains from the theoretical weight
of a two-and-a-half Pana piece. The coin is of neat execution and but
slightly worn. On the Obverse are five symbols, separately impressed
with a punch.
(a) A ‘ Stupa ’ of three chambers with a crescent above.
( b ) A sixteen-petalled lotus flower, Jour. As. Soc. Ben., Vol, VII,
PI. LXI, fig. 5, where this emblem is borne on the head of
a staff in a man’s hand, on a round coin of Ujain, and it also
occurs on a square coin of Eran now in the B.M. from the
Cunningham collection.
(c) A central sphere supporting three ‘ Chattras ’ and three ‘ Tau¬
rines.’
(d) Two similar symbols of doubtful meaning, within an oval area.
This symbol may be a variant of the ‘ vine ’ as seen on the
coins of Taxila (A. I., II, fig. 9) on which the curling tendrils
and clusters of grapes can be easily made out. In the pre¬
sent coin this is not the case but the symbol may have been
unintelligently copied by the artist from an imperfect exam¬
ple of the Taxila coin.
( e ) The last symbol is only partially preserved, and would seem to
be an extreme variant of the ‘ triskelis ’ of a novel character.
It consists of a central boss and ring round it, outside of
which are three elongate curved bodies, the tapering end or
head directed to the left, whilst the other end is abruptly
truncate or hamate and bent upwards and backwards as
though to represent the tail of a fish. If this idea is correct
the symbol probably represents three dolphins, as seen on
many Greek coins.
These five symbols are all that can be made out on the Obverse.
On the Reverse are —
(/) An hour-glass-shaped body not quite equally divided into an
upper and lower portion, the latter being slightly the larger
and terminating below in a short median and symmetrical stem.
(</) Immediately below is a remarkable figure, which may be des¬
cribed as the segment of a wheel, pendant from a ring
surrounding a small central opening. The segment is nearly
the quarter of a circle; the spokes are four in number and
separated by three triangular interspaces. The symbol re¬
calls one of the Egyptian emblems of Deity, known as the
‘ Tail of the Sacred Vulture,’ wherein is embodied the
66
W. Theobald — Copper Coins of Ancient India. [No. 2,
Assyrian conception of the Male Triad united to the Mono-
gynous Mother.
( h ) At one corner is a portion of a sixteen-petalled Lotus.
( i ) A liook-shaped mark counter-struck over the lotus seems to
represent a portion of some other symbol of which no more
now remains.
There is little doubt that if private collections were searched many
more coins of this sort would be discovered, and new symbols added to
the following list, which must therefore be considered as a first attempt
only to enumerate the symbols on the early copper coins, as differentiated
from those found on silver pieces.
The materials whereon the following results are based are 1st.
The collection of coins in the British Museum, wherein is now deposited
the cabinet of Sir A. Cunningham, as well as those of earlier collectors,
Colonel Stacey, Major Hay, Dr. Swiney, Messrs. Masson, Grant,
Thomas, the old India House collection, and others. 2nd. A small
collection of my own. 3rd. A small collection lent me for examination
by Dr. O. Codrington, partly his own and partly belonging to the
Royal Asiatic Society. The following books have also been searched for
figures of coins : — Wilson’s Ariana Antiqua, Sir Walter Elliot’s ‘ Numis¬
matic Gleanings ’ in the Madras Journal of Literature and Science
for 1858, Prinsep’s ‘ Indian Antiquities,’ edited by Edward Thomas,
‘Ancient Indian Weights,’ by Thomas in Numismata Orientalia, The
‘Journal of the Asiatic Society of Bengal,’ ‘ Catalogue of the Coins of
the Indian Museum,’ by C. J. Rodgers, ‘ The Coins of Southern India,’
by Sir Walter Elliot in Numismata Orientalia and last but not least
the ‘ Coins of Ancient India,’ by Sir A. Cunningham.
The following abbreviations are used : —
A. A. Professor Wilson’s Ariana Antiqua.
N.O. Ancient Indian weights by E. Thomas, in Numismata
Orientalia.
T. P. James Prinsep, edited by Thomas.
E.N.O. Sir Walter Elliot’s Coins of Southern India, in Numis¬
mata Orientalia.
N.G. Elliot’s Numismatic Gleanings. Madras Journal of Liter¬
ature and Science, 1857-8.
J.B. Journal of the Asiatic Society of Bengal.
A.I. Coins of Ancient India by Sir A. Cunningham.
A.C. Sf Collection of Sir A. Cunningham and the British Museum
B. M. respectively.
G.I.M . Catalogue of the Coins of the Indian Museum.
O.SfU. Obverse and Reverse. S. Square Coin.
1901.1 W. Theobald — Copper Coins of Ancient India. 67
The first column contains the number of the symbol in the present
list; the second column the number corresponding with the numbers
and figures of my previous paper on punch-marked symbols ; the third
column, states whether the symbol is on the Obverse or Reverse.
As the verbal description of a symbol can never give so clear an
idea of it, as a figure, I have as a rule given a reference to where the
symbol has been figured, when such has been the case, and for con¬
venience of reference have endeavoured to group the symbols together
according to their character, adding the class of coins on which they
occur.
FIGURES, MYTHOLOGICAL OR HUMAN.
68
W. Theobald — Copper Coins of Ancient India.
[No. 2,
13
14
15
16
17
18
19
20
21
• • • • • •
22
B.
R.
R.
0.
R.
R.
0.
R.
R.
0.
0.
Demophoon, among cultivators in the Homeric
hymn to Demeter ; or in a word ‘ Prithi * really
stands for Bhumi. Sometimes the ‘Nag’ has six
heads instead of five. J.B., XLTX, VII, fig. 10.
A similar figure on the coins of Agni Mitra
may not improbably represent Agni. A. I., VII,
fig. 13.
A seated figure on a railed base, probably intended
for India. A. I., VII, fig. 19.
Figure within a shrine (Indra?) A. I., VII, fig. 20.
A similar figure to the last, but with four arms,
probably represents Vishnu. A. I., VII, fig. 21.
A female full length figure counterstruck so as to
obliterate the upper line of symbols on coins of
Bhanu Mitra, Agni Mitra, and Surya Mitra. A. I.,
VII, fig. 8. J.B., XLIX, VII, figs. 2, 4, 5, 6.
A seated female figure (inadvertently described in
the text (p. 83) as standing). A. I., VII, fig. 11.
These seven figures are all on coins of Panchana.
Standing figure with snaky legs, probably Scythes
the autochthonous ruler of Scythia. (S)., J.B.,
VII, LX, fig. 1. The description on p. 1053 con¬
tains no reference to the ‘ snaky legs.’
A standing figure, with right hand upraised and hold¬
ing up a snake. T.P., XLIV, fig. 23, and A. I.,
VIII, fig. 4, on satrap coins of Mathura.
A seated female figure, lustrated by an Elephant
on the left. If there was another elephant on
the right it does not show in the plate. T.P.,
XXXI, fig. 21. The coin is described as of copper,
silvered.
A seated female lustrated by a pair of elephants.
N.G., X, fig. 68.
The same device occurs on coins of Eran. (S). A. I.,
XI, fig. 14, also on coins of Ujain. (S)., J.B.,
VII, LXI, fig. 3. In this figure a horse is figured
in the left hand corner, but a duplicate specimen
in the Cabinet of the Royal Asiatic Society enables
me to express the strong conviction that the animal
is really one of a pair of Elephants.
A standing female figure lustrated by two Elephants.
A.I., V, fig. 9. Kosambi. This figure is described
in the text (p. 74) as the Goddess Lakshmi, and
where the figure is seated, no doubt Lakshmi is
intended, but on a Buddhist coin, the figure is far
more likely to be intended for Queen Maya, who
gave birth to Buddha standing, and was then ac¬
cording to the legend miraculously refreshed by two
streams of water poured over her from heaven.
The artist has represented this as performed by two
celestial Elephants.
I may here draw attention to a piece of sculpture
from the ‘ Potowar,’ figured in J.B., V, XX, p. 471.
Here in addition to the two Elephants, two female
attendants are standing near, each with a ‘ chatti *
of water in her hand and it is noteworthy that a
pair of humped Bulls cower beneath the Elephants
in a wholly inferior position. The influence of
Greek art has evidently not been lost with regard
1901.]
W. Theobald — Copper Coins of Ancient India.
69
to the pose of the Elephant on the copper coins, as
compared with the rude form the Elephants display
on the silver ‘ Pnranas,’ which conventional forms
entirely disappear on later mintages.
?he same design is seen on Satrap coins of Mathura.
A.I., VIII, fig. 4.
L standing female figure between two trees, with
railings, the trees forming a canopy overhead.
This figure is probably intended for Queen Maya
about to give birth to Buddha. T.P., XX, fig. 49.
A lead coin.
L seated female figure with the right hand on the
hip though the text describes it as ‘ held up ’
(p. 116). A. I., XIII, fig. 2.
laja seated with the right leg over the edge of the
throne. A. I., XIII, fig. 3.
laja seated with right hand on knee. A. I., XIII,
fig. 14.
Raja seated, with right hand holding a flower.
A.I., XIII, fig. 15. These four coins are from
Nepal.
Standing male figure holding a standard in his right
hand. J.B., VII, LXI, fig. 5. Ujain.
Standing figure with arms akimbo. Ujain. (491).
Standing figure (Siva) with three heads. Ujain.
(493). J.B., VII, LXI, fig. 26.
A seated figure wish arms akimbo. J.B., VII, LXI,
fig. 18. Ujain.
A standing male figure, counterstruck on Reverse.
J.B., VII, LXI, fig. 13. Ujain.
A male and female figure both standing side by side.
(S). Ujain. B.M.
A plumed warrior to right, holding a club in left
hand and a water-pot in the right. (S). Ujain.
These coins average 22 grains, and on two of them
two fish in a tank, facing each other, seem to form
part of the die. They are in the Cabinet of the
Royal Asiatic Society.
A plumed warrior to right with a club in right
hand and a water-pot in the left. A. I., X, fig. 3.
Ujain.
The plumed warrior is a ‘punch* device and Ujain
is one of the few mints which issued ‘ punch-
marked* coins proper. The majority of Ujain
coins are however die- struck, e.g ., all those figured
on A.I., X, and the same may be said of Eran
coins. A. I., XI.
A plumed warrior to left, in an oval area. (S). The
‘ torso ’ of the figure is pretty distinct, but the
narrow compass of the die leaves no room for the
club or water-pot as in the previous figures. All
these coins have the Benares or ‘ cotton-bale ’ sym¬
bol on the reverse, and average 36 grains, on some
80 coins. On one larger coin of 57 grains the
figure is counterstruck over the figure of the Sun.
Benares district.
A human hand. J.B., VII, LXI, fig. 2. Ujain.
A kneeling figure to left. J.B., VII, LXI, fig. 16.
Ujain.
J. i. 10
70 W. Theobald — Copper Coins of Ancient India, [No. 2,
FIGURES OF ANIMALS.
The animals on the coins are not numerous. At the head of the
list stands the Elephant, but not in the form represented on the
silver ‘ Puranas.’ After the Elephant comes the humped bull, the
Lion, the Horse and the Buffalo. Among birds the Peacock and Cock
and perhaps the ‘whistling’ teal or ‘cotton’ teal. Among reptiles
the Cobra and a harmless snake or two ; one or two species of river
turtle and a frog, and among fish, the dolphin (on one coin perhaps)
and two or three undefined species. Conspicuously absent on the
copper coins are the dog, goat and civet-cat, so frequently seen on the
silver ‘ Puranas ; ’ also the monkey and crocodile ; the former, as
Honuman appearing on the later coinages of Southern India, while the
Crocodile appears on some Pandhyan coins. E.N.O., IV, fig. 143.
As regards the Horse the remarks of Sir W. Elliot seem to me to be not
a little tinged with error and misleading. “ The association of the horse
with military operations has at all times, and in all countries caused it to
be emblazoned as a distinguishing mark of warlike nations. Although not
peculiar to the Buddhists, it wa£ a favorite symbol, and occurs on many
coins of the period of their ascendancy.” (N.G., p. 246). The horse has
of course always been regarded as emblematic of war. So Virgil makes
Anchises exclaim when he sees horses grazing on the shore of Italy —
“ Bellum, O terra hospita portas ;
“ Bello armantur equi, bellum htec armenta minatur.”
JEneid III, 539.
But it may be remarked that the ‘horseman’ so common on Greek
and Scythian coins, is almost, if not wholly absent on Indian mintages
of the class I am describing, and surely on a Buddhist coin, the horse
would not be intended to convey or embody any warlike sentiment.
On a Buddhist coin the reference would rather be to Siddhartha’s
famous steed Kanthaka.
“ Look ! if I touch thy flank
“ And cry, ‘ On Kantaka,’ let whirlwinds lag
“ Behind thy course ! Be fire and air, my horse !
“ To stead thy Lord; so shalt thou share with him
“ The greatness of this deed which helps the world.”
The Light of Asia. Book IV.
THE ELEPHANT.
O. Elephant to r. or 1. with a ‘stupa* over the rump.
(Sj. A.I., III, figs. 1, 2 and 3. (S).
O. 1 Elephant, full front. A. I., Ill, fig. 5. (S). These
are all Taxilacoins.
W. Theobald — Copper Coins of Ancient India.
71
1901.]
72
W. Theobald — Copper Goins of Ancient India.
[No. 2,
As with the Elephant, so also with the Bull, the conventional Bull
of the silver ‘ Puranas ’ seems never to have been reproduced on the
copper coins. We miss, too, Siva and his Bull, so familiar a reverse on
the Scythic copper coins.
79
80
81
82
83
84
0.
0.
R.
R.
0.
R.
THE LION.
A Lion to right before No. 214. T.P., XIX, fig. 20.
A Lion to left before No. 214. T.P., XX, fig. 34.
A.I., I, fig. 27. Both the above are cast coins.
A Lion to right. A.I., III, fig. 1. (S).
A Lion to left. A. I., Ill, fig, 2. (S). Both these
coins are from Taxila.
A Lion to left. A. I., XIII, fig. 1. I prefer to consider
this the obverse as the king’s name occurs thereon.
A Lion to left with crescent above. A.I., XIII,
fig. 6.
1901.]
W. Theobald — Copper Goins of Ancient India.
73
74 W. Theobald — Copper Coins of Ancient India. [No. 2,
1901.] W. Theobald — Copper Coins of Ancient India. 75
TREES.
The trees represented on these coins fall naturally into seven prin¬
cipal groups.
1. Trees with ‘ paddle-shaped ’ or more or less cordate branches.
2. Trees with simple or compound trifoliate or tricuspid branches.
3. Trees with upright tapering pinnate stems ; but unbranched.
4. Trees with horizontal spreading branches, the uppermost some¬
times being the biggest.
5. Palms.
, 6. Unsymmetrically branched trees.
7. Thorny stems or simple branches.
These trees may or may not be surrounded below by railed bases or
mounds; with three to five (or more) upright divisions or “rails ” and
two or three (or more) horizontal tiers ; and these bases may be
adorned at their corners by either ‘ Chattras ’ or ‘ Taurines ’ placed
either on the top corners of the base, or on either side of the base
below.
It is not too much, I think, to assume that each of the above types
of trees was intended to represent a particular sort of tree, but to
identify the tree is a matter of extreme difficulty. On the coins of the
Odumbaras (A. I., IV, fig. 2) we may perhaps be justified in referring
the tree represented thereon to the ‘ Odumbara ’ fig tree ( Ficus glome-
rata) whence the tribal name is derived, but assuredly there is nothing
to guide us to that conclusion, on the coin itself. In like manner,
where a tree is represented as springing up from the summit of a
‘Stupa’ the top of which is more or less dilapidated, to make way for
it, we may safely infer, from the known habits of the Pipal tree
(Ficus religiosa) that the Pipal tree is intended, without other dis¬
tinguishing marks to guide us. In different parts of India, Ceylon
and Burma, different Trees would probably be selected to adorn the
76
W. Theobald — Copper Coins of Ancient India. [No. 2,
vicinity of monasteries or Pagodas, foremost among which would be
the Amherstia, the Durian, the Jack, the Mango, the Jonesia, the
Borassus and Corypha Palms, the 1 Banian * and many others, valued
for the sake of their flowers, fruit or shade, but the species readily
cognizable on the coins are but few. On the coins of Kunindas, the
Cedar may be fairly made out, the character of the tree being its
spreading branches at right angles to the trunk, and whether the
‘ Cedar of Lebanon ’ or its closely allied form the ‘ Deodar ’ of the
Himalayas, the tree is universally accepted as a type of sanctity,
beauty and strength. The Fan-palm too, there is no mistaking whether
the ‘ Corjpha ’ is intended or the commoner and more generally dis¬
tributed, Barassus or Fan-palm of Bengal ; and herein I think Mr. V.
Smith verges on inaccuracy in calling the ‘ Tal * palm of India a
‘Corypha.’ The ‘Corypha’ is a fan-palm, which having flowered,
dies, whereas ‘ the Tal ’ of India is a ‘ Borassus ’ which goes on flower¬
ing year after year, the former tree being planted for ornament,
whereas it is the Borassus which is universally cultivated for its fruit
and sap.
1901.]
W. Theobald — Copper Coins of Ancient India.
77
J. i. 11
78
W. Theobald — Copper Coins of Ancient India.
[No. 2,
1901.]
W. Theobald — Copper Coins of Ancient India.
79
80
W. Theobald — Copper Coins of Ancient India.
[No. 2,
W. Theobald — Copper Coins of Ancient India.
81
1901.]
Variant of the last with three plain spokes replacing
the ‘ Tanrines.’ N.G., VII, fig. 5^.
A crescent supporting a T. T.P., XX, fig. 48.
Kunindas. (447).
In the coin figured in A. I., V, fig. 5, a ‘ Swastika’ re¬
places this symbol under the Buffalo’s belly.
A wheel of four spokes, surrounded exteriorly by
sixteen cone-shaped rays or flames. N.G., X,
fig. 83.
A six-spoked wheel surrounded by sixteen balls.
T.P., XXXIV, fig. 18. A variant with fourteen
balls is figured in Num. Chron., Series III, Vol.
XIV, PI. IX, figs. 16 and 17. (767).
A small crescent on forehead of Siva. Kunindas.
A. I., V. fig. 5. Not mentioned in the text but on a
coin in my cabinet. (447). One of Siva’s epi¬
thets was Chandra-sekhara or Moon-crested.
A fivefold square or pachymerous cross. T.P., XIX,
fig: 17. A. I., II, figs. 15 and 16. Taxila.
(S). T.P., XIX, fig. 18. A. A., XXII, No 167. This
symbol is the equivalent of five squares, that is a
central square with a similar square erected on
each face. It is a very sacred object to worship¬
pers of Siva, the five-faced (pancanana), and on a
small square group of brass figures occupies one
corner, whilst in the centre the Lingam-yoni is sur¬
rounded by the ‘ Sun ’ ‘ Moon,’ the bull ‘ Nandi ’ the
five-headed ‘ llngum ’ ‘ Ganesh,’ ‘ Parbati ’ and a rim
pierced by a cow’s mouth to allow the water of
sacrifice to escape by. One figure is broken away,
hence my acquiring the specimen in the bazaar as
old brass.
A fivefold square (as above) with a ‘chattra’ im¬
planted on each face. T.P., XX, fig. 41. A cast
coin.
A sphere surrounded by four ‘Taurines’ with cusps
directed outward ; within a five-fold square with a
circle containing a cross in each outer angle. (S).
Eran. A.C.
A food-altar in its simplest form, a horizontal slab
of stone or wood resting on an arched support.
J.B., LXVI, p. 299. This symbol is to the r. of a
‘ stupa ’ on both Obverse and Reverse, in the figure,
but on a coin in my cabinet it occurs on the left
also. My coin weighs 39 grains. (1, 019).
A food-altar (with or without a ‘Taurine’) with
‘ loops ’ to r., and standing on a railed base. (S).
A food-altar with ‘loops’ to r. (S). A.I., XI, fig. 8.
Eran.
T.P., XLIV, fig. 7, (no loops) on coins of the
Kunindas.
(S). J.B., VII, LXI, fig. 23. Ujain.
A variant with a bifid curved support. T.P., XLIV,
fig. 8.
On a railed base, no loops. J.B., VII, LX, fig. 2.
On a tall staff. T.P., XX, fig. 36. A.I., I, fig. 27.
A cast coin.
(S). A. I., I, fig. 28.
82
[No. 2,
W. Theobald — Copper Coins of Ancient India.
A. A., XV, fig. 32. This and the last are cast coins.
In N.O., p. 61. This symbol is called a ‘ magic for¬
mula.’ It occurs with several variations on both
silver and copper coins. Its essential feature is
that of a flower-pot-shaped receptacle, with or
without loops or ears at the side. This I consider
represents a begging-bowl, the loops being the
bands supporting the bowl round the Monk’s neck.
To avoid the sin of luring birds to their doom from
cats or dogs, the charitable monk placed the rem¬
nants of his food on a raised pole or altar that his
gift might not lead living creatures into danger.
This at least is an intelligible explanation of a
highly popular Buddhist symbol, free from the
absurdity of calling it a ‘ magic formula.’
Food-altar protected by a pointed palisade, over
which a dog is looking. (S). A. I., II, fig. 5.
Taxila.
This remarkable symbol gives support to the above
view. The pointed stakes clearly are intended to
prevent access to the food-receptacle behind them.
(930).
A Trisul with axe attached on the left, occupying
field. A. I., XIII, fig. 12. Nepal.
A.I., V, fig. 4. Kunindas.
A ‘ Trisul.’ T.P., XIX, fig. 17.
This is a very archaic and instructive form of the
‘ Trisul ’ and the symbols on the coin are both
Hindu and Buddhist. In the centre of the symbol
rises a spear-headed shaft or lingum, wherein we
can also recognise the ‘ Thyrsos,’ and on either side,
by way of supporters, are two erect, but sharply
reflexed bodies, in which it is not difficult to trace
an early form of the cobras which appear on later
coins.
On the reverse of the same coin is a ‘ Trisul ’ stand¬
ing in a circle, or it may be described as a tricuspid
‘ Taurine ’ with the median prong prolonged down¬
wards. It merely needs this central prong to be
carried still lower to produce the ‘ Caduceus.’
The ‘ Caduceus.’ (S). A.T., XI, fig. 3. Eran. This
is a very rare symbol, but occurs in combination
with a cross on other coins of Eran as a Reverse
symbol. A. I., XI, fig. 20.
A ‘ Trisul’ covering the whole field. T.P., IV, fig. 5.
Variant of a ‘Trisul’ with a long cross-bar and an
additional prong at each end. J.B., VII, LX, fig.
20. Mathura.
A ‘Trisul’ above altar of three horizontal strokes.
J.B., VII, LX, fig. 26. Mathura.
A variant of a ‘ Trisul,’ with a tall median prong
above, and a ring below with a small lateral loop
on either side. T.P., XXXIV, fig. 24. Ayodhya.
A variant of the last with a segment of a circle in
place of the ring below. T.P., XXXIV, fig. 25.
A ‘Trisul’ standing on a railed base. A.I., VII,
figs. 1, 2, 3. Panchala.
Still another variant is seen on the same plate, a
symmetrical trillingual emblem with upright and
1901.]
W. Theobald — Copper Coins of Ancient India.
83
84
W. Theobald — Copper Coins of Ancient India.
[No. 2,
A central sphere within a ring, surrounded by four
pairs of rings juxtaposed sideways, with the right
or left of each ring armed with an out-curving
spur, at the periphery. (S). A. I , XI, fig. 17.
Eran.
An ornate variant of the ‘ Thunderbolt ’ symbol. A
c entral sphere within a ring, surrounded by four
‘ triratnas ’ or tricuspid symbols, the central prong
being the longest and the outer cusps each support-
ing a crescent. (S). Ujain. Cabinet of the Royal
As. Society.
A square of four balls, two vertical, two horizontal.
J.B., VII, LX, fig. 16. Mathura.
Four balls in a square. J.B., VII, LXI, fig. 19. A
similar object is probably intended on fig. 8.
A cluster of seven spheres, equal and equidistant.
J.B., VII, LXI, fig. 19. Ujain. This is essentially
the same as the silver symbols, figs. 155 and 157 of
my former paper.
Some object, having a handle below and concave
sides. ( S). J.B., VII, LX, fig. 28. Can this be
meant for a ‘ dorje * or ‘ praying wheel ? ’
The ‘Cotton-bale’ symbol. N.G., VI, fig. 5J, where
it accompanies the Ujain symbol, Catalogue of the
Coins of the Indian Museum, Part III. (5). Nos.
10,014 and 12,374.
This symbol according to Sir A. Cunningham. A. I.,
p. 56, is found on coins from the Benares province.
In my paper (fig. 136) it is very badly figured. In
N.O., fig. 16, it is erroneously figured to make it
look like a ‘Cadncens’ and at p. 61, is included
among ‘ Magic formulae.’
The figures above from the Indian Museum are silver
coins, but on several copper coins (S) belonging to
the Boy. As. Society and in my own cabinet the
symbol occurs on both Obverse and Reverse of the
same coin. These coins average 33 grains and
are \ Panas, and are the only punch-marked copper
coins I know of the same character as the silver
Puranas ^nd with many of the same devices on
them. Sir Walter Elliot says the same thing “A
single example (fig. 5£) of the same kind of money
in copper was found among a quantity of Buddhist
coins from Ujain. This is the only example we
have met with of a true punch coin in baser metal ”
N.G., p. 228. Ujain, Eran and Benares would
therefore seem to be the only mints which issued
true copper ‘ pnnch-coins.’
A ‘ Triratna.’ T.P., XLIV, fig. 8. Kunindas. On
these coins it occurs above the Stupa.
A single example only is known to me of this symbol
on a silver Parana, in my cabinet, No. 95 of the
first part of this paper.
A variant also occurs on Panchala coins. J.B.,
XLIX, XVI, figs. 3 and 5.
And on Ayodhya coins. A. I., IX, fig. 8.
And on Yaudheya coins. A. I., VI, fig. 3 (deleted in
plate above Elephant’s head). (457).
1901.]
W. Theobald — Copper Coins of Ancient India .
85
J. i. 12
86
W. Theobald — Copper Coins of Ancient India.
[No. 2,
274
275
276
109
244
116
218
277
278
279
280
281
282
283
284
58
56
285
286
287
288
289
290
291
292
293
R.
0.
0.
R.
R.
R.
0.
0.
O.
R.
R.
O.
R.
R.
0.
R.
R.
R.
R.
0.
R.
A variant of this ambiguous symbol is on the Reverse
of a Punch-marked coin, in the cabinet of the Royal
Asiatic Society.
Two crescents with either convex surfaces touching.
Not uncommon on coins from Benares with symbol
of ‘ plumed warrior.’
An object that Sir Walter Elliot calls an Altar.
N.G., p. 247. To me it is more suggestive of
either an oil-mill or a rice-husking mortar. Above
it is a horizontal stroke representing the ‘ pestle ’
used in either case. N.G., XI, fig. 97.
Four balls in a cirele. N.G., XI, fig. 103.
Two rings, separated by an indistinct upright object.
N.G., X, fig. 67.
A variant of a Stupa, within three lined squares.
N.G., IX, fig. 53.
A heraldic Lion or ‘ Griffin.’ On some coins figured
by Sir Walter Elliot, a Griffin seems to take the
place of the sublunary Lion. N.G., IX, figs. 48,
50, 52, 61, 62.
An upright sword. N.G., IX, 50.
An upright pointed staff, with three diminishing
cross-bars. N.G., IX, fig. 50.
Three triple umbrellas or Chattras, produced above
into a point, within a rayed circle. N.G., IX,
fig. 48.
Bow and arrow. N.G., IX, fig. 61.
Bow and arrow. A.I , XII, fig. 6. An Andhra
symbol.
A bow within a ring surrounded by seven inverted
crescents. N.G., X, fig. 84.
Sun on left, crescent on right, separate by a Y-shaped
ornament with an inverted crescent below and sur¬
mounted by ‘ Taurine,’ with a pair of dots above
and below. N.G., IX, fig. 56.
Sir Walter Elliot describes the central object as a
“sword of the peculiar short form so often repre¬
sented on Hindoo sculptures.” (p. 239). I can see
not the remotest resemblance to a sword, the object
possessing neither handle nor point.
A sun (wheel) on a pole with a crescent above. N.G.,
IX, fig. 61.
A ‘ Ratth’ or Idol car. N.G., IX, fig. 62.
An upright dagger-shaped object occupying the
field, and resting on a beaded base. N.G., IX,
fig. 60.
A Cordate area partitioned into four divisions. (S).
NG., X, fig 63.
Is it possible that the ‘ Bale-mark’ of the E.I.C. can
be borrowed from this device ?
A ring within a ring, with fourteen crescentic rays
radiating from the periphery. N.G., X, fig. 86.
A two masted ship. N.G., X, fig. 74. Reverse
symbol No. 236, E.N.O., II, fig. 45. Andhyas.
A boat or ‘dng-out’ laden with produce (?) with a
curbed line below to signify water, all within a
ring surrounded by eighteen radiating oval objects.
N.G., X, fig. 89.
1901.]
W. Theobald — Copper Coins of Ancient India.
87
Plan of a Lamasarai with ‘ Stupa’ in courtyard. (S).
AJ., II, fig. 12. (439). I am not sure if the
object in the centre does not rather represent a
tree, possibly Cupressus sempervirens cultivated in
India in gardens for its freshness and beauty.
Plan of building, with three forked objects, either
trees or Trisuls, whereof the middle one is tallest,
and supports an umbrella. N.G., XI, fig. 102.
Sir Walter Elliot calls the side objects “ladders”
but it seems preferable to consider them as the
plan of the dwellings of the priests, whether Hindu
or Buddhist.
A Y-shaped object with curved sides and a cross-bar.
(S). J.B., VII, LXI, fig. 24. Ujain.
Symbol d of the piece of Eran described in this
paper.
Symbol/
Symbol g
Symbol i
ditto.
ditto.
ditto.
INDEX OF THE SYMBOLS ON THE COPPER AND LEAD COINAGE
OF ANCIENT INDIA.
88
W. Theobald — Copper Coins of Ancient India .
[No. 2,
Ship or boat
!6iva ...
Solar wheel, sun
Spheres
Steelyard
Stupas
Swastika
Sword
Taurine
Teal
Trees
Triratna
Trisul
Trisul and axe
Twin-spheres
Ujain symbol
‘ Yulture’s tail ’
r star
292, 293.
2.
183 to 191, 204, 287.
199, 200, 213, 255, 277.
153.
154 to 169, 279.
170, 171, 172.
281.
173 to 182, 205, 206.
94.
113 to 130, 133, 134.
258.
223, 224, 226 to 232.
222.
263.
236 to 246.
299.
INDEX
TO THE
JOURNAL OF THE ASIATIC SOCIETY OF BENGAL,
Vol. LXX, Part I. (Nos. 1 and 2 ). — 1901.
^Abdu-l-Qadir-i- Baghdadi, 1.
‘Abdul Wall, Maulavi, article by, on
the antiqnity and traditions of the
Jami‘ Masjid, &c., at Sailkupa, 15 ff.
Abu ‘Ubaidullah, Sayyid Shah, 21, 23.
Adam wahan, mahal, 2.
Ain-i-Akbari, account of the Multan
Sirkar, 1 ff.
Akaqa-locana, on Kaluha Hill, 35.
‘All Riza, Mir, 27.
Bailey, Rev., T. Grahame, article
by, on the SSsi Dialect, 7 ff.
Bakhsh-ullah, Sayyid, 25.
Bari Duab, 2, 4.
Bet Jalandhar Duab, 2.
Bhlm, caste, 3, 4, 5.
Bihat, river , 1 .
Bikanah, caste , 3.
Birds as coin symbol, 73.
Birun -i-Paninad, 2, 6.
Boats as coin symbol, 78.
Buddha, relics of, 30.
Buffalo as coin symbol, 73.
Bull, humped, or cow as coin symbol, 72.
Oaducens, coin symbol, 78.
Caukhandi, pargana , 4, 5.
Cinab, river , 1.
Coins, Ancient Indian Copper, symbols
on, 64 ff.
- , * Karshapana,’ symbols, on, 38 ff.
Crescent, coin symbol, 78.
Cross, coin symbol, 78.
Balibhati, mahal , 5.
Dand, river, 1.
Deg Ravi, pargana , 5,
Don Buzurg, §0.
Drona’s Mound, 30.
Dunvapur, mahal, 3.
Jcilephant as coin symbol, 70.
F athpur, mahal , 3.
Figures, mythological or human, as coin
symbols, 67.
Fish as coin symbol, 73.
Flowers as coin symbol, 77.
Food-altar as coin symbol, 78.
Ghalu Kharah, mahal, 4.
Ghulam Darvish, Mir, 21 ff.
Gosopali, ancient site, 30.
EEaidar ‘All, Mir, 26.
Har, river, 1.
Hari, river, 1.
Hasar, caste, 2.
Hoey, W., article by, supplement to
Note on Vaisali and other places men¬
tioned by the Buddhist pilgrims, 29 ff.
Honuman as coin symbol, 73.
Horse as coin symbol, 71.
Indus, 1 ff.
Irajpur, mahal , 5.
Mampur, mahal, 4, 5.
Isma'ilpur, mahal, 4.
Jalalabad, mahal, 3.
Jat, caste, 3, 4, 5.
Junah, caste, 3.
90
Jndex.
Kachl, caste, 3.
Kahror, mahal, 3.
Kalba, mahal , 5.
Kalii, caste, 4.
Kaluha Hill, account of, 31 ff.
Khaibuldl, mahal, 3, 5.
Kharal, caste, 5.
Khatpur, pargana, 4, 5.
Kuletjvarl, goddess, temple of, 32.
- , image of, 33.
Lion as coin symbol, 72.
IVEaclagan, ED., article by, on Abu-
l-Fazl’s account of the Multan Sirkar
in the Third Book of the Ain-i-Akbari,
1 ff.
Makula Parvata, of Burmese annals,
identity of, 36.
Malah, caste, 3.
Mallas, seven princes prepared to fight
with, for relics of Buddha, 30.
Malpali, ancient site, 30.
Maral, caste, 4.
Marud-Marui, on Kaluha Hill, 35.
Matllah, mahal, 5.
Muhammad ‘Arab, Rauza of, 15 ff.
- , account off, 17 ff.
Multan, Sirkar, Abu-l-Fazl’s account of,
1 ff.
- , Suburban District of, 4.
- , Town, mahal , 4.
Nandpali, see Malpali.
Nundolal Dey, article by, on the
Kaluha Hill in the District of Hazari-
bagh, 31 ff.
Nurnl, river, 1.
Nusrat Shah, k. of Bengal, 17 ff.
Rangpur, mahal , 5.
Ranu, caste, 3.
Ravi, river, 1.
Ricnau Duab, 2, 5.
Rivers and canals as coin symbol, 78.
Sabhd-Baithalc, on Kaluha Hill, 35.
Saifullah, Mir, 25.
Snilkupa, Jami‘ Masjid at, 15 ff.
SSsi Dialect, 7 ff. •
Satlaj, 1.
Satnar Nala, 30.
Sewan, 30.
Shah'alampur, mahal, 5.
Shaikzada, caste, 4.
Shergarh, mahal, 3.
Shujau-d-Daula, Nawab, farman by, 21,
23.
Sindha, caste, 5.
Sindh Sagar Duab, 2, 5.
Sohu, caste, 4, 5.
Sun, coin symbol.
Suryakutida, on Kaluha Hill, 34.
Star, coin symbol, 78.
Steelyard, coin symbol, 78.
Stupa, coin symbol 78.
Swastika, coin symbol, 78.
Talibuddln, Mir, 26, 28.
Saurine, coin symbol, 78.
Theobald, W., article by, on a revision
of the symbols on the ‘Karshapana’
coinage, &c., 38 ff.
- , article by, on the
symbols and devices met with on Cop¬
per Coins of Ancient India, &c., 64 ff.
Titaria, 29.
Trees as coin symbol, 75.
Triratna as coin symbol, 78.
Trisul as coin symbol, 78.
Tulambah, mahal, 4.
Par^vanatha, image of, on Kaluha Hill,
33.
Pdtula-Ganga, or Kaluha Hill, 34.
Uo, 1.
Ukl, caste, 3.
yamuddln, Mir, 26.
aisali, note on, 29 ff.
Raipur Kanki, mahal, 5.
Raj pur, mahal, 3.
"\ATheel as coin symbol, 78,
F rontiepifcf
CINERARY URN
FROM YOTKAN, A VILLAGE OF THE
BORAZAN TRACT, NEAR KHOTAN.
( Restored.)
ORIGINAL SIZE, ABOUT 11x13"
A REPORT
ON THE
BRITISH COLLECTION OF ANTIQUITIES
FROM
CENTRAL ASIA
WITH
THIRTEEN FACSIMILE PLATES, THREE TABLES
AXD
SIX WOODCUTS
PART XI
BY
A. F. RUDOLF HOERNLE, C.I.E.,
Ph.D. (Tubingen).
Extra- Namier 1 to the Journal of the Asiatic Society
of Bengal , Vol . LXX , Fart 1 , 1901
CALCUTTA :
PRINTED AT THE BAPTIST MISSION PRESS.
1902.
CONTENTS.
Page
Introductory Remarks ... ... ... ... ... j
Section III. — Manuscripts ... ... ... ... ... 6
I. Group ... ... ... ... ... ib,
(a) Sanskrit ... ... ... ... ... 16
(b) Unknown Language .. ... ... ... is
II. Group ... ... ... ... ... 21
(а) Chinese ... ... ... ... ... 21
(б) Persian ... ... ... ... ... 26
(c) Uigur (?)... ... ... ... ... 29
(d) Brahml ... ... ... „s ... 30
Section IV. — Pottery, Terracottas, Miscellaneous Objects ... - ... 42
Appendix to Part II. — Transcript of W.eber MS,, Part IX, and Macartney
MS., Set I, with two Indexes ... ... ... ,,, \
Supplement to Part I ... ... ... ... ... 1
Errata in Part I ... ... ... ... ... ... 7
LIST OF ILLUSTRATIONS.
Plate I.
Plate II.
Plate III.
Plate IV.
Plate V.
Plate VI.
Plate VII.
Plate VIII.
Plate IX.
Plate X.
Plate XI.
Plate XI I.
Plate XIII.
Manuscript Codices (fabricated).
Manuscript Books (Potliis).
Manuscript Documents (Chinese).
Manuscript Documents (Chinese).
Manuscript Documents (Persian, Uigur).
Manuscript Documents (Brahmi).
Manuscript Documents (Brahmi).
Fragments of Pottery.
Fragments of Pottery.
Terracotta Figures.
Terracotta Figures.
Graeco-Buddhist Art Objects.
Miscellaneous Objects.
Table I. Formula of Blockprint, Set IV.
Table II. Comparative Table of Gupta Letters.
Table III. Alphabet of Brahmi Documents.
Woodcut, No. I on page 4.
„ No. 2 „ 22.
,, No, 3 „ 36.
,, No. 4 „ 42.
,, No. 5 ,, 43.
,, No. 6 „ 1 of Appendix.
Frontispiece. Cinerary urn from Yotkan, a village of the Borazan
Tract, near Khotan.
JOURNAL
OP THE
ASIATIC SOCIETY OF BENGAL
Part I— HISTORY, LITERATURE, &e.
Extra-Number 1. — 1901.
A Report on the British Collection of Antiquities from Central Asia. — By
A. F. Rudolf Hoeenle, C.I.E., Ph.D.
(With 3 Tables and 13 Plates.)
INTRODUCTORY REMARKS.
The Second Part of my Report deals with the manuscripts, pottery,
terracottas, and other miscellaneous objects of the British Collection.
When the First Part, treating of the coins and block-prints was issued
early in 1899, the question of forgery was still an open one. In the
concluding remarks of my Introduction (p. xxxii) I pointed out how
desirable it was that it should be investigated on the spot by an European
explorer. Dr. Stein’s archaeological expedition to Eastern Turkestan
was at that time already being organised ; and the Second Part of this
Report has purposely been delayed in order to profit by the results of his
investigations. His tour has now been brought to a successful conclusion.
A full account of its results will have to be looked for in Dr. Stein’s own
report. But the communications which I received from him, partly by
letters written in the course of his travels and partly verbally since his
return from Turkestan in July, 1901, enable me, with his concurrence, to
indicate here briefly some of the results so far as they have a direct
2 Dr. Hoemle — Antiquities from Central Asia. [Extra No. 1,
bearing on the question of the genuineness of the objects comprised in
the British Collection.1
* By means of his own explorations of ancient sites in the Khotan
region, and by his local enquiries, Dr. Stein has obtained definite proof
that all “ blockprints ” and all the manuscripts in “ unknown characters ”
procured from Khotan since 1895 are modern fabrications of Islam
Akhun and a few others working with him. The fact of these block-
prints and manuscripts being modern forgeries was first established by
independent evidence, and subsequently received confirmation by the
full confession which the forger himself, in April last, made to Dr. Stein.
Islam Akhun, on the same occasion, furnished detailed information as to
the methods and means employed in preparing his forgeries.*
Of these manuscripts in “ unknown characters ” it has now become
unnecessary to publish detailed descriptions. Those whom it may
interest may see specimen pages of two such codices, published in Plate 8
of M. D. Klementz’s report on the Russian Expedition to Turfan.2
Several codices of that class are in the British collection. Other
specimens of fabricated manuscripts may be seen in Plates XI-XX
which accompany my paper on “ Three Further Collections of Ancient
Manuscripts from Central Asia” in the Journal of the Asiatic Society of
Bengal, Yol. LXVI (1897).
* Islam A kh fin’s account of the places where the finds are said
to have been made is an invention. These places (see Introduction,
pp. xvi-xxii) either do not exist, or exhibit physical conditions in which
the survival of ancient manuscripts appears highly improbable.^ As to
Aq Sapil, I believe that the interpretation of the present appearance of
the place in the letter quoted on pp. xiv-xvi cannot be sustained. On
the other hand, Dandan Uiliq is the genuine site of an ancient sand-
buried settlement. It is very probable that many of the genuine manu¬
scripts comprised in the Collection were originally obtained from there.
For * Dr. Stein, in the course of the explorations of which a brief
preliminary account has been given by him in the Journal of the Royal
Asiatic Society, for April, 1901, 3 excavated there a considerable number
of manuscripts of a very similar description, all written either in Brahmi
or Chinese characters.*
As regards the coins and seals, shown in Plates I— III of the First
Part of this Report, as well as the objects shown in Plate XIX, there is
1 Statements based on Dr. Stein’s communications and embodied in these Intro¬
ductory Remarks are enclosed between asterisks.
2 In Nachrichten uber die von der kaiserlichen Akadamie der Wissenschaften zu
St. Petersburg im Jdhre 1898 ausgerustete Expedition nach Turfan, Heft I.
f> Iu Art. XII, Archaeological Work about Khotan.
1901.]
Introductory Remarks.
3
no reason to doubt tlieir genuineness. This also applies to the objects
shown in Plate IV, except No. 1 and Nos. 3-11, which were used in the
binding of blockprints, and for that reason are of a questionable
character. Among the objects shown in Plate XIX are numerous
miniature terracotta figures. Others of a similar kind, but of larger size,
are shown in Plates X and XI accompanying this Part of the Report.
These as well as the fragments of pottery now described and figured are
genuine. They were all obtained from the ancient site hitherto desig¬
nated as “ Borazan ” (Introd., pp. xii-xiv), but the real name of which, as
Dr. Stein has shown, is “ Yotkan, a village of the Borazan tract.” Some
details as to the conditions in which antiques have been preserved at
that site, will be found recorded in his preliminary account already quoted.
It may be noted here that an attempt indeed was made to fabricate
also entire pieces of pottery. The result, however, was too grotesque
to deceive. Early in 1898 I received the photographs of two complete
jars, the fabrication of which there was no difficulty in detecting when
compared with genuine fragments. From some of the latter, shown in
Plate VIII, the “ Funeral jar ” which forms the frontispiece of Part I,
is reconstructed.
* Respecting the objects in metal, stone, or wood, while some prove
themselves by their appearance to be undoubted products of the ancient
Buddhist civilization of Eastern Turkestan, in the case of others their
age and provenance is quite uncertain. Objects of this kind collect in
the bazars of Khotan and other towns in Eastern Turkestan, and the
statements of the Natives regarding them are quite unreliable.* To this
category belong the two horsemen referred to on page xx of the Intro¬
duction, and equally uncertain is the age and provenance of the skull
there mentioned.
* There is good reason to believe that certain wood carvings, among
them the box purchased at Khotan by Captain Deasy and published in
the Journal of the Royal Asiatic Society for April, 1900, 4 have to be
added to the list of articles from Islam A kh un’s factory.* A curious
resemblance, however, may be noted, of the figures carved on the box,
to some mud and metal figures, shown in Plate XIII, Nos. 1 1-13, the
genuineness of which there seems no reason to question. Assuming
the spuriousness of the box, such genuine figures may have served the
carver as models.
* The fabrication of manuscripts seems to have commenced early
in 1895. After about two years it was abandoned in favour of the
easier method of manufacturing blockprints. The forged manuscripts
4 In Art. XIV, On an ancient bloclcprint from Khotan.
4
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
are distinguished from the genuine finds not only by their “ unknown
characters,” but also by their paper, wbicli is modern in substance, and
in colour and condition shows evidence of having been artificially mani¬
pulated.* The fabricated manuscript books are distinguished also by
their peculiar binding after the manner of Codices, like the blockprints.
All the genuine manuscript books of the Collection observe the form of
the Indian Pot hi ; and all the genuine scripts belong to known types,
such as Brahmi, Kharosthl, Chinese, Uigur, Persian. All these are
represented in our Collection of manuscripts and coins.
The earliest fabrications of manuscripts were evidently executed
with much care and ingenuity. Genuine manuscripts seem to have been
imitated : otherwise it is impossible to explain the production of manu¬
scripts which could deceive the eye of expert scholars by their resem¬
blance to Pahlavi or Brahmi.6 In four of the earliest manuscripts,
Brahmi letters and letter-groups are imitated, greatly resembling those
which are seen in Pothi No. I of Set II (see p. 18). The subjoined
Woodcut shows facsimiles of the word ma-lkye-r as imitated from the
Pothi in which it occurs very frequently.
No. 1.
No. 1 is taken from the Pothi, Nos. 2 and 3 from two of the four
fabricated Codices above referred to, and No. 4 occurs in the formula of
the IYth Set of Blockprints (see Part I, p. 85 and Plate XII i. It was
the latter formula which furnished me with the first distinct evidence of
fabrication. This formula, as it stands in the blockprints, appears to be
written in a species of “ unknown character.” Comparing it, early in
1901, with the Brahmi writing in the Codices, it suggested itself to me
to examine the formula in a mirror, when it became at once apparent
that it was written in precisely the same character as the codices, only
the writing was reversed in print. In Table I the formula is shown in
6 Thus, Dr. E. West who very kindly examined a manuscript book of 56 leaves
( /f x 5|") which seemed to imitate Pahlavi writing, writes to me (July, 1901) : “I
find that the Pahlavi words I have collected form one-twelfth of your large MS.,
contain 13, out of 15, Pahlavi letters, and represent 27 out of the 33 known Pahlavi
sounds. So that a twefth part of the MS. has supplied five-sixths of the Pahlavi
alphabet and sounds. But it has not supplied a single intelligible clause of a
sentence.” /
Lli
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1901.] Introductory Remarks. 5
both positions. It was now obvious that whoever prepared the block,
wrote the text on it in vertical lines in the ordinary position, and
engraved it in that position, oblivions of the fact that as a consequence,
in printing off the block the text would come out reversed and be illegi¬
ble. Such carelessness would hardly have occurred to one who under¬
stood the script and its language. The same conclusion is suggested by
the inexplicable separation of the elements of the word ma-lkye-r
which are found as ISTos. 43, 48 and 51 in the fourth line. Moreover
most of the letters of the formula have no resemblance whatever to
Brahim characters. The written codices which were the first products
of Islam Akhun’s workshop) were done with far greater care, and though
also largely interspersed with “ unknown characters ” might have con¬
tinued to suggest genuineness, if the fraud had not been definitely
exposed through the personal investigations of Dr. Stein, to whom finally
Islam Akhun made a full confession. In Plate I, No. 1, is shown one of
the most curious specimens of an early fabricated codex. It is that which
was contained in the bag said to have been dug out with the skull resting
upon it (Introd., p. xx). The leaves are cut in the shape of a round-
bottomed, narrow-necked bottle, with a long pendant lip. They are held
together by a small tubular copper-peg which passes through the neck.
The leaf shown in the Plate is the last of the inscribed leaves of the
codex. The word malkyer is seen in the middle of the second line. A
very nearly corresponding version of the text occurs on the final inscribed
leaves of other two codices which are also shown in Plate I, Nos. 2 and 3,
and where the word malkyer appears in a corresponding place in the
second line. Specimen pages of the two latter codices are also shown in
Plate XVIII, XIX and XX of the Journal of the Asiatic Society of
Bengal, Vol. LXVI (1897). Another version of the same text stands
on a leaf of the codex shown ibidem , Plate XVII. Here the word mal¬
kyer occurs, e.g., on the page marked “ II. Obverse,” in the middle of
the bottom-line.
6
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Section III.— MANUSCRIPTS.
Tlie manuscripts, comprised in the British Collection, fall into two
groups, which may conveniently be distinguished as Pothis, or books
done up in the Indian fashion, and Documents consisting of single sheets.
Number.
Findplaee.
First Group. Pothis.
Altogether there are thirteen Pothis in the Collection. None of
them is complete, and of most of them no
more than a few leaves or fragments of leaves
exist. The only exceptions are Nos. 1 and 2 of Set I and No. 1 of Set
II, of which 25, 17, 17 leaves respectively survive. These three Pothis
belong to the Macartney MSS. They, as well as some other Pothis?
belonging to the Godfrey MSS., have been already described by me in
the Journal of the Asiatic Society of Bengal, Yol. LXYI for 1897 ;
but for the sake of completeness and some additional information, since
obtained, they will be here briefly re-described.
Three of the Pothis, viz., the Macartney MSS., Nos. 1 and 2 of Set I
and No. 1 of Set II, are said to have been
found in the identical Stupa near Kuchar in
which also the Bower MSS. and the Weber MSS. were discovered. Their
discovery has been related in the Introduction, pp. x-xii. In corrobora¬
tion of the existence of a possible deposit chamber from which they were
dug out, I may now add that, as Dr. Stein informs me in a letter, written
from Yarkand (24th September 1900), he found, about 20 miles N.-E. of
Kashghar, in a place called Khannui, a “ remarkably well preserved
Stupa with its Vihara,” in which “ a cutting made a long time ago had
laid bare a square chamber and shaft inside.” Native testimony, how¬
ever, as Dr. Stein has since verbally explained to me, even if honestly
given, is very unreliable ; and it is by no means certain that, even if the
stupa near Kuchar contained a chamber, the manuscripts were found in
it. Still from their appearance which shows no sign of the action of
sand on them, it seems clear that they must have been preserved in some
receptacle ; and there seems, therefore, in this particular case, no suffi¬
cient reason to discredit the native report of their having been dug out
from the chamber of a stupa (see Introd., p. xi). The case is different
with regard to the other Pothis. They show distinct signs of the action
of sand on them ; and they must have come from a sand-buried site.
1901.]
Section III. Manuscripts .
7
As to the identity of this site nothing certain is known. Some (Set I,
Nos. 3, 5, Set II, Nos. 4, 5, 6) are said to have been found in “ an old
buried town in the vicinity of Kuchar” (Introd., pp. viii, ix). Of the
rest, all that is known is that they were found “ somewhere in the Takla
Makan.” Seeing that similar manuscripts were found by Dr. Stein in
the sand-buried houses of Dandan Uiliq, N.E. of Khotan in the Takla
Makan, it is not improbable that the Pothis in question also originally
came from that place.
A Pothi consists of a number of leaves, cut of a practically uniform
. . oblong shape, generally enclosed between two
DOQQltlODt 1 -i i Till* • . •
wooden boards, and held m position or
“ bound ” by a string which passes through a hole drilled through the
whole pile. This fashion of making up a book is peculiar to India.
In all Pothis, existing or surviving in India, the hole is placed in the
middle of the pile of leaves ; or there are two holes, at equal distances
from the margin, in the middle of the right and left halves of the pile.
On the other hand, in the Pothis from Central Asia there is only one
hole, which is invariably in the middle of the left half of the pile (see
Plate II, figs. 1, 4, 5). There are reasons to believe that this was also
the practice in India in very early times. In the old Indian copper-plate
grants, the copper leaves are strung together on a copper-ring which
passes through a hole close to the left margin of the leaves. The
practice of incising records on metal plates is a very ancient one in
India : instances of such records on gold plates are already mentioned
in the Jataka book (see Professor Biililer’s Palaeography in the Cyclopaedia
of Indo-Aryan Research, p. 90). The practice was afterwards trans¬
ferred to manuscript books, when the latter came into vogue. But
owing to the fragile nature of their material (palm-leaf or birch-bark)
the hole was naturally placed further away from the margin, about the
middle of the left half of the leaves. This may be seen in the Bower
MSS. which is written on birch-bark, and Part II of which belongs to
the earlier part of the 5th century A.D. Somewhat later, the practice
arose, for the greater safety of the leaves, to make two holes at corres¬
ponding distances from the right and left margin. The earliest examples
of this practice are presented in the Horiuzi MS. (see Anecdota Oxoni-
ensia, Yol. I, Part III, Plate I), and in the two Nepalese manuscripts
of the Cambridge Collection, Nos. 1702 and 1049 (Mr. Bendall’s Cata¬
logue, Plate I, figs. 1 and 2), all of which belong to the 6th century A.D.
Still later arose the practice of replacing the two holes by one hole in
the middle of the leaves. The existence of this practice is recorded
by Alberuni in the 11th century, who says (Professor Sachau’s Trans¬
lation of Alberuni’s India, Yol. I, p. 171), that “the Indians bind a book
8
Dr. Hoernl e — Antiquities from Central Asia. [Extra No. 1,
Wooden Boards.
of palm-leaves together by a cord on which they are arranged, the cord
going through all the leaves by a hole in the middle of each.” The hole
was not at first in the exact middle, but — probably a modified survival
of the ancient practice — slightly more to the left, as seen, e.g., in the
Nepalese manuscript No. XXI (Palseographical Society) which is dated
in 1015 A.D. Still later, and at the present day, the hole appears in
the exact middle of the leaves. The peculiar position of the string-hole
in the Central Asian Pothis, therefore, points pro tanto to a very early
date for the introduction of the Indian fashion of book-making into
Eastern Turkestan, and for those Pothis themselves. As to the wooden
covering boards, only those of one Pothi, No. 1 of Set I, are included
in the British Collection. Of another Pothi,
No. 2 of Set I, one of the wooden covers exists,
but it belongs to the Weber MSS. collection, which also includes a
portion of that particular manuscript : the other cover is missing (see
my Report on the Weber MSS. in the Journal of the Asiatic Society of
Bengal, Yol. LXII (1893), pp. 2, 5, 32). One of the covers of Part I
of the Weber MSS. (see ibidem , pp. 2, 9), as well as the two covers of
the Bower MSS. also exist. Seeing that the Bower MSS., the Weber
MSS. and the Macartney MSS. are said to be proceeds of the same find
(Introd., pp. x-xii), it seems not improbable that the covers of all the
manuscripts comprised in the find were originally found, though only
those above enumerated have been obtained from the finders.
All the Pothis are written on paper. The paper is soft, and of a
whitish colour. The only exception is the
Pothi, No. 3 of Set II, the paper of which is
hard and stiff, and of an orange colour. It is clearly coloured artificially,
and its rigidity may be due to that cause. The whitish colour of the
other paper is, no doubt, its natural colour. Regarding the material
of which the paper is made, I can offer no opinion. Not possessing the
requisite technical knowledge myself, I have submitted specimens for de¬
termination to Hof rath Professor J. Wiesner, of the University of Vienna,
who will publish a report of his investigation when it is finished. In
the meantime I am informed by him that the papers of the Pothis differ
in one point : that of Pothis Nos. 4, 5, 7 of Set I, and No. 3 of Set II,
is sized or loaded with starch. On the other hand, he could not detect
any trace of starch in the paper of the Pothis Nos. 1, 2, 3, of Set I, and
Nos. 1, 2 of Set II, though this does not prove absolutely that no starch
was used in its preparation.1 There is also another difference which I
have noticed myself. Some of the papers exhibit parallel waterlines,
Paper.
1 No. 6 of Set I and Nos. 4, 5, 6 of Set II have not been examined by him.
Section III. Manuscripts.
9
1901.] ........
showing that the sheets of this paper were made in “ moulds ” or frames
with an open bottom ; while others do not show any waterlines, and
evidently were made in moulds with a comparatively solid bottom. In the
latter, the bottom would seem to have been made with a piece of coarse
cloth stretched across the frame. In the former, parallel lines of string, or
wire, or bamboo fibre must have been stretched across the bottom of the
frame, &s shown by the waterlines in the paper. The strings were fixed
very close to one another ; for in the paper there are about 14 waterlines
to an inch. To judge from the absence of any corresponding waterlines,
the moulds do not seem to have been provided with any transverse
supporting strings or wires. Pothis Nos. 1 and 2 of Set I, and No. 1
of Set II, are written on paper without waterlines, while the paper of
all the others shows them. It is possible that on further enquiry,
the two points of difference here noted may yield a test of age.
For the present, the information on both points is insufficient for
the purpose. As Professors Wiesner and Karabacek have shown
( Mittheilungen aus der Sammlung Papyrus Erzherzog Rainer , 1887), the
Arabs, who learned the art of paper-making from the Chinese in Samar¬
kand in 751 A.D., knew, in the 9th century, the practice both of loading
the pulp with starch and making paper in open-bottomed moulds. They
used moulds with and without transverse supporting strings or wires ;
and the paper, made in their moulds, shows 15 waterlines to an inch (or
6 to a centimetre). There is no reason, so far as I know, to believe that
they were the inventors of either of those two practices. The presump¬
tion is rather the other way ; for the British Collection possesses two
Chinese documents, dated 768 and 786 A.D. (see below, p. 22), both
of which are written on sheets of paper showing waterlines as well as
the presence of starch. So far, all the Pothis may be anterior to the
8th century A.D. ; some of them, as will be shown presently, are certainly
several centuries older. In any case, the method of making paper in
solid-bottomed moulds is cruder and more primitive than that of making
it in open-bottomed ones. Accordingly Pothis written on paper without
waterlines, i.e., made by the former method, are pro tanto likely to be
older than those written on paper with waterlines. To the former class
belong three Pothis, Nos. 1 and 2 of Set I, and No. I of Set II, which
are said to have been dug out from the Kuchar stupa ; to the latter
belong all the others. Judging by this test, the Pothis of the Kuchar
stupa are older than the rest. A further peculiarity of the Pothis
of the Kuchar stupa is that their leaves are
Coating. covered with a more or less thick smooth
coating (of chalk ?) on which the letters are traced. It is of a white
colour and particularly noticeable in the case of No. 2 of Set I. In
J. i. 2
10
Dr. Hoemle — Antiquities from Central Asia. [Extra No. 1,
Shape and Size.
the case of No. 1 of Set I, it is discoloured and has assumed a dun
colour. As the paper of these Pothis is not starched, the coating may
perhaps have been intended to prevent the ink from running. In many
places it has peeled off, and with it the writing has disappeared. The
letters appear to have been traced with some kind of pen, probably
the Indian reed-pen, not the Chinese brush. This is suggested by the
shai'p angles and clean-cut lines of the letters, which is particularly
noticeable in the Pothis, Nos. 3-7 of Set I and Nos. 3-5 of Set II.
(See Plate II, fig. 3.)
In the shape and size of the leaves of the Pothis there is much
variation ; but they all agree in being decidedly
oblong. In this particular, they clearly imi¬
tate the Indian palm-leaf. In India two kinds of material were used
for book-writing, the leaves of the Corypha palm ( Corypha umbraculifera)
and the inner bark of the birch tree ( Betula utilis), both in a prepared state.
Palm-leaf was the common material, employed everywhere throughout
India : its shape, a decided narrow oblong, was determined by the shape
of the segments or strips of the natural leaf. Birch-bark was only used
in the extreme North-West of India, concurrently with palm-leaf ; and its
shape was that of large, squarish sheets.2 Seeing that the paper was
made in large squarish sheets (see below, p. 23), and that a narrow
oblong is a less convenient shape for a writing material than a squarish
sheet, it is obvious that the practice of cutting up paper into narrow
oblongs must have been determined by people who were accustomed to
the Indian use of palm- leaves. As the Bower MSS. show, even birch-
bark was occasionally treated in this way and cut up into oblongs after
the model of the Corypha-leaf. The normal size of paper Pothis is
about 2 (or 2|) by 12 (or 14) inches ; see Nos. 3 and 4 of Set I, and
Nos. 2 and 3 of Set II (Plate II, fig. 4) ; and this is also the normal
size of a palm-leaf Pothi. But paper, being cut out from very large
sheets, naturally permitted a much greater variation in shape and size
than the natural palm-leaf. Hence we have Pothis as small as 2 x 5 or
2| x 8 inches ; see Nos. 1 and 2 of Set I, and No. 1 of Set II. On the
other hand, there must have been also Pothis of enormous size, as shown
by No. 5 of Set I, which appears to have had leaves about 11 inches
broad and proportionately long, and by No. 7 of Set I, the leaves of
which were 4f inches broad and probably about 20 inches long. In both
cases the length can only be conjectured ; but a fair idea of the size of
such an enormous manuscript is afforded by the Petrovsky MS., which,
2 See my Epigraphical Note on Palm-leaf, Paper and BirchbarJc in Journal,
Asiatic Society of Bengal, vol. LXIX, p. 93 ff. (1900).
1901.]
Section III. Manuscripts.
11
Characters.
according to the photographic specimen published by Professor S. von
Oldenburg in the Transactions of the Imperial Russian Archaeological
Society, Vol. VII, pp. 81, 82 (1892), measures about 31- x 19| inches.
All the Pothis are written in Br&hmi characters, but of two
different types. One is an upright type, the
other is slanting. The latter occurs only in
two Pothis, viz. , No. 2 of Set I, and No. 1 of Set II. The difference of
the two types is not so well seen in single letters, as in a whole page ;
compare figs. 1 and 2 of Plate II. There are also some specific dif¬
ferences in the formation of certain letters, especially in the forms of the
vowels u, a (initial) and i and e (medial) and the consonants k, m and y.
They may be seen in columns 21 and 22 of Table II ; and they are fully-
explained in my Reports in the Journal of the Asiatic Society of Bengal,
Vol. LXII (1893), pp. 4, 5 and Vol. LXVI (1897), pp. 3-5, 45. The
slanting type of Brahmi has, so far as I know, never been observed in
India : it appears to be a special Central Asian modification of the
erect type which is proper to India. In India this type of the Brahmi
is known as the Gupta script, so named after the Imperial Gupta dynasty
which ruled in Northern India about 319-530 A.D., and during whose
rule, principally, it was current. Its period may be said to comprise
roughly four centuries, from 300 to 700 A.D. From the fact that
Pothis written in both, the upright and slanting, types were found in the
Kuchar Stupa, it is clear that they were contemporary styles of writing.
It seems to me that the fact of the co-existence of the two types may be
best explained by assuming that the Pothis in the erect script were
written by Natives of India, Buddhist propagandists who had migrated
to Central Asia, while the slanting script was evolved by such Natives
of Eastern Turkestan as had become converts to Buddhism.
With regard to the upright type of Gupta, three distinct varieties
can be distinguished. I believe the distinction
Their Varieties. , , , £
to be a mark ot a dirterence m age. The earlier
variety, shown in Columns 7-12 of Table II, is found in Pothi No. 1 of
Set I (Macartney MSS., No. 2) ; also in the Bower MSS., and in the
Weber MSS., Parts I, II, III, (see Plate I, figs. 1-3 in Journal, Asiatic
Society of Bengal, Vol. LXII of 1893), all of which belong to the Kuchar
stupa find. A later variety, shown in Column 18, is found only in the
Pothi No. 6 of Set II ; and another later variety, shown in Columns
16 and 17, is found in the remainder of the Pothis of the two Sets.
Both these later varieties are quite unknown in India. • They also share
with the Central Asian slanting type the peculiar formation of the medial
vowels i and e. Moreover the second of the two later varieties is marked
by a curious angularity and absence of cursiveness, which suggests that
12
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
the script did not come naturally to the writer but was employed, so to
speak, artificially as a calligraphic imitation of Indian models. This is
particularly striking in the case of the letter tha ; compare No. 9 in
Col. 17 with Col. 6. The forms of the letters e and the initial long i
(No. 4 in Col. 17 and No. 3 in Col. 16) point in the same direction. The
latter occurs occasionally (in the proportion of 1 : 8) as an alternative by
the side of the more usual Indian form consisting of three ringlets (No. 3,
in Col. 17), and is made by combining the sign of length of the f-vowel
with the body of the a- vowel. The letter e is made by a similar com¬
bination. These peculiar forms of e and i are also found in the ordinary
Tibetan script which originated in the middle of the 7th century A.D.
For these reasons, I believe, the two later varieties to be peculiar scripts
of Eastern Turkestan. I also believe them to belong to much the same
period of time, and the variety, shown in Col. 18, to be the cursive script
of the period, while the variety, shown in Cols. 16 and 17, is an artificial
imitation of Indian models for calligraphic purposes. The same cursive
script is also found in a series of Brahmi documents, which are described in
Group II (p. 32). It is shown in Column 19, and possesses the same
peculiar form of the initial i-y owel. The form of the letter ma of this
cursive script (No. 13 in Cols. 18, 19) should be particularly noticed : it
is quite different from the ordinary form, but closely allied to the Central
Asian forms, shown in Cols. 20-22. In this connection it may also be
noticed that the Central Asian Gupta script retains the three -pronged
form of ya, and the long-limbed form of la (Nos. 14 and 16 in Cols. 16-22)*
In the Indian Gupta these two forms began to disappear in the 6th
century, and to be replaced by the two-pronged or boot-shaped form of ya
and the short-limbed form of la (see Professor Buhler’s Indian Palaeo¬
graphy, pp. 45, 48).
Of the slanting type of Gupta, also, some varieties can be dis¬
tinguished. Only one of them, however, (see Cols. 21, 22) is represented
in the British Collection, in Pothis No. 2 of Set I, and No. 1 of Set II.
Another, perhaps later, variety, distinguished by its form of the letter
ma (the second form of No. 13 in Column 22), is found in a few
fragments published by me in the Journal of the Asiatic Society of
Bengal, Yol. LXVI (1897), pp. 213 ff., Plate I, fig. x. A variety*
intermediate between the upright and slanting, is found in the Weber
MSS-, Parts IY, Y, YIII, published ibidem , Yol. LXII (1893), pp. 22 ff.,
and shown in Column 20.
The Pothis are written in two different languages : Sanskrit and
another, which has not, as yet, been identified,
anguage. Accordingly I have divided them, for the
purpose of this Report, into two Sets. The first Set comprises seven
1901.]
Section III. Manuscripts.
13
Pothis, all written in Sanskrit, not exactly of the classic, but of
the so-called “mixed” type. The second Set consists of six Pothis,
written in the unknown language. My impression, from the general
character of the language, is that its identity has to he looked for in
the direction of the monosyllabic Tibetan rather than of the Turki or
Mongol languages. A curious point about it, as presented in these
Pothis, is that it is largely intermixed with Sanskrit words, strangely
misspelled. These words are mostly technical terms, medical or reli¬
gious ; and this fact seems to indicate that the works in which they
occur may be translations of Sanskrit originals into the language of the
country in which they were found.
None of the Pothis is dated. Their age, however, can be estimated
with much probability from palseographic and
other considerations. They are all written
in one form or other of the Gupta script, and the period of this script
is included roughly between 300 and 700 A.D. Three of the Pothis,
viz., Nos. 1 and 2 of Set I, and No. 1 of Set II, are said to have been found
in the Kuchar stupa, together with the Weber MSS. and the Bower MSS.
These, therefore, may be taken to be practically of the same age. The
date of the Bower MSS. it is possible to fix with tolerable certainty ; for
they are all written in the Indian (not the Central Asian) type of the
Gupta script, doubtless, by Natives of India ; and their age, therefore,
is determined by the well-known facts of Indian palaeography. I have
explained the argument fully in a paper published in the Journal of the
Asiatic Society of Bengal, Yol. LX (1891), pp. 79 ft. It is briefly this:
the Gupta script of North-Western India has two signs for the consonant
y, a three-pronged and a two-pronged or rather boot-shaped one (compare
No. 14 in Columns 1 and 6 of Table II). Of these the boot-shaped
sign is a later cursive development of the three-pronged one. There is
also an intermediate cursive form, in which there is a line across the
instep of the boot-shaped form (see No. 14 in Cols. 4 and 14, and the
lower sign in Col. 12). This form was a transitional one which appears
to have been current only during a very short period. This period, so
far as epigraphic writing is concerned, extended from about 460-540
A.D. Epigraphical records avoided the use of contemporary new¬
fangled cursive forms : they naturally preferred to use only the older
forms, sanctioned by long usage and, therefore, well-known to every
reader ; cursive forms were only admitted, when they had acquired the
sanction of a fair amount of literary usage. Epigraphic writing thus
lags behind literary writing : the interval, of course, may vary ; but a
generation or two of writers, say about 50 years, may fairly represent it.
For Pothi-writing, therefore, the period of the use of the transitional
14
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
form of y would be tlie 5th century A.D. Accordingly, Pothis which
use exclusively the old three-pronged form of y may be placed before the
5th century ; and Pothis which use exclusively the modern boot-shaped
form of y fall after the 5th century. Of course, the form of y is not the
only test ; the forms of other letters must also be taken into account ;
but in a general way, the y-test is a convenient and fairly safe one. In the
present case, the result yielded by this test is sufficiently well confirmed
by a comparison of the forms of the other letters shown in Table II.
Parts I — III of the Bower MSS. show the use of the old and transi¬
tional forms of y in the proportion of 1 : 3, while Parts IV-VII, which
are written in a different hand, use only the old three-pronged form.
As the last page of Part III, and the first page of Part IV, are written
on the same leaf, occupying the obverse and reverse of it respectively, it
follows that all the Parts are contemporary. It further follows that the
Bower MSS. must have been written at a time when the use of the
transitional form of y had not yet found general acceptance among liter¬
ary men. Accordingly they must be referred to a time not later than
the middle of the 5th century A.D. The other Pothis, viz., the Weber
MSS. and the Macartney MSS., having been found in the Kuchar stupa
together with the Bower MSS., must belong to nearly the same period.
Hence Pothi, No. 1 of Set I, which is written in the Indian type of the
Gupta script, but never uses the transitional form of y, must be dated
early in the 5th century, and may possibly go back to the latter part of
the 4th century (see the evidence in the Journal, Asiatic Society Bengal,
Vol. LXVI, pp. 245-247). The Pothis, No. 2 of Set I, and No. 1 of Set II,
which are written in the Central Asian type of Gupta, must also belong
to the 5th century. The two-ringleted form of y (see No. 14 in Cols. 21
and 22 of Table II) which they use can only be viewed as having
originated from the old three-pronged form : the boot-shaped form of y
could not have produced it. The script of those two Pothis is a Central
Asian modification of the contemporary Indian Gupta script. The inter¬
mediate stage — the Indian Gupta in the process of transition to the
Central Asian — is exhibited in Part V of the Weber MSS. (see Column
20 of Table II ; also Journal, Asiatic Society of Bengal, Vol. LXII (1893),
Plate II, fig. 1). The transition can clearly be seen by comparing
the forms of m and y, in Columns 20-22 of Table II. The North-
Indian transitional form of y of the 5th century, and the modern boot¬
shaped form of y, which originated in the 6th century, never obtained
a footing in Central Asia, as little as it penetrated into Tibet or into
Southern India. The Bower MSS. found in Eastern Turkestan are only
an apparent exception. For as their material — birch-bark — shows, those
manuscripts were really written in India (probably Kashmir or Udyana)
1901.]
Section III. Manuscripts.
15
and imported into Eastern Turkestan. All the Pothis which were written
in Eastern Turkestan itself are written on paper ; and it appears probable
that those written in the Indian variety of the Gupta script, such as No. 1
of Set I, were written by Natives of India who had settled in Eastern
Turkestan, while those written in the Central Asian variety, such as No. 2
of Set I, and No. 1 of Set II, were written by Natives of that country.
As regards the Pothis, Nos. 3-6 of Set I, and Nos. 2-5 of Set II, I
am disposed to ascribe them to a somewhat later age. They show the
Indian upright Gupta script, but written in a curiously angular and
artificial style : it is the calligraphy of epigraphical records applied to
book-writing. The curious triangular form of tha and the wavy form of
medial e first appear in Indian epigraphical writing in the 7th century
(see Nos. 8 and 14 in Column 6 of Table II), and in Indian literary
writing towards the end of the 6th century (see Nos. 8 and 14 in Col. 15).
The peculiar composite forms of the initial i and e (No. 3 in Col. 16, and
No. 4 in Col. 17) also belong to the 7th century. Accordingly it is to the
7th centuiy that I am inclined to attribute the Pothis in question. The
contemporary cursive style, I believe, appears in the fragment of Pothi
No. 7 of Set I. It is shown in Column 16 of Table II and in figure 3 of
Plate II.
To a still later period I would ascribe the Pothi No. 6 of Set II. It
exhibits a much more developed cursive form of the upright Indian Gupta,
as established in Central Asia. Unfortunately only a fragment of one
leaf exists, and that in a rather bad condition. Its letters are shown in
Column 18 of Table II and fig. 5 of Plate II. Essentially the same cursive
script, however, is found in the series of Brahmi documents which will be
described in Group II (p. 32) ; and its letters are shown in Column 19
and fier. 6 of Plate II. These documents seem to have been found
together with some Chinese documents dated in the latter half of the 8th
centuiy ; and it is to this period that I would, accordingly, ascribe the
Pothi No. 6 of Set II.
Two points which bear on the question of the age of the Pothis
have already been discussed in the para¬
graphs on the “ stringhole ” and on “paper.”
The bearings on it of the course of the political history of Central Asia
remain to be briefly considered. All the Pothis, so far as I know, are
Buddhistic. Western Turkestan was occupied by the Muhammadans
in the course of the 8th century. In 751 A.D. Samarkand was con¬
quered by the Arabs. From that time Buddhist intercommunication
between India and Central Asia practically ceased : it had previously
been gradually declining. U-kong, a Chinese Buddhist monk, visited
India in 753 A.D., and Prajna, an Indian Buddhist monk, visited China
Evidence of History.
16
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
in 782 A. D., both travelling through Central Asia. But these are solitary
instances. In the 9th and 10th centuries Muhammadanism overran
Eastern Turkestan ; and Buddhist culture fell into rapid decline. That
under these circumstances, such a knowledge and practice of the Indian
script as to produce manuscripts of the perfect calligraphy shown in
our Pothis should have continued to exist among tHe Buddhists of
Eastern Turkestan is extremely improbable.
First Set.
This Set comprises seven Pothis, all written in Sanskrit.
No. 1. Pothi. (Plate II, fig. 1).
Belongs to M. 1. Fully described and figured by me (as Set II)
in the Journal of the Asiatic Society of Bengal, Yol LXYI (1897),
p. 244, plate x. Incomplete both in size and number of leaves. Maxi¬
mum existing size 2|*4§"; original, about 2|x5". Number of lines
on page, 9 or 10. Leaves mutilated on the right : stringhole on the left :
existing 25, numbered from 20 to 44, on the reverse pages, as shown by
the way the leaves adhered to one another. Enclosing boards of wood
preserved; size, 5§x2J"; stringhole at If" from left edge; inner sur¬
faces flat, outer, slightly convex and polished. Paper, same as in No. 1,
but discoloured (dirty orange) and rotten from damp. Writing much
damaged through surface-coating peeling off or causing leaves to stick
together. Findplace, stupa near Kuchar where it is said to have been
dug out together with the Bower MSS., and Weber MSS. (Introd.,
pp. x, xi). Script, Indian upright Gupta characters. Language, mixed
Sanskrit prose and verse ($loka). Subject, medical or semi-medical
treatise, divided into adhyayas or chapters. Age, early 5th or late
4th century A.D.
No. 2. Pothi. (Plate II, fig. 2).
Belongs to M. 1. Fully described and figured by me (as Set I) in
the Journal of the Asiatic Society of Bengal, Yol. LXVI (1897), pp.
237, 241, plates ix and x. Incomplete, both in size and number of
leaves. Existing size, 2§" x 5", original, 2| x 7f ". Number of lines
on page, 6. Average number of aksaras, or letters, in a line, 22 ; missing,
about 12; total about 34. Leaves mutilated on the left, and hence
stringhole and leaf-numbers lost. Commencing and concluding leaves
missing ; existing number, 17 ; in the Petrovski Collection, in St. Peters -
burg, 8 ; in the Weber Collection in my own possession, 7 ; total 32
leaves. (But see Professor S. v. Oldenburg’s remarks in the Records
of the Oriental Transactions of the Imperial Russian Archaeological
Society, Yol. XII, page 034). Paper, primitive without waterlines and
1901. J
Section III. Manuscripts.
17
starch-loading ; of whitish colour. Writing, much obliterated through
peeling off of surface coating of paper. Findplace, same as of No. 1.
Script, Central Asian slanting type of Gupta characters. Language,
mixed Sanskrit prose. Subject, Buddha’s discourse with the Maha-
yaksa Manibhadra, whose story is briefly told in the Samyutta Nikaya
(Pali Text Society, Part I, p. 203). Age, 5th century A.D.
No. 3. Pothi.
Belongs to G. 1. Described (not quite correctly) and figured in
Journal, Asiatic Society of Bengal, Yol. LXYI (1897), pp. 227, 231?
plates ii and iii. A mere fragment of the book, only two complete leaves
and two small pieces of a third, surviving. Size, 11 x2|". Number of
lines on page, 5, with about 27-30 aksaras in a line. Stringhole at 2|/r
from left edge, within a circle of •§-" diameter. Leaves numbered 9 and
11 (not 19 and 11 as stated in the Journal) on the obverse pages. Paper,
very similar to that of the Chinese and Brahml documents (see Group
II, p. 32), of whitish colour, and with waterlines, about 14 to an inch,
running parallel with length of leaf and in same direction as writing.
Find-place, said to be “ old buried city in vicinity of Kuchar ” but perhaps
Dandan Uiliq (see p. 31). Script, upright Gupta characters of the Central
Asian calligraphic variety. Language, mixed Sanskrit prose. Subject?
dharanis or incantations, divided into sutras, as follows : sutras 72-80 on
leaf 9, and 90-93 on leaf 11. On leaf 10, there must have stood sutras
81-89. As the fragmentary leaf commences a page with sutra 41, and
as there stood, on the average, eight sutras on a leaf, it follows that the
fragmentary leaf must be the 5th, and must have borne sutras 41-48.
Age, probably 7th century A.D.
No. 4. Pothi.
Belongs to G. 7, T. 1, and M. 3. A mere fragment of the book,
consisting of four more or less complete leaves, and five small pieces of
three or four leaves. Probable full size, 2^-x ll£'\ Number of lines on
page, 4, with about 21-27 aksaras in a line. Stringhole at 2f " from left
edge, within a circle of diameter. Two leaves numbered 8 and 27,
but uncertain whether on obverse or reverse pages. Paper, as in No. 3,
but with waterlines about 13 to an inch, running parallel to longer side
of leaf, in all but three of the small pieces in which they number 16 to
an inch and run parallel to the shorter side and across the writing. Find-
place, probably, the same as of No. 3. Script, and language, as in No. 3.
Subject, apparently the same as in No. 1. Age, as of No. 3.
No. 5. Pothi.
Belongs to G. 1. Described and figured by me in Journal, Asiatic
J. i. 3
18
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Society of Bengal, Vol. LXVI (1897), pp. 228, 233, and plate iv, No. 3. A
mere fragment, 3§ x 5J'', of a very large leaf, numbered 90 on left margin,
but unknown whether on obverse or reverse page. Leaf -numbers, as
a rule, stand in or near the middle of the margin, and, as in this case,
the number 90 stands close to the torn upper edge, it is probable that
the existing breadth (51") is only about one-half of the original size
which should have been about 11 inches. The leaf must have had a
corresponding length, but there is no means of determining it. The
Pothi must have been a very large one, both with respect to size and
number of leaves. Stringhole must have been in missing portion.
Existing number of lines on page, 7 ; probable full number 14. Letters,
very large, J-f". Paper, as in No. 3, but with 13 waterlines to an
inch. Findplace, script and language, as of No. 3. Subject, not
determinable. Age, as of No. 3.
\
No. 6. Pothi. *
Belongs to M. 3. Only two very small irregular pieces (1 x 3" and
1 x l^v) of one or two leaves. Original size of leaf unknown. Portions
of two lines on one, and of three lines on the other fragment. In all
other respects, the same as No. 3.
No. 7. Pothi. (Plate II, fig. 3).
Belongs to M. 10. A mere fragment, out of the middle of a very
large leaf, inscribed on both sides with 9 lines of writing. The still
existing full breadth is 4f"; full length, unknown; surviving length,
6j". Paper, same as in No. 3. Findplace, unknown. Script, ordinary
or cursive variety of Central Asian upright Gupta characters. Lan¬
guage, mixed Sanskrit. Subject, apparently a Buddhist sutra. Age,
probably 7th century A.D. The following is a transcript of what is
legible on the figured page.
1.1 va ‘ sarvva-dharmam Buddha-laksana (9unye) x sarvva-vi
1. 4 bhadante=ti * ayusmam n=Subhuti
1. 5 prajna-paramita yax xna: sambodhi manasi karai
1. 6 sad-dhetos=tatha hi subhuto tena bodhisatve
1. 7 s=tatha hi x ^unyataya
1. 8 s=tatha hi (sa pratyati) £unya
1. 9 kathayana
Second Set.
This Set comprises six Pothis, all written in a language, not yet
identified.
No. 1. Pothi.
Belongs to M. 1. Fully described and figured by me (under Set I)
1901.]
19
Section III. Manuscripts. .
in Journal Asiatic Society of Bengal, Vol. LXII (1893), p. 34 ff., and
plate iii, figs. 3-5. It is the missing portion of Part IX of the Weber
MSS., which previously had not been recognized by me but supposed to
belong to Xo. 1 of Set I. It comprises 17 leaves ; in Part IX, there are
25 leaves ; the total thus amounts to 42 leaves. The finder (see Intro¬
duction, p. x) appears to have divided it into two parts, one of which
he gave to Mr. Weber, the other, to Mr. Macartney. It is not probable,
that, for this purpose, he picked out the leaves separately ; he probably
simply divided the bundle of leaves into two portions, each consisting of
a number of consecutive leaves. This being so, and leaves 7-10 and
30-38 occurring in the Weber Collection, while leaves 22-29 are
included in the Macartney Collection, it follows that the 17 leaves of the
latter collection probably comprise the leaves 13-29, while the 25 leaves
of the Weber Collection are made up of the initial portion 1-12 and
the final portion 30-42. Unfortunately, the Pothi is preserved in a very
indifferent condition. The leaves are partially mutilated on three sides
though sufficient remains to determine their full size, which is 2% x 51-
inches. Number of lines on page, 6 ; the top-lines, chiefly, being
damaged. The writing is much obliterated, owing to the gypsum coat¬
ing of the leaves being greatly damaged. In many places the coating
of one leaf, with the letters on it, adheres to the next leaf, and on care¬
fully rubbing off the gypsum, the letters underneath it become visible^
though in an inverted position and crossing the letters of the writing on
the next leaf. With some trouble, it is possible to distinguish and read
the two lines of writing overlying one another. A complete transcript
(in Roman) of this manuscript, with indexes, is given in an Appendix to
this Report. The leaf-numbers are on the left margin of the reverse
pages, the following being, more or less completely, preserved : 22, 24,
26, 27, 29. Paper, findplace and script, the same as in Xo. 2 of Set I.
Language, not identified, but largely intermixed with strings of Sanskrit
names of medical drugs, strangely misspelt. Hence it is not improbable
that the work may be an ancient translation into a Central Asian dialect,
of some Indian medical treatise. Age, 5th century A.D.
Xo. 2. Pothi. (Plate II, fig. 4).
Belongs to C. 7 and M. 3. A mere fragment of a book, consisting
of three nearly complete leaves, one half-leaf, and eight small pieces.
Size of full leaf, 2| x 11TV" Number of lines on page, 5, with about
21-28 aksaras in a line. Stringhole at 2f " from left edge, within a
circle of diameter. On one leaf, in left upper corner, there are two
concentric circles, not inscribed, of If" and If" diameter, possibly
marking the commencement of a chapter. One of the complete leaves
20 Dr. Hoernle — A ntiquities* from Central Asia. [Extra No. 1,
is numbered 1 on left margin of reverse page, with blank obverse,
being the initial leaf of the book ; numbers of others missing. Paper,
as in No. 3 of Set I, but waterlines running parallel with short side in
leaf 1 and in the eight small pieces. Eindplace, unknown. Script,
the same as in No. 3 of Set I. Language, not identified, inter¬
mixed with Sanskrit religious terms. Subject, probably Buddhist
dharanis or “ incantations.” Initial leaf apparently commences with
om siddham, the former word represented by a large flourish, the latter
indicated by traces of s and dh. Age, same as No. 3 of Set I.
No. 3. Pothi.
Belongs to G. 7. A mere fragment of the book, consisting of one
complete leaf, and the larger portion of another, numbered 9 and 10
respectively on the left margin of the obverse pages. Size of full leaf,
2| x 14^". Number of lines on page, 5, with 32 or 33 aksaras in a line.
Stringhole at about 3£" from the left edge, within a circle of yf" dia¬
meter. On leaf 9, in left lower corner of reverse page, two concentric
circles, not inscribed, of If" and If" diameter respectively (as in No. 2).
Paper, stiff, of yellowish colour, with faint waterlines, about 11 to an
inch, running parallel to long side of leaf and direction of writing.
Eindplace, unknown. Script, as in No. 3 of Set I. Language and
subject, as in No. 2 of Set II. Age, probably 7th century A.D.
No. 4. Pothi.
Belongs to G. 1. Described and figured by me in Journal, Asiatic
Society of Bengal, Vol. LXVI (1897), pp. 228, 234, and plate iv, fig. 5.
Only a fragment of one leaf : full breadth extant 3§" ; full length
unknown; existing length, 6"; apparently from middle of leaf; for
no stringhole visible. Number of lines on page, 5. Paper, as in No. 3
of Set I, but waterlines parallel to short side of leaf, and transverse to
writing. Findplace, script, and subject, also the same as in No. 3 of Set I ;
but language, as in No. 2 of Set II. Age, probably 7th century A.D.
No. 5. Pothi.
Belongs to G. 1. One of the two fragments referred to by me in
Journal, Asiatic Society of Bengal, Vol. LXVI (1897), pp. 228, 229.
The leaf to which it belongs — the only one surviving — must be the last,
seeing that one page is blank, and the stringhole is on the left side.
Breadth complete, 2 ; full length unknown, but probably about 7" ;
existing length, 4f". Stringhole, within a circle of f" diameter, at
about 1|- 1 from existing left edge ; on this side only a very narrow
strip, with the leaf -number, can be lost, the main loss being on the right
side. Number of lines on page, 5 ; writing almost illegible. Paper, as
1901.]
Section III. Manuscripts.
21
in No. 3 of Set I, but very thin, and with waterlines parallel to short
side of leaf. Findplace, script, language, subject and age, as in No. 4
of Set II.
No. 6. Pothi. (Plate II, fig. 5).
Belongs to G. 1. The other of the two fragments referred to in the
preceding No., and a parallel case in almost every respect. The leaf to
which it belongs — the only surviving-one of the book — must be the last,
as one page is blank, and the stringhole is on the left side. Breadth
complete, 2^-' ' ; full length unknown, but probably about 6 inches ; exist¬
ing length 3f ". Stringhole, within a circle of f" diameter, at about 1|"
from existing left edge ; possibly not more than right and left margin,
with leaf-number, missing. Number of lines on page, 5 ; writing almost
illegible. Paper, exactly as in No. 5 of Set II. Script, later cursive
variety of Central Asian upright Gupta ; but very much obliterated.
Language and subject, unknown. Age, probably 8th century A.D.
Second Group. Documents.
The documents of the collection may be divided into two classes,
according as they are written in a known or in an unknown language.
First Class. Documents in a Known Language.
First Set. Chinese Documents. (Plates III and IY).
This Set comprises three complete sheets and nine fragments of
paper, inscribed on one side with writing in
Number, Script and Chinese
characters, and, therefore, in vertical
Language. lines or columns, running from right to left.
The characters are the ordinary Chinese, but in two different hands :
the book-hand or kyai-shu, and the cursive or tsao-shu. The style of the
writing according to Mr. Macartney, resembles that of the period of the
T’ang dynasty, that is, 618-907 A.D. ; and this is confirmed by the actual
dates recorded in two of the documents (Nos. 1 and 3), as well as by the
circumstance, that some of the characters are more or less obsolete. The
language is Chinese, but archaisms as well as more or less extensive
mutilations of the documents offer serious obstacles to accurate transla¬
tions. Mr. G. Macartney, Special Assistant for Chinese Affairs to the
Resident in Kashmir, in Kashghar, and Mr. L. C. Hopkins, H.B.M.’s
Consul in Chifu, have very kindly supplied me with translations of
some of them, and Professor F. Hirth in Munich, and M.M. U. Wogihara
and R. Watanabe with some others. I hope their publication in full may
be undertaken by some Chinese scholar. Here I must limit myself to
indicating their general purport.
22
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Find-place.
Nothing definite is known regarding tlieir exact find-place. Two
fragments, Nos. 4 and 10, which were received
by Captain Godfrey from some Pathan traders,
are said to have been dug np, together with the Pothis Nos. 3 and 5
of Set I and Nos. 4, 5, 6 of Set II, “ near some old buried city
in the vicinity of Kuchar.” All the other documents were obtained
by Mr. Macartney from a Khotan trader, Badrnddin, who either
could not or would not give any information regarding their find-place.
There is, however,
No. 2.
some reason to be¬
lieve that they may
> 2i 1 J • 0 have come from
Dandan Uiliq (see
p below, p. 31). The
.jrijffLl * \J three complete docu-
Jft i ments name the place
toy'll w^ere they were
J (f\\ m written, but unfor-
f ^ W * tunately, the first
of its two letters
being obsolete, it
cannot at present be fully read. Full-size facsimiles of the two letters,
as seen in the three documents, are shown in the marginal woodcut No. 2.
Mr. Macartney and his Chinese Literate read it Lee-Sieh. Mr. Hopkins
also reads it Lieli-sieh or Li-sieh, but he adds, that not only the sound
of the first character is doubtful, but “ the second character may re¬
present an older sound sia, tsia, zia, tsa, tse , and the whole word might
be Lizia or Litsa or Lid] a A From the document No. 1 it is certain
that the place, whatever it was, was situated in the Chinese province
of the “Six Cities” ( Liu-Clieng ) or, by its Turki name, Alti Shahr ,
that is, in the country now commonly known as Eastern or Chinese
Turkestan. The Six Cities probably are Kuchar, Aksu, Ush-Turfan,
Kashghar, Yarkand, and Khotan, with their respective territories.3
S A slightly different enumeration is given by Mr. N. Elias in the Translation of
the Tarikhi Rashidi, p. 51. There Yangi Hissar is substituted for Kuchar, which,
as said on p. 53, “was usually a dependency of Aksu.’’ The enumeration may have
varied at different times, or with different informants. Mr. Elias’ enumeration is
based on a statement of Dr. Bellew’s in the “ Report of the Yarkand Mission in
1873,” p. 185. That Report, however, on page 33, refers also to another enumera¬
tion Alti Shahri Khutan or “ Six Cities of Khutan,” so called “ from the six towns
composing it, viz., Ilchi, Karakash, Yurungkash, Chira, Kirya, and Naya.” In any
case, as our document shows, Alti Shahr or “ Six Cities” is not a modeim term, as
Mr. Elias ( l.c ., p. 51, footnote : “ it belongs to the present century ”) seems to have
inferred from the statements of the Report, but goes back to a very ancient date.
Section III. Manuscripts.
23
1901.]
All the manuscripts appear to be official documents of a public or
_ ^ , _ , private character. They seem to have belonged
Purport and Date. f \ , . . .
'■ to the registry ot some local or sub-provincial
office of the Chinese Government of the province of the “ Six Cities ” or
Eastern Turkestan. Thus one of the complete documents (No. 1) is a
letter from a local officer to his Superior, requesting instructions re¬
garding the collection of certain taxes : it is dated in the 3rd year of the
Tali period, i.e ., in 768 A.D. It is not the original dispatch, but merely
the office copy or draft, as shown by the large office stamp imprinted on
it. This circumstance may account for the absence of any seal, which
would probably be borne by the original. Another (No. 2) is a requisi¬
tion order to a military officer for the supply of certain articles. This is
not fully dated ; the year is not mentioned, but only the day and month.
The third complete document (No. 3) records a private transaction, being
the deed of a loan of money, and is fully dated in the 7th year of the Chin-
chung period, i.e., m 786 A.D. This, as well as the Tali period, belong
to the reign of the "Tang dynasty, which extended from 618 to 907 A.D.
The fragments appear to be official receipts of taxes paid, or requisition
orders for the supply of various articles. In one of the fragments (No.
4) there occur some letters of the cursive Brahmi script, in which the
.Brahmi documents of Set I, of the Second Class are written. This circum¬
stance proves that the latter set and the Chinese set of documents belong
to the same period of time, viz., the second half of the 8th century A.D.
The material on which the documents are written, is water-lined
paper of the same quality as that of the Pothis
Paper. Nos. 5 and g 0f ge^ u . an(j ag Tees
with the circumstance that on palasographic grounds Pothi No. 6
must be referred to the 8th century A.D. (seepage 15). It is a very
thin, coarse paper, of uneven texture, and whitish color. The water-
lines form a network, being 13 or 14 to an inch in one direction,
crossed at right angles by others in intervals of from § to 1". Evidently,
the paper was made in a mould with a network bottom. On this an
imperfectly prepared pulp was laid rather unevenly ; for the paper shows
great inequalities, thicker patches alternating with thin ones. In the
thick patches, long fibres of the material can be clearly distinguished.
What this material was, I am unable to say : specimens have been sub¬
mitted, for determination, to Hofrath Professor J. Wiesner in Vienna.
According to him loading with starch was used in the manufacture of
the paper.4 To judge from the dimensions of the documents, the size of
the mould, and accordingly of a full sheet of paper, appears to have been
4 The dated documents show au appreciable amount of starch ; in some of the
fragments no starch could be discovered.
24
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
about 16 x 12 inches. The closely spaced water-lines run parallel to the
longer side, while the writing runs across them, and parallel to the
widely-spaced transverse water-lines. The surface of the paper is rough :
polishing it or coating it was not practised. The writing was done with
a brush : the ink appears to have been the so-called China or Indian ink.
No. 1. Document. (Plate III).
Belongs to M. 9. Size, 15| x lli", or a full sheet of paper. Lower
right-hand corner torn off, also some portions of upper edge ; otherwise
complete. Writing arranged in 14 columns, six of them more or less
mutilated, in ordinary Chinese book-hand, though interspersed writh a
few cursive characters. At the end, in left-hand lower corner, the office
stamp hsing , meaning “approved,” is imprinted, in a very large cha¬
racter, 2j" high ; while all the written characters are from \ to f " high.
The document is dated “ the 23rd day of the 3rd month of the 3rd
year of the Tali period,” equivalent to A. D. 768. It is an official letter
addressed by Tien Ch’eng-hsien, apparently the officer in charge of
Li-sieh or Litse to his superior officer, Ah-mo-chih Wei-chih, the In¬
specting Superintendent of the Six Cities. Ah-mo-chih is said, by
Air. Macartney, to be not Chinese, but probably a Chinese trans¬
literation of a native word. The following appears to be the substance
of the letter : Tien Ch’eng-hsien reports that he has received a petition
from the people of Li-tse regarding the payment of their grain-tax.
He explains that owing to the frequent depredations of bandits they
are suffering great distress. Accordingly he proposes a postponement
of the collection of the tax, and requests the sanction thereof by the
Inspecting Superintendent.
No. 2. Document.
Belongs to M. 9. Size 5f x Ilf", or about one-third of a full sheet
(such as No. 1) cut breadthwise. Becord, complete. Writing arranged
in six columns, parallel to the long side, in the book-hand. No office
stamp. Dated only on “the 23rd day of the 12th month,” without
mention of any year, from the Li-sieh (Litse) camp. Purport, order
addressed to Yang Chin-ching, the military commandant of the camp,
to requisition a skin to re-cover a drum, and feathers to re-fit arrows.
No. 3. Document. (Plate IV).
Belongs to M. 9. Size, 13£ x lli", being nearly a full sheet. Com¬
plete, with exception of one-half of first column or about 7 characters.
Writing arranged in 12 columns, parallel to short side, in cursive cha¬
racters ; hence partially undeciphered. No office stamp. Dated twice,
at beginning and end, “on the 5th day of the 7th month of the 7th
year of the period Chien-chung,” corresponding to A.D. 786. Purport ;
1901.]
Section III. Manuscripts.
25
record of the loan of 15,000 cash, on the security of a house and a
person. Signature, the marks of the borrower (Sumenti, aged 39) and
his surety (Ngan, aged 30), being three dashes (==) and two crosses
respectively. Place of transaction, apparently a village (name not deci¬
phered) near Li-sieh (Litse).
ISTo. 4. Document.
Belongs to Gr. 1. Described and figured by me in the Journal of
the Asiatic Society of Bengal, Yol. LXYI (1897), p. 230, Plate viii.
No. 16. Said to have been dug out from a buried town near Kuchar,
Size, 5| x 2£". Oblong slip, torn at top; on other sides complete.
Writing, in three columns, parallel to long side, in book-hand. Between
first and second column, near the top, three Brahmi letters % ro-
lau-de , running parallel to columns, but to be read horizontally, from
left to right, of the same cursive type as in the Brahmi documents of
Set I, in Class II and in the Pothi No. 6 of Set II. Purport, certificate
of payment of taxes. Date, “ the 26th day of the month . ; ”
rest mutilated. Mr. Macartney (letter, 28th October, 1897), states
that the Chinese characters “ resemble what is known as the writing of
the Yen family of the T’ang dynasty (618-907 A.D.), but that the
style of Chinese writing rarely offers a clue to age.” The two
circumstances of the occurrence of the cursive Brahmi script by the
side of the Chinese, and of the general resemblance, in externals, of
No. 4 to the dated Nos. 1 and 3 practically seem to fix the date of
No. 4 as some year in the latter half of the 8th century A.D.
No. 5. Document.
Belongs to M. 3. Size, 6| x 3J" ; an oblong slip, rather damaged on
two sides, but otherwise apparently complete. Writing, in two columns,
parallel to long side, in book-hand. Purport, apparently notice of certain
articles, sent to a person called O-Ion.
No. 6. Document.
Belongs to M. 3. Fragment. Size, originally 4x4|", now 4x2§",
a blank portion having been sent to Professor J. Wiesner of Yienna, to
be tested. Writing, in one column, mutilated at top and bottom, in book-
hand, but slightly cursive. Purport, apparently a receipt or order for
certain goods.
No. 7. Document.
Belongs to M. 3, Size, 3J X 2|", a much torn fragment, apparently
from the bottom of sheet, with remains of bottom of three columns
of writing, in a somewhat cursive book-hand. Purport, apparently
certificate of payment of grain-tax for military use.
J. i. 4
26
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
No. 8. Document.
Belongs to M. 3. Size, 7 x 2f ", a much torn fragment from middle
of sheet, with remains of two columns of writing, in book-hand ; one in
small characters ; the other to the left and, therefore, at the end of the
document, consisting apparently of two very large characters, about 2f
inches high, probably an office-stamp. Purport, illegible. Paper, rather
thicker than in preceding Nos., but water-lined.
No. 9. Document.
Belongs to M. 3. Size, 6| x 1|", a very irregularly torn fragment
from middle of sheet, of same paper as No. 8, and possibly another
portion of the same document. Writing, remains of two columns, in
book-hand. Purport, apparently military requisition order.
No. IQ. Document.
Belongs to Gr. 1. Described and figured by me in Journal, Asiatic
Society of Bengal, Vol. LXYI (1897), p. 230, Plate viii, No. 17. Said to
have been dug up from a buried town near Kuchar. Size, about 5"
square, being the right-hand upper corner, torn off a larger sheet. Paper
thicker and coarser than that of any preceding No., but also water-lined.
Writing, top of three columns ; also traces, on the right, of a fourth
column ; the beginning and bottom of text wanting. Purport, not intel¬
ligible.
Nos. 11 and 12. Documents.
Belong to M. 3. Sizes, 4 x 2" and 1 j >; f ". Two small and very
irregular fragments from middle of sheet ; of same paper as No. 10, and
possibly belonging to the same document. On No. 11 indistinct traces of
two columns of writing ; on No. 12 only one character ; all in book-
hand. Purport, illegible.
>
Second Set. Persian Documents.
This Set comprises four paper documents, all incomplete, two being
, _ , only very small fragments. They were pro-
Number, Find-place ,, , , * , \ ,
and Condition cured by Mr. Macartney from Khotan, but
their exact find-place is not known. They
were received with a large number of others, in the same condition as,
the Godfrey MSS. (see Journal, Asiatic Society of Bengal, Yol. LXIII
p. 226), forming crumbled up lumps of waste paper, and required very
careful unfolding and smoothing-out. When this was done, they were
found to be records written, some in Persian, others apparently in
Uigur (see infra, Set I of Class II).
1901.]
Section III. Manuscripts.
27
The paper on which they are written was also made, like that of the
Paper Chinese and Brahml documents, in moulds
with a network bottom ; for it has water-lines,
13 or 14 to an inch, with transverse lines, about If" apart. It is also of
whitish colour ; but it has a very different texture. While the other
paper is extremely thin and comparatively hard, this is somewhat thicker,
and of an extremely soft and frail quality, resembling thin, loose flannel :
it must have been made of other material, though what this was has
not yet been determined by Hofrath Professor J. Wiesner, to whom
specimens have been submitted. He has, however, found that, unlike
the paper of the Chinese dated documents, no loading with starch was
used in its manufacture. The paper shows transverse marks of fracture*
as if the documents had been folded into narrow folds, about 1-lf" wide.
In its present condition, the paper is so flossy that it is difficult to see how
it could be written on with any hard instrument such as a reed-pen, unless
originally it was of a firmer texture, or the writing was done with a soft
brush. The writing is all on one side of the paper, except in one of the
fragments (No. 4) which shows it on both sides. It also runs invariably
transverse to the close-spaced water-lines.
The documents have been examined by the Rev. D. S. Margoliouth,
Laudian Professor of Arabic in Oxford, who has kindly undertaken
to publish them in extenso in some Oriental
Script, Language, journal.
They are written in the Naskhi
Date and Purport. , ,
character, and m Persian language ; and ac¬
cording to Professor Margoliouth, they are the earliest specimens of
writing of that kind in prose. One of them (No. 1) is dated in H. 401,
equivalent to A.D. 1010-11 ; and to judge from their close resemblance to
one another and their common provenance , it is probable that they all
belong to the earlier half of the 11th century A.D. Two of the docu¬
ments are certainly, and one of the fragments probably, deeds recording
sales of land : the purport of the other fragments cannot be determined.
No. 1. Document. (Plate V, fig. 1.)
Belongs to M. 10. Size, 16 § x 6f", the length being complete : as a
comparison with the Document No. 2, which possesses the full breadth,
shows, the entire sheet must have measured 16f x Ilf " . Accordingly
a strip, about 3§" wide, is lost on the left side : top, bottom, and
(practically) right side are intact. Inscribed, only on one side, with
16 lines, running parallel to the narrow edges.
The document purports to be the record of the sale of certain land
at Almatah, a village in Nikotanj ( ^ 4th line) to
Yahya son of Ayub. It is dated in words, Hijrah 401, equivalent to
28
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
A.D. 1010-11(^^1 c-O JL> 0 12th line). Seven
witnesses are named : (1) Zakariyya, son of Likokongi, (his mark) + + ;
(2) Hasan, son of Likokongi, mark lost ; (3) Ya^qub, son of Sirkuwa
Sipasi, (mark) + ; (4) Omar, son of Qela‘ Sipasi, mark lost ; (5) Mahmud,
son of Qela‘ Sipasi, (mark) -f ; (6) — , son of Qela‘ Sipasi, (mark) + ; (7) — ,
son of Kara, (mark) 0 . Their names are Arabic, indicating that they
were Muhammadans : their fathers’ names are Turki (readings uncertain),
and they are described as members of the Sipasi ( ), a non-Islami-
♦*
tic, sect. All seven were illiterate persons, as shown by their affixing'
their marks in lieu of signing their names.
The date of the document refers it to the reign of the great Yilik
Khan, alias Hazrat Sultan Satuq Bughra Khan, who is said to have
lived H. 333-429 (A.D. 944-1037 ) to the age of 96 years. Three silver
coins of his (dated 1003, 6, 7) are in the British Collection and are
described in Part I, page 29. He was the founder of a very extensive,
but short-lived, Uigur kingdom, with its capital at Kashghar. In his
time, the first permanent introduction of the Islam into Eastern
Turkestan took place. Tradition says that his father Tangri Kadir
Bughra Khan was still an “ idolater ” ; so was his uncle and immediate
predecessor, Harun Bughra Khan. He himself is said to have adopted
the Islam when he was twelve years old, and to have been the first
convert to Muhammadanism in Eastern Turkestan.6 This is precisely
the religious state of things disclosed by the signatures to the contract.
The document, further, proves the existence of the Sipasi sect in
Eastern Turkestan as early as the beginning of the 11th century. The
Dabistan contains a long account of the history of the sect and its
tenets. It is said to be a survival of the old Iranian religion. Its home,
accordingly, should be Western Turkestan, whence it might easily spread
into Eastern Turkestan. It also spread into India where the author of
the Dabistan says he met one of its leaders, Azar Kaivan, in Patna, early
in the 17th century. The claim to antiquity of the sect, as well as of
its sacred book, the Dasatir, which has been much questioned, would
seem to receive considerable support from the present document.
No. 2. Document.
Belongs to M. 10. Size, 8| x 11 2*, being the complete lower half of
the sheet. Inscribed with ten lines of Naskhi writing, which, however,
in some parts is almost illegible owing to the damaged state of the
exceedingly frail paper. It is also a deed of sale of land, the details of
which, together with the date, are partly illegible, partly lost with the
upper portion of the document. The extant lower part gives the names
6 See Sir T. D. Forsyth’s Report on a Mission to Yarkand in 1873, pp. 122 ff.
29
1901.] Section III. Manuscripts.
and marks of the witnesses. The date must be much the same as that
of No. 1.
No. 3. Document.
Belongs to M. 10. Size, 2 x 3". A fragment, being the lower right-
hand corner of the sheet, with remains of five or six lines. Purport,
probably deed of sale of land, similar to Nos. 1 and 2.
No. 4. Document.
Belongs to M. 10. Size, 2 x If". A small fragment, from the
lower edge of the sheet, inscribed on each of the two sides with the
remains of two lines of writing in Naskhi characters. Purport un¬
certain ; perhaps a letter.
Script and Language.
Second Class. Documents in an Unknown Language.
First Set. Uigur Documents. (Plate V).
This Set comprises 24 specimens. All, except one (No. 1), are
_. _ . incomplete ; many are very small fragments.
Condition aTd Pap!?! The^ were obtained from tbe same Place and
in the same condition as the Persian documents.
Their paper is also of the same kind ; very soft, water-lines are rather
faintly visible ; there are also the same marks of fracture, indicating
folding or transverse water-lines.
The writing on them runs in horizontal lines, from the right to the
left, and seems to be in the Uigur character.
In that case, probably the language also is
Uigur ; but this point must wait for further enquiry. The writing,
which varies much in size, in different specimens, is, as a rule, found
only on one side of the paper ; but one large piece, and a number of
very small fragments, all possibly belonging to the same document,
are inscribed on both sides.
Seeing that they were found mixed up with the Persian documents
of the 11th century A.D., it is probable that
a e and Purport. they are referable to the same date. For the
same reason it is also probable that they are documents of a similar
kind. On one of them the names and marks of illiterate witnesses
can be seen (Plate Y, fig. 3) ; and this probably is a similar deed of
sale of land. Some seem to bear counter- signatures or office-marks in
Arabic (Plate Y, fig. 2).
No. 1. Document. (Plate Y, fig. 2).
Belongs to M. 10. Size, about 6" square. Complete. Inscribed,
on one side only, with six lines of writing in small characters. At
30
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
the bottom apparently an Arabic counter- signature. As shown by the
transverse marks of fracture in the paper, the document may have been
originally folded up in eight narrow folds, about f " wide. Purport,
unknown.
No. 2. Document.
Belongs to M. 10. Size, 7f x 4J". Irregular fragment ; complete
at bottom. Inscribed, only on one side, with eight mutilated lines of small
writing, followed by a 9th line in Arabic characters. Purport unknown.
No. 3. Document.
Belongs to M. 10. Size, about 6 " square. Fragment, being the
right-hand lower corner of sheet. Inscribed, on one side only, with
six mutilated lines of large writing. Purport, unknown.
No. 4. Document.
Belongs to M. 10. Size, 7^x3£". Yery irregular fragment, from
middle of sheet. Inscribed, on one side only, with 8 mutilated lines of
large writing. Purport, unknown.
No. 5. Document. (Plate Y, fig. 3).
Belongs to M. 10. Size, 5 x 2|". Fragment ; left-hand lower
comer of sheet. Inscribed, only on one side, with nine mutilated lines
of large and small writing ; also with a cross ( -f ) and a crossed
circle (©), being the marks of two illiterate witnesses. Purport,
probably a record of some sale.
Nos. 6-12. Documents.
Belong to M. 10. Yery small and very irregular fragments, from
middle of several sheets, inscribed with remains of large (Plate Y,
fig. 4), and small writing, some of them, possibly, being portions of the
previously described numbers.
No. 13. Document.
Belongs to M. 10. Size, 7 x 3". Fragment, complete on left, but
irregularly tom on the other sides. Inscribed, on both sides, with eleven
or twelve mutilated lines of small writing, running in opposite directions
on the two sides. Purport, unknown.
Nos. 14-24. Documents.
Belong to M. 10. Minute fragments of very irregular shape.
Inscribed on both sides with traces of small writing. All of them,
perhaps, portions of No. 13.
Second Set. Brahmi Documents. (Plates YI and YII).
This Set comprises 69 specimens. Among them there are thirteen,
sheets, which are entire or nearly so, and of which one belongs to M. 3,
1901.]
Section III. Manuscripts.
31
Findplace.
eight to M. 9, one to M. 10, and three to G. 1. The remaining’ 56 "are
Number and fragments, mostly, from G. 1, and varying in
Condition size ^rom minu4e pieces to half sheets. All
those belonging to Gr. 1 were received by me in
crumbled lumps of waste paper, and required very careful opening-up
and flattening-out, as described in the Journal of the Asiatic Society
of Bengal, Yol. XYI (1897), p. 226.
Regarding their findplace there is some uncertainty. Those belong¬
ing to M. 3, M. 9 and M. 10 were procured
from a Khotan trader Badruddln, who could
or would give no information respecting their provenance. From the
same trader the Chinese documents belonging to M. 3 and M. 9 were
procured. On the other hand, the Brahmi documents belonging to
G. 1 are said to have been dug up “ near some old buried city in the
vicinity of Kuchar ” ( Introd ., p. ix) ; and from the same locality are
said to have come the fragmentary Pothis (Nos. 3 and 5 of Set I, and
Nos. 4, 5, 6 of Set II) and the two fragments of Chinese documents
which belong to G. 1. One of those Pothis (No. 6 of Set II) is written
in the same Brahmi script as the Brahmi documents ; and the whole of
these documents and Pothis are written on the same kind of paper.
Seeing that some manuscripts, written on the same kind of paper and
in the same scripts were dug up by Dr. Stein in Dandan Uiliq, it seems
not improbable that the whole of the manuscripts above enumerated
really came from that sand-buried old site. That, in any case, the
whole of the Brahmi documents came from the same locality, and even
belonged to the same community, seems to be clearly proved by the fact
that the same names of persons (see below, p. 33) reappear in different
documents.
Most of the complete documents are fully dated (see below, p. 35) ;
but unfortunately the key to the system of dating is, as yet unknown.
Hence we are reduced to estimating their age from indirect evidence.
On paleeographical grounds, as explained ante , p. 15, it is probable
that the approximate date of the Brahmi
script, as seen in the documents, is the 8th
century A.D. This attribution is confirmed by the circumstance that a
short remark in the same Brahmi script is seen in one of the Chinese
documents (No. 4), which were found together with the Brahmi
Documents, while on the other hand two other Chinese documents
(Nos. 1 and 3), which evidently belong to the same find, are actually
dated in the latter half of the 8th century (768 and 786 A.D.) It
seems certain, therefore, that the documents were written about that time,
and that the species of Brahmi script which is seen in them, was then
32
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Script.
the prevalent cursive style of writing among a certain class of people in
Eastern Turkestan.
The material on which the documents are written is exactly the
same kind of thin, coarse, whitish, water-lined
aper an n ing. paper as that 0f the Chinese documents. It
is also very similar to that of certain Pothis, especially Nos. 5 and 6 of
Set II. The water-lines are, longitudinally, 13 or 14 to an inch ;
transverse water-lines are mostly absent ; only on three (Nos. 1, 3, 9)
of the complete sheets any distinct traces of them can be seen, f to 1"
apart. The size of the mould must have been about 16 x 12", the
greatest dimensions of sheets, either way, actually measured being 15
and 11^ inches. Professor Wiesner’s tests have revealed no trace of
loading with starch. The writing always runs parallel to the shorter
side and therefore, across the close-spaced water-lines. It is also, as a
rule, confined to one side of the paper ; only a few fragments (Nos. 28,
29, 48, 50) have a few letters on the reverse. A brush and China ink
seems to have been used in writing.
The script of the documents is a species of cursive Brahmi. Its
affinities and date have been discussed in con¬
nection with the Pothis, and are illustrated
by Table II, where the letters of the script are shown in column 19.
Its approximate date is probably the 8th century A.D. Two varieties
of hand can be distinguished in the document, one with rounded, the
other with angular forms. A specimen of the latter is shown on
plate VII., fig. 2. The former may be seen in Plates II, fig. 6, VI, and
VII, fig. 1. In the Journal, Asiatic Society of Bengal, Vol. LXVI
(1897), Plates xxi-xxiv, I published a Table of the alphabet of the script.
Further investigation has shown that it is not correct in several
particulars : the signs for ta and ma had been wrongly identified as bha
and rja, and the existence of some special signs in the form of a hook or
a curve had not been recognized : there are also some minor errors ; e.g.
in identifying some forms of the vowels o and i which nearly resemble
each other. Accordingly a revised alphabet is now given in Table III,
which also now shows the full system of numeral figures.
The language of the documents has not yet been identified ; but one
point seems to be certain, that it is different
from the unknown language of the Pothis of
Set II ; e.g., none of the characteristic conjunct consonants of the latter
occur in the Brahmi documents. Only a few of the words or phrases
have, as yet, been determined, but these seem to prove clearly that the
language of the documents is an Indo-Iranian dialect, having affinities
both with Persian and the Indian Vernaculars, in addition to pecularities
Language.
1901.]
Section III. Manuscripts.
33
of its own which connect it with the dialects of the Western Highlands of
Central Asia. To me it appears that it has its nearest congeners in the
so-called Ghalchah dialects of the Pamir, the Sariq-qoli, Shighni,
Wakhi. Munjani, Sanglichi. For an account of these may be consulted
Dr. Grierson’s ‘‘Languages of the North-Western Frontier,” in the
Linguistic Survey of India, where also references to other authorities
will be found.
In the phonetics of the language the most striking point is that it
possesses no sonant aspirates (gh,jh, dh , dh , bh) : the guttural y, as a
non-conjunct,6 is also absent. With these exceptions, to judge by the
alphabetic system, it seems to possess all the ordinary sounds of the
Sanskrit phonetic system, including the cerebrals, the three sibilants
s, g and s, the four nasals h, n , m, n , and the anusvara. The palatal
nasal h (initial as well as medial) and the cerebral nasal n (only
medial) do not occur often, and, as a rule, only in names (e.g.,
Puhadatto , Raliaja) or technical terms (e.g., ksdna) which are sugges¬
tive of an Indian origin. The exact force of the palatal and cerebral
sibilants is uncertain ; thus we have gumdasa ‘ sixteen ’ for Sanskrit
sodaga , and sausa or ssausa ‘ six ’ corresponding to Shighni khhaushkh
and Wakhi shadh or shaz. Moreover the existence of peculiar dialecting
sounds seem to be indicated by the occurrence in the script of a special
sign, consisting in a subscript curve or hook, which is found with
certain words and letters, and even with these not uniformly, and the
exact signification of which I have not been able to discover.? The
quality of the vowels seems to be rather undefined. Thus o and i
are often confounded ; e.g., the word homi, as spelled in the documents
Nos. 2, 9, 10, appears as himo in Nos. 1 and 4, and as himi in No. 18.
No. 12, which throughout uses for both vowels but one sign, a kind of
double dot (properly a modification of the ordinary sign of the vowel
o, see Table II), spells it hdma.
With regard to the Vocabulary, I have succeeded in determining
a considerable number of words, either names, or terms, or numerals.
Some obviously suggest Indian, Persian or Ghalchah affinities, others
are peculiar. I may give a few examples. Indian names are : Puhadatto
(Skr.8 Punyadatta ), Suhadatto (Skr. Qubhadatta), Barmapuho (Skr.
Bharmapunya), Pharsapuho (Skr. Spargapunya), Budasamgo (Skr.
*
8 The anusvara in such words as samga, may represent a conjunct guttural nasal.
T An example of the use of the hook may be seen in the word si in Plate I,
fig. 6, line 1. The letters with which it is found are a, d, k, d, p, ph, b, g, s, h. In the
transcripts, given in the sequel, they are indicated by an apostrophe placed under them.
8 Sg. = Sanglichi ; M. = Munjani ; W. = Wakhi ; Sr. = Sariq-qoli ; Sh. - Shighni ;
Prs. =* Persian ; Ind. = Indian; Skr. =* Sanskrit ; Pr. “Prakrit,
J. i. 5
34
Dr. Hoernle — Antiquities from Central Asia . [Bxtra ^No. I,
Buddhasayga) , Jsajsako (Skr. Ydjaka , Pr. Jdjaka ), Qilako (Skr. Qilaka. ),
Mahugri (Skr. Manjugri ), etc. Persian names are Mahvetari or Mah-
vittaro (Prs. Mihtar), ArsaZurii (Prs. Arslan?). Peculiar names are
IChattinai , Briydsi , Vikausa , etc. Terms signifying divisions of time
are fcsawo ‘cycle’ (Skr. ksana?)-, sali or saly a, ‘year’ (Prs. sdZ), mapfo
‘ month. ’ ( Sariqqoli raas£, Shighni ) ; peculiar is hada ‘ day.’ The name
of one of the months is Skarih-vari (Prs. Shahriwar , see below). Other
miscellaneous words, of a more or less certain meaning, are u ‘and’
(Wakhi u or o), khu ‘self’ (Sr. and Sg. fek), homi or homo auxi¬
liary verb (Wakhi hiimu), hamgusto ‘witness,’ vigto ‘become’ (Wakhi
wast) ; spa-ta ‘ our ’ (Wak]ji spa ? ). The numerals are as follows : —
1 (not observed).
2 do (Sg. du, M. do).
3 trai (Sg. trai , W. trui).
4 saspari (Sg. safor, Sr. tsavur).
5 pamji (Sg., W. panz, Sr., Sh.
pinj).
6 ssausa or sausa (Sh. khhaushkh ,
W. shaz).
20 hist a (W., Sr. hist, wist).
30 siyyam (W., Sr. s£).
80 saspari-histo (W., Sr. tsavur-
vist) .
100 se or sai or say a (Ind. sai, sau ).
7 (not observed).
8 hasta (Prs. hast, Sh. washkht).
9 no or nau (W., M. nau ).
10 dasa (Sg., Ind. das).
12 dodasau or dvadaso (Skr. dvd-
daga).
16 gumdasa or gumdaso (Skr. so-
claga).
500 pam-se.
1000 hsaro or hajsaro (W., Prs.
hazdr).
2000 dvi-hsdri.
3000 trai-hsari, etc.
Numerals are written in two ways : either in words or in figures.
When written in words, these are frequently abbreviated ; thus, pam for
pamji, and hsa for hsdro. The figure notation is the ancient Indian,
which possesses no cypher, but twenty figures ; viz., 9 for the units, 9
for the tens, one for hundred, and one for thousand (see Table III).
The multiples of hundred and thousand are expressed by ligatures of
the figures of those two numbers with the unit figures. Thus 13 is
expressed by the juxtaposition of the figure for 10 and the figure for
3 (10 + 3); 3750 is represented by the three figures for 3000, 700, 50;
similarly 8800 by the two figures for 8000 and 800 (see Table III).
Addition is made by post-positing, and multiplication by pre-positing a
unit figure or unit word. Thus 22 is histo-do (i.e., 20 + 2) ; 80 is saspari-
histo (i.e., 4 x 20) ; 300 is trai-se (i.e., 3 x 100).
With regard to other grammatical forms I have noticed the follow¬
ing inflexions : aro indicates the plural ; e.g., Dharmapuno hamgusto vigto
‘ Darmapuno has become witness ; ’ but Briydsi u Budagam hamgusti
vigtdro ‘ Briyasi and Budarin have become witnesses.’ Mye or cu and
1901.]
Section III. Manuscripts.
35
i or e or ai indicate the locative (or oblique) case ; e.g., bista-mye salye
4 in the 20th year ’ ; dasa-mye hadai 4 on the 10th day ’ ; ssausa-cu salya
4 in the 6th year ’ ; Kaji 4 in the (month) Kaja .’
An interesting fact is that ten of the complete documents are fully
dated : also several of the fragments show mutilated dates. I have
succeeded in reading the dates, but the key to interpreting them is still
to be discovered. In its fullest form the date is seen in the following
opening passage of the document No. 8 (Plate VII, fig. 2).
17-mye hsdni ssausa-cu salya Naha mdQto 17-mye liadai ,
i.e., 4 in the 17th cycle, the sixth year, the month Naha, the 17th day.’
But hsdni is usually omitted, as in the opening passage of the
document No. 13 (Plate II, fig. 6).
bista-mye salye Kaji maqto dasa-mye hadai ,
i.e., ‘in the twentieth year, the month Kaji, the tenth day.’
The month’s name and the numbers are frequently post-posited, as
in the opening clause of the document No. 12.
sali 20 mdgto Ghvdtaja hadd 23-mye,
i.e., 4 in the year 20, the month Chvataja, the day 23.’
It will be noticed that the forms salya or salye and hadai are only
used when they follow the numeral qualified by mye ; otherwise sali and
hadd are used. This seems to point to the former being inflected forms.
Prom its position in the series, the term hadd (or hadai) can only mean
4 day.’ For the same reason hsdni should signify a larger period than a
year. Hence, I have provisionally translated it by 4 cycle.’ But there
are difficulties. Two hsdnas are named in the documents : the 17th and
the 19th ; and once the term hsani occurs without any number qualifying
it. In the latter case, as well as in that of the 19th hsana , the 20th year
is mentioned ; and the highest number of years mentioned in any document
is 22. It follows that none of the well-known cycles will fit in : the
12 years’ cycle is too short, and the 100 years’ and 60 years’ cycles are
too long. A double 12 years’ cycle might suit : from the 6th year of the
17th to the 20th year of the 19th cycle we should have (18 + 24 + 20 = )
62 years. So, after all, hsdni may signify something different : possibly
it may refer to the number of the register, or of a local division.
The months are always quoted by their names. I have observed
nine of these: (1) Sharh-vdri or Sharih-vari, (2) Gvataja; (3) Buhaja
(or Muhaja ), (4) Khahsdja or Khahsd , (5) Hamtyaji , (6) Nahaja or
Naha , (7) Jeri , (8) Kaja , (9) Pdhiji. Two others are mutilated :
* * hhaji , and # i * Ija. Of these names Sharih-vdri or Sharh-vdri is
evidently identical with the old Persian hsathra-vairya and the modern
Persian Sliahrivar , the sixth month of the year. No other name seems
to yield to a similar identification ; on the contrary Gvataja (or Gvata)
36
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
and Jeri rather suggest some connection with Sanskrit Caitra (March-
April) and Jyestha (Hindi Jeth , May-June).
Most of the dated documents have attached to them one or several
No. 3.
(in one case, No. 9, not less than twelve) names,
accompanied by two or three small vertical
strokes. (See Plates VI and VII.) From this it seems probable that they
are records, similar to the
Persian deeds of sale of
land (Nos. 1 and 2 of Set
II,), and the Chinese deed
of loan (No. 3 of Set I),
attested by the names and
marks of witnesses. Three
other complete documents
(Nos. 5, 6, 10; see also
No. 65) have no names and
marks of witnesses, but
stamps or signatures, not
yet deciphered, but ap¬
parently in Chinese ; shown
in the marginal Woodcut
No. 3. These, accordingly,
like some of the other Chinese 'documents (Nos. 1, 4, 8), may be requisi¬
tion orders or certificates of [payment of taxes, bearing Chinese office
stamps or signatures. As to the remaining complete documents and the
fragments, it may be presumed that their purport is similar.
(No. 1. Document. (Plate VI.)
*
Belongs to M. 9. Size, 13|rX lli", or nearly a full sheet. Record
complete, in 12 lines, running parallel to shorter side, about one inch
apart from one another, with about 28 or 30 letters in the line, in a
round hand. Bottom of sheet, from 2 to 3 inches, blank. Dated, at the
beginning, “on the 5th day of the month Skarh-varo, in the 17th year.”
Apparently consists of two parts : the first, comprising 9 lines, signed by
two persons Briyasi and Budarin ; then follows postscript, of 3 lines,
signed by one Punagam.
The following is a transcript of the document:
(1) Om sail 17 magto Skay'hvdro hada 5 hvam-no-nu-do-vi-ga-va-ham
tto-ha beda si pidako
(2) mye pracaina cud sldako na dau na-sti ksl-rii ki-ro vi ham-tsa ru
ci gam-kye jsa ci buro tva sa-
(3) li pyam tsa sta ksi-ru hi ra pajide sldako liedo pha ra ko ba ko
cam-do pajide u ci va vd
Section III. Manuscripts.
37
1901.]
(4) ra mam-ga-ra cam-ga ide tty dm Briyasi u Budagam chiySya tti do
sidako va-gva-ro-no-gto
(5) u vaha Briyasi cem-gam js{a)ro hamayo haudo khu vet nau ha
salye hi sai jsaro ttu sidako he-
(6) do u Briyasi hldo hamayo do u evai va da-sta pa mu hi tsl ttu tl
sidako yldo ru hi
(7) (sa)lu no nara dohimi-mye hada vl tardm mi ci va tram do ttlra
• si pldako pram-mam hi-
(8) (mo khu)-hd Briyasi hu Budagam liamgusti vigtdro
Briyasi \ ham | gu | sto
(9) tto huro vara hydm naya Budagam \ ham | gu | sto
(10) Puhagdm II ci vaha ru stam Briyasi jam plia himd de Budagam nl
ha chlydyl do si-
ill) Khaugyam II dako va-gvd-ro-no-gto Puhagdm | ham \ gu | sto
(12) Hatkam
No. 2. Document.
Belongs to M. 9. Size, ll|x8f", rather more than one-half of a
full sheet. Record complete, in 8 lines, parallel to longer side, with 17
letters in the line, in a large, round hand. Dated, at the beginning,
“on the 8th day of the month Cvataja, in the 11th year.” Signed by
one person, Punanjam.
No. 3. Document.
Belongs to M. 9. Size, 111x61", rather less than one-half a full
sheet ; upper left-hand corner torn away. Beginning of first three lines
slightly mutilated, otherwise record complete, in 7 lines, parallel to
longer side, with 27 or 28 letters in the line, in round hand. Dated, at
the beginning, “on the 22nd day of the month Kaja, in the 3rd (?)
year.” Signed by one person, Darmapuno.
No. 4. Document.
Belongs to M. 9. Size Ilf x ", rather less than one-half a full
sheet. Small piece, with two letters, in lower right-hand corner torn
off ; otherwise record complete, in 7 lines, parallel to longer side, with
24 letters in the line, in round hand. No date. Signed by one An jam.
No. 5. Document. (Plate VII, fig. 1.)
Belongs to M. 9. Size, lOf x 6f ", clean cut along the edges.
Record complete, in 6 lines parallel to longer side, with 23-30 letters in a
line, in round hand. Dated, apparently at the end, “ on the 10th day of the
month Jeri.” In place of usual signature, a large illegible Chinese stamp.
The following is a transcript of the document:
(1) Om ssau phvai Jivu hi tta pari
sidako vara u tty dm hvarh-
gahseta spdtd
38
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
(2) dfim vara cu pemmtnS thauna pudam da u tliauna ni hauddm da
vanau va mara ha ru sdm ma de u
(3) ha tto kam miiri ji std do-dasau hsdrya trai se ttydm muryau jsa
kfirii ha thaunako gvascam do
(4) trai se pam-saya pemminai yum jsa than gvascem di-rso chd khu
y
parau pvi rau tti mu-
(5) ri hadd ham-gi pu sa hauda ham-tsa hsam thi na khu gau jva na
ni da-gl dohi-mye
(6) ttdm Jeri 10-mye hadai ttd parau tsve (Stamp)
No. 6. Document.
Belongs to M. 9. Size 11 x 6J", but a narrow strip, about f-1" wide,
torn off along the left edge, mutilating one or two initial letters of each
line. Otherwise record complete, in 7 lines, parallel to longer side, with
24-26 letters in the line, in round hand. Dated, apparently at the end,
“ on the 6th day of the month Hamtyaji.” In the body, also, a mention
of the month Kaji. In place of usual signature, an illegible Chinese
stamp.
No. 7. Document.
Belongs to M. 9. Size 11 x 8". Apparently an unfinished document
consisting of one line and a half of writing in round hand. Neither
signature, nor stamp ; and dated, at the beginning, only “ in the month
Skarih-vari. A large piece is torn out of the lower blank portion of the
sheet.
No. 8. Document. (Plate VII, fig. 2).
Belongs to M. 9. Size 11 x6" ; clean cut along the edges ; rather
more than one-third of a sheet. Record complete, in 6 lines, parallel to
longer side, with 9-22 letters in the line, in an angular hand. Dated, at
the beginning, “ on the 17th day of the month Naha, in the 6th year, in
the 17th ksdna .” At the end, no signature, but two scrawls which
perhaps may represent some equivalent mark (see No. 12).
The following is a transcript of the document :
(1) Om 17-mye ksand sausa-cii salya Ndha mafia 17-mye hadai gah-
sata
(2) ja auya Cvatajo mdfiu thamga samau tam da hauda ka hvamda
ho- '
(3) mya 55 thamga ye pam-hsdro pam-se miira xe X Xy murahsdri
(4) sa to-na ham-khl ga-hsa-da hvam-da 7 mara mu namX X xpa jsa
(5) hau para do-rsa na x uu hvajh-dii dasau ham ha x % X 'd xa-
y
mya
(6) 55 || ^
1901.]
Section III. Manuscripts.
39
No. 9. Document.
Belongs to M. 10. Size 11 x 14§", being a full sheet, but a narrow
strip, about wide, torn off along the left edge, with 1-3 initial letters
of a few lines. Record practically complete, in 22 lines, parallel to
shorter side, with 21-23 letters in the line. Dated, at the beginning,
“ on the 23rd day of the month Skarih-vari, in the 22nd year.” Signed
by 12 witnesses, arranged in two columns, thus :
Briyyasi. Vikausa.
Punagam. Mupadatto.
Maiyadato. Jasamna.
Anjai. Arsoli.
fala.
Jsajsaki.
Phemkruki.
Mahvetari.
No. 10. Document.
Belongs to G. 1. Size, 11 x9J ; a small blank piece, about l£x 1J",
torn out of left-hand edge. Record complete, in 11 lines, parallel to
longer side, with 16-19 letters in a line, in a large round hand, consisting
of two parts : the first part, of 8 lines, dated at the beginning, “ on the
20th day of the month Nahaja, in the 20th year,” and signed by a
witness Afonekule. The second part, of 3 lines, is also apparently dated
at the beginning, “in Jcsani (without any number), in the 20th year,
on the 26th day of the month ^ahaji,” and has only a small illegible
(Chinese ?) signature or mark.
No. 11. Document.
Belongs to G. 1. Size ll^x7f. Two narrow tongues tom out of
the top and bottom of the sheet, causing the loss of a few letters ; other¬
wise record complete, in 8 lines, parallel to shorter side, with 27 to 29
letters in a line, in round hand. Ink very much faded, and writing very
difficult to read. Dated, at the beginning, “ on the 23rd day of the
month Khahsaja, in the 19th ksani ; ” no year. Also no signature of
witness, nor stamp. In the body of the record occur several names,
such as Jsajsako, Gaudako, Upadatto, Jigemdai, Jahsabudo, Irasamgo, etc.
No. 12. Document.
Belongs to G. 1. Published by me in the Journal of the Asiatic
Society of Bengal, Yol. LXYI (1897), Plate Y. Size ll|x9"; but a
portion of the blank bottom of the sheet torn off. Record complete, in
8 lines, parallel to shorter side, with 26 or 28 letters to the line, in a
large semi-angular hand. Dated, at the beginning, “ on the 23rd day
of the month Cvataja, in the 20th year.” Signed by one Mamdrusa.
40
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
At the end, two scrawls, similar to those in No. 8. A revised reading is
herewith added : —
(1) Om soli 20 mdgtd Cvdtaja hada 20 3-mye hvam-nd-hdm-dd-vd-ga-
vd-ha/m dd kye ssau Vdkya-
(2) dattd gd-rya vd-dd pifakd-mye pracaina cd bugura Mamdrusd
na ram-dd ga-rye a vi mya
(3) gam rsa ku dai vi-ra trai ku ge rcu-rd vd-ga-ra pi ha ve murd
hsdra ttd bu-rd-mye gam kye hajsd-
(4) ram na u cd jsai puha-vd-rgd hi ya x x hd vd jsa Sanekuld hivi
ka da kd ttd-ha
(5) sa gam ha-khui bugura gd-ka-ra-kd-std i-dd khuai tti Mamdrusd
rcu-rd vd-^a-ra bur a
(6) i-hsgd na-te i-hsge-de mam-gd-da ra nd i-hsga-rya hdmd ti-ra sa
pi(daka) pram-
(7) via rib khu-hd Mamdrusd hamgusfd vdgta ttd burd va-ra by dm na-ya
bye Arsalam bye X,
(8) ha X ai bu X na da bye X da £2 Mamdru \ sd | ham(gusta \
vdgtd).
The letters connected with a hyphen form groups which occur also in
other documents.
No. 13. Document. (Plate II, fig. 6).
Belongs to M. 3. Size 15 x 9|", but a strip, perhaps 1-1|" wide,
torn off along the left edge, probably originally a full sheet. Record
complete, in 12 lines, parallel to shorter side, with 24-26 letters in the
line, in round hand. Dated, at the beginning, “on the tenth day of
the month Kaji, in the twentieth year.” Signed by 7 persons, arranged
in one column: Alttam, Phekruko, Hatkam, Mayadatto, Budapam,
Nuhadatto, Jsajsako. In Plate II, fig. 6, the two initial lines are shown.
They read as follows :
(1) [Om] bistamye salye Kaji mdgto dasamye hadai si par av a
(2) \_pidako-mye~\ pracaina cu a na hvd cai sai tto mure hd yitti bu-ru
No. 14. Document.
Belongs to G. 1. Incomplete, lower half of sheet torn off ; size of
existing upper half, llx5|", damaged. Only two complete, and three
mutilated lines. Dated, at the beginning, “on the 10th day of the
month *i*ija, in the 5th year.” Signatures, if any, lost.
No. 15. Document.
Belongs to G. 1. Incomplete ; right half and portion of blank
bottom torn away ; existing size 13| x 6|". Record consists of 11 lines,
parallel to shorter side, with about 13 01*^14 letters surviving in a line.
It is divided into four parts of 3, 4, 2, 2 lines respectively ; three of them
1901.]
41
Section III. — Manuscripts.
dated, the first “ in the 6tli year,” the third “ on the 29tli day of the
month Banaja or M.unaja, the fourth “ in the month Cvataja.” The
signatures, if there were any, are lost with the excised right half ; but
the following names occur in the text of the four entries : in No. 1,
Khattinai, in No. 2, Punagam and Phemkruko, in Nos. 3 and 4, Khattlnai
and Phemkruko.
No. 16. Document.
Belongs to G. 1. Published by me in the Journal of the Asiatic
Society of Bengal, Yol. LXYI (1897), Plate vi, No. 9. Mutilated on
three sides, right, left, and bottom ; existing size 8| X 6". Record in
6 lines, parallel to shorter side. Date and signatures, if any, lost ; but
the month Nahaja, and the personal name Manu^ri occur in the text.
No. 17. Document.
Belongs to G. 1. Published by me ibidem , Plate viii, No. 11.
Mutilated on two sides, left and top, being the larger portion of the
lower half of the document ; existing size 8 x Record, in 9 lines,
parallel to longer side, all more or less mutilated. It is divided into
several parts, of three of which fragments survive. The second part
comprises the (existing) lines 2-5 ; it begins with the mutilated date
“on the 13th day of the month . and ends with the name and
mark of one Nuhadato. The third part comprises lines 6-8 ; the date,
if any, is lost ; but it is signed by one Rammaki. Of the first part
only the concluding line (i.e., the existing first line) remains, showing
the two names palam and Phemkruko.
No. 18. Document.
Belongs to G. 1. Mutilated apparently on three sides, top, left, and
bottom; existing size, 7|x4|". Record in five more or less mutilated
lines, comprising two entries, of 2 and 3 lines respectively. Date of either,
if any, lost ; but the first signed by Mahvittaro, the second by Mar^oko.
Nos. 19-69. Documents.
All belong to G. 1, except Nos. 30, 55, 58, 59, 65, 68, which belong
to M. 3. All are small fragments of various sizes, not deserving any
detailed description. Specimens may be seen in the Journal Asiatic
Society Bengal, Yol. LXYI (1897), Plates iv, Nos. 6, 7, vi, No. 10,
vii, Nos. 12-15. The following points, however, may be noted. Nos.
28, 29, 48, 50 are peculiar in showing a few words inscribed on their
back; thus No. 48 has on the back the names of the two persons
Punagam and Phemkruki ; and No. 50 has a mutilated date “ on the
5th day of the month Paniji,” the year being lost. No. 65 shows a
small-sized elaborate (Chinese ?) mark or signature, similar to that on
No. 10. On No. 23 occurs the date “ on the 22nd day of the month
Cvataji ” ; and on No. 29 the mutilated name of the month x x hhaji.
J. i. 6
42
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Section IV.— POTTERY, TERRACOTTAS, MISCELLANEOUS
OBJECTS.
In the description of the objects dealt with in this Section, I mnst
limit myself to a simple classification and explanation of the illustra¬
tive Plates VIII-XIII. There is one point, however, which has struck
me, and which I should like to point out : the very curious analogies to
objects of Greek art of an early date. They will be referred to in con¬
nection with each Plate. I only state the facts, as noticed by me.
What conclusions they may justify, I must leave to experts to determine.
Plate VIII.
In this Plate fragments of a kind of decorated jar are shown. Its
probable appearance, when complete, is shown in the Frontispiece of
Part I, which is reconstructed from the fragments Nos. 1, 2, 7, 8, 14.
At the time when this was prepared, in 1899, the only uncertain point
was whether or not the jar was furnished with a foot. From various
indications I came to the conclusion that it probably had no foot, but
resembled in shape the well-known round-bottomed Indian ghara, (Sans¬
krit ghata), of which a plain miniature specimen is shown in No. 5. In
the meantime figures of two much better preserved specimens have been
published by Dr. Sven Hedin in his Burch Asiens Wusten , vol. II, p. 43.
These show that the jar in question was more probably furnished with
a foot, and possessed the shape shown in Woodcut No. IV, 1. With
this exception, the re-construction, is substantially correct. A revised
No. IV.
1
1901.] Section IV. — Pottery , Terracottas , Miscellaneous Objects.
43
re-construction, however, with the foot, is now published with Part II.
The jar was furnished with three handles. This is proved by No. 7 which
shows the fractured bases of the three handles, equidistant from one
another. The fact is also clearly indicated in Dr. Sven Hedin’s figures.
In the case of the smaller jar, the neck and handles are missing, but the
three heads, on the shoulder of the jar, from which the three handles
sprang, are still there. His larger jar possesses the neck and one of the
handles, but from the arrangement of the decorations of the neck, it is
probable that originally it possessed three handles. The possession of
three handles seems to me to be a point specially worth noting. Three-
handled jars or vases are not at all uncommon in very early Greek art.
I have seen numerous specimens ( e.g ., in the British Museum, the
Ashmolean Museum in Oxford, and the Akademische Kunst Museum in
Bonn) from the Mycenian age and area, also from Cyprus. Some may be
seen figured in the MyJcenische Tongefasse of Furtwangler and Loschke,
Plates III, 10, VII, 42; also in their MyJcenische Vasen , Plates I, 1.3,
III, 19.20 IV, 26, etc. On the other hand, they are entirely absent from
the Classical Greek age and area,1 and only reappear at a comparatively
late date. The only three-handled vessels that I remember having seen
are certain Roman vases of the 2nd century A.D., in the Provincial
Museum in Bonn. N^. V.
1 I am referring here to true three-handled vessels, all the handles of which are
alike in form and position. False three-handled vessels do occur in classical Greek
44
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
The handles are made, in the form of animals or griffins (see Nos.
10, 11, J4), standing np and bending over the rim of the vessel, as seen
in No. 8. In the three-handled Mycenian vases, above referred to, the
handles, ordinarily are short curves attached to the shoulder of the vessel ;
see Woodcut No. V, 1.2. But examples of three handles rising from
the shoulder to the top of the neck (as in the Khotan jarsj do occasion¬
ally occur ; one is shown in the Mykenische Vasen, Plate VIII, No. 44.
(Woodcut No. V, 3). In the Roman vases a somewhat similar form of
handle is usual ; see Woodcut No. Y, 4. In these cases the handles are
plain ; but plain handles have been found also in Khotan, as in the
larger of the two jars of Dr. Sven Hedin (Woodcut No. IY, 1), where the
body is richly decorated in the usual way, while the handle is compara¬
tively plain. Handles imitating animal forms, the Khotanese fashion,
are extremely rare in Greek art. The only example I remember having
noticed is an Etrurian cantharus, figured in Ridgeway’s Early Age of
Greece, yo\. I, p. 67 (Woodcut No. IY, 2). It has only two handles,
but they terminate in ram’s heads which similarly bend over the rim of
the vessel.2 The case of the two-handled cup, ornamented with horses,
which is shown in Professor Furtwiingler’s Bronzen von Olympia , p. 96,
Plate XXXY, No. 671 (Woodcut No. Y, 5), is different. Here the
horses, which look over the rim, are not a constituent element of the
handles, but are full figures placed on the top of the handles, as mere
accessory ornaments. This kind of treatment of animal forms, however,
does not seem to be unknown to Khotanese art. The bird, shown in No.
12 and in Plate XIX of Part I, No. 50, probably served to adorn the
top of a plain handle ; or possibly it may have formed the handle of a
lid. It may be compared with the ornamental use of the dove in Greek
art, see the illustrations on pp. 100, 101, 102 of Tsountas and Manatt’s
Mycenian Age.
Among the miniatures, in Plate XIX of Part I, the same bird is
represented, in No. 49, nestled in a flower ; and in No. 70 a twin of them
is represented, provided with monkey’s heads and arms, playing on a lute.
art. In these one of the handles is vertical, while the others are horizontal, as in
the Hydrias called in Italian vasi a tre maniche. (See S. Birch’s History of Ancient
Pottery, new ed„ p. 364).
2 In Bronzen von Olympia, pp. 119, 120, Plate XLV, griffins from the Praenestian
find are shown, but, as Professor Furtwangler explains, these looked outwards, and
did not form proper handles, but were merely decorative ( as shown ibidem, PI. XLIX).
Similar is the case of certain early Cretan vases which are decorated with three
(equidistant) plastic female heads, looking outwards and being only false handles.
See Professor Furtwangler’s Beschreibung der Vasen Sammlung, p. 109, No. 983.
1901.] Section IV. — Pottery , Terracottas , Miscellaneous Objects. 45
The decorations are of two kinds, either moulded or incised. The
moulded ones were invariably made in separate pieces and stuck on to
the jar before it was fired ( applique work). They separate easily enough
from the fragments of pottery, especially when saturated with salines,
and are found by themselves in large quantities. All the heads, shown
in Plate X, Xos. 1-18, are ornaments of this kind ; so also is the pillar
in Plate VIII, No. 3. Pillars in situ , with Corinthian arches and Bud¬
dhist railings are shown in No. 1. These show distinctly the type of
Graeco-Buddhist art, prevalent, in the earliest centuries of our era, in
the North-western frontier provinces of India. To the same type belong
the full and half figures, which form a very common decoration on the
jars ; see Nos. 2, 4, 7, also Plate IX, Nos. 1-6, 20-23. On the other
hand, the moulded ornaments on the fragment No. 22 of Plate IX
seems to me to show rather an Indo-Parthian type, suggested by the
half-figure wearing the torquis. Some moulded ornaments represent
conventional types of foliage or flower, beautifully executed ; see, e.g .,
No. 1, where it seems to form the moustache of the mask, and No. 13 ;
also Plate IX, Nos. 8, 9, 10, 15, 16. Very similar to No. 10 of Plate IX
is an ornament shown in Purtwangler’s Mykenische Vasen , Hiilfstafel B,
No. 4.
The incised decoration consists of various systems of lines, dots
and ringlets. In No. 1 these elements are arranged in the form of
garlands ; in Nos. 2, 4, 7 we have series of lines arranged horizontally
and vertically ; also series of ringlets arranged in a circle. A great
variety of other arrangements may be seen, e.g ., in Plate IX, Nos. 8, 11,
13-17.
With respect to size, the decorated jar varied greatly. The example,
of the body of which a portion is shown in No. 1 must have measured
about 13 xll inches, while the jar, of which No. 7 shows the neck and
upper part of the body, must have been very small and can have
measured only about 4x3 inches.3 On the other hand, the jar to the
neck of which the fragment, shown in Plate IX, No. 23, belonged, must
have been, to judge from the slightness of curvature of the piece, of very
large dimensions. Vessels of the latter size, to judge from the absence
of wheel marks on the fragments, appear to have been made entirely by
hand. The fragments of the small and medium-sized jars, however,
show distinct traces of having been turned on the wheel.
In addition to these decorated jars, there existed a great variety
of jugs and vases, single-handled and double-handled, of which some
show very artistic designs. A comparatively plain single-handled jug
3 So also Dr. Sven Hedin’s two jars, which, measure only about 4x3 and 3x2
inches.
46
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
is shown in No. 9, in full size. Another miniature plain jug of exqui¬
site shape and make is shown in No. 40 of Plate XIX of Part I, and
some more, of a more ornamental design, are in the same Plate, Nos. 21,
39, 44. The same Plate has also some fine double-handled vases in
Nos. 41, 42, 43, 45. All these are examples of miniatures. The collec¬
tion, apparently, contains no fragments of any similar vessel large
enough for actual use, except perhaps the handle, shown in Plate IX,
No. 19, which may have belonged to a real serviceable cup. But the
absence of fragments is no proof that they may not have existed.
All the vessels — jar, jugs, vases, cups — are made of burnt clay,
extremely hard, with no “ glaze,” but only a “ gloss.” Their colour varies
from a bright red to a very light red, apparently in proportion to the
length of exposure. Some pieces (e.g., Plates X, Nos. 20, 30, 37, 43 ;
XI, Nos. 20, 21 ; XIII, No. 27, Miniatures Nos. 47, 50) are quite whitish,
and apparently made of a different kind of clay ; for they are baked
quite as hard as the red pieces. In one case, No. 7 in Plate IX, the
fragment is almost black, due apparently to over-exposure ; and in this
case, there seems also to be real glazing. One fragment, No. 1 in
Plate X, which shows a grey colour, belonged to a vessel which ap¬
parently was made of a different material. None of the fragments,
included in the Collection, shows any trace of painting or colouring.4
Plate IX.
This Plate comprises a series of fragments, to illustrate the great
variety of moulded and incised ornament. No. 1 shows the half figure
of a Gandharva , bejewelled, holding a garland, and set in a lotus.
This is a very common representation, as may be seen by referring to
No. 23, also Nos. 2 and 4 of Plate VIII, and No. 2 of Plate XII.5 No. 2
shows a curiously dressed figure, suggesting our courtfool’s bell-attire.
No. 3 shows a rustic en face dressed in the Indian loin-cloth ( laggotl ), and
carrying on his head a jar, or some other load, which he steadies with
his right hand.6 * 8 No. 4 shows a turbaned and robed figure, playing
on a flute (ovpiy£ povoKaXafio s) or oboe (auA os). No. 5 shows a similar
figure, playing on a Pan’s pipe (ov/>iy£ 7roXvKaXa/j.os ) made of seven
4 See M. F. Grenard’s observations on Dutreuil de tthin’s collection in Mission
Scientific dans la Haute Asie 1890-1895, Part III, p. 108.
6 A mong Dr. Sven Hedin’s fragments there is a Gandharva who is represented
in a posture exactly similar to that of the monkeys shown in Plate X, Nos. 34 and
35. With his right hand he holds a cup to his mouth, while his left is veretrum
tenens. See below footnote 13.
8 One of Dr. Sven Hedin’s fragments shows a procession of similar rustics,
walking to left, through an arched colonnade.
47
1901.] Section IV. — Pottery , Terracottas , Miscellaneous Objects.
reecls. No. 6 shows another figure, playing with a pair of cymbals, or
possibly a woman braiding her hair. Nos. 7-18 show a great variety
of line ornaments, accompanying, almost invariably, various forms of
faces or masks. Among them, there are rosettes (No. 11), garlands
(Nos. 14, 15), nets or circles of lines or dots (Nos. 16-18), wavy lines
(No. 11), rows of semicircles or arches (No. 11), etc. No. 19 shows
what probably was the handle of a cup.7 Nos. 20-23 show fragments
of the rim of three large vessels. The rim of one (No. 20) was adorned
with a series of full figures : two men, in laygott, wrestling ; a monkey
squatting on its haunches and holding a large vessel or melon ;8 an
elephant with upturned trunk, carrying two men who squat on its back,
facing one another; a dead bird hung neck upwards (P). Nos. 21 and
22 show the same fragment, inside and outside respectively. The former
is adorned with three rosettes, above a perforated ledge : the latter, with
a Buddhist railing, enclosing a decorated (conventional) cliaitya , and
the half figure of a man wearing a torquis. The rim, shown in No. 23,
was adorned with a series of ornamental arches, within them the usual
Gandharvas with garlands, in the triangular interstices small rosettes,
and above the whole a double circle of alternate beads and lines.
Plate X.
Nos. 1-19 of this Plate illustrate the great variety of heads, or
rather masks, used as ornaments. They all show traces of having
originally been attached to the sides of jars. They were moulded
separately and stuck on to the jar before it was baked ; and they come
off with comparative ease, especially from pieces saturated with salines.
Apparently they were used, as a rule, by themselves ; but occasionally,
as shown by a fragment in Dr. Sven Hedin’s collection, the head belonged
to a whole applique figure. Nos. 1 and 2 show pieces of the jar still
adhering to them. No. 7 shows the identical mask of which another
specimen is still adhering to the fragment of a jar in Plate IX, No. 17.
Some of the masks represent the faces of men, some with a moustache
(No. 2), others clean-shaven (No. 5), others with round beard (No. 6).
Nos. 7-9 show women’s faces ; some with earrings (Nos. 7, 8), others
with a sort of frill round them (No. 9). Some of the faces (Nos. 10-17)
are made to look canine or feline, with protruding tongue (No. 14), or
roaring with open mouth (No. 15), or showing the teeth (No. 16).
7 I have observed Mykenian cups with similar handles in the British and
Ashmolean Museums.
8 In his Beschreibung der Vasensammlung im Aquarium Professor Furtwangler
notices an early Greek vase from Nola, decorated with a sitting monkey who holds,
in front of him on his knees, a bulging krater.
48
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
No. 18 suggests a vampire ; still more so the mask seen in Plate VIII,
No. 13. No. 19 presents the distinct face of a monkey ; but it is more
probably the front piece of the head of a real figure of a monkey,
similar to the complete head shown in No. 21. There is a very striking
resemblance between the female masks (such as Nos. 7 and 14) and
the Gorgon’s head (with or without protruding tongue), as seen on early
Greek coins of the 6th to 4th centuries B.C., figured in the British
Museum Catalogue of Coins of Macedonia, pp. 83 if., and Eretria, pp. 119
if., plate xxii, Nos. 1-4, 6-10.9
Nos. 20-43 are full figures, made in the round. As a rule, these
figures are made in two portions, the front and back halves being cast
separately in distinct moulds, and afterwards joined together before
baking. The joint may be seen in No. 33, in the fracture of the arm.
Very often the halves come off at the joint, and are found separately.
In figures, like those of the camels (Nos. 20, 26-28) and others (Nos. 29-
31), of course, it is the two sides that are moulded separately.
The most commonly occurring figures apparently are those of
monkeys. They are represented in a great variety of postures and acts,
shown in Nos. 22-25 and 32-43. Such as embracing and kissing (No. 37,
also Plate XIX of Part I, Nos. 66, 67 ; compare also Plate XI, No. 22),
sitting or swinging on a bough and eating (Plate XIX, No. 51 ; in our
Plate, No. 43, where the bough has broken away ; so probably also in
Plate XIX, Nos. 52, 53 ; the object, lying across the lap, apparently a
pad, to be seen also in Plate XIX, Nos. 54, 61, is not clear) ; sitting,
kneeling, or squatting, and playing on some musical instrument (Nos. 24,
25, 34, 35, also Plate XIX, Nos. 34, 54, 55, 58, 60, 61) ; sitting medita¬
tively (No. 41 ; also Plate XIX, Nos. 32, 56, 65, 68, 74) ; sitting and
holding a stick or other object (No. 36 ; also Plate XIX, 64) ;10 wearing
a short tunic or a “ comforter” (Nos. 22, 39). In No. 40 the monkey
is represented with a goat’s head ; perhaps also in Nos. 23 and 38. On
the other hand, in Plate XIX, No. 70, twin monkeys, playing on a lute,
are represented with the body of birds. Often, especially when playing
musical instruments, they are represented ithiphallic (Nos. 23-25, 34, 35,
9 Compare also the similar mask of a youth with bull horns and ears, in Pro¬
fessor Furtwangler’s Bronzen von Olympia, Plate LXVIII, No. 1274.
1° Compare No. 1313 in Professor Furtwiingler’s Beschreibung der Vasensamm-
lung im Aquarium, which describes an archaic vessel, made in the form of “a tailless
ape, sitting on a stool, entirely covered with dots (to indicate hair), right hand on
the knee, left hand raised to face, as if wiping it.” See also Birch’s History of
Ancient Pottery (New Ed. 1873), p. 53, which describes Egyptian vases with handles
representing “apes seated and holding forepaws to their mouths.” Also Furtwang¬
ler’s Bronzen von Olympia, PI. IX, No. 81, showing “ squatting monkey with arms
encircling his drawn-up knees.”
49
1901.] Section IV. — Pottery , Terracottas , Miscellaneous Objects.
also Plate XIX, Xos. 68, 73, compare Xo. 74). The body is often shown
covered with hair, indicated by incised dots or minute strokes (Xos. 33’
40, 41, also Plate XIX, Xos. 65, 66, 68, 73, 74, probably also Xos. 23,
36, and Plate XIX, Xos. 60, 64), but quite as often perfectly hairless
(Xos. 24, 25, 32, 37-39, 43, also Plate XIX, Xos. 51-59, 61-63, compare
especially Xo. 66 with Xo. 67). A common musical instrument is the
syrinx or Pan’s pipe, consisting of seven reeds, and being either of the
usual form of an irregular (Xo. 24), or of a regular (Xo. 25) tetragon.11
A kind of harp is seen in Xo. 34 of Plate XIX, a lute, ibidem , Xos. 55
and 70, a pair of cymbals, ibid., Xo. 60, a small Indian drum, ibid.,
Xo. 61, another kind of small drum, ibid., Xo. 54, a kind of wind in¬
strument, ibid., Xo. 58. 12 In Plate XIX, Xo. 56 a monkey is represented
hallooing through his hands, and ibidem, Xos. 52, 53, 57 whistling with
his fingers (unless the act of eating is intended). All this is very
suggestive of the earlier and coarser forms of the Greek Satyr and Pan,
with his hairy coat, in ithiphallic condition, playing on the syrinx.13
The aspect and habits of the monkeys readily lent them to such repre¬
sentations. It may be noted, also, that in the Atharva Veda the
musical Gandharvas sometimes appear in the form of monkeys, and
thus they are clearly related to the Greek Satyrs and Pans.14 In
Xos. 4-6 of Plate IX, probably performing Gandharvas are represented.
In Dr. Sven Hedin’s collection there is the fragment of a neck of a jar,
which shows a whole circle of Gandharvas performing on drums, harps,
syrinxes, etc. Xotewortliy is the existence of the syrinx on artware
of Eastern Turkestan. That instrument has never, so far as I am
aware, been observed in Indian art. In Xos. 20 and 26-28 we have
the two-humped Bactrian camel which is also seen in Xos. 15, 27, 28
of Plate XIX. The one-humped species is never represented (but sec
below on Plate XIII, Xo. 27). In Xos. 29 and 30 we have a horse
saddled and mounted. Xo. 31 shows a leopard.
11 Both kinds arc frequently seen on Greek vases in connection with Pan ; thus
the regular on Nos. 2900, 3164, 3239, 3240, 3243, 3258, the irregular on No. 4137
in Professor Furtwiingler’s Besclireibung der Vasen Sammlung in Aquarium (pp. 804,
874, 895, 896, 900, 912, 1042).
12 With No. 58 compare No. 1316 in Professor Furtwangler’s Besclireibung ,
representing “ an ape, with the left hand raised to the head, with the right holding
to the mouth a long, sausage-like object and eating it.”
13 For representations of ithiphallic satyrs, see the old Macedonian coins (of
the 5th cent. B.C.) in the British Museum Catalogue, pp. 77, 79, 216. With the satyr
vcrctrum tenens on pp. 78, 80, compare Nos. 34, 35 of our Plate. For a human figure
in the same posture, see above, footnote 5.
4 4 See Professor von Schroeder in Ncue Entdcclcungen Buddhistishcr Alterthumer
in Ost-Tur/cestan (Wiener Zeitung, 2nd and 3rd March, 1900),
J. i. 7
50
Dr. Hoernle — Antiquities f rom Central Asia. [Extra Xo. 1,
Plate XI.
This Plate shows a number of heads and busts, male and female.
They are all made in the round, and cannot, therefore, have been intended
to decorate vessels, like the faces or masks, shown in Plate X ; but
whether any belonged to full figures, and what use they subserved is,
in many cases, not apparent. In the case of No. 16, the head is fixed,
with a wooden peg, on a small decorated pedestal, and the whole seems
to have formed a kind of knickknack, 2|- inches high. A similar pedestal,
found separately, is shown in Plate XIII, No. 8 (also in Plate IV, No. 13,
of Part I) ; and this fact proves that such “ knickknacks ” were not
uncommon. But other heads and busts or half-figures can hardly be
explained in this way. On the other hand, fragments of arms or legs
or trunks — such as one would expect to find, if any of the surviving
fragments belonged to full figures — there are none in the collection, and
they do not appear to be found. The large head, shown as No. 1, which
is hollow, with a round aperture on the top and in the neck, may have
formed the neck of a vessel, like some archaic vases found in Cyprus,
Rhodes and other places, and figured in Plate LXXXV of Louis Palma
di Cesnola’s Cypern (tr. by Ludw. Stern).
All these figures were made in two halves, front and back, in
separate moulds, and were afterwards joined together before baking.
Some, like Xos. 1, 5, 10, 12 are made hollow ; but most of the smaller
ones are solid ; e.g ., Xos. 3, 7, 8, 9, 13-21. The head was sometimes
made separately, and provided with a socket bolt (as seen in Xos. 8, 19)
with which it was fixed in an aperture between the shoulders. The
heads of the busts, Xos. 14 and 15, are fixed in this manner. There was
a great variety in the fashion of arranging the hair, of both men and
women ; also in dressing the beard. The coiffure of men is illustrated
by Xos. 1-14; of women, by Xos. 15-21, and 23-26. Xo. 22 shows a
man and woman in embrace ; compare their head-dress with those in
Xos. 9 and 19. Some male heads approach closely the female type, as
in Xo. 4. Others, as in Xos. 5 and 14, show a sectarian mark, in real life
probably painted, on the forehead. On the other hand, Xo. 13 seems to
indicate tattoo marks in the form of dotted circles, or they may be in¬
tended to indicate hair, as in Xos. 5 and 12. Xo. 14 shows a man wearing
an amulet, suspended from his neck ; but it is not clear what the object
may be which he is holding on his back. Xos. 15, 16, 17 show different
styles of female coiffure from the front and back. Xos. 18-21, 23, 24,
give the front view, and Xos. 25, 26, the back view of some others.
Xos. 15 and 18 also show the upper portion of different fashions of
female dress. Xo. 22 shows the head-covering, and jewelry (bracelet,
armlet, necklet, etc.), worn by men and women.
1901.] Section IV. — Pottery , Terracottas , Miscellaneous Objects. 51
Plate XII.
This Plate comprises only antiques of a distinctly Buddhistic
character. No. 1 is a portion of a wooden board, measuring about
II* X 5| xf inches. Left side, top and bottom are entire ; on the right
side a portion is broken off. It is painted on both sides with sitting
figures of Buddha with aureole behind, done in the Indian style. The
hair is black in one figure, and blue in the other. Their drapery is in
reddish brown, and the nude parts in a pale carnation. The concentric
circles of the aureole are alternately reddish brown and yellow. The
outlines of the figures also are in reddish brown.
Nos. 2 and 3 are of painted stucco, measuring about 5| x 4" and
4 x 3" respectively. No. 2 represents an Apsaras ( or female Gandharva) ,
holding a garland, and rising out of a lotus.16 The lotus is red, the
figure white with black hair, the garland also white. No. 3 shows
Buddha, sitting, as usual, cross-legged with hands folded in the lap, on
a lotus pedestal, and against a double aureole of lotus leaves. The
Buddha is fully draped in blue, his hair and top-knot are black, face
and hands white. The inner aureole, immediately behind him, is red ;
the outer is blue, like the drapery. The pedestal is white.
Nos. 4 and 10 are Buddha heads of grey sandstone, much worn,
measuring about 4 x 2J and 8| x 5 inches respectively. (The smaller
head is also shown in full size in Plate IV, No. 19, of Part I). Peculiar
is the arrangement of the hair and top-knot, in the larger head, No. 10,
in concentric semicircles, arching over the forehead. I do not remember
having observed this peculiar arrangement elsewhere in any representa¬
tion of Buddha.
Nos. 6, 11 and 12 are carvings in black slate, and of very good
Graaco-Buddliist art, such as are well-known from the Indus regions.
They appear to be the oldest pieces in the collection, and probably do
not come originally from Eastern Turkestan. The drapery of the sitting
figure on the back of No. 1 1 is exceedingly good, and suggestive of pure
Greek art. No. 6 is the capital of a small Corinthian pillar, measuring
l^X 1 inches. The upper portion is divided into four sections, contain¬
ing representations, alternatively, of sitting and standing Buddhas.
No. 12 seems to be a portion of a small pilaster, If inches high, with
a flat, smooth back, while the front is carved with figures one above the
other. The upper one is a kneeling figure, with hands folded in adora¬
tion. Of the lower figure only the head remains. No. 11 is a piece of
16 In the Terracotta Room (comp. 34) of the British Museum, there is a Sicilian
plaque (of the 3rd-lst cent. B.C.)in the form of the bust of a winged boy rising
out of a lotus. This is the only instance of a similar object that I have ’noticed in
the British Museum or other collections.
Dr. Hoernle — Antiquities from Central Asia.
[Extra No. 1,
KO
t)£
slate carved on both sides, and uncertain what it may have belonged to.
It measures about 3^-xlf inches. The front is carved in a series of
panels, containing Buddhistic scenes. The middle panel shows Buddha
in the witnessing attitude (right hand pointing downwards over the
right knee), surrounded by Mara’s host. The lower panel shows him
in the teaching attitude (right hand raised), surrounded by his disciples.
The upper panel is wholly broken off, together with the head of the
figure carved on the back. This figure, beautifully draped, is represented
sitting on a cushioned stool, the feet placed on a footstool and the right
elbow resting on the right knee, the head inclined forward and supported
by the right hand. Under the seat is seen a vase or water-vessel,
resembling the Indian surahi.
Nos. 5 and 7-9 are of copper or bronze. No. 5 is a piece which
appears to have served as the background to a separate figure of Buddha.
It represents an aureole made up of an arch formed of several minute
Buddhas, each sitting on a stalked lotus. Five of them are preserved ;
the total number probably was seven. They are shaped exactly like,
but only about half the size of, the Buddha figure of No. 7, which
is shown in full size. The latter has a knob on the back, showing
that it was once attached to an aureole, similar but larger than that seen
in No. 5. No. 9 shows a similar series of seven Buddhas, sitting in a
level row on the branches of a tree. The whole must have formed the
top ornament of some other object. No. 8 shows the usual figure of
Buddha, sitting cross-legged and with hands folded in the lap, fully
draped, and with a small circular nimbus behind the head. The figure
sits on what looks like the imitation of a carpet, and against a similar,
nearly circular, aureole-shaped carpet worked with wreaths, hung up
behind.
Plate XIII.
This Plate contains a number of miscellaneous objects, among
which Nos. 1-3 and 5-9 are of terracotta and come from Yotkan in the
Borazan tract near Khotan. Nos. 1-3 are the heads of a boar, a bull, and
a horse, and may have belonged originally to full figure animals ; or they
may have formed ornaments stuck on to the body of vases, like the
half-figures of horses springing from some sepulchral vases found in
Canusium, Calvi and Capua, and to be seen in the Terracotta Room of
the British Museum. No. 5 is a curious head, half man and half beast.
It is perforated through head, neck and mouth, and may have formed a
spout.16 This may also have been the case with No. 6, a large (2f x If")
16 In the Ashmolean Museum in Oxford there are two archaic vases from
Cyprus (of the Geometrical Period) which have spouts in the form of a bull’s head
and neck.
1901.] Section TV. — Tottery , Terracottas , Miscellaneous Objects. 53
well-formed phallus, which is perforated, and bears a small inscription
( ya-vu-du-pa-jd-a ) in Brahml characters of about the 5th century A.D.,
but in an unknown language. No. 7 which, at first sight, suggests a
seal-ring, belongs really (as shown by a specimen in Dr. Stein’s collec¬
tion, Preliminary Report, PI. I A) to a small, narrow-necked vase, of
which it forms the handle, being fixed to its shoulder, with tbe head of
the animal (cp. Plate X, No. 31) pointing downwards. Some three-
handled vases, shown in Professor Furtwangler’s Mykenisclne Vasen ,
Plates I, 1 ; V, 28 A, 28 B, are provided with exactly similar handles.
No. 8 shows top and bottom of a decorated pedestal of the kind of
“ knickknack ” already referred to in connection with Plate XI, No. 16.
No. 9 is a small object in tbe form of two small peacocks (2| x If"),
placed back to back, front and back of the piece being exactly alike ; the
feet, if there were any, are broken off. What use the object may have
subserved is not clear : perhaps it was also a “ knickknack.”
Nos. 4 and 11 show two very crude figures, animal and human,
made of sun-dried mud. I believe myself that they are modern fabrica¬
tions. They bear, on the forehead of No. 4 and the top of the head of
No. 11 the impression of a small oval stamp (like an Egyptian cartouche)
inscribed with four “ unknown ” characters. One of these characters
is quite clear, and is identical with No. 33 of fig. 1 in Table I (Formula
of Blockprints No. IY). Another is apparently the same as No. 3,
ibidem. The other two are not distinguishable. As a model for No. 11
may have served some figure like No. 12.
This figure, No. 12 as well as the objects shown in Nos. 13-15, 17-
20, 23-26 are apparently made of brass, or very light colored bronze.
They are thickly covered with verdigris. Though there is no particular
reason to doubt their genuineness, their age and provenance is quite
uncertain. This remark also applies to the remaining objects shown in
Plate XIII. The two horsemen, shown in Nos. 14 and 15 are those
referred to in the Introduction, p. xxi. The saddle-pad on which the
riders sit is real cloth, in a very rotten state. No. 17, a plain horse,
is hollow, as may be seen from the fracture in front. No. 18 appears to
represent a Garuda , holding a snake in its beak. The body of the snake
(on the left in the Plate) winds in a double circle, arranged so as to
form a socket for holding another object ; and the feet of the bird are
set on a small, semicircularly bent plate with which it could be fixed to
something else. No. 19, resembling the terracotta masks, is much
corroded, and the most antique looking of the lot. No. 20 shows the
arrowhead, referred to on page 67 of Part I of this Report.
Nos. 21, 22, 27, 29 and 30 are made of different kinds of minerals.
No. 21 appears to be a mould cut into a soft grey stone (soap-stone ?) ,
54
Dr. Hoernle — Antiquities from Central Asia . [Extra No. 1.
In the middle a helmeted soldier is seen sitting on the ground, surrounded
by a zigzag line, outside which is seen a large face and some undecipher¬
able writing. The object, shown in No. 27, made of a soft white stone,
looks like a single-humped camel, but the completeness of it is doubtful.
No. 29 shows a curious object, made of a soft cream-coloured stone,
being a grotesque human twin figure, in which every part, except the
pair of feet, are duplicated. No. 30 is a pin (broken hair-pin ?) of
white jade. There are two such jade pins in the collection.
The two objects shown in Nos. 28 and 31 appear to be made of horn
The former represents a dragon (in the form of a spout?;, the latter
a pair of fishes (of the zodiac ?).
Plate IV of Part I.
No. 1 shows two sections of what appears to have been a large
circular embossed copper-plate, cut up into large quadrangular pieces.
Some of these were used as guards in the binding of some blockprint
books (see, e.g., No. VII on page 75 of Part I of this Report). Nos. 3,
4, 6-9, and 11 show some pieces of copper, similarly used. Some of
these (No. 3) imitate the genuine Urtuqi coin shown in No. 2 (same as
No. 20 in Plate I of Part I) and described on page 31 of Part I (see
also ibidem , p. 54). The genuineness of all these pieces of copper is
much open to suspicion.
The other objects, shown in Nos. 12-21 are, no doubt, genuine,
though with respect to some of them the age and provenance is quite
uncertain. Certainly ancient are the terracotta pedestal, No. 13 (see
above under Plate XI, No. 8), the stone head of Buddha, No. 19, and
the bronze Sitting Buddha, No. 15. The bronze objects, Nos. 20 and 21,
which are much corroded and sand-worn, are also antique. No. 21 shows
the front and back of a very curious human figure. The objects, shown in
Nos. 14 and 16 are made of a soft grey stone, and appear to be fragments
of a casket. The figure of a bird (goose?), No. 18, is made of brass
or pale bronze. It is provided with a knob or botton in the liollowed-
out interior, by which apparently it could be fixed to some other object.
Plate XIX of Part I.
This Plate shows a variety of miniature objects, most of which
have already been described. For Nos. 2-11, see Part I, Section I, pp.
37 If. ; and for the remainder, see the remarks on Plates VIII-X. The
objects shown in Nos. 1, 12-24, and 26 are of metal, mostly bronze ;
Nos. 21 and 22 seems to be of lead. No. 1 is a sort of sceptre surmounted
with a figure of Buddha, No. 18, the same with a closed fist ; Nos. 13
and 14 are two rosettes, No. 15 is a two-humped camel, perforated,
1901.] Section IV. — Pottery , Terracottas , Miscellaneoiis Objects. 55
perhaps to be worn as a trinket or amulet ; No. 17 a sitting lion (P) ;
No. 18 the head of some animal ; No. 19 a sitting Buddha ; No. 20 a
hand with a bird poised on two outstretched fingers ; No. 21, a jug ;
No. 22, a cock ; Nos. 23 and 24, apparently two vases.
No. 25 shows four perforated beads, made of different minerals.
Nos. 29-36 and 38 are objects made of various kinds of soft stone ;
No. 37, is of white agate. Nos. 39-74 are made of terracotta. No. 69
seems to be a monkey torso, and No. 71 a monkey mother carrying her
young slung on to her back. No. 70 is a curious twin figure, made up of
bird (the same as in Nos. 49, 50) and monkey. Every part is duplicated
except the pair of arms with which the twins play on a lute (the same
as in No 55).
APPENDIX.
Transliteration of
Weber MISS. Part IX and Macartney MSS., Set I.
(See pages 18 and 19 of my Report .)
Note : Many words and letter-groups repeat tliemselves frequently,
and thus afford a fairly safe means of restoring the text. Such resto¬
rations are not specially indicated. Restorations which are open to
doubt are enclosed in round brackets. Letters which have entirely
disappeared but are capable of restoration are shown in angular brackets.
Other lacunae are indicated by dots whose number corresponds to the
probable number of missing letters. With the help of the two Indexes
the restorations can be readily controlled.
. The text contains a certain number of new letters which are not
found in the ordinary Brahmi alphabet. They are shown in the sub-
joined list No. 6.
I ^ kha © kha ^ qa ^
I 2
II tha & thz
qa
i)2
III. KO pha 'tTphz ba 4} cl ha
I 2
IV. H sa ^ > shz.
} '
dhar
dha
V
r dhar £
VI la iGk'T' pal
tr
VII.
VIII
na
tsan
$ri ?r' f
ri
Xo. I, 1 is the ordinary Brahmi kli as in khadira fl. 19s for Sanskrit
khadira. Xo. I, 2 is seen, e.g ., m prapundari&//a fl. 103 for Sanskrit
prapundarika. The former is found exclusively, the latter, as a rule, in
Sanskritic words.
J. i. 8
2
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
No. J, 3 is a slightly modified form of the ordinary old Brahmi q,
as seen ( e.g .) in qeteni fl. 282 for Sanskrit khedeni, and in the letter-
group kaqi fl. 35s. It is preserved in the so-called khoq-seq or “ lion-
hearted ” characters of Tibet (10th century ; see Sarat Chander Das
in Journal, Asiatic Society of Bengal, Yol. LVII, 1889, Plate Y, b )
and in the Tibeto-Chinese Pa‘-sse-pa script (13th century). The
signification of the upward curve in No. I, 5, as seen (e.g.) in ljalya
fl. 423 is uncertain. Provisionally I take it to be a variant of the
mark in No. I, 4, seen (e.g.) in ijakarh fl. 12s, where it is the ordinary
Brahmi mark of the long vowel a. In the Transcript it is distinguished
by a. Both, Nos. I, 4 and I, 5 are very uncommon, and are found only
in non-Sanskritic letter- groups. No. I, 3 is found only exceptionally
in Sanskritic words.
No. II, 1 is the ordinary Brahmi th as in ruthir fl. 413 for Sanskrit
rudhira, and in sapatlia fl. 38* for (probably) Sanskrit ^apatha. No. II, 2
does not occur in any Sanskritic word, but may be seen, e.g., in the
letter-group f/mskemdhar fl. 26s. I take it to be related to th, as kh' is
to kh, and as ph to pli.
No. Ill, 1 is the ordinary Brahmi ph as {e.g.) in trphal fl. 66 for
Sanskrit trphalS. It is found only in Sanskritic words. No. Ill, 2 is
seen (e.g.) in phutsah fl. 385, a variant of ptsan fl. 4( and in ^aripAa fl.
8b for Sanskrit ^ariva. Nos. Ill, 3, III, 4 and III, 5, which have similar
forms, have been added for comparison. No. Ill, 5 is the ordinary
Brahmi dli, as in madliaMa fl. 12 for Sanskrit matliaka.
No. IY, 1 is the ordinary Brahmi s. Both it and No. IY, 2 are seen
in prativisa fl. 246 and prativis/m fl 285 for Sanskrit prativisa. No. IY,
2 also occurs in purnako.<d?a fl. 225 for Sanskrit purnako£a ; but other¬
wise it is confined to non-Sanskritic letter-groups.
The exact powrer of the four newr signs (Nos. I 2, II 2, III 2, IY 2)
is not known. They clearly indicate variants of the corresponding four
Sanskrit sounds, and suggest themselves to be, probably, spirants of the
respective classes (y p, f, sh).#
No. Y, 1, when occurring at the beginning of a word, represents the
ordinary Brahmi cerebral r vowel, as in rsabhafc7ta fl. 641*5 (cf. 13t) for
Sanskrit rsabhaka ; but at the end of a wrord it has consonantal force,
# On these new signs see, also, my paper on the Weber Manuscripts in the
Journal of the Asiatic Society of Bengal, Vol. LXTI (1893), p. 1 ff., ancl a paper by
Professor Dr E. Leumann on “ Eine von den unbekannten Literatur-sprachen
Mittelasiens” in the Memoires de l’Academie Tmperialc dos Sciences de St. Petersbonrg
Serie VIII, tome IV (1900). The three signs Nos. Ill 2, III 5, IV 2 are wrongly
identified in these papers. The true identification of the sigu No. VI, 1 was first
suggested by Professor beiimanr) in the paper above named.
1901.]
Appendix.
3
either with the inherent vowel a (No. V, 1) or without it (No. Y, 2), as
seen ( e.g .) in kesara fl. 185 for Sanskrit keyara, and in yakkar 11. 314 for
Sanskrit yarkkara respectively. Attached to a consonant (No. V, 3),
it lias vocalic power, as in vrka fl. 333 for Sanskrit vrka.
No. VI, 1 probably expresses the cerebral 1 consonant with the
inherent vowel a, as in pratipala fl. 34'1 for Sanskrit pratibala, and No.
VI, 2 expresses the same without the inherent vowel, as in pippal fl.
214 for Sanskrit pippala. In the beginning of a word, No. VI, 1 may
have vocalic power, as in Ittsaune fl. 92. It occurs, in this way, in no
Sanskritic word.
The exact signification of the double dot, shown in Nos. VII, 1
and VII, 2 is uncertain. It occurs only with the inherent vowel a, and
would seem to indicate some modification of that vowel. A curious
exception is its occurrence with the vowel-less palatal consonants n and c,
as seen in the letter-groups jp^atsan fl. 385, natatah fl. II6, ktsef) fl. 142,
pelklh fl. 323, kauc fl. 14r I have transcribed it with a double dot.
With the exception of mancasta for Sanskrit manjistlia, it is found
only in non -Sanskritic letter-groups.
There are two forms of the short i vowel, shown in Nos. VIII, 1
and VIII, 2, and seen (e.g.) in pippal fl. 4F' and pzppfil fl. 272, both for
Sanskrit pippala. By way of comparison the long i is shown in No.
VIII, 3. The signification, if any, of the difference of the two forms
is unknown. The high-pitched form of i (No. VIII, 2) occurs only 35
times, divided almost equally between Sanskritic words and non-
Sanskritic letter-groups. The fact that both forms are found indifferently
in the same word (e.g., in pippal) seems to negative the suggestion of
any significance.
The numeral figures 1, 2, 3, which occur not unfrequently in the
text, seem to subserve the purpose of interpunctuation rather than of
indicating numbers or quantities. As a rule, they are placed after words
of Sanskritic origin, and thus serve to indicate (or italicise) such words ;
but they are occasionally found also in connection with non-Sanskritic
letter-groups, see, e.g., fl. 44> E.
The words, printed interlinearly in small type, represent the remains
of writing which, in an inverted position, cross and overlie the large-
print words in the line immediately above them. With the help of a
mirror, a practised eye can recognize them without much difficulty.
4
Dr. Hoernle — Antiquities from Central Asia. [ Extra No. 1,
Leaf 1. Reverse.
1 [ma]hamedlia 1 (varatjga-tvaca) 2 £aileya Ich 1 akarn 1 spri kh 1
devadaru 1
2 [9irisa]-pu.s/ip7ia 1 pra(pnntariM) 1 a^akandk 1 yari ph 1 man-
casta 1 ^abara-lo-
3 [tr 1] veteni 1 nicitakamp7i 1 kincelle 1 pissau 1 erka-[ttse] . .
4 . . . [ki]rodh 1 pu[na]rna[_p7*a 1] (kakoti 1 ksi) [ra-kakoti 1] .
5 . . [ampr]ta-patr 1 bilamati 1 .
Leaf 2. Obverse.
3 . . . [a]rira7v7ia-ssana ta(notsi 1) arkrja-n(nai enme)[lya]-
4 [ttse ija](kte ) madlia7lr7i trau-yparc 1 kosnau po (kodh) tara77ia-sse
5 . (ijqa)]e se-ske se curnii keijiye ije-tts[a] kante shpJiarka-{shsha-
lle qa-)
6 . (ne kse se-ttsa lani) yama-s7is7*a-lona 1 kete ratre kra(keto-nta
ala-)
Reverse.
1 (shsh&m) ... la . ala-s7is7mm . skara . (dliatam 9a-)
1 kii 1 sa kre
2 (rkgasa) stal[l]a-s7ia-lle sa 7Aaskemdhar po kre ttauna sakna
. dh 11
3 . || (ji . i) spati 1 tejapati 1 piRba [1] . . (ra) . . ,
4 . . 9abara-lotr 1 sesa^ sa . £7iaskendliar)ll . , .
5 . u(mancista) .
karji trau-nta (qa) pa-tsi 1 tom (satke-nta)
Leaf 3. Obverse.
3 f . , spakairh yama-sT^a-llona X (mo-)tstsa ayne [ya]ma-s7is7m-lle
4 (p7iarsarem) n&kh=sh&m mluta-lle shkha-shsham (sinam pamo) i)a-
lya po-tstse
5 kar=tse II ljar miye-tsa ratre 1 sakapce 1 sarjayartli 1 . yeya kh 1
6 . . . (kutumnciZrfi 1 mi-tstsa tslani) yama-s7ia-lona (payro) . tha-
Reverse.
1 skemdbar II sakapce 1 9mur 1 ljetem 1 styoneyafcTi 1 tom tranma-
saj- 9ai-
2 Ieya7b7& 1 spri kh 1 takaru 1 gra9kai-ssa pyapyo 1 tsa pance*
ntha 1313a (ta 1)
3 . (rkarl ) payaceyaM 1 tamala-patr 1 qampatsake 1 se-
4 (me-yar^) ijar p7zaksa-lle pra-lle syalna ....
5 . . . (priya)ijku 1 arira^a- ssana-n77m gqata)
[tara]tfta-sse . na 1
(punarnava) .
6
(sata)
1901 ]
Appendix.
5
Leaf 4. Obverse.
2 . devadaru 1 sarjaratk 1 .
3 . . . madliuA;7ia 1 (dhu)rani 1 ^abara-lodr 1 .
4 . 1 malkijer trau 1 katso sonop7?a-lya 1 kuncidha-sse[salype] ma-
5 lkijer-sa £>7iaksa-lle 1 yamusai katsa muska-s/is/zath II pippa 1
katuka-ro-
6 lwni 1 , prativisa 1) tamala-padhar 1 a^vakandlia 1 9frisa-puspa 1 .
Reverse.
1 . . kurka77ia-ssz ptsaii 1 devadaru 1 nicitakamp7i 1 pissau 1 qe-
2 tene 1 tranmar kuticldha-sse salype 9a kh trau-nta malkijer- sa
^>7iaksalle
3 . nc 1 th^qa, te sa sanapa-tsi 1 pau-skem sa . na . . .
4 . , . vedene 1 kurkka£7/a-ssi [ptsan] 1 ka . . . . .
5 ...... . katuka-rolimi 1 .
Leaf 5. Obverse.
2 . malkijer te sa p7iaksa-lle . [y>7ia-]
3 (ksa-lle a)9ca-ssana te katma po naksem .
4 shshum || mancasta 1 9abara-lottar 1 tamala-pa(dhar ) [1 pi-] (ssau 1)
5 cijacka-sse mrestiqe ijar=sa ^?7iaksa-lle £>7iar9erim ntikh-sham 1 u
sudlia (tharqa)ne
6 . . . e er7;7ia-ttse yasonna kre miya 1 n£7ia qkandha pyapyo 1
(dliarta-)
Reverse.
1 (kur lo)nta-sse . ije (sa) triga-s7is7^a-lle Malka-nc=nilu(tpa l=le-
ya kh
2 (Metene 1) sya-lle (ije)re na7r7i=s7iam II kassu 1 takaru 1 a9vakan-
dba 1 apa-
3 marga 1 padlia 1 katuka*rohini 1 aiicam (vandlia) . . . (iicajl
4 . . a malkijer=sa . anmeqa ....
Leaf 6. Obverse.
2 . nicitakam^>7ia 1 nilotpal 1 . . , , . . .
3 . ( spri kh 1) parivelafc7i 1 kakori 1 ksira-kakori 1 [tarnala-]
4 pattr 1 amprta-pattr 1 medha 1 maliamedha 1 ji[va7c7ia 1] (rsabha- )
5 khdj 1 yarper 1 kiroAdi 1 erka-ttse sarjaratha 1 9arap7ia 1 mancasta
1 ve-
6 dene 1 pissau 1 priyaqgu 1 madliafr7i 1 v^ir 1 trphal 1 puiiarnap7*a
i na-
Dr. Hoernle — Antiquities from Central Asia . [ Extra No. 1,
6
Reverse.
1 . . (1 ^aileyaM 1 kegfye)[ku]ncidha-sse salype malkrjer=sa phaik-
sa-lle .
2 (tstsa) . . (ka salle page) sa . . (stse) . (arkgiya-)
3 ( msi-shshn-Ue) II prapundari&7i 1 a9vakandha) . ...
4 . . . katuka-roliini 1 prativi[sa] .
5 . (malkge)[r=sa] .
Leaf 7. Obverse.
2 . . . [prapu]ndari/L7i 1 (a^vakandha 1 kirodh) .
medlia pmiarnap/ia
3 . (arkgi) cagam 1 i pissau 1 amprta-)pattr 1 kako[ti 1 ksira-]
triija-sle . nda
4 kakoti 1 veteni 1 madha&7i 1 kuntarjfc/ia 1 ^akkar 1 devadaru
5 kirodli 1 pilamatti 1 bidari 1 ksira-bidari 1 ^abara-lodr 1
6 ( ka) . 1 mlucku kuncidh 1 sesa th asiye malkger-sa shph&rka-
shshsL-lle
Reverse.
1 . . (thargana) [sta]lle-s7ia-lle 1 tuce pi ye-(tse-ttse ||) ....
2 9abara-lotr 1 prapundari£7i 1 kirodh 1 vetene 1 (kuntarA7m) [1 ca]-
qa[m]
3 madha kh 1 mancasta 1 ^qa^ko 1 (^ahcapo 1 pissau 1) kurka^Aa-
• •
4 [ssi] ptsaii sesa77i malkger=sa gagkarno p7iaksa-lle . .
5 . . . . le sa sonopTm-lle tumem satke-nta . .
[tri]ga-sle
6 . (ka pa la ta ka) .
su ka ra
Leaf 8. Obverse.
2 . dhar . . (su) . (se ktsen) .
3 . -Ilona thargana (sta)lla-s7m-lle 1 (pa )ge a (9ce) . . .
4 yoraim na&7i-s7iam sa gagkarna-tstsa spakiye kar=tse maka || ca-
5 rj am 1 padmaAdia 1 gyira 1 pissau 1 ^aripTia 1 mancasta 1 (kakori 1)
ksi-
6 (ra-kakori 1) ^akkiir 1 ( sa)runari(ju) 1 akaru 1 takaru 1 (rutelle)
Reverse.
1 sesa th kutumnci[7b7i] [kosanme) spakaim yama-slona ....
2 . (lie) arkgi [yama] -shshnm II 9abara-lodr 1 prapundariTc/^ 1 (ta-
mala-)
3 (patr 1 ke)leya/c7ia 1 nilutpal 1 pi(ssau 1 sesa th gar=sa)
4 . . p7mksa-lle mi-tstsa spakaim yama-slona 1 . . . .
5 . arira(Ma-ssana) .
1901.]
7
Appendix.
Leaf 9. Obverse.
2 . rya todli arkpa-nai enmelya-ttse .
kh'<\rth . no ka . tra
3 [1] le tu kh lttsau-ne sa spakaim yanja-slona (tak-pasno todh) II
4 tamala-pattr 1 a^vakandh 1 avamarga 1 yabara-lotr 1
5 (vedene 1) mancasta 1 devadaru 1 arkpi-9akkar 1 takaru 1 yirisa-
6 puspa 1 kirodb 1 ijata£/ia nta 1 fc^anarnata-n^a pkata 1 kutumn-
cikhn 1
Reverse.
1 (kosnau po) kodli satke-nta (ljasno todli) rimmakka-ssa pyapyo
(sa spa)[kaim ne]
2 tasa-lle 1 tarya traipo-ssai (mai)ki ne tasa-lle 1 tu kh ]ttsau-iie sa
spa-
3 kaim yama-slona 1 sa amarra . (spakiye) . . tsa-ssana
4 . . n&kh^sh&m .o . . par=nai 1 ( sa ) . rnusaka ....
5 . . (mancasta 1 nilotpal 1 prapundari/c7i 1 qavipha,) ....
6 . (prapundarR^ par=sa) .
Leaf 10. Obverse.
2 . II (mancasta 1 nilotpal 1) . .
3 [rimma]kka 1 tamala-patr 1 kar=(tse &7&anarnata-n7^a pkata 1 kn-)
4 ncidha-sse salype sa s7ip7mrkka-s7m-lle 1 par-sa (spakaim) yama-slo-
5 na ph&rqeri na,kh=sh&m || mame pi ypa-ttse traksirii 1 pissau-sse
kasaysa
6 (suA:7idb lkpar=pa) sT^Tmrkka-^^a-lle (yere-tsa-ssa vako 1 sukkara
. e .
Reverse.
1 . s7ip7iarkka-s7ia-lle 1 tharpana laiko asiye malkper=sa (su7cMh)
sfrp&arkka-
2 sJishsL-lle thziqq a [ke]te kosanme selaiko tuce pi ye-tse-ttse II [ma]-
3 iicasta 1 9abara-lodr 1 prapundari7c7m 1 (rimma 1) ^aiicapo 1
4 .e . [9a]kkar 1 spaitu 1 petene 1 ypiya (yakslye)
5 [platkare] th aqqa (kete 1 selaiko 1) .
Leaf 11. Obverse.
2 . lie 1 tumem tom satke-nta . 1 . . .
le pale
3 . . . (na)/c^=s^am || lotr 1 9abara-lotr 1 mancasta 1 prapu-
4 ndari kh 1 arkpi-9akkar 1 kirodh 1 platkare kete 1 a-
5 (siye) dharse-lle 1 selaiko arkpi yama-s7?arn II prapundarifcTi 1 tra-
6 (fcTmrn) . (mokra) . (natatan) ypac-trau 9akkar traMam pissau
tvakh&m
8
Dr. Hoernle — Antiquities from Central Asia. [Extra Xo. 1,
Reverse.
1 . (le ko ye-tse asvakandha 1 medha 1 prapunta-)
2 (rikha, 1 9abara-lotr 1 yakkar 1 manca)[sta] 1 getene 1 (su) . . .
(sna)
3 . . netmerh spaitu 1 pissau 1 .e . . . .dli (thuqca, kete)
4 [selaiko] jpftaryerim imkh-sJi3bm i| ama[la/r/i] 1 (nilotpal) 1 . .
5 . (nai) .e . e .
Leaf 12. Obverse.
2 . fma) . (dliar) . . . (gar) .
pyapya-ttse gelki
3 . . . . |a 1 pissau 1 £abara-lotr 1 kala .
4 (tran)mara 1 kante (shph&vka,) ga&Mh trau . . . p/iaksa-lle dharya,
kagi iesnth
5 .e-(sse)p7mksa-lya se ri-tsa ma-tsi gaksallo-n^a kellera ....
6 . lie ko .o .eg 1 (pippa)la-ssa . lsdliaga gadli 9ar tasa-llo-
.th tha<;ca kete selaiko ne yama-s/tstem n pippala
Reverse.
1 [na] . . . (th&qqsi kete ) . (gatre) rom p&asdli y>7iaksa-lle ....
2 (kete astare tumem snailyokai) madhaMa-nta 9a kh 1 ... .
ph&kssL-
3 Ilona 1 £/iakte gakarh tumem 9ci'rem) .... vacca-lle ga-
4 . . . tumem mo-tstsa r&(tthe) j>7iaksa-lya . . ma . .
Leaf 13. Obvei *se.
2 . traigo (ca)na-lle .
3 [sa]tke-nta-mpa ^aksa-lle .
4 madhuyasti 1 padmafc/ia ygarc=trau asiye malkger=sa [^ak-sa-]
5 lie se mastu-kar^ 9e$u ger posdham yama-s/^/^a-lle 1 todh mayi
6 . (thargana sa)go . . .e ttliap (ge)tene (su)77*a-s7w>7ia-lle 09a
Reverse.
1 . sa ^askendliar 1 smayamu 1 jivaA;7m 1 rsablia7r7i 1 medha 1
maha [medha]
2 kakoti 1 ksira-kakoti 1 mudgavarni 1 masavarni 1 ma(hcasta 1 ku)-
3 ncidha-sse salype asiye sgarapksa pTui(ksa-lle) ....
A ... . sekh thargana (sono)[jp7^a-lle] .
. rsabha7t’7& . .
9
1901.] Appendix.
Leaf 14. Obverse.
2 ... . (poke) ktsefi sanapa-tsi 1 (pren£7ie) ......
3 . . . tTmskendhar 1 || ( la khsh 1 pissau) . [9a-]
4 (kkar 1) ^mnr 1 (sacca-ssa) pi . ko 1 klepka I . . . [ypiya]
5 yaksiye 1 te (tailiji ) s7tp7iarkka-s7&s7ia-lle 1 krpkai-iine maiki salype
6 . . iioriya katso pa ’o-tstsa ta . te sa ^/iasdli satTia il pa . .
Reverse.
1 9kpa9ko 1 smur 1 krpk[ai]-nai (maiki) sa kauc 1 capke sa katso
sono[p7ia-]
2 lya 9ar katsa sa pala na-lle %a,ttha>-shsli£b-Yle capke te nau-ttse 77<a-
[skem-]
3 dliar || medha 1 mahamedba 1 kakoti 1 ksira-kakoti 1 . . .
4 . [1] rsablia kh 1 mudgavarni 1 ... 1 ma(nca8tii) .
5 . tami (sa)mma asiye mal(kper=sa) .
Leaf 15. Obverse.
3 . . 1 9atapuspa 1 caparfi madliu[yasti] . . . [apama-]
4 rga 1 su(hf) suratha 1 9irisa 1 koro9a . . . . ka 1 [seme-]
5 (jab)rth satke-nta ese pii(sne) ese robiiii (kete) satke-nta paltsa 1
6 .i . .e . (ta)ssa-lle (se) pisumatpTza po pisumatp/ia . .e .
Reverse.
1 (katuka-robim) 1 apamarga 1 a9vaka[ndba] 1 [tama]la-patr 1 [ko-
2 ( sdbe s& )tke-nta pasno todb takaru malkper=sa spakiye yamaf-sTa-
3 (lya sa) spakiye yama-sAa-lya sa S23aki(ye .ilia sa) . .
4 [ta]mala-patr 1 (mabisa) 1 prapurida(riMa) .....
Leaf 16. Obverse.
6 . [i] . Mn . .
Reverse.
2 . ssa . W . nlcli . . ttli& .
3 . . . . [sa]lype ^Tmksa-lle pra-lle .
4 . . . . po nafr/i=s7iam . .kira .
Leaf 17. Obverse.
2 . (kaska cpa) .
3 . pi pra-lle |j(jiva) [7c7ia] .
4 . (me)[dlia 1 ka] koti 1 ksira-kakoti 1 (madhaM) . . . .
5 . cz'tra .... no(ka . 1 ( ku.9a)nar kalkpe sa . . no(ka)
[majdhafcfc. . (n&lch = s/iam)
. . . .aye 1 dba . . . .an . . ra . . (seka sa) . . .
dkaka .e
J. i. 9
6
10
Dr. Hoernle — Antiquities from Central Asia. [ Extra No. 1,
Reverse.
1 . . trau-nta li (paip 1 ijak=trau)-[nta] shpha, malkyer seme-yar77i
. . . [ku-]
2 ncidha-$se salype 1 nastu-kar7^ equ te ne kar=tse pSge sa s7rp7iatam
stsi
3 nastu-kar77ia-nta n esh 9palmem se cipa nidlia(rbe) II . W cipa(A;7ia)
4 . . . [pra]bati 1 kandari 1 (kiro7c7& l)[tama]la-[patr] . .
5 . (pippal 1 ) puna[map7ia] . . .
Leaf 18. Obverse.
2 . nca karj[i] .
3 . . . . lakh page yama-s7ia-lle .anem . . . || . . .
4 (a^ca sa'napa-lle-nta 1 II kutumncifc7i 1 s[u]mam 1 (sprifr7i) 1
tamala-pa-
5 (tr)l varagka-tvaca 1 nakunakhi 1 sakapce 1 sarjaratk 1 brlbera
1 rkga
6 . . (ma) (*ako) .e .e . . satke (kijancidlia-sse) salype ....
Reverse.
1 . 1 n(rasecanaTr») 1 akaru 1 suksmel 1 tamala-[patr 1] (q&vi]pli& 1
madbu) [yas] (ti)
2 (prapuntari&/& 1) nilutpal 1 viragfc/i 1 bribera 1 (9ariva parivela&7i
vara-)
3 (ijga-tva)ca 1 £arip7ia 1 salavarni 1 prgnavarni 1 musdba (vapa)
4 . .e . . ti 1 9atapari 1 liarenu .
5 . kesara 1 .e .e .
Leaf 19. Obverse.
2 . 1 (pr9na)[varni] . . .
3 . . . . qedba 1 kbadipa 1 tama[la-patr] .
4 ^aileya hh 1 nilutpal 1 prapuntariM 1 9§ri(p7ia 1 mus)dha 1 naga-
pa-
5 (tr 1 pissau 1 ^kija^ko 1 cautanii 1 barid[r]a 1 incurja 1 . . . 1
trpbala
6 ku^anar ( §eme-yar£/& keLj)iye kijancidba-sse salype [se]me * ma-
Re verse.
1 [lkge](r=sa) _p7uiksa-lle 1 II karunasari 1 (punarnap7ia medlia)
trpbal 1 (mlutpa] 1)
2 (pissau) 1 Qkxjagko 1 cautam 1 pisitaka-mantba 1 kurka77ia-ssi
ptsan tamala- ka
3 patr 1 seme-yar77i keijiye kuncidba-sse salype . mal-kqe-
4 (r=sa pT^aksa-lle se salype a(cala) suttba *ma . || . . . .
5 . kurka£7za-ssi ptsana .
CO fcO Crth^CObOf— 1 ^ io W Ci Crt >■£*■ CO
1901.] Appendix. 11
Leaf 20. Obverse.
2 . (bhrijkaraca 1 karunasari) .
. . [tama] la-pat r 1 masikani 1 (te curna) .
. . . i modha-sse yar=sa ^>7zaksa-lle 1 trpha] 3 puta-
[nake^i] tr . . .a 1 punarnapTza 1 kurka^a-ssi ptsan . . .
. (^i-ssa) tano 1) . e . . . .
Reverse.
. kye-ttse .
. . (ph)&khs/ia>-\y£L (yaykolma)-nhe ay(o) ... 1 ma . .
. . . . lie te(po senie-yar th ko)[sdhe] .
Leaf 21. Obverse.
. (77m-tsa) . (ko) . .
. . . . rinna 1 H rasa[n]ca(na) 1 bhr[ykaraca] ....
. . sittapTza 1 karunasari 1 cabara-lodbar 1 pm [taka-]
[mantha] . . (ka) . . . . ki . . .a .
Reverse.
(ntari/c7z 1 cay am 1 trauma r samtke-nta amala&7ia pi^tro-ntlia) . . .
. . kJm ku \ spakaim se) p7zaksa-lle keijiye kuncidha-sse (salype sa)
a^ce sonopTza-lya kar=tse maka 1 II cautam 1 (^kya^ko 1 nilutpal)
. . . . pippal 1 (pissau 1 kurka£7za-ssi ptsan se[sa£7z] . .
. tano 1 kodli (ll) sa(tke-nta yasno todh) . . .
Leaf 22. Obverse.
. (yka erka-ttse pra) . (.ar£7za) .
. . . tse kuni mo-tsa kalko yama .
. . £>7zaksa-lle 1 erkence pi kuficidha-tts(e salype . . .
5 . (lle-ttse) purnakosTza-nue 1 l|(nilutpal 1) . . taija
6 . malkijer=sa . elkije .e . . .
Reverse.
1 . lie erkence pz kuucidlia-ttse salype .
2 smarh pamos7z a-tstse luta-sse-hca II sumam 1 (spaitu) 1 kodli ypa-
ttse [tra-]
3 ksim mita-sse yar=sa s7yp7zarka-s7is7za-lle 1 pla[tkare th&qqsb ke]te
(lyra-1 t
4 [ttse] s7zp7iarka-s7zs7ia-lle 1 todh tom satke-nta (tarye) .
5 ... (mahcasta 1 prapuntari7tf7z 1) . „ .
12
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Leaf 23. Obverse.
2 . . . [mafica] (sta 1 pippa)l 1 (kuncldha-sse) .
3 . kuntarfc/ia 1 koclli tom po kodli (£7ia)skem(dhar) ....
4 lai)ko tucem ere nafe/i=skih II pissau 1 s(umam 1 ^aripfta) 1 maiica-
5 (sta 1 9a)kkar 1 platkare tli&qca, kete 1 selaiko ypiya yakslye plat-
kare
6 ^/ia9ca kete) 1 malkqer=sa s/ip/iarka-^/ia-lle (selaiko) || .(toke) . . . .
Reverse.
1 (le) . dhr .
2 [tama]la-(pa)tr 1 (9atapuspa 1) surasa-patr 1 (nicitakampfta 1)
puna-
3 [rna rpha 1] kusta ... 1 (pissau) 1 maiicasta 1 cautam 1 (ijetene 1)
4 , . . tuk 1 rasna 1 liribera 1 ku .
5 . (caga)la cipa/^a 1 rsa[bha&7ia] .
Leaf 24. Obverse.
2 . sa ku9anem satke-nta 1 (a9vakandha) . . . .
3 . . [ku]ncidlia-sse salype todh keijiye 1 .
4 . n . II takaru 1 a9vakandha 1 devadaru 1 prapuntari/t*7i 1
5 (9atapari ; 1 kakori 1 ksira-kakori 1 pippali 1 prativisa 1 ka-
6 '(ka *o) . . (maiicasta 1 musdha 1) . . (dhari) . . . (mi) . .
|| sa ne
Reverse.
1 . (erkence pi) . . . (vari ) .
2 . . . x 11 . la 3 bliargi 1 (a9vaka) [ndha] . . . .
3 . . . . fc/ia 1 atibala tamala-pa[tr] ... 1 (sprI&/&)
4 . . . liribera 1 sumam 1 nil(utpal) .
5 . iica vi -i 1 katu[ka-rohini] ....
Leaf 25. Obverse.
2 . (bhalataka 1 rsabha&fta) .
3 . . . . pr9navarni 1 .
4 . . suksmel payasya 1 jivanti 1 blialataka 1 . . (viraqka)
5 . . kabija 1 ( ancana-rasa) 1 (kanaka)-puspa 1 . 1 ka-
6 . ca . 1 (pippali) ....
|| dhuka . dhuka
Reverse.
1 . (nci rabi) . ri 1 ....... ,
2 . . nta sa(te)ra . (stu) II nicitakampa 1 . (katma) || a9vaka-
3 [ndba] . katma 3 katuka-robini 1 .
4 . . ( taka)ra 1 tamala-patr tr[au] ka .
5 . 1 prativisa 1 tr[au] . r th .
1901.]
Appendix.
13
Leaf 26. Obverse.
2 . u pa! lina) || ma[ncista] .
3 . . . . trau-nta 1 tarafTzu-sse (pyapyo) . . kha> .
seme
4 . I) lotr 1 caprasto 1 amprasto 1 priyapgu (kiintar/c^a tranmar)
ntha, ri
5 . . . yojar &/?a(nthe) ija/r/idh trau-nta 1 dharya kapi trau-nta
papa-tsi 1
6 . . . (tamala-padhar 1 a)karu 1 9aileya7^a 1 (pissau 1 man-
casta 1) . .
Reverse.
1 . th a (tri)/^ tom (kalka-ssa) . . . (dhar) . . .
2 . [sa]lype 1 pak=trau-nta se (salype) ^ancapo-tse 1 mi(sa) . pe
. . (tllSb)
3 . . sonop&a-lle 1 prakarya ne ^askemdhar 1 . pra-lle po
4 . . . . pipal 1 kurkat^a-ssi .
5 ....... .i parse ku . . 1 (ku) ....
Leaf 27. Obverse.
2 . (^kpa^ko enmelya-ttse i)a)[kte]
3 .... ye q&lcJi 1 trau-nta kuncidha-sse salype ma[lkper=sa].
4 . . . . (arkpi) maka yama-skm II l&lchsha, 1 [ma]ncista 1 incu-
5 [pa] . . 1 tecapati 1 kusta 1 (9ata)pari 1 prapuntariA*7?a 1 cabara-
lo-
6 (tr 1] . (.empa)ya .
Reverse.
1 . (malkper-sa katsa sana)pa-lle n a^vakandha 1 apa(marga ni-)
2 (citaka)mpTui 1 prapuntar^a mancasta 1 p^ppal 1 pissau 1 (snnf-
yer-ka- )
3 ( rna-nne) kuncidha-sse salype malkper=sa 1 nici(takamp^a) 1 a^va-
4 [kandha] (apa) marga 1 capam 1 tamala-patr 1 .e .
5 . . . [sa]lype malkper-sa pTzuksa-lle . .
6 . pissau 1 ma[ncasta]
Leaf 28. Obverse.
2 . (ku) . (lie) .
3 . a9vakandha 2 kuQanem 2 manota(ci) .... *(kuca)[nem]
4 9kpa9ko 2 devadaru 2 karocuki 1 tom (pyar) knpanerh prapu-
5 (ntarifcTia) kuganefm] 1 tamala-patr 1 praiivis/ia 1 petene 1 pip-
pal 1 ku-
6 [rka77m-ssi] ptsan (tom ku9anar) 1 keptye ku(ncidha-sse salype)
14 Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Reverse.
1 . (putanake^i 1 ta)karu 1 (devada)ru 1 prapunda-
2 [vilcha 1 9a]bara-lotr 1 madlia Jch 1 . ji getem 1 kaska pippal 1 pi-
3 [ssau] larodha 1 apamarga 1 tamala-patr 1 9kga9ko 1 enme-[lya]-
4 [ttse ija](kte) tom ku^anaj-a 1 kakori 1 ( ksira-kakori 1) . .
5 . . . [katuka]-(ro)lnni 1 ( prativi) [sa] .
Leaf 29. Obverse.
2 . [ypi](ya yaksi)[ye] .
3 . (ca)[tri]ga-sle 1 || tamala-patr 1 [9a](kka)[r] .
4 . . mancasta 1 apamarga 1 prapun d ari/cAa 1 udumba[ri]
5 . . (1) getene 1 kirodba 1 devadaru 1 pissau 1 nicitakamp7*a
6 . (kuncidha-sse) . . (§alype keijiye mat kijer=sa phak salle) .
Reverse.
1 . (rna katsa) sanapa-tsi shpha po (ne) kar=tse II kgarka^a-ssz* ptsaii
2 rsil 1 praliati rasna 1 mancista 1 devadaru kaska 1 la Wish 1 s[i]tta-
3 plia a9vakandha 1 prapuntari&7& 1 qailejaUi 1 dlia . . .e .
4 . dharani 1 § eme-javth sa(tke-nta) .
5 . ^pa-lle) .
Leaf 30. Obverse.
2 . [ma]lkger=sa .
3 (9akka)r pissau 1 vetene 1 (mancasta) .
4 . . .ese tsuga-sftsTia-lle tom tarya tsuga .
5 . thargana 1 thaqca ne katso 1 poke ktsena 1 arkgi page yama .
6 . (ske) II tamala-patr 1 varagga-tvaca 1 9aileyaM 1 (naladh 1
akaru)
Reverse.
1 (parive)la&7i 1 jivafrT^a 1 (rsapa^[Ma] 1 (rga) .
2 9abara-lotr 1 trpbal 1 prapun dariMa 1 manci(sta 1 pi)ssau me-
dhas
3 yarper sprU^a 1 getene 1 takaru 1 po (kusanar) kegiye
4 [kuncidha]-sse salype malkger=sa (p7iaksa-lle a9ce)[sonop7m lya]
5 . . . .o . . (le kete) .e sonop7ia-lya po
Leaf 31. Obverse.
2 . (na) 77iaskemdliar po-tsi) .
3 [sa](tke)-nta H ktumnci7^ 1 a9vakandha 1 . [ku-]
4 ntarlcha 1 arkgi-9akkar 1 arkgi-kiroth 1 arkgi-getene 1 arkga-
5 nnai enme-lya-ttse gakte 1 gata7Aa-nta 1 kalaska . na-n77m gkata 1
6 (te po) seme-yar77i (kosdhe) gasno todh (rimmakka-ssa) pyapyo
(sa) spa-
1901.]
15
Appendix.
Reverse.
1 kiye (kger=se-ttse) 1 II trppal 1 rskarne 1 encu[ga-ne] ke .kh .
[ijaij]ko-
2 lma-nne ag&7iar te seme-yar77i kuiicidha-sse salype sa triga-sle
3 a9ne lupsa-lle 1 a-tstse ma-tsi ^askedliaj: 1 kar-tse 1 l| tr-
4 ppa] ayamati 1 smnaradha 1 (pragkaraca 1) .
5 . . [ma]l[kg]er=sa (p/iarksa-lle) pharsare-nth satke 1 II .
6 . (ija^a; .
Leaf 32. Obverse.
2 . . .1 . (ggaga) . (kane kenna)lyina-lle (malkger-sa) . . .
3 (nna) p^arsarem-ntTk pelkin II trphal 3 ( nicitaka) [mpha, 1 prapu-]
4 ntari kh 1 nilutpal 1 cautam 1 pissau 1 priyagku 1 kurka^a-ssi
5 ptsan 1 sumagandha-ssa tano Lprgkaraca 1 karunasari 1 puta-
6 (nake9i 1 tamala-patr 1) sakapce 1 kaska 1 9kga9ko 1 9aileya(/r/i 1
a9va-)
g&fc/i(dh) Reverse.
1 (kandh 1 kuralfi 1 smura 1 ) sarjaratha 1 (spri kh 1) . . k9a . . .
(aka) .ai .eke
2 .u.khumafcTia 1 rkarl 1 pyapya-ttse gelki 1 (encuga-ne ke-tse) 1 te
sse
3 seme-yar th satke-nta 1 skrena-ttse panuja (mluta)-s^a-llona-t pha-
4 k§a-lle samtke-nta-mpa skrena-ttse ka . . (la&7i) ....
pha,
5 (.er miye . (lyl)na-lya(ske ) kkau-ttsa ege .
Leaf 33. Obverse.
1 . th sa(tke) .
2 . (.u ksu smadba) . rtsa pera(th) II pippa(li) .
3 a . i . 1 vrka 1 saindhava 1 vaca a(jamoda) .
4 (kara) 1 citraka 1 masikani 1 te curna yama-s^a-lle 1 kunci-
5 [dha-sse §a]lype sa s/ip/iarka-^a-lle tumem pTmrge-ttsai malasa
yoka-lle
6 ........ . yo(ijarh pre-tsa t/iaskemtr) 1 II amalakh
Reverse.
1 (tran-nta-ttse 1 vgac-tran 1) tamalapatr trau 1 tom . . [ma] ( lykka-
9ke) [kkan-](ttsa)
2 na-lle 1 kuncidba-sse salype gak=trau-nta 1 malkger dbarya kaiji
trau-nta
3 gla-9kem pu gar=sa ^aksa-lle 1 a9ce sonqp7z,a-lya (ker.ipe) pa-
4 rera ma-tsi t/iaskedhar po kar=tse 1 II arkgi-(ge)[tene] . .
5 . . 1 pissau ... 1 (ypiya yaksiye platkare)[^a9ca kete]
6 . (rtha gaka) .
1
2
3
4
5
6
1
2
3
4
5
1
2
3
4
5
6
1
2
3
4
5
6
3
4
5
6
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Leaf 34. Obverse.
. (kar=tse I) ka) ..... .
. . . ija(yi) . ta 1 atjvakandha 1 (apamarga) .... *
tr 1 ^atapiisp/bi 1 pissau 1 kosdlie sa(tke-nta) qa[ltsa 1 nicita-]
ktamphsi 1 kuncidha-sse salype seme pake ma(lkger=sap/ui)ksa-lle
se salype f/m^ca ne sanapa-tsi 1 te no 9ar tsuga-sAa-lle 1 a^va-
[kandba] . 1 kuntar/c/m 1 pratipala 1 (kakotafc/m 1)
kerjiye
Reverse.
. . || . (gke-nnai) . k . rtse ke .i)a 1 .
le sa . ai . she kse
(pyapyo) qlliartakur 1 spaitu 1 . . yesmi . . ca . (pi) sa spakaim
sa
yama-sfta-lona Malka-nca laupa-tsi kar=tse || tamala-patr
yabara-lotr 1 madlia/./m 1 man cast a 1 asiye mrestlije .
. . (malkqer=sa) . . . (qsilch) . (le) .
Leaf 35. Obverse.
. . r . ul 1 .
. . . ca . . . kirodha 1 (takaru putana)[keyi] .
. y&Jch 1 apamarA/m 1 [deva]darn 1 [punarna-]
(ph a 1) spriA;Aa (juviphu 1 ksira-kakori 1 nicitakamp/m 1 .
.r.e . . salype .ai . . . . kuncidha-sse salype malkijer=sa ph&-
[ksa-lle] . [ka](tsa) sanapa-lle II takaru 1 sakapce 1 tamala-
crjacka . ntha, rpjata
Reverse.
patr 1 (parive)la/c/i 1 devadam 1 (sa)padb 1 n tr[plial] .
salype . . acpie
sse . . le encuija-iie ke-ttse 1 tsa pance-nf/iafijgata . ijkas)kath
trau-nta sijese-sse ijar 1 skaska 9kgarat-ske-tsf dliarya kaiji-tsi 1
[dba](rya) kayi malkqef 1 seka(sa .a p/mksa-lle musdha) . .
se salype
. . . . (ka) ... 1 cana .
. (shpJi&vka) .
Leaf 36. Obverse.
. . . (se)sa tha, 1 ese p&aksa-lle .
. llep/mrsarem-ni/m satke II pisitaka-mandha 1 (gandha) priya[ijgu]
. . . (1 lotr 1) nilutpal 1 motarte 1 kotriA;& 1 sittap/ia lte sa m(o)
. a-tstse luta-sAam mluta-lle (saA'/za-sAs/mm) n(ma-)
tha
1901.]
Appendix.
17
Reverse.
1 (ncasta 1 akaru 1 tamalapatr 1) . haridj* 1 (pissau 1 bala 1) prapunta
malkger-sa .... nt/ia . . . . r
2 ri kh 1 suksmel 1 (vi)rag&7i. 1 nilutpal 1 hj-bera 1 keleyafrft 1 pari-
3 velafcfra 1 varagga-tvaca 1 musdha 1 qar&pha 1 salavarni 1
4 pj-^navarni jivanti 1 devadaru 1 (^atavari 1) . . . .
5 . . .i 1 (9ata)[puspa] .... (ndlia) 1 pa . . 1 ke .a . . . .
Leaf 37. Obverse.
2 ... . (ya 1) . (satke-nta) . . [dkarya]
3 kag7 ka-llona kre mo-tsa a^ne ya[ma-s7iu-]lle ....
4 p7zarsare-nf7i satke H ^akkar 1 devadaru 1 §ancapo kuiicl-
5 dlia 1 traigo-ssai maiki sa s7zp7iarka-s7m-lle 1 platkare thaqca kete
1 selaiko
6 . .ai .e (nakh=sham) U \(akJisha) 1 sittap7ia 1 ka . i .
spakaim
Reverse.
1 (ko klegkarya) pissau (ysarna ya)ksiye 1 . kuncidlia-sse salype
sa shpha-
2 rka-s7is7ia-lle 1 yo-tsa triga-s7ia-lle 1 tumem katsa sa laupe yamu-
sai te sa
3 ka-tso malyakka 77iaskedkar maylarya l) a^vagandlia [1 apa-]
4 marga 1 takaru 1 prapuntari&7ia 1 mancasta 1 (nici) [takamp^a]
5 . . (tom sa te) [po §eme]-yar77z, kosdhe 1 (po) . .o .
6 . tkarg[ana] .
Leaf 38. Obverse.
1 . . • (ku) .
2 . . p^aksa-lle . (tasa-lle ma) .
3 nailiie^a || tamala-patr 1 varagga-[tva]ca .
4 sprlTcAa 1 takaru 1 smur 1 sesai7za (sapatha) vai(gra) manna 1 1|
• •
5 (trppal)l cautam[l]suma[gandha] kurka^a-sszpTiatsanaicarke 1 e-
6 (ncuga-nne ke-ttse) . . . kuth' (ma)dh ts(uga-s7iu-lle tumem) . .
sha-
Reverse.
1 (lie) . . . (yama-slona §eme-ya)r£7i sam (tke-nta kgancidlia-sse)
ca
salype
2 sa a9ne yama-sTia-lle 1 a-tse luta-sT^Aam p7mrsarem nalch^sham 1
arkgi 1 ca-
3 gam 1 prapuntarikTzu 1 pissau 1 9akkar 1 Manarnata-n^a gka' ta)
4 mlucku kuncidha 1 te po seme-yar£7t . ka .
5 . . lie 1 ye-tse[-ttse] i7mskedhar (sa spakiye ka) .
6 . (tha-ne) .
J. i. 10
18
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
Leaf 39. Obverse.
• •
3 . pissan (^kgapko) kurka^a-ss^ ptsa(n ka) .
4 . salype malkger=sa ^ftaksa-lle a9ca sanapa-lle 1 (kandari)
5 (prapunda)ri^a 1 katuka-roliini 1 a^vakandha 1 devadaru 1 pissaul
6 [get]e[n]e (1 apamarga 1 kosdbe po sariitke-nta todh) se-ske ta . . .e .
Reverse.
1 (ma)lkger=sa triga-s&a-llya spakiye 1 (pilkger=sa rigka-tsi sa
spakiye) nta
na spakaim
2 kakori 1 ksira-kakori 1 pitari 1 ksira-pitari 1 smnr 1 ysarfia ya-
3 ksiye 1 mi-tstsa slipharksi-shshsi-lle 1 krgka-nne yo-ttsa laupe ka-
4 (tsa) yamusai te sa ka-tsi prakara . (sna) .
5 . (takaru) 1 ya[rper] .
Leaf 40. Obverse.
2 . . 11 (arkga-rmai) .
3 . . tama[la]paty* 1 (parivelafc/i 1 mancasta 1) .
4 . (tom) satke-nta ku^anar 9eriye enmera (9kga9ko cautam)
5 (modha)-sse gar tana-sse gar 9as&/mth tran-nta 1 te (e)se pepa
ksormem a-
6 (siye i) .e (ne ta)sa-l[l]e ysa(rn)ai ne gadh nkancai ne ga(rn£7t
rkbe) .o .e.
Reverse.
1 . . . (ta)ssa-lle (ta)ya (kso)rmem ge(yam) isu&Mh (ko)-ttsa edha-
nta(rme ga-tstsa)
2 tliarga(na) sonop^a-lle 1 mena-mpa ene 9le tbargana th asken-
dbar=ne 1 p^ ka-
3 tma tbagkim yoraim po nahh-sham se ce salype sono(ptrpo) . .
4 [ka]gi kennarne ama(laA;/& 1) rgakca (yam=tsi) .
\
Leaf 41. Obverse.
2 . . . akaru . [pu-]
3 [na]rnapfra 1 ru(tbi)r 1 . . . palama(nta) . [kako-]
4 ri 1 ksira-kakori 1 medh 1 mabamedha 1 (mancasta 1) pri[yaggu]
5 takaru 1 apamarga 1 9abara-lotr 1 kirodb 1 . . a hh 1 parivela&/& 1
6 (sprlk&a 1 na)ladha 1 getene 1 nicitaka(mpfta 1 sarjaratha 1
seme-yar^)
* The syllable la is omitted in the original manuscript. &L
1901.]
19
Appendix.
Reverse.
1 (to) dli kegiye todh kuncidlia-s§e a?zye malkger=sa ta?sa-lle . .
2 ro-tstse (kai) pauke ktsen=tsa sanapa-lle 1 kar=tse maka keq-
karnna-fine || ( su- )
3 (rasa)-paddliar§, 1 tamalapatf 1 takaru 1 (spriftfta 1 ku)rka[^a-§§i]
4 . knija 1 (srnur 1 sarjara)tha 1 m(lucku kuncidha-s§e) . . .
Leaf 42. Obverse.
2 . . (nalyi te) .
3 . qa-llona 1 pi-ttsa montarug a-llona .
4 (ca)rsna-llona dhatka rom £>&asdh slagfe^a-llona tom samtke-nta
(gra-)
5 ttse katsa ne makga-s&s&a-llona 1 tumem qra-ttsai sra-(lle) 1 sari
skgaj- nge
6 . . (ne)ta (ma)lyaka ($ke kk)au-ttsa . qa(se pi)ye (.elina-lle) . .em
Reverse.
1 . (lkqar e .ije) slaqfe^a-lya ese satke-nta . (su^a)-s^a-lya spakaim
(ya)-
2 ma-slona a-tse luta-s&am mluta-lle s&kJi&sJishaim pT&arsarem na hh^
s/iam ija-lya po-
3 (tstse) kar=tse || putanake^i 1 karunasari 1 bhallata&^a 1 [pi-]
4 ( ppa)l 1 nilutpal 1 madha&fr 1 trppal 1 getene .
II tr
20
Dr, Hoernle — Antiquities from Central Asia. [Extra No. 1,
I. Index of Sanskrit Terms.
(The large numbers refer to the leaves, the upper small numbers, to the
obverse, the lower small numbers, to the reverse pages. ( inv .) added to a
number refers to the interlinear print explained in the introductory
note.)
a
akaru (S. agaru) 86 18t 266 306
36l 41s
ajamoda (S. ajamoda) 33s
ancana-rasa ( S. an j ana-rasa) 25B
? ancamvandba (S. am9avanta)5s
atibala (S. atibala) 243
apamarga (S. apamarga) 52.3 153* 4
15j 27x 274 28s 294 343 373. 4 396
41 b, avamarga 91, apamarga 353
amalak7i (S. amalaka) 114 33s 404,
amalaMa 21t
ampj-ta-patr (S. ampta-patra) 16,
amprta-pattr 64 7s
a^amati (S. am9umati) 314
a9vakandba (S. a9vagandha)46 52
63 72 15l 24* 244 242 252 8 27t
273#4 283 29s 313 34* 34&.6 395,
a9vakandh l294326t, a9vagandba
37s, asvakandha 1 lx
a
arkgi (S. argbya) 62 73 82 llB 166
274 305 382 See tbe following,
arkgi-kirodh 31 4
arkgi-getene 314 334
arkiji~9akkar 9B ll4 314
•
1
incurja (S. incbuka or icchakap)
I95 274*6
u.
ndnmbari (S. udnmbarl) 294
y§abhafc&a (S. j-sabbaka) 64-5 235
252, rsapaMa 30t See rsabba&7i.
k
kakotafc^a (S. karkotaka) 346
katuka-robini (S. katuka-robini)
53 64 245 39B, katuka-robmi 4B-6
46 286, katuka-robim 151? katu-
karobini 253
kandari (S. kantari) 174 394
kanaka-puspa (S.kanaka-pnspi)25B
kabija (S. kapija or kapijya) 256
karunasari (S. kalanusari) 1 9X 203
214 32B 423
P kalka (S. kalka) 261? kalko 22s,
kalkije 17B, Malka 51? 343
? kasay(sa) (S. kasaya) 10B
kakori (S. kakoli) 63 8B 24B 284 392
413-4, kakoti 14 73 132 14s 174
kiiicelle (S. kinjalaor kinjalka ?) 13
kirodb (S. gilodya ?) l4 72 7B 72 96
ll4 41B, kirodha 29B 353, karodba
28s, kiroth 314, kivo/ch 6B 174
kutumnci&T^ ( S. kutumbika) 3 6 8A
184, kutumnciMa 96, ktumnciA;7i
3D
kuntarMa ( S. gnndraka) 74 72 264
313-4 346
kuraja (S. knrala) 32!
kusta (S. ku§tlia) 23s 275
keleya^A (S. kaliyaka) 362, keleya-
kha, So
1901.]
21
Appendix.
kesarft (S. ke9ara) 185
koro^a (S. go-roca) 154
ksira-kakori (S. ksira-kakoli) 63
86.6 2# 284 354 392 4 14, ksira-
kakoti 14 173-4 13a 14s 174
ksira-bidari (S. k§ira-yidari) 75,
ksira-pitari 392
kh
khadiya (S. khadira) 19s
hh
him lka, see kalka.
hhe tene (S. kliedini) 52 See qetene
g
gandha (S. gandha) 364, gandha 325
373 386
ijetene (S. khedini) 4L2 104 112 136
233 286 295 308 31* 396 416 424,
ijeteni 282, rjeteni 3L See hhe tene.
i)9ira (S. kslra) 85 See ksira.
c
? cagala (S. jagala) 236
caqam (S. caijga ?) 73 84*5 15s 21,
274 382>3
citraka (S. citraka) 33 4, citra 176
cipa7c7*a (S. jiyaka ?) 173 236, cipa
17g Seejlva&Aa.
curna (S. curna) 25, curna 203 334
3
jiya7i:7ia (S. jivaka) 64 131 173 30,
See cipa7cAa.
jivanti (S. jivanti) 254 364
t
takaru (S. tagara) 32 52 86 95 152
24* 254 28x 30g 352 356 374 384
395 415 4lg
tamala-patr (S. tamala-patra) 82>3
103 15x 174 184-5 193 203 232 28b
2 83 293 306 326 33x 34g 356, 36!
383 40s 41 g, tamala-pattr 63’4 94,
tamala-patr 3g 154 18x 192>g 24g
254, tamala-padhar 46 54 266
trphal (S. trpliala) 66 19, 204 323
35,, trpliala 19B, trplia] 302, trppal
31, 31g 4 38 5 424 ’
tejapati (S. tejavatl) 2g, tecapati
275
d
devadam (S. devadaru) 1, 43 4A 7*
96 244 284 28j 295 292 353 35A 364
374 396
dh
dharani (S. dharani) 294
dhurani (S. dhurani) 43
n
naku-nakhi (S. naku-nakhi ? ) 185
naladha (S. nalada) 416, naladh
306
nagapatr (S. nagapatra) 194-5
nicitakamp7ia (S. nica-kadamba) 6s
232 271#a 27g 296 323 343-4 354 374.
4 16, nicitakamp7i 13 4!, nicita-
kampa 252
nilutpal (S. nilotpala) 83 18a 194
21s 22b 244 324 365 362, mlutpal
19,, nilotpal 62 95 102 1 14, nilut-
pal 54
P
padma7r7?a (S. padmaka) 85 134
payasya (S. payasya) 254
patha (S. patha) 23
padba (S. patha) 53
parivelaZr7i (S. paripelava) 6s 182
35j 403, parivelaM 30,, 4l6, pari-
velaMa 362.3
pitari (S. vidari) 392 See bidari.
pippali (S. pippali) 245 332, pippali
256
pippal (S. pippala) 4B 175 214 232
285 282 423<4, pippal 272, pipal 264,
pippala 126 (inv.), pippala 126
22
Dr. Hoernle — Antiquities from Central Asia. [Extra No. ],
pilamatti (S. yilva-madhya or vilva-
patra ?) 7 6 See bilamati.
pigitaka-mantba (S. pi^itaka-man-
tha) 192 36*, pisitaka-mantba
2D-6
pissau (S. vi9va, vi^va, or p^u ?)
13 4, 66 7s 7 8 86 83 106 ll6 123 143
196 214 23* 233 266 272 276 282.3
296 303 302 32* 343 36, 383 39s 396.
putana-ke9i (S. putana-ke9i) 20*- 6
28, 35s 42s, putana-ke9i 32 B-6
punarnapTia (S. punarnava) 14 6672
(iny.) 175 202 232>3 412.3, punar-
naya 36
purnakosfta ( S. purnakopa or purna-
kosa) 226
pygkaraca (S. bhrijgarajaJ 32B,
pragkaraca 314 See bbjgkaraca.
pi^nayarni (S. pi^naparn!) 183 19 1
* 253 364
pratipala (S. pratibala) 346
pratiyisa (S. pratiyisa) 46 64 246
285, pratiyis&a 255 286
prapuntari/c/i (S. prapundarika) 12
18a 19* 2D, 225 24* 293 323-* 36L2,
prapuntari&^a 11]. 2 27B 284,5 374
383, prapuntaroMa 272, prapun-
dari kh 72 82 95 96 ll3-* ll6, pra-
pundarifcAa 103 ] 54 28i>2 29* 302,
prapnndarifc/i 63 72, prapundari-
lcheb 396
prabati (S. yfbati) 174 292
priyaggu (S. priyaqgu) 66 26* 36*
41*, priyaqku 35 32*
b
bidari (S. yidar'i, vidari, vidali) 76
See pitari
bilamati (S. vilya-madhya ? ) 15
See pilamatti.
bli
bbargi (S. bhargi) 242
bhallataMa (S. bballataka) 42g,
bbalataka 25 1 25*
bhpgkaraca (S. bbj-rjgaraja) 202 213
See prgkaraca
m
mancasta (S. manjistba) 6 6 8B 95 96
102 102.3 ll3 n2 132 144 403, man¬
casta 12 23* 23s 276 29* 344 374
41*, mancasta 5* 225 23*-B 266 272
303 366,, mancista 26 262 27* 292302
madbnMa (S. madbnka) 43
madbuyas$i (S. madbuyas^i) 13*
153 18,
-mantba (S. mantba) 192216, -man*
dba 36*
mabamedba (S. maliameda or
mabamedba) 1, 6* 13, 143 41*
See medba.
mabisa (S. mabi§a) 154
mancista, see mancasta.
madbakft (S. matbaka) 2* 66 7* 7S
17* 17B (iny.) 282 424, madba^a
122 34,
masikani (S. masika) 20s 33*
masayarni (S. masaparni) 132
mndgayarni (S. mudgaparn!) 132
14,
musdba (S. musta) 183 19* 363
medba (S. meda or medba) 6* 72
(iny.) 11, 13, 143, medb 41* See
mabamedba.
motarte (S. modadbya P) 36B
r
rasancana (S. rasanjana) 21s (18, ?)
rasna (S. rasna) 234 292
rutbip (S. rudbira) 413
rohini (S. robin!) 15B
? rkqa- (S. rksa-) 18B, rqa- 30,
rsabbafe/fc (S. ysabbaka) 13, 136 144
See rsabbaMa.
rsil (S. ra9ila) 292
1901.]
Appendix.
23
1
l&khsha, (S. lak?a) 27* 37s, la Wish 148
29s
lotr (S. lodhra) ll* 26* 365 See ?a-
bara-lotr.
v
vaca (S. vaca) 338
varaqga-tvaca (S. varaqga-tvaca)
lx 182#3 306 363 38s, vararjka-
tvaca 18B
viraqfcfr (S. viraqga) 182362, viraq-
ka 254
vi^r (S. va^ira) 68
vrka (S. vrka) 33s
veteni (S. vedini or vedliini) ls 74,
vetene 72 303, vedene 44 66-6 95
vai^ramanna (S. vai^ravana) 38*
9
9akkar (S. 9arkara) 74 86 104 ll6
112 143-4 23 6 303 314 374 383
9atapuspa (S. 9atapnspa) 153 232
366, 9atapnsp^a 34s
9abara-lotr (S. 9abara-lodbra ) 12 24
72 94 ll3 112 123 276*6 282 302 344
41 5, 9abara-lottar 54„ 9abara-
lodr 4s 7 6 82 9abara-lodbar 214
9ancapo (S. 9irii9apa ?) 73 103 262
374
9atapari (S. 9atavari) 184, 9atapari
24B 27B, 9atavari 364
9aripfta (S. 9ariva) 85 95 18s 194
234, 9ari ph 12, qhra,pha, 6B, qumpha,
363, 9ary?^a 354, q&ripheb 18x,
9iri§a-pu§pa (S. 9irisa-puspa) 9B-6,
9^risa-pnBpa 46, 9irisa-pus/zp^a 12
q&iley&kh ]* 31,g61 194 293 306 326,
9aileyafc7ia 268
9mur (S. 9amvara or samvara ?) 3X
]44, smur 14x 392 414, smura 32x,
smur 384
' •
s
sarjayartb, see sarjaratba.
sarjaratba (S. sarja-rasa) 6B 32t
416 414, sarjaratb 4a 185, sarjay-
artb 3 6
sapatba (S. 9apatba) 384
salavarni (S. 9alaparni) 183 363
sittapTi-a (S. sitabba or sitabbra)
214 292.3 376
suksmel (S. suksmaila) 181 254 362
sumagandba (S. somagandba) 32 5
38B
sumaradba (S. somarat) 314
sumam (S. soma) 184 222 234 244
suratba (S. surasa) 154 Cf. sarja-
ratba.
surasa-patr (S. surasa-patra) 232,
surasa-paddbara 412<3
saindbava (S. saindbava) 333
styoneya&/& (S. stbauneyaka) 3!
spri kh ( S. sprkka) lx 3g 63 184 243
32x, spri/^a 30s 354 384 416 413
b
baridra (S. baridra) 19B, haridr
36l
barenu (S. barenu) 184
bribera (S. brlvera) 186 182 234 244,
brbera 362
9ariva 182
9irisa (S. 9irlsa) 154
II. Index op Letter-groups.
( Groups marked with an asterisk are probably Sanskritic. See also head-
note to Index J.)
a * amprasto 264
acala 194 ariraftfta-ssana 2s 86, arira&Aa-gsana
(?) amarra 9g n£fta 36
24
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
arkqa-nnai 23 31*,B 402, arkija-fiai 93
ala-s/isAam 26A 2a
a9ca 18* 39*, a^ca-s^ana 5B See
a$ce.
asiye 7» 10t 11** 13* 133 145 344
40B’6, as/ye 41A
as tare 122
a
arjfc^ar 312
aihne 54
a-tstse 222 313 366, a-tse 422
ayo 203
a9ce 8b 213 304 333 See a9ca.
a9ne 3s 313 35A (inv.) 373 382
r
^fskarne 31x
1
lttsau-ne 9s 92
lsdha^a 126
e
ege 325
encuija-ne 311 322 352, encuija-nne
385*6
ene 402
enmeyS- 40*
enme-lya-ttse 23 9s 27* 283 31B
ere 23*
erka-ttse 13 66 228, er7c/m-ttse 56
erkence 224 22l 24A
e9a 136 172
ese 156 (bis) 36s 40B 42A
ai
aicarke 385
k
karji 26 (inv.) 12* 182 404, kaq7 37s,
kai)i 266 332 354, karji-tsi 353
katma 53 252 253 402>3
katso, see katso
F kane 323
kante 2 5
-karnna-nne 272>3 41 2
kar=tse 3B 103 17a 21s 29A 31s 334
343 41 2 425
*karocuki 28*
kalaska 31B
ka-llona 37s
#ka?ka (172 ?) 282 292 326
katsa 4B 142 27 1 29L 356 372 393.4 42B,
katsi 394, katso 4* 146 14A 306>
katso 373
-kar tli 135 172, -kar£7m 173
kalko 22s See Iudex I.
kalkije 175 See kijettse.
#kuqa 414
kuni 223, kun7 386
kuncldha 37*-5 384, kuncidh 76, kufl-
cidha-sse 4* 42 6t 103-* 132.3 17l<3
193 212 233 24s 273 273 286 296,
304 3l2 33*,b 332 34* 35B 37j 41p
414, kuncidha-ttse 22* 22L See
kijancidlia-sse
kurka^a-ssi 73.4 192 195 206 214 264
32* 413.4, kurka^a-ssi 4A 386 39s
kurkka^a-ssi 44 See kgarka^a
-ssi.
kn9anar 176 196 286 303 40*, ku9a-
nara 284
ku9anem 28s (bis) 28* 286, ki^anem
248
kri)kai-nne 14B, krijkai-nai 14A, krij-
ka-nne 393
keqiye 2B 212 24s 296 346 (inv.) 41A,
keij^ye 6A 286, kegiye 196 193
kei)karnna-nne 412
kete 26 102 106 11* 113 126 (inv.)
12, 128 15B 223 23B 236 30,33, 37B
ke-ttse 352 386
? kenna 328, kennarne 404
kellera 12B
#kot vikh 36B
kodk 2* 91 215 222 235 (bis)
kosanme 8j 102
kosdhe 15a.2 204 31a 3# 376 396
kosnau 2* 9A
kauc 14A
1901.]
Appendix .
25
kkau-ttsa 325 (33t ?) 426
kgancldka-sse 186 196 38t See kunci-
dha
kgarkatAa-ssz 29L See ku.rka£/za.
kge-ttse 202 See gettsa
kger=se-ttse 31 1 See ger, malkger?
pilkger.
ktsen 82 14*, ktsen=tsa 413, ktsena
305
kraketo-nta 26
kre 22 56 37s
klegka 14*, klegkarya 37L
ksu 332
ksormerh 405 40t
kh
*-khuma7i,7za 322
kh
Manama ta-nt/za 96 10b 38s
Manthe 26 6
kh&rth 9Z (inv.)
ga 54 106 34x
gaka 336
gaksallo-nt/za 125
gatai/za-nta 96 3 L 6
ijadk 126 406
gampatsake 33
gayi 342
gar 34 353 405 (bis), ijar=iiai 94 gar=
sa 53 83 96 10* 20* 22s 333
gar=miye 35
garn th 408
? garse 26°
? gala 142
galtsa 155 (34s ?)
ga9a 31ft
gase 426
gasno-todh 9s 9L 152 21 5 316
gakarh 123
ijakte 272 284 315
J. 1. 11
gak-trau-nta 17( 262 332
gaMdh-trau-nta 12* 265 326 (inv.)
gagkarno 74, gagkarna-tstsa 8*
gagkolma-nne 203 3 1 (
gapa-tsi 26 (inv.) 265
ga 25 146 (bis) ga-lya 3* 423, gd-
llona 42s
gi 144
gisumatp/za 156 gzsumatp/za 156
ge 5a, ge-ttsa 25 See kgettse
geyam 40A
ger 135. See kger, also pilkger,
malkger.
P gere 52
gelki 122 (inv.) 322
gkata 9s 103 315 383, ggata 32 35 356
(inv.) 352 See gkandlia.
gkandlia 56 See gkata.
? gkaskatli 352
gke-niiai 34j
ggale 2 5
gyar 28*
gra-ttse.223.4 42*'5
gra9kai-ssa 32 See glaykem.
gla-9kem 333
gren£/ze 142
c
ca 38x (inv.)
cagke 14! 142
cana 355
*caprasto 26*
carsna-llona 42*
cana-lle 132
ce 403
cepi 7j 102 22* 22! 24!
* cautam 192 213 233 32* 38* 40*
cant ana 195
cgackasse 55 356(inv.). See 9ga9ko
n
iioriya 146
nkancai 406
nge 426
26
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
-flea 53 182 222 246, -nca 343
-ncl 25,
-ne, -tine, 225 386 See lttsaune, eii-
cupaiie or enenpanne, karnnaniie,
krpkainiie, papkolma-nne.
-nai, -iinai, see krqkainai, pariiai,
pkennai, ysarnai.
dli
dhatka 424
dhartakur 56, 342
dharse-lle ll6
t
tak 93
tana-sse 405, tano-tsi 23
tami 146
taya 40,
taraf/ia-sse 24 36 (inv.) 263
tarya 92 304, tarye 224
tasa-lle 92 ( bis) 382 406, tasa-llona
126|, tassa-lle 156 40l 41,
tapa 226
tano 206 215 325
tuk 234
tu kh 9s 92
tuce 7, 102, tucem 234
tumem 75 ll2 122 123 124 335 372
386
te 5s 14» i4a 172 203 312 322 334 34B
405 422, te po 204 316, te ra 252
te sa 52 1 46 36B 372 394
tailrjl 145
tom 25 (inv.) 3, ll2 224 26, 284 286
284 304 33, 40* 424
todh 92 93 9, 152 215 224 243 316
396 41, (bis)
ttauna 22
traksim 105 222.3
tranmar 42 21, 264, tranmara 124,
tranmasar 3,
tra/c/iam ll6'6 ll6 (bis)
tri hh 26, 365
tripa-s/is/ialle 5,, triija-s/ialle 372,
tripa-s/iallya 39,,tripa-sle 7s (inv.)
7 5 (inv.), tripa-sle 293 312
traipo-ssai 92 375
tran 24 44 ll6 124 134 33,, tran-nta
25 (inv.) 42 17, 26s 26B 262 273 33,
33 2 ( bis) 353 405
tsa 32 352 See -tsa, -ttsa.
-tsa, -ttsa, see katsa, kkanttsa,
ljettsa, pittsa, pretsa, miyetsa,
yotsa, ritsa.
-tsa-ssa, see yeretsassa.
-tsa-ssana 93
-tsi, -ttsi, see kaj/itsi, katsi, papatsi,
tanotsi, patsi, matsi, yamtsi, rip-
katsi, lanpatsi, 9kparatsketsi,
sanapatsi.
tsupa 304, tsupa-sTia-lle 34B 386,
tsupa-s7is7ia-lle 304
-tse, -ttse 225 262 See enmelyattse,
er/c/iattse, kartse, kettse, kunci-,
dhattse, kpettse, prattse, nanttse,
pyapyatse, yetse, ypattse, settse,
skrenatse.
-tse-ttse, see yetsettse.
-ttsai, see p//arpettsai.
-tso, see katso.
-tstsa, 146 See papkarnatstsa,
mitstsa, motstsa.
-tstse, see atstse, potstse, rotstse.
tli
tliapkirii 40o
tharpana 83 136 134 305 376 402 (bis),
tharpana 10„ tharpane 55
tli
t/iakte 12-
O
tlmqqa 43 102 105 ll4 22g, th&qc a 113
126 (inv.) 235 236 305 335 345 375'
^askendliar 24 13, 14s ^/laskem-
dhar 22 36, 142> 3 263 312, 7/ias-
kedliar 313 334 37s 386, tlms-
keihtr 336, ^askendhar=ne 402
1901.]
Appendix.
dli
? dliatam 2t
dharya 124 26B 332 353 354 372
dliuka 256 (inv.)
n
na 31B 39l (inv.)
nakserh 53
nafckm 34 5B 5, 84 10B II3 114
164 17b (inv.) 234 376 382 403 422
? natataii ll6
nalyi 422
na-lle 142 332
nastu-kar^ 172, nastu-kar^a-nta
173 See mastukar^.
? nidharbe 17s
ne 9X 92 172 246 (inv.) 263 29t 30B
34B 406 (tris) 402 42b 426
netmem 113
nesb 17s
nailne£/ia 383
no 34B
noka 92 (inv.) 175 (bis)
nan-ttse 142
-nta 122 39j (inv.) See kraketonta,
ijatai/ianta, traunta, nastukar-
£/^anta, pijtronta, satkenta, sana-
pallenta.
-ntha, 56 264 (inv. ) 31B 356 (inv.)
36l (inv.) See ariraMassanan-
tha, Manarnatan^a, gaksallon-
th&, pancen^/z,a, ^/iarsaren^/i or
jp/iarsarerhn^a
P
#payaceyafo7i 33
payro 36
parnr/a 323
#palamanta 413
pa-le 112 (inv.), pa-lle 296 See
sanapalle.
pake 344
naiji 171? page 62 83 172 183 30B
pance-nMa 32 352
27
pamo 34, pamo sh 222
parera 333>4
palina 26a
pi ll 10B 102 17s 224 24l 402 426,
pi-ttsa 423, pi 22x
pilkger=sa 39L See malkger=sa
pi£tro-nta 21 1
pu 333
pepa 405
perath 332
pelkin 323
po 24 22 53 156 233 263 29x 303 305
316 334 384 396 403, po-tstse 34
poke 142 305, pauke 412
posdham 135
pauke, see poke,
pau-skem 43
ptsaii 4l 74 19220B 214 29t 393, ptsaii
32B, ptsana 195, y>/mtsan 385
pyapyo 32 56 9j 263 316 342, pyapya-
-tse 122 (inv.) 322
*prakara 394, prakarya 263
pra-lle 34 163 173 263
pre-tsa 336
platkare ll4 223 235 37B, platkare
235
ph
^aksa-lle 34 45 42 52 52'3 5B 6! 74
] 24 12x 13* 133 163 19] 194 20
212 224 276 296 304 323, 4 33s 344
355-6 354 36s 382, ^d/aksa-llona
122>8, y>7zarksa-lle 31 5, p/jaksa-
-lya 125 124, pliaikhsliix-Yya, 203
y>7/atsan, see ptsaii.
ydiarge-ttsai 335
pAar^eririi, see yiTiarsarem.
ydiarsarerh 34 382 42 2, y^arsarem-
n th 323, _p7iarsarerhn77ia 364, phax-
saren77i 315 374, jo/iai^erim 5B 114,
phsirgevi 10B
pb asdh 12! 146 424
28
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
m
makija-sT^Tia-llona 42°
ma-tsi 125
madh 386
* manotaci 28s
mame 105
malkper 44 52 17, 332 354, malk-
per=sa 4*-° 42 54 6, 65 76 74 10,
134 145 152 196, 193.4 22* 236 273
27, 273 276 296 302 315 322344 346
355 36 j(inv.) 394 39, 41, Seepilkper
malyakka 37s, malyaka 426, malyk-
ka 33,
mastu-kar77i 135 See nastukarfTt
maka 84 21 3 274 412
mayi 135
maylarya 37g
malasa 335
mita-sse 223
mi-tstsa 36 84 39s
miye 326, miye-tsa 35
misa 262
miya 56
* musaka 94
muska-sTisTiaih 45
mena-mpa 402
maiki 92 145 14, 375
mokra ll6
mo- 365, mo-tstsa 3s 124, mo-tsa 22s
373
modka-sse 20 405
montaru 423
-mpa, see menampa, satkentampa.
mrestlxje 55 344
mluta-lle 34 363 422, mluta-s7ia-llona
323 See luta.
mlucku 76 384 414
y
yaksiye 104 145 23° 292 37, 392>g
yari/i, see under seme.
* yai'per 65 303 396
yama 22s 305, yama-s/iam ll5 274,
yama-s7?s7mrh 82 126 (inv.), yama-
sTia-lle 18s 334 37s 382, yama-
s7is/ia-lle 3s 62>3 136, yama-s7ia-lya
152 s 153, yama-s7?s7ia-llona 33,
yama-s7zsAa-lona 26, yama-sTia-
lona 36 343, yama-slona 8, 84 9s
9g lO-3 42, >2
yasofina 56
yamusai 45 372 394
yam-tsi 404
ye 426, ye-tse-ttse 7, 102 385
yere-tsa-ssa 106
* - yeya kh 35
yesmi 342
yoka-lle 335
yoqam 336
yojar 265
yo-tsa 372, yo-ttsa 39g
yoraim 84 403
yparc 24 134, ygac ll6 33,
ypa-ttse 105 222
ypiya 104 235 292 336
ysarna 37, 392, ysarnai 406
r
ratre 26
*rasecanam 18, See rasancana in
Index I
r&hthe 124
ratre 35
ri-tsa 125
* rimma 103, rimmakka 103, rim-
makka-ssa 9, 316
rl 264 (inv.)
rigka-tsi 39,
? rutelle 86
ro-tstse 41 8
rom 12, 424
*rkarl 33 322
njakca 404
1901.]
Appendix.
* -lata 18s
lani 26
li 17x
lnta-sse-nca 222, luta-s/iam 366 422,
luta-sTis/mm 382. See mluta.
lupsa-lle 31s
le 75 11* (inv.) 1 lx 305 34a (inv.)
346
* -leyata 51
laiko 10x 234 See selaiko.
lonta-sse 5X
laupe 372 393, lanpa-tsi 34s
lkgar 42x, lkqar=qa 106
-lya, -Ilya, -lye, see qalya, trig-
asAallya, ^Ziaksalya, lyinalya
sutha1shalja, sonop^alya, slaij/cAa-
lya.
lya-ttse, see enmelyattse.
lyina-lle 322, lyina-lya 326
-lie 82 li2 126 225 282 36* 38x 385
See dharselle, tasalle, nalle,
palle, pralle, ^Aaksalle, mlntalle,
yamas/ialle, yokalle, lupsalle, ly-
inalle, vaccalle, qatthashshaMe,
sanapalle, sutlias^s^alle, sono-
phalle , syalle, sralle.
-lle-ttse 225
-lle-nta, see sanapallenta.
-lLona, -Iona 8s See kallona, qallo-
na, tasallona, y>/&aksallona, ya-
masAs/iallona or yamas/is/ialona,
slaqk/iallona.
v
vacca-lle 123
vari 24x
9
qakh 42 122 273 34&
9atA/ta-sAs/ia-lle 142
? ^arkqasa 2l>2
castaath 405
> •
29
9ar 142 345
-91-ssa 206
9eriye 40 4
^e^u 135
-9ke 33x 426, -9kem 33s See ske, ske.
* 9kqa9ko 14x 195 192 213 272 28*
283 326 393 404, 9qa9ko 73
9kqarat-ske-tsi 353
9cirem 123
~9tro 21x
9palmem 173
9le 402 See sle.
s
sago 136
samma 146
-salle,-sallona, — salya, see ^/mksalle,
etc. Compare sAalle, s/mllona,
s/mlya
salype 42 6X 104 133 163 172 186 196
193 194 212 224 22x 243 262 (bis)
273 273 275 286 296 304 312 335
332 344 345 355 (bis) 35x (inv.)
354 (inv.) 37x 394 403, salype 145
38x
sa 176
sukkara 106
sufcMli 106 10x 40x
seme 196 26s (iny.) 344, seme-yar^
33.4 17x 196 193 316 38j 3g4>
seme-yar^ 154-5 204 294 312 32s
37* 416
sesa th 24 76 748x 83 124 (inv.) 21 4,
sesaAfta 363 384
se-ske 2B 396
skara 2X
skaska 35s
ske 326 See Qke, ske.
sgarapksa 13s
stalla-s/m-lle 22 7X 8s
spakaim 33 8X 84 9s 92>3 104 21 2 342
376 (inv.) 39x (inv.) 42x, spakiye
84 93 316i, spakiye 152 153
30
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
*-spati 23
-sle, see trigasle and 9le
-slona, see yamaslona.
-ssa 126 206 26 1 326 See qragkaissa,
yeretsassa, rimmakTiassa, saccassa.
-ssana, 93 See arira/c/iassana, a9cas-
sana.
-ssana-n^a, see arira&Aassanan£7ia.
-ssi, see knrka£//assi.
-sse 106 322 (inv.) See knncidliasse,
cijackasse, tanasse tara^/iasse,
mitasse, modhasse, lontasse,
srjesesse.
-sse-nca, see lntasseiica.
-ssai, see trakgossai.
sh
-sh am, -shsh&m, see alas7is7jarh, na-
khsh&m, mnskas/is/iarh, yama-
sTiam or yamas^s/zam, lntas^am
or lutas/zsTiam, sa>khashsham.
-s7ialona, -$7is7ialona -s7iallona, shsha,-
llona, see makqasTis/jallona, mlu-
tas7iallona, yamasTialona or yam-
as7?s7iallona.
-sTialya, -s7iallya, see trlqas7iallya,
ph&khshajlya, su£7ias7ialya.
-s7ialle, -shsh&We, see trir)as7is7ialle,
yamas7ialle or yamas^sTialle, 9at-
thashsheAle , stallas^alle, s7?^7iarka-
sT^s^alle, etc., su£7ias7is7ialle.
she kse 34L (inv.)
shpha, 17t 29 L, slipli&-t&m 172
shph&rka, 124, shphsbrksi-shsh^-lle 25
7® 224 393, shph'2Lrk&-shsh&-\le
37L2, sT^arkka-sMa-lle 145,
s7ip7i-arkka-s7is7ia-lle 106 10i>2,
s7ip7i-arka-s7ia-lle 335 375, slipli&Y-
kka-s7*a-lle 104 lOj
s
sa 45 42 43 51 5A 54 6L 62 65 76 74 75
93 92 104 1 0L 134 14l (bis) 142 145
1 5S 175 172 19l 194 21* 22® 23®
24® .( inv.) 252 273 27x 273 275 29®
309 312 322 335 33s 3# 34® 34L
(inv.) 342 342 (inv.) 34B 35B 36x
(inv.) 375 37t 372 (bis) 382 394
39a (bis) 394 41t
#sakapce 3® 3X 18B 32® 35®
sakna 22
sacca-ssa 144
sata 36 (inv.)
sanapa-tsi 43 143 29^ 345, sanapa-lle
27x 356 394 41 2, sanapa-lle-nta 184
salype, see salype.
sa 84 93 94 I5S 31® 385 39A
sa7c7<a-s7is7iam 34 36® 422
satke 18® 315 364 374, satke-nta 75
152 215 294, satke-nta 25 (inv.) 9A
112 133 155 224 242 31s 32s
343 372 404 421? sarhtke-nta 21 1
38t 396 424, samtke-nta-mpa 324
sapadh 35t
sari 425
sn7^a-s7?s7ia-lle 136, su77ia-s7ia-lya 42L
#snliz 154
sukara 76 (inv.)
sudha 55
se 25 J25 135 15® 17, 194 2J2 262 345
354 (inv.) 403
seka 176 354
s ekh 134
se-ttse 3 1 x
selaiko 102 105 H5 114 23B 236 37®
sono 403, sonopAa-lya 44 141>2 213
304 305 333, sonop/?a-lle 75 263 402
-ske 25 30® 353 39®, -skem 43. See
9ke, ske.
skqar 42®
skrena-tse 323 324
sijese-sse 353
stsi 172
snmyer 27z#s
1901.]
Appendix.
31
snailyokai 12?j
smam 34 223
smadka 332
*smayanm 13 1
one LaI.M 24
passim
syalna 34
sya-lle 52
sra-lle 425
slagMa-llona 424, slaqfc/ a-lya 42t
III. Index of Numerals.
23. 4 38,5,6 31.2,3 et two *1 28 3,4
three 204 242 253 32s
SUPPLEMENT TO PART I.
Page vii of Introduction.
Add to List of Contributions : —
(22) From Mr. G. Macartney (M. 10), a collection of miscellaneous
antiquities from Kkotan, comprising (a) four (fabricated) block-prints ;
( b ) several manuscript sheets in Brahmi, Uigur and Persian characters 5
(c) 26 small terracotta figures ; ( d ) 30 coins ; (e) 11 seals, and (/) 12
miscellaneous objects. This collection was received by me in November
1899 in Oxford.
Page xxiv of Introduction.
Also add to Summary : —
From Kashghar.
Section I.— COINS AND SEALS.
Page 1. Consequent on the contribution above referred to, the
Summary should be amended as follows : —
Total Coins 530
The result of the addition to the Indo-Chinese coins is that there
are now 10 large and 87 small coins. Among the latter are 23 of the
first, 16 of the second, 4 of the third, and 7 of the fourth variety. Also
the average weight (see pp. 2, 4, 11) of the large coins is 21P1 grains,
and of the small ones 46’08 grs.
Page 10. With reference to the woodcut, I may add that the
reverse legends Nos. I and II are found on coins of the first variety,
No. Ill on those of the second, and Nos. IV and V on those of the third
J. i. 12
2 Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
and fourth varieties. No. Ill seems also to occur, very exceptionally,
on coins of the first variety.
It seems possible that the coins of the fourth variety which weigh
only from about 13 to 40 grains, may really belong to a lower denomina¬
tion of four chu , the normal weight of which would be 32*48 grains.
The total weight of the seven coins of that variety is 189 grains, which
gives the average of 27 grains. This, considering that three of the coins
are mutilated, would very closely agree with the normal weight of
32*48 grains.
Dr. Stephen W. Bushell who has examined the Indo-Chinese coins
of the Collection, has very kindly supplied me with the following cor¬
rective note : —
“ The Chinese legend on the large coins is chung (1) nien (2) ssit
(3) chu (4) lit (5) ch'ien (6), i.e ., Engraved (5) money (6) weighing
(1) twenty (2) four (3) chu (4).
“ Nien , twenty, is the colloquial modern reading of the second
character,1 the classical reading being yu with the same signification.
The fifth character is obsolete, being now written with a different
phonetic. The old form frequently occurs in ancient bronze inscriptions
anterior to the Christian era. It is found in K’ang-hsi’s Dictionary, but
omitted in Giles’ and Williams’ Chinese Dictionary, although included
in the “ Dictionarium Linguae Sinicae Latinum ” published by the
R. C. Missionaries at Ho Kien Fu in 1877. Coins have never been
struck in China proper, all “ cash ” being cast in moulds, so that I
would suggest that it be derived in this connection from the carving
of the die. I have never met with t'ung (copper) written in this way,
and am inclined to think that the resemblance is only superficial.
“ Twenty-four chu is the equivalent of the Chinese ounce ( liang ), so
that the large coins in the collection would each represent four of the
small coins, which are all inscribed, as described in your paper, liu chu
ch'ien , i.e ., “ money of six chu."
“ The symbol in the middle of the large coins [shown on p. 4] does
not seem to me to b e pei (cowry, valuable). Is it not rather intended for
a laurel wreath ? A similar symbol occurs in one of Dutreuil de Rhins
coins in the centre of a legend in Kharosthi script (see Mission scientijique
dans la Haute Asie, IIIe Partie, archeologie, pp. 129-132, fig. 5).
“ The symbol V in the middle of the Chinese script in the small
coins of the third (camel) variety [see No. IV in woodcut on page 10 2
1 In the woodcut this character is showti upside down.
2 The legend is not complete. One of the two component parts of the second
character is omitted, from the coin, apparently for want of space. The symbol in
question separates character 3 from character 2.
1901.]
Supplement to Part 1.
3
lias some resemblance to wliat Sir A. Cunningham calls the “Ephtlialitic
Symbol (Num. Chron., 1894), but this may perhaps only be accidental.
“You have noticed the difference in style of the pencilling of the
character liu, ‘ six.’ I may add that the style of the other characters
on the same coins varies accordingly. The style of the writing on this
variety strikes me as older than that of the rest of the small coins (with
the horse) [ i.e ., Nos. I, II, III in the woodcut on p. 10]. The Chinese
inscription in the small coins of the first variety takes two distinct types
[Nos. I and II in the woodcut], of which No. II is the more archaic.
But after all, a more archaic style does not certainly indicate a more
ancient coin, as it may depend on the individual fancy of the engraver
of the die. These engravers must, I think, have been Chinese, as the
inscriptions are so well pencilled, with the exception of those on the
coins of the fourth variety which are markedly degraded in style as well
as in sizq.
“ The earliest pieces of the series appear to me to date from the
earlier Han rather than the later, judging only from the style of the
lettering, and I would observe that the Chinese had conquered, and
appointed viceroys over, Eastern Turkestan during the former Han,
until the usurpation of Wang Mang, after which, for a period of 65 years,
there was independence, or rather re-subjugation by the Hiung-nu
Turks, ending in a second submission of Khotan and the other cities
to the Chinese dominion.”
Pages 18-22. Dr. Bushell has kindly supplied also the following
note on the Chinese coins.
(a) Ancient Coins.
“ (1) Coins without legends. Specimens like these are frequently
dug up in China, mixed with others of similar type inscribed pan Hang
and wu chu , referred to the Han dynasties, especially to the former or
Western Han. In the beginning of this dynasty private mintage was
allowed, and the coinage became utterly debased, the inscriptions disap¬
peared, and the pieces became thinner and thinner, till they were
currently known as “ thread cash.” There was more intercourse wdth
Khotan at this period than would be gathered from Remusat’s “ Histoire
de la Ville de Khotan.”
(2b) One of these specimens is correctly attributed to Wang Mang,
but is not the other inscribed wu chu ?
(2c) Seems to me the most archaic piece in the series. The symbol
reminds one of the undeciphered symbol on the small Indo-Chinese
3 On the right of the coin as shown in the Plate II, No. 3, where however, it
appears to be placed upside down. The symbol chin stands on the left, and is the
first element in the character 3 of the legends shown in the woodcut on page 10.
4
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
coins [of the third variety, No. IV in the woodcut on p. 10], and the one
opposite, reading round the field, appears to be chin. There are ap¬
parently two intervening symbols, very indistinct. Is the metal nickel ?
The style of the lettering is that of the Ch‘in (Ts‘in) dynasty, which
preceded the Han in China (cf. B.M. Catalogue, No. 154, p. 326).
(6) Mediaeval Coins.
(la) Note a crescentic line in relief above the square hole on the
reverse, which marks a variety. The Chinese story goes that the em¬
peror made a nail mark on the wax model when it was presented at this
period.
(lc) The number of Ta-li coins is remarkable, as it is rare in China.
Only two sizes are figured by Chinese numismatists, so that the small
specimen in the collection would be a clipped piece.
(le) Plate"4!!, No. 16. For t'i read te. The period King-te = A.D.
1004-1007. The period Che-tao of the preceding reign of T'ai-Tsung
(Id) corresponded to A.D. 995-997. Many of the dates in the paper
are incorrect, e.g ., Kien-yuan should be 758-759, and Ta-li 766-779.
There is a convenient table for reference in Mayer’s “ Chinese Reader’s
Manual.”
(1/) Plate II, No. 18. This has the inscription Huang sung t'ung
pao and belongs to the Pao-yuan period (A.D. 1038-39). The coinage
was inscribed Huang-sung “ Imperial Sung ’ ’ during this nien-hao to
avoid the repetition of the characters on the “ cash.”
N.B. — The Chinese Annals of the Sung Dynasty record the large
sum of “ cash ” given by the Emperor to the envoys from Khotan in
return for the presents they brought to court ; e.g., 5000 strings of cash
( = 500000 pieces) in the 8th year of the Kia-yu period (A.D. 1063).
Cf. Remusat’s Khotan, p. 92. Also 100000 cash in the 8th year (A.D.
1085) of the Yuan-feng period, of which there are specimens in the
collection (If).
(1 n) Plate II, No. 10 was issued in the reign of the last sovereign
but one of the Hsi Hsia Dynasty of Tangut (A.D. 1212-22) and is
figured (No. 11, p. 19) in my article in the Journal of the China Branch
of the Royal Asiatic Society, Vol. XXX (1895-96). Hillier’s spelling
of Hear to give the Italian sound of the a is grotesque.
(Ch) The first character of the legend is Hsien, and the coin was
issued in the Hsien-p’ing period (A.D. 998—1003) of the reign of the
emperor Chen Tsung. (Hillier’s No. 125).
(lo) Plate III, No. 6 is a modern coin from Annam, belonging to
the reign of their King Hien-tong (A.D. 1740-1786). See “Annam
and its minor Currency” by Ed. Toda (Journal, N. Ch. Br. R.A.S.,
New Series, Vol. VII, 1882).
1901.]
Supplement to Part I.
(ljp) One of these three coins has the legend Huang sung tung pao
and was issued in the Pao-yuan period, like (1/). Another has the
egend Hsiang yu t'ung pao , issued in period Ta-chung-hsiang-yu (A.D.
1008-1016) of the reign of Chen Tsung. (Hillier’s No. 127) A duplicate
is Plate II, No. 11.
(2) page 21. Plate II, No. 19 was issued by the Chinese General
Wu San-kuei in the province of Yunnan, about the year 1670. The
character on the reverse is li [inverted in the Plate], indicating the value
of the piece. (Bushell, No. 239). 4 *
(c) Modern Coins.
(la) Obv., K'ang hi t'ung pao (A.D. 1662-1722). Rev., in Manchu,
(No. 1) pao tsiowan , from the mint of Board of Revenue, Peking (Wylie
No. 70). 6
(No. 2) pao yuwan, from the mint of Board of Works, Peking (Wylie,
No. 71).
(16) Obv., K'ien lung t'ung pao (A.D. 1736-1795). Of his reign
there are coins of the following varities : —
Yar. 1, six pieces.
(No. 1) Rev., Pao tsiowan, Board of Revenue mint (Wylie,
No. 115).
(No. 2) Rev., Pao chuwan , Province of Ssuch’uan mint (do.,
No. 124).
(Nos. 3-6) Rev., Pao h'iyan, Prov. of Kueichou mint (do., No.
121, cf. Bushell, No. 30, note).
Var. 2, four pieces.
(No. 1) Rev., Pao yuwan , Board of Works mint (Wylie, No.
116).
(No. 2) Rev., Pao k'iyan, Prov. of Kueichou mint (do., No. 121).
(No. 3) Rev., Pao tfai, Taiwan (Formosa) mint (Bushell, No.
17).
(No. 4) Rev., Manchu Ushi , Turki JJsh, mint of Ush in Eastern
Turkestan (Bushell, No. 20).
Yar. 3, three pieces.
(No. 1) Rev., Pao tsiowan , Board of Revenue mint Peking
(Wylie, No. 115).
4 Bushell Coins of the Present Dynasty of China , in Journal, N. Ch. Br. R.A.S.
1880.
6 Wylie, Coins of the Ta Tsing Dynasty; Shanghai Literary and Scientific
Society (Journ., Ch. Br. R.A.S.), 1858.
6
Dr. Hoernle — Antiquities from Central Asia. [Extra No. 1,
(No. 2) Rev., Pao che , Prov. of Chekiang mint (do., No. 118).
(No. 3) Rev., Pao diih , Prov. of Ch’ihli mint (do., No. 129).
Var. 4, one piece.
Rev., Pao i, Ili mint (Wylie, No. 132, Bushell, No. 18).
(lc) Obv., Hsien feng chung pao (A.D. 1851-1861).
(No. 1) Rev., Chinese Tang shih, “ value 10 ” ; Manchu Pao ti ,
mint of Tihuachou (Urumtsi) in Kansu province. (Bushell,
No. 131).
(No. 2) Plate III, 5. Rev., Chinese Tang wu shih , “ value 50 ” ;
Manchu Pao i, lli mint. (Bushell, No. 163).
(No. 3) Plate II, 30. Obv., Usien feng yuan pao. Rev., Chinese
Tang pai, “value 100”; Manchu yetkiyang , Turki Yarkand.
(Bushell, No. 171).
(2) Page 22. Plate II, No. 23 is figured by Bushell, Journal, China
Branch Royal Asiatic Society, 1899.
(3) Page 22. Plate II, No. 25 are not coins, but chessmen; viz.,
Shih (not tsien) , “chancellor”; Pao “cannon”; Ping “soldier.”
Page 33. With reference to the coins, enumerated under No. (5),
the specimen figured in Plate I, No. 23, has been identified by Mr. E.
Rapson as a Kashmir coin.
Page 35. With reference to the coins, described under (b) Ataliq of
Kashghar, I may note that coins of this kind have been described by
Blochmann, in the Proceedings of the Asiatic Society of Bengal, for 1876,
page 90. According to Blochmann, “the name ‘Abdul ‘Aziz Khan.
Sultan of Turkey, is given on the coins, because the Ataliq of Kashghar
does not feel strong enough to strike coins in his own name.”
XI. Seals, Intaglios, etc.
Page 37. Consequent on the contribution, M. 10, already referred
to, the number of these objects is now 77. The additions are
No. 82. Square fiat brass seal, with broken perforated peg, showing
two birds facing each other under a tree ; very similar to No. 64.
No. 83. Round intaglio of blackish agate with whitish surface on
the engraved side (cf. No. 45), showing a lion crouching to right, behind
(or transfixed by) a cross-shaped stake.
No. 84. Round intaglio, of a mineral like No. 83, showing a deer
running to right, above it a pursuing dog.
No. 85. Rhombus-shaped intaglio, of red cornelian, showing a lion
crouching to right.
No. 86. Elliptical intaglio, of an uncertain mineral, showing a lion
walking to right.
1901.]
Errata in Part I.
7
No. 87. Round intaglio, of an uncertain mineral, showing two men,
walking to right, one behind the other, right arms uplifted, left hanging
down. Similar to No. 35.
No. 88. Round intaglio, of an uncertain mineral, showing a fish P
No. 89. Rhombus-shaped intaglio, showing a twig.
No. 90. Square amulet, f inches, made of horn, thickness per¬
forated for string-hole, engraved with two different linear designs.
No. 91. Square-based pyramidal, perforated seal-ring or amulet, of
white stone, engraved with a linear design very similar to that of No. 76
Nos. 92 and 93. Indistinguishable.
ERRATA in Part I.
V
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Journal , /is. Soc. Beng., Extra Number, igm
Comparative T"able or G upta Letters *
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Table III
Journal , As. Soc. Beng., Extra Number, 1901
Vo WELJ
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Alphabet of Brahmi Documents *
SKETCH
OP
LADAKHI GRAMMAR
IN CO-OPERATION WITH OTHER MORAVIAN
MISSIONARIES
COMPILED BY
A. H. FRASOKE,
MORAVIAN MISSIONARY.
[. Published as Extra No. 2 to the Journal of the Asiatic Society of Bengal,
Vol. LXX, Part I, 1901 .]
CALCUTTA:
PRINTED AT THE OFFICE OF THE SUPERINTENDENT OF GOVERNMENT
PRINTING, INDIA,
AND
PUBLISHED BY THE ASIATIC SOCIETY, 57, PARK STREET.
1901.
/
CALCUTTA :
GOVERNMENT OP INDIA CENTRAL PRINTING- OEEICST,
8, HASTINGS STREET,
PREFACE.
JN offering a Sketch of Ladakhi Grammar to the public,
I wish to draw attention to the fact, that a thorough study
of the Ladakhi Tibetan dialect pre-supposes a certain
amount of knowledge of the classical Tibetan language. I
could not well he expected to embody a classical Tibetan
grammar in a pamphlet entitled * Ladakhi Grammar/ and
therefore advise every earnest student of Ladakhi Grammar
to previously study grammars of the classical language.
I wish to express my sincerest thanks to all those who
have assisted me in bringing about the publication of this
pamphlet : to the Indian Government, for liberally supplying
the necessary means; to G. A. Grierson, Esq., C.I.E., Ph.D.,
I.C.S,, for all the care taken in revising the grammar
and correcting its terminology ; to Professor Dr. Conrady, of
Leipzig, for all his most useful suggestions rendered, when
revising the first German Manuscript of the grammar [Pro¬
fessor Dr. Conrady’s excellent work ‘ Eine Indochinesische
Causativ-Denominativbiidung ’ has proved invaluable for
the discovery of many grammatical rules] ; to all my direct
co* operators (Reverend A. W. Heyde, Ghum ; Reverend
S. Ribhach, and Dr. E. E. Shawe, Leh), whose assistance
was very great, and without whose co-operation the hook
would not have reached its present level.
A. H. ERANCKE.
CONTENTS
Introduction
The Article .
The Substantive
Declension
Use of the Cases .
The Plural .
The Adjective „
Numerals
The Pronoun
The Yerb
Steins of the Verb
Forms of the Verb
The Causative
Passive Constructions
The Dubitative ,
A uxiliaries •
The Adverb .
The Postposition .
The Interjection .
The Conjunction .
The Sentence . .
Appendix, containing Idioms and useful Sentences with li'tera
The Four Seasons
Tim'e
F estival
Kinds of Illness .
Going to the Merchant
Riding
Painter, Sculptor, Musician
Flowers .
Religion of Buddha
Artisan’s work .
The Kitchen .
To Teach , . •
To go for a walk (for pleasure)
translatio
Page
1
9
10
10
II
15
16
17
21
24
25
26
35
37
33
38
39
40
41
41
45
49
51
53
53
55
55
57
57
59
59
61
61
63
INTRODUCTION.
— .» — .
Remarks concerning the pronunciation of the
Ladakhi Dialect.
System of Romanizing . — To facilitate the printing no
accentuated letters are used. All accents given in this
book refer only to the stress.
Consonants : A few remarks will suffice. — Sh — sh in
English ; zh = Erench / ; j j in English ; c = e in
Italian, when preceding i or e , that is — tsh ; oh being the
aspiration of c , is pronounced more forcibly ; ts = is ; ths
being the aspiration of ts is pronounced more forcibly.
Vowels : They correspond exactly to the Italian ones.
They are long if the stem ends in a vowel ; short in all
other cases.
Tenuis , Tenuis aspirata ancl Media .
The Ladakhi mediae, that is, g , d, b} dz and are,
generally speaking, not different from the English equi¬
valents.
As finals, the mediae g , d and b are sounded rather
like &, t, p , for which reason in several dictionaries they
have been written as such. I have not done this, because
before all case endings they re-assume their medial nature.
Thus mig is sounded mih , but in miggi> miggis , miggo, (for
migld) the g sound is quite plain.
The Ladakhi Tenues Aspiratae, that is, kk, th , ph , ths
and chi exactly correspond to the English non-aspirated
tenues, that is, to /r, t , p , ts and cli>
The greatest difficulty of Ladakhi pronunciation rests
with the unaspirated tenues, that is, with h> t , p> ts and e .
2
LADAKHI GRAMMAR.
The normal pronunciation of the same holds tbe mean
between English media and tenuis; but the tenuis is
always inclined to he pronounced like a media, if it is
not furnished with a protecting letter.
Protecting letters are —
(1) All prefixed and superadded letters of Tibetan
orthography, whether they be pronounced or
not. In this grammar only the actually pro¬
nounced ones are written, but it must be
borne in mind, that ka, word, has the protec¬
tion of a silent b9 tangces that of a silent b9
tong that of a silent g , etc. Thus, for instance,
the following words show the normal pro¬
nunciation of the tenuis : skampo, dry ; ka,
word ; skarma , star ; stanpo, firm ; skan, gum ;
sta9 horse, etc.
(2) A following y protects the preceding tenuis.
Thus we have the normal pronunciation in
kye9 oh ; kyir , round ; kyongpo , bard. In
kyirmo , Rupee, the y was lost and the pro¬
nunciation became girmo.
(3) Letters forming a syllable, in a few cases
protect the following tenuis : thus the pro¬
nunciation of the t in ngatang , we, and
ngati9 our, is normal.
Examples for unprotected tenuis = media, kun =
gun9 all ; kusliu = gusliu9 apple ; kaklict = gakha ,
alphabet ; kabsha =■ gabsha , shoe ; karskyin = gar sky in,
loan ; kophongs = gophongs , guitar ; koba = goa , leather ;
kram = dram, cabbage ; krongkrong = drongdrong up¬
right ; trangka = drangka , a coin ; tagir = daggi, bread ;
tramnag = dramnag , gout ; pagbu = bagbu, brick ; pita =
INTRODUCTION.
o
o
bila , cat ; pang pa = bungpa , vessel of clay ; kabza —
gabza , handle.
■Without a protection the normal pronunciation is
retained —
(а) with and c ;
(б) with all non-Tibetan words, as kadar , care ;
tubag , gun ; turuka , Turk, etc. ;
(e) with dialectical words, the orthography of
which was laid down only recently. We do
not know which, now silent, letters might he
hidden in them ; such are kamakume , rheu¬
matism ; karkor , a dell, etc. ;
(cZ) with the causatives of the type kh = k . Thus,
for instance, tonces> causative of thonces ,
shows the normal pronunciation of the
This fact gives rise to the supposition, that
in these causatives a silent s might be hidden.
If this theory is right, these causatives would
not he irregular but belong to the regular
type kli = sk.
Pronunciation of B .
The normal pronunciation of r agrees with that of
Hindostani r [ j ].
The pronunciation of r9 preceding or following a con¬
sonant, is slightly different.
B, when preceding a consonant, is pronounced rather
like the German or French guttural r . This r when
placed before g or k (but not before gy or ky ), generally
associates with these letters to form the new sound ch9 to
be pronounced like ch in locht a Scottish lake.
4
LADAKHI GRAMMAR
R, wlien following a consonant, is pronounced rather
like the English r, only softer. Beginners generally have
some difficulty in hearing it at all.
I do not think it right to speak of linguals in this
case, because r, following labials or gutturals, is not
differentiated from r, following a dental. Thus in drug ,
six, and in kcibra , a herb, the r is the same.
Pronunciation of R and TV.
The normal pronunciation of b is not different from that
of English. When placed between two vowels or after
ng, r and Z, b is pronounced like the English v. In this book
v will always be written in this case. The pronunciation
of w is nearly the same as that of the English 10.
Prefixed letters .
Though many are silent, some are sounded in Ladakhi.
Prefixed b , d, g are often pronounced as r and s . Ex¬
amples : bdemo = rdemo, nice ; dgosces == rgoshes , to must ;
gtam = stam , speech. Prefixed r often becomes s, and s
becomes r ; both can become sh. Examples : rtags —
stags , a present ; sgam = rgam , box ; rkang-gling =
shkangling , flute. All prefixed letters before l become 7i.
Examples: gla = lilay wages; slebces = hlebces, to arrive ;
glu = hlu> song. The orthography of this book is in
accordance with the actual pronunciation.
Consonants before r and y.
Br and gr become dr ; pr and kr become tr; phr and
khr become thr : by — j, py ~ cy pliy = ch. In Lower
Ladakh, these rules are not observed with labials. The
orthography of this book is in accordance with the pro¬
nunciation of Leli.
INTRODUCTION.
5
Principal laws of sound.
(1) s -J- c = sh.
Examples : nyiscu = nyishu , twenty.
All verbs, the stems of which end in s , associate this s
with the c of ces to form the ending shes.
In the imperative ending shig the s of the imperative
stem is contained, and the suffix cig .
If the adjective suffix can , having, is added to a stem
ending in s> shan is attained,
i
w s , muta , and r = shr.
Mute are g, k, d, t, b and p. Examples : sg rungs =
slirungs , tale ; sdreces = shreces , mix ; sgrulces = shrulces ,
exercise ; = shr in, cloud ; hair.
(5) m&Za and r = r.
Examples : sgrwigs = rungs, tale ; brangngu =
rangngu, fly ; agrigpa = rigces , make ready; dgra = m,
enemy ; dpe-sgra = spe-ra , speech ; help ;
snga-dro = snga>ro , morning; cZm^, six = in
curug , sixteen, and gorug, ninety-six.
(4) l as a final is often dropped.
Examples : sZ<?Z = Zo, name of the capital of Ladakh ; shel
= name of a village ; rgyalpo = rgyapo , king ;
= som, prayer ; skyelba = skyaces , to transport.
(5) sZms ending in a vowel add n.
Examples : nyi ma — nyin, sun, day ; die = mo,
great ; nyemo — nyen , near, friend ; thsa-ba — thsan-te,
hot ; chung-ngu = chung-ngun , small ; me-tog = mendog ,
flower.
6
LADAKHI GRAMMAR.
(6) tenuis aspirata between two vowels or within a word
often becomes media .
Examples : spyinchu = pinzhut glue (instead of pinju ;
j often becomes zh in Ladakhi) ; bu-chung = buzhung ,
little boy ; gyuchung = yuzhung , little turquoise ; akhu =
agu, husband ; = abi , grandmother ; ache = aje,
elder sister,
(7) the nasals often change .
Examples: dngul = mwZ, silver; khronpa = klirompa •,
well ; rmilam = nyilam , dream ; sngasbol = snyasbol, pil¬
low ; mchongba = chomces , to jump.
Remark : The Rongpa dialect (upper-most Indus
valley right bank) also has the following interesting law : —
r or s and p = f.
Examples : yangspa = fun (final ng is often
dropped in Hong) ; mgyogspa = gyogfa , quick ; cospayin =
cofin , made ; tangspayin = tafin , gave.
^ or 5 and & = h.
Examples : s&acZ — voice ; skomces = homces , be
thirsty ; skampo = hampo, dry ; rkangdung = hang dung ,
trumpet.
A parallel r or 5 and Z = English th is missing.
( ‘
The Accentuation.
Principal rule : When a suffix or the article is joined
to a mono-syllabic word, the stem has the stress.
Examples: mi la, to the man; las'la, at work; thsang'ma , *
all ; skampo, dry ; mig'gi, of the eye.
INTRODUCTION*
7
Because the words which form a compound throw off
their articles before being joined together, most of the
compounds consist of only two syllables. In these the first
syllable generally has the stress. Examples : chumig ,
well ; rkcing'lag , limb ; lagshub , glove ; ' nyinlam , day’s
march ; tang' rag, thanks.
From the above it follows that the trochee is at
the root of all Ladakhi poetic metre. Besides this the
dactyl is also rather frequent ; for, if a suffix is joined
to a compound consisting of two syllables, a dactyl is
obtained.
There exist a few dissyllabic words in Ladakh
which have the stress on the second syllable ; for instance :
khathog above ; nyerang , you, respectfully ; ona , yes (but
the latter not in all cases).
GRAMMA R.
- 4 -
THE ARTICLE.
1. Definite article.— In Ladakhi the definite article has almost
entirely lost its individuality. It has become an essential part of the word
to which it is added. This fact is most plainly shown in the case of adjec-
tives, most of which are quite unable to adapt their article to the
gender of the substantive they belong to. Thus chenmo , great, invari¬
ably retains the feminine article mo, whilst chugpo, rich, retains the
masculine article po.
The gender of the article agrees with that of the noun in the case of
living beings. Thus the feminine articles ma and mo are met with in
senggemo, lioness ; jamo, hen ; hhyimo, bitch ; shema, lady ; whilst the
masculine articles po and bo, pa and ba, are found in rgyalpo, king ;
thapa , Indian; dagpo, owner; hhyirapa, hunter; ladagspa , Ladakhi.
Note.— The word shamma , man or woman of Sham, Lower Ladakh, retains the
article ma for masculine and feminine. Here we may have a similar case of con¬
traction as in samma for sampar , see Verb Supine. Probably the masculine form
was shampa originally and contracted to shamma.
Compound words. — The definite articles, though they must necessarily
be considered as forming an essential part of the word they are connected
with, are dropped for one reason only, viz., for forming compound
words. Thus rhangpa, foot, and lagpa, hand, form the compound rhang -
lag, hand and foot.
The Ladakhi has two kinds of compounds :
a. Copulative compounds. In these the compound simply shows the
result of adding the ideas of the two or more original words. Examples ;
rkanglag, hand and foot, or limb ; drangdro, cold and warmth, or climate ;
jashrag, bird and wild fowl, or all birds,
b. Determinative compounds. In these one of the constituent parts
(either the first or the second) is the attributive adjunct to the other.
Examples : buzhung, the little boy ; chugthrug , the rich child ; chumig , the
eye of water, the well; shingsta, the horse of wood, the carriage; gur -
harmarser, the tents, which aro white, red and yellow.
10
LADAKHI GKAMMAR.
Remark. — If compounds are formed of words of two syllables, which
have no article, the second syllable is dropped, as if it were an article.
Examples: sengthrng , the lion's child ’(a name), formed of sengge, lion,
and thruggu , child; bartsi, the cow-herd, formed from balang , cow, and
rtsivo , shepherd.
2. Optional article. — From the definite article the optional article bo
or po seems to have developed. It may be added to any word, whether
it is already provided with the definite article or not. By adding the
optional article the word is emphasized. Examples : migpo, the eye ; i
shemabo, this lady.
3. Indefinite article. — The numeral cig, one, assumes three forms,
when used as indefinite article. Gig is used if the preceding word ends
in g, d , or b ; shig is used if it ends in s ; and zhig in all other cases.
Examples: zhagcig, a day; lasshig, a work ; nyungmazhig, a turnip.
Cig , when placed after a collective or a plural, means some. Exam¬
ples : cliuzhig , some water ; phezhig, some flour ; chumigzhizhig, some
four wells.
instead of cig , rig is sometimes said, e.g., nyenrig in, it is a friend.
In Lower Ladakh ig or ik is used as indefinite article, e.g., shaig, some
meat ; meig, some fire, especially wTith stems ending in a vowel.
THE SUBSTANTIVE,
Declension.
The case endings are the following : — Nominative and Accusative : No
ending, unless they take the optional article bo.
Genitive : i, with doubling of the last consonant of the stem, if it ends
in such.
Instrumental : is, with doubling of the last consonant of the stem, if
it ends in such. If the final is a vowel, only s is added. The Instru¬
mental is also expressed by dang) rgonas , and similar postpositions.
Dative : la ; often a is only pronounced.
Locative : na. This ending is very rarely used ; instead of it we find
la, or the postposition nangna, in, with the Genitive.
Ablative: nas. Instead of this nangnas, out of, and similar postposi¬
tions are often used.
Termiviative : mi, du, su, very rarely used. Instead of these la or
postpositions, for instance, tsa, near, are frequent.
THE SUBSTANTIVE.
IT
Examples.
Use of the Cases.
The Nominative. — This case takes no ending but the optional article,.
The use of the nominative is more limited in Ladakhi than in most
Aryan languages, because transitive verbs are construed with the instru¬
mental. The nominative is used then :
1. For both subject and predicate in such sentences, the predicate of
which is not a verb, and in which yody in, dug, have, is, are ; chen, to be¬
come ; song , been, become, etc., serve as copula. Examples : khangpa
thonpo yod, the house is high; drongkyer dei nangna thsongpa mangpa
dug, in that town are many merchants.
2. As the grammatical subject of all intransitive verbs. Example :
chu draggi nangnas ling dug , the water comes out of the rock.
Note. — Beginners must take care not to consider all active verbs as transitive;
active intransitive verbs, such as go, run, etc., must be construed with the nomi¬
native. Example : vga gyogspa drulte yongspin, I came, running fast.
. 3 . The verbs to have, to get, to need, to desire, take the nominative for
the thing needed, desired, etc. Example : ngala gonces slug yod , thobsong,
rgoshes yod, I have, have received, need a coat.
4. The nominative is used as vocative. Example : foge tsovo, 0 Lord !
wdkun, 0 you all !
The Accusative . — This case takes no ending but the optional article. 14
is used :
c
12
LADAKHI GRAMMAR.
1 . For the direct object as in the Aryan languages, but not so often,
as the dative •with la is often used instead of it. Examples : homo de
thongspin, I saw that woman ; Jchyis mila thams, the dog bit the man.
2. The accusative stands with some postpositions. For instance, with
dang, with ; thsogse, like, etc. See under Postpositions. Examples : dri-
dang , with the knife ; shanghhu thsogse , like a wolf.
3. The accusative stands idiomatically in some absolute phrases of
time and manner. Examples : ngamo, in the morning ; phi dr o, in the even¬
ing ; nanning, last year ; ruspa thonpo, as regards birth [he is] high.
In many cases, however, the la of the dative may be added. Example :
ngamola yong , come in the morning.
Note 1. — The optional article bo, though it is used for all cases is especially
found with the nominative and the accusative. If bo is used with a case, which has
an ending, it takes the ending itself. Example: I mihos dezug zers, this man
said so.
Since bo emphasizes the word to which it is joined, rit forms an equivalent for
the classical particle ni, which generally appears as ning or nig in Ladakhi.
Note 2. — Use of ni, ning, nig in Ladakhi : The chief function of ni, etc., is
that of distinguishing the subject from the predicate, if the predicate is not a verb.
Example : ri thonpo in, is either * it is a high hill ’ or * the hill is high/ Bi ning
thonpo in, can only mean * the hill is high/ See ni also under Reduplication of
the Verb and under Conjunctions.
The Genitive . — The genitive always stands before the word to which
it relates. Example : rgyalpoi hhar , the castle of the king ; dambai
chos, the holy religion.
As predicate the genitive sometimes stands by itself. Then the word
to which it would belong as attribute is omitted. Example: thsasbo
sahibbi innog , the garden is the Sahib’s, instead of thsasbo sahibbi nor
innog, the garden is the Sahib’s property.
1. Although the subjective, objective, and partitive genitive may occur
occasionally in Ladakhi, the genitive generally expresses a “ possession.”
A quality may be considered as a possession, and therefore an adjective
takes the genitive as soon as it is placed before its substantive. Example :
dambai chos, the holy religion = the religion of holiness.
2. Most postpositions govern the genitive. Example : amai phila, for
the mother ; chui nangna, in the water j mii dunla, before the man. See
Postpositions.
3 . The sang of the comparative often governs the genitive. Ex¬
ample: thsangmai sang thonpo, higher than all.
TOE SUBSTANTIVE.
13
Note 1. — Ai is generally pronounced like the German a or e.
Note 2. — Stems ending in a vowel, especially those ending in i and e, very
often form their genitive in si. Example : Ishesi khangpa, Ishe’s house.
The Instrumental.—
1. In stems ending in a consonant, the s of the ending is is frequently
combined with the i to a long i, so that the pronunciation of the instru¬
mental is very much like that of the genitive. In stems ending in a
vowel, the s is pronounced as e or i — thus mangpos = mangpoe. [In the
dialects of some villages near Leh the s is distinctly heard, and in Leh
itself this pronunciation is not considered “ foreign.”]
Note. — Stem sending in a vowel, especially those ending in i and e, very often
form also their instrumental in si. Example : memesi zers, grandfather said.
2. Besides the instrumental with a case ending, the Ladakhi has one
formed with dang or other postpositions, We must distinguish between
the two : —
(а) the instrumental with a case ending is the case of the agent.
In transitive sentences it takes the place of the nominative in
English, Example : ngas specha do silpen , I have read that
book.
Note. — Only in a few idioms is this instrumental not used instead of the nornh
native. Examples: kho miggis dzinna nadug, he cannot see well with the eye;
ringgo khas khors, the summits are covered with snow ; khas hlobba zum , learn it
with the mouth (by heart).
(б) the instrumental with dang , etc., is used, if the person or thing
performing an action makes use of further means for that
purpose. Example : rgyalpos mizhig raggi dang saddug ,
the king kills a man with the sword. Vang is often strength¬
ened by the addition of nyampo, together.
Other postpositions which imply an instrumental sense are : rgonas
and khanas , through, with the genitive. Example : mi del a. mill mangpo
las cocessi rgonas [or khanas'] thob,— that man got much money by work¬
ing [doing work].
The Vative. — The dative is not so particularly the case of the indirect
object as an intensified form for the direct object. The ending la is, in
ordinary conversation, simply pronounced as a short a.
The dative is especially used to denote the possessor, etc., with the
verbs to have, to receive, to need. Example : ngala khangpa zhig, yod -
thob} rgos} I have, have got, need a house.
c 2
14
LADAKHI GRAMMAR.
In many cases the dative points out the sufferer in the indirect
passive formation (see Yerb, passive). Examples : ngala yasha corug , lam
loved ; khyi des mi zhigla thamstog , a man was bitten by the dog.
The dative answers, moreover, the questions, ‘ where ? ’ and 1 where¬
to P * and has consequently assumed the functions of the terminative and
locative. Examples : mi de lela charug, the man goes to Leh; ngai lagla
berka zhig yod , in my hand is a stick.
Note. — The word lagpa , hand, drops the article pa in the dative case.
The suffix la, when added to an infinitive, means 1 for ’ or ‘ in order
to.* Thus cocesla, in order to do it. (See Yerb, supine).
The Locative . — Though people on the whole are not very discriminat©
in distinguishing this case from the terminative in la, still it must be
borne in mind that the terminative especially denotes motion to a place,
and the locative rest in a place.
The pure locative in na is practically not used in Ladakhi, but in its
place either the dative or the locative postpotion nangna with the geni¬
tive. Example : khangpai nangna cogtse zhig yod, in the house is a table.
Note 1. — The postposition nangna is, moreover, used to represent the prepositions
* between ’ and * among,’ which really express a locative relation. Example : nyis-
kai nangna Tchyad chenmo zhig yod , there is a great difference between the two.
Note 2. — In some adverbs of place the locative ending na is used before the ter¬
minative ending ru, for instance inaru, here ; anaru , denaru, there, also inanas ,
from here ; ananas , from there, show the na .
The Ablative. — The pure ablative, formed by adding nas to the stem,
is more frequently met with than the pure locative. The termination
besides being used with pronouns (adverbs) and numerals, is also used
with substantives. Examples : ganas, from what ? anas, denas, from
that, since ; inas, from this, since ; cignas, from a (or one) ; zhingnas, from
the field.
In many cases, however, the ablative is expressed by the postpositions
nangnas, out of; dunnas, from the presence (of persons); chogsnas , from
the direction of ; khanas, from above; yognas, from below, etc. Examples :
chui nangnas, out of the water; mii dunnas, from the man; tsangspoi
chogsnas , from the river.
The pure ablative in nas is used :
1. With the postposition pharla, for, during. Example: lo mangponas
pharla , for many years.
THE SUBSTANTIVE,
15
Note. — The postposition pharla is used if the action or condition, expressed by
the verb, is progressive over the period. If a definite period be meant, then nonte
(ionte) or sengste must be used. Thus lo mavgpo nonte , many years since, if the
action is not progressive.
2. Some verba have their object in the pure ablative, for instance,
rgyalces, to conquer, and drices, to ask (but both may also have the dative).
Examples : rggalpo dravonas rgyalsong , the king conquered the enemies ;
mi des nganas driva zhig dris, that man asked me a question.
8. Very frequently the pure ablative is used to denote the locality from
which something issues. Thus lenas , from Leh ; ladagnas from Ladakh ;
khangpanas , from the house ; namkhanas, from the sky (heaven) ; zhingnas
from the field.
4. To indicate the material of which a thing is made : shingnas , of
wood ; sanas, of earth; Icagsnas , of iron.
Note 1. — In some villages the ending nas is used instead of the na of the loca¬
tive, especially in the case of adverbs and postpositions. Thus nangnas (instead of
nangna ), within ; gyabnas, behind ; inas, here ; anas , there.
Note 2. — The ending nas is generally pronounced ncL
The Terminative, — This case denotes the aim of an action as well aa
the motion towards that aim or end.
The true terminative, ending in ru, du, etc., is almost entirely lost in
Ladakhi. Instead of it, the dative has come to be used. In certain cases,
however, postpositions are preferred. Thus for motion towards persons or
being near them, tsa, near. Instead of tsa the adverb deru, there, is also
occasionally used. Example : abai tsa song or abaideru song, go to the
father.
The true terminative is found still :
], With many pronouns, to form adverbs ; thus ini , here ; aru , there,
thither ; deru, there, thither ; zhanmaru , to the other ; thsangmaru , to all ;
garu, where, to which.
2. A substantive which always uses the pure terminative is id, mind.
Example : iddu borces, keep in mind.
The Plural.
The plural of Ladakhi has no ending or suffixes, but is indicated by
words expressing the idea of multitude. The most frequently used of
these words are the pronouns thsangma, thsanka, kun, sag, all ; mangpo ,
many ; khacig, several, some, besides all„the numerals. All words denot¬
ing the plural must be placed after the word which they multiply, and
16
LADAKHI GRAMMAR.
have the case endings added to them. Example ; homo kunnis ( = gunnis)
gonces thrus, the women washed clothes.
thsangma, all, frequently takes the pronoun de, those, between itself
and the substantive, thus mi de thsangma , all those people.
Distinction between thsangma , thsangka , kun , all
thsangma and thsangka mean 1 all ’ in a literal sense, if no person or
thing is omitted. Example : sipa de thsangma shor, all the sepoys (every
sepoy) ran away.
kun means ‘ all,’ when a number of people is spoken of in a loose way.
Example : sipa kun shor , the sepoys ran away (if possibly a few remained).
kun is mostly used with living beings.
thsangka in particular means altogether, thus ngazha thsangka , we
altogether.
Note. — thsangma is also used with the singular to denote the whole. Example :
zhing de thsangmala chu ranrgos, the whole field must be irrigated.
THE ADJECTIVE.
Position. — If an adjective be joined to a substantive as its attribute, in
ordinary language it usually stands after the substantive. Examples :
sta rgyalla, the good horse ; chu tsante, hot water.
Idiomatically we find the adjective before its substantive in certain
phrases. Examples : damhai chos , the holy religion ; snganmai dus, the
previous time ; zangpoi lugsla, in a good way.
Especially those adjectives which denote names of nations are placed
before the substantive, the i of the genitive being joined to the pure stem.
Examples : boddi thrimsla, according to Tibetan custom j angrezi specha,
English books.
Adjectives with the ending can , having, partake of the nature of parti¬
ciples and mostly stand before the substantive. Examples : dugcanni rul,
the poisonous snake ; rgyugkhanni sta, the running horse.
If a participle or an adjective in can stands after the substantive, it
generally takes the pronouns de or di or a numeral. Examples : lug rucho
canzhig, a horned sheep ; sta rgyugkhan de, the running horse.
If the adjective is placed after the substantive, it takes the case
endings, unless it is followed by a pronoun or a word denoting the plural,
in which case the latter would take the ending. Examples : chospa
zangpos izug molsong, the pious man said so ; sta rgyalla des rtsa mangpo
zarug , the good horse eats much grass ; mi khaspa kunni thsodla, according
to the idea of clever men.
NUMERALS.
Gender , — A few adjectives, when joined to a substantive denoting a
living being can adapt their article to the gender of the substantive.
In the first place rgadpo-rgadmo must be mentioned here. It means
‘old ’ when said of living beings. Examples : sta rgadpo, the old horse;
stargodma rgadmo, the old mare ; rgyalpo rgadpo , the old king ; rgyalmo
rgadmo, the old queen.
Then those adjective-substantives which denote names of nations and
types of religion are subject to change of gender. They correspond to
angresi, boddi, ladagsi, etc., but whilst the latter occur only in an attributive
connection, the former are used to form the predicate. Examples : mi de
bodpa , angrespa, mashikapa in, that man is Tibetan, English, Christian ;
homo de bodmo , angresma , mashikama in, that woman is Tibetan, English,
Christian. Compare under Definite Article.
The Comparative in Ladakhi is expressed by sang which governs the
genitive. Example : ngai khangpa i khangpai sang rgyalla yod , my house
is better than this one.
Infinitives drop the genitive ending before sang. Example : dagsa las
coces sang monlam tabces rgyalla yod, now we had better prey than work.
Note. — Many people, especially in Lower Ladakh, are not strict in using the
genitive, so that sang seems to govern the accusative at the same time. Example :
bongngu sang sta eke, the horse is bigger than the ass.
For strengthening the sang of the comparative the words theb, more,
and mangnga, much, are often added. Example : ngai khangpa i khangpai
sang theb rgyalla yod, my house is better than this one.
Note.— mangnga is often used without sang to express the comparative. Ex*
ample : kho mangnga sogpo (or rtsogpo ) song, he became still worse.
The Superlative , — It can only be expressed by using the comparative
with reference to ‘ all.’ Example : mi thsangmai sang rgyalla, the best
man (the man, better than all). A very high degree of a quality is often
expressed by adverbs such as md , very ; Idingse, really ; manna, totally. Ex¬
amples : md gyalla , very good ; Idingse rtsogpo , really bad ; manna zhigste,
totally destroyed.
NUMERALS.
Cardinals . — The connecting syllable between tens and units in most case
is composed of (1 ) the first consonant of the stem of each ten, (2) a vowel,
(3) the otherwise silent first consonant of the stem of the unit, called phuL
The phuls of the units are the following : 1 g, 2 g, 3 g, 4 b, 5 — , 6—,
7 b, 8 b, 9 d (pronounced r).
18
LADAKHI GRAMMAR.
Example : In 43 the first consonant of the ten is zh , the phul of
3 is g, between the two the vowel a is placed and thus the connecting
syllable zliag is obtained. The cardinals are the following :
NUMERALS.
19
In ordinary speech it is often not considered necessary to pronounco
the numbers in full as given, and in such as are composed of tens and
units, the tens are omitted, because they are sufficiently indicated by
the connecting syllable. Thus instead of sumcu so rug it is enough to
say sorug.
gya has the phul b , which is sounded with the unit in some multiplica¬
tions of gya : 100 gya, 200 nyibgya or nibgya , 300 sumgya , 400 zhibgya,
500 ngabgya, 600 drug gya , 700 dunoya, 800 gyabgya or gyadgya , 900
rgubgya, 1,000 stong cig or stongthrag cig ; 10,000 = thri cig or thrithso
cig ; 100,000 bum cig or bumthso cig.
In multiplications of 1,000, 10,000, 100,000, etc., the multiplying unit
is placed after the higher number : bumtliso sum 300,000.
There are no connecting syllables between the higher numbers, thus
1899 s= stong cig gyadgya gubcu gor gu.
Reduplication of the cardinals. If the number ‘ one ’ be reduplicated,
its meaning is intensified. Example : mi cig cig iru hleb, only one man has
come here, cig cig = only, alone, single.
If another number (than one) be reduplicated, it is referred to several
possessors, and the reduplication serves to express the pronoun ‘each/
Examples : ngala girmo drug thob , I have got six rupees ; hlapa hunla
girmo drug drug thob, each labourer has received six rupees ; phed phed ,
| each.
Note. — In compound numbers (also in fractional ones) only the latter part of
the composition is reiterated. Examples: phed ang drug drug , 5^ each; phed
20 LADAKHI GRAMMAR.
ang nyibgya vyibgya, 150 each ; pheddi pked plied, £ each ; gya dang nyislm
nyishu, 120 each.
The suffixes ka and ho : — Ua or fro, when added to a cardinal number,
serves to express the conjunction ‘ together,’ see also Plural tlisangka .
Examples : dagsa i hlui nangnas kangmig sumko tang in, now we shall
sing from this song the three verses together; ngatang nyiska, we two
together.
Ordinals. — With the exception of dangpo, the first, the ordinals are
simply formed by adding pa to the cardinals; thus sumpa, the third;
nyishu tsag sumpa , the twenty-third.
The Ladakhi makes also use of the termination ngola for the notation
of the numbers of years, months and days. Examples : lo nyis ngola, in
the second year ; Iza sum ngola, in the third month.
For the notation of years and days also a very peculiar system of
numbering is used. The series runs as follows :
diring, to-day, reckoned as first day ; thore ( thoras ), to-morrow, or
second day ; nangsla , day after to-morrow or third day ; zhesla, fourth
day ; rgusla , fifth day ; scusla, sixth day.
diring, to-day, the first day; dang, yesterday, second day; kharsang
zhag, day before yesterday, thud day ; ngunma zhag, fourth day.
dalo, this year, reckoned as first year ; nanning, last year, second year ;
shenning, year before last, third year ; rguning, fourth year ; scuning ?
fifth year.
dalo , this year, first year ; nangpar or nangmo, next year ; sangpar, year
after next.
Note.— Icharsang zhag and ngunma zhag are also used indefinitely, but defi¬
nitely in enumeration.
Adverbial Numerals. — Such as ‘ firstly,’ 4 secondly,’ can be expressed by
the ordinals dangpo , nyispa, etc. Very often instead of them goma, at
the beginning, and denas, then, are used. 4 Once,’ 4 twice,’ etc., are
expressed by placing lan, thser, or lanthser before the cardinal. Thus
lancig, once ; thser sum, three times; lanthser scu, ten times.
Also res, times (sometimes turn, it is his turn, etc.), may be men¬
tioned here. Example : darung gyabres sum dug, we shall shoot again
three times (in turns).
Fractional Numerals. — Only phed, half, seems to be in general use.
With its help ‘ one-fourth ’ = pheddi phed has also been formed. In the
school cha, part, placed after the cardinal is used : sumcha cig, one
third ; sumcha nyis, two third parts.
THE PRONOUN.
21
THE PRONOUN.
Personal pronouns. — Those specially used in Ladakhi are the follow-
Singular.
Singular respectful .
1st Person
2nd Person
3rd Person
vga, ngarang ,
khyod, khyorang,
kho, khorang,
nyerang.
khong.
Plural.
Plural respectful.
1st Person
2nd Person
3rd Person
ngazha, ngatang,
khyozha,
khokun (gun),
nyezharang.
khongkun (gun).
Though ngazha and ngatang in many cases may be used alternatively,
now and then only the one or the other ought to be used. When con¬
nected with a numeral, the idea of the numeral is emphasized by ngatang ,
This is most plainly seen with thsangma , all. Example : ngatang thsangma
sdigcan in, we all (all men) are sinful. Ngazha thsangma sdigcan in, we
all are sinful, might be said by some thieves.
The compositions with rang can always be used instead of the simple
pronouns.
Possessive pronouns. — They are formed from the personal pronouns by
putting the latter in the genitive, thus ngai, ngarangngi, my ; ngazhai ,
our.
One possessive pronoun alone does not seem to be derived from a personal
pronoun in the way indicated. This is ngati, our, (generally used only
for the narrowest circle, that is, for things or persons belonging to our
house and family), ngati might be taken for a genitive, but a nominative
ngad does not exist. Perhaps it was contracted from ngatangngi or
developed from ngedkyi.
The use of the possessive formed from the personal pronoun is more
limited than in English for the following reason :
If the possessive pronoun does not belong as attribute to the subject of
the sentence, but agrees with the subject (which may be in the instrumen¬
tal) in number and person (or nature), then the possessive pronoun is
generally expressed by the reflexive rangngi, own. Examples : khos
rangngi aha thongs, he saw his (own) father ; ngas rangngi ama sralrgos ,
I must feed my mother.
22
liABARTII GRAMMAR.
If the object of the sentence is a living being (which is generally the
case in a sentence with to have, receive, need, etc.) , then it exercises
over the possessive pronoun the same influence as formerly did the subject
of the sentence ; the possessive pronoun, therefore, must be expressed
by rangngi , if it agrees with this object. Example : mi dela rangngi
gonces logste thob, the man has got his coat again.
In all cases rangngi may be replaced by the respective personal pro¬
noun, which is a compound with rang (after being put in the genitive).
Then the subject of the sentence is generally omitted. Example : nga -
rangngi ama shralrgos , I must feed my mother ; instead of ngas ngarang •
ngi ama shralrgos .
Reflexive pronouns.-—1 The use of rang and its compounds has been
described under possessive pronouns. When used emphatically, rang
alone is never used, but always compounds with rang. Example : zampa
khorang zhigthsar, the bridge itself was destroyed.
In the case of the same person being the subject and object of an
action, the reflexive pronoun is paraphrased, Example : khos rangngi
zugspola rdungs , he beat himself.
There exists also a reduplicated form rangrang. It is used (but not
necessarily) with the plural for expressing ‘ each his own.’ Example:
khot hsangmas rangrangngi khangpala zabthrod tangs, they all decorated
each his own house.
Use of rere rangrang may still be re-inforced by adding rere , each.
Example : kho thsangmas mi rere rangrangngi khangpala zabthrod tangs ,
they all decorated each his own house.
If re stands in simple form (not reduplicated), it means ‘ one * or
* some/ Example : lo rela churud cig yongdug , in some years a flood
comes,
Sometimes re is to be met with three times in a single sentence, with
the verbs to have, to receive. In the first case reduplicated with the
possessor, then single with the object of possession. Example : mi rerela
jau re thob , every man received a jau (a coin).
The reduplicated rere with the possessor may be dropped , and the
remaining single re with the object means ‘ about one each.’ Example :
mikunla jau re thob , they received about each one jau (not quite certain, if
really all received it).
Reciprocal pronoun.— The English ‘ each other ’ or 1 one another ’ is
rendered by ‘one — one.’ Example *. ciggis cig sad, one killed one, they
killed one another.
THE PRONOUN.
28
Demonstrative pronouns. — The most frequently used ones are i, this,
and a, that, which both stand before the word they point out. Examples :
i mibo deru thongspin , I saw this man there; a lamia drulshig , go by that
road.
Rather more seldom used are di, this, and de, that, which commonly
stand after the word which they point out. Example : nasthsul de yam -
tsan zliig in , that event is strange-
The pronoun de may be strengthened by the ending na, and so arises
the pronoun dena, the same, the very same, which stands before the word
which it points out. Example : dena mi dang thugsong , I met with the
same man.
In the Rongpa dialect (uppermost Ladakhi), instead of dena, deka is
used.
All these pronouns, when standing by themselves, generally take the
optional article. Thus ibo, this ; abo, that ; denabo , the same.
Interrogative pronouns. — In Ladakhi the following are used: su, who, for
persons ; ci , what, for things. Both are used indefinitely and independ¬
ently. Examples : ci in, what is the matter ? ci corug , what are you
doing ? su yongdug, who comes ?
ga, which, is used for persons as well as for things attributively.
Examples : ga khangpala thaddug, which house do you like ? ga mi dang
thugsong , which man did you meet ?
ga, when used independently, always points out a definite thing or per¬
son. Example : gabola thaddug, which do you like ? (in a choice).
Note. — su reiterated, assumes the meaning of some, several. Example :
susu hlebthsar , several (out of a certain number) have arrived. It is also used
interrogatively in a similar way : susula hla ma thob , who (of you) has not yet
received his wages ?
su — su is also used correlatively for expressing ‘ one — the other/
Example : su ingngola yongs, su angngola song) one came here, the other
went there.
Relative pronouns. — These are exactly the same in form as the interro¬
gative. They are, however, seldom used. If the subject, object, or adver¬
bial adjunct of the chief sentence be expressed by a subordinate sentence,
then the subordinate sentence may be introduced by a relative pronoun.
This is not the case if only an attribute is expressed by a subordinate
sentence. Examples : gabola thadna de nenshigi take what you like ; sula
chagsdug) hho yongdug, he whom you love is coming. For more parti¬
culars see under Conjunctions.
24
LADAKHI GRAMMAR.
Remarks concerning the Pronouns : —
1. Use of the ending zug . The ending zug is added to all demon¬
strative pronouns and to the interrogative pronoun ga , in order to gene¬
ralise their meaning. Azug , izug, dezug, dizug mean therefore ‘ such,’ or
adverbially ‘ thus, so.’ Gazug means * what kind of P ’ ‘ how ? ’ interro*
gatively, or adverbially ‘ just as,* ‘ as.* Gazug — dezug are used corre-
latively. Example : gazug shmorug, dezug shngarug , as you sow, so you
will reap.
2. Suffixes added to su and ci. — To generalise su, who, the endings zhig
or ang or zhig ang are used ; to generalise ci, zhig or tongzhig are added.
Examples : suzhig yongnayang , thadte yongin, whoever comes is wel¬
come ; citong zhig khyongna gyogspa khyong, whatever you bring, bring
it soon.
THE VERB.
General remarks.— On the whole the verb in the Ladakhi dialect
seems to show a progress in respect to its verbal function, as compared with
the verb in the classical language. The verb in the classical language
may properly be considered as a verbal noun, for, as Conrady distinctly
points out, in the classical language the verbal strength of a sentence
lies less in the verb itself, than in the subject of the sentence, whether
tnat be used in the nominative or instrumental. From this cause it
happens that in the classical language the same verb may be construed
with the instrumental or with the nominative, according as it is employed
in a transitive or intransitive sense.
The advance which the verb of the Ladakhi dialect exhibits rests in
this, that generally speaking it can no longer be alternately construed
with nominative and instrumental, but that each separate verb takes
one or the other case alone.
There exist a few verbs which are alternatively used with the instru¬
mental and nominative. They are the following : —
THE VERB.
25
Tlie last not in all cases, because a verb hlobces, to learn, seems to
exist : hhas hlobba zum, learn by heart.
Thus it comes that the transitive or intransitive force of the sentence
no longer lies in the subject alone, but has been partly transferred to the
verb.
From the above it follows, that the Ladakhi verbs fall into two great
groups, transitive and intransitive, according as they take the nominative
or instrumental. According as they denote an action or a condition, they
can be divided into active and neuter verbs.
There are these four groups formed :
(1) active transitive . . . .
v ' . • i construed with the instrumental.
(2) neuter transitive J
(3) active intransitive ^
\ ' . , > construed with the nominative.
(4) neuter intransitive J
This rule is observed strictly by educated people. Others are not
always quite strict. Though they will never use the instrument a
with intransitive verbs, they may occasionally use the nominative with
transitive verbs. Thus we may hear : nga cospin, I did it ; nga shesdug,
I know it.
Occasionally transitive neuter verbs, especially in Lower Ladakhi, may
take the dative instead of the instrumental. Examples : ngala thsorsong ,
ngala shessong , I heard it, I knew it.
On the whole the views of Ladakhis as to which group a verb should
be placed under agree with those of Europeans. An exception is thadces ,
to like, which always takes the nominative. Example : nga dela thaddug,
I like it.
Stems of the Verb.
The Ladakhi verb in many cases shows three distinct stems. They are
the following
1. The present stem. — It is found by rejecting the termination of the
infinitive. Thus the present stem of tangoes , to give, is tang. The present
stem is used in the following forms : Present tense, future tense,
negative imperative, infinitive, present participle, gerund in in, and
supine.
2. The perfect stem. — It is formed out of the present stem by
adding s to the latter. Thus the perfect stem of tangoes, to give, is
26
LADAKHI GRAMMAR.
tangs. This s is, however, often omitted, and then the perfect stem is not
different from the present stem. An s is not added :
(a) if the present stem ends in s, as for instance in shesces ,
to know ;
before f (b) if the present stem ends in d and n ;
an ending l (c) if it ends in l and r, s is also often omitted.
The perfect stem is nsed in the following forms : Past tense, past
participle, gerunds in te and pasang.
Note. — In the Tangtkang dialect, the perfect stem is not different from the
present stem.
3. The imperative stem . — It is formed from tho present stem by
adding an 5 to the latter and by changing the a of the root to o. The
s of the imperative stem is always nsed before the ending cig, and
without this ending in stems ending in a vowel. It is also often placed
before the ending tong . The imperative stem is only used in the
affirmative imperative.
Note 1. — In the verb zaces, to eat, the perfect stem is identical with the
imperative stem. It is the only verb which changes the vowel for the past. In
simple form the imperative does not take an s. Examples: zoy eat; zoshig
<=. zoscig, see Laws of sound, p. iv), eat ; zost zospin , I ate ; zothsart eaten up.
Note 2. — The verb * to go ’ has two roots— cha and song. Cha is used in all cases
in which other verbs take the present stem ; song is used for the perfect and impera¬
tive stems. Examples : chaces, to go ; chain , going or shall go ; cliarug , chaad , we*
you go ; songste, going ; songthsar, has gone ; song, go ; ma cha, do not go.
Note 3. — Because the s of the perfect and imperative stems is not used
regularly, it will always be given with the endings..
Forms of the Vekb.
The infinitive. — The Ladakhi infinitive ends in ces or ce in Central
Ladakh, in cas in Lower Ladakh, and in ce in Rong or Upper Ladakh.
Besides this Ladakhi infinitive, the classical infinitive in ha or pa is
also used sometimes, especially with phila, for; thus Mai phila, for
being so.
The supine. — The Ladakhi endings are casla , cesla , cea, according
to the respective districts.
Besides this Ladakhi supine, the classical supine in ^arand bar is still
used in Ladakh. It is never pronounced in full, it generally appears as
a simple a. If the stem of the verb ends in a consonant, the consonant is
THE VERB.
27
doubled. Examples : phebar = phea , to be opened; sampar—samma, to
be thought. In certain cases the classical supine must be used :
1. In the respectful construction with dzadces. Example: rgyalpo
shmoa dzadsong , the king ploughed (from shmoces, to plough).
2. For the negative of the present with dug , yod, rag. Examples:
drulla mi dugt drulla med, drulla mi rag, does not go.
In most cases the classical supine may be used instead of the Ladakhi.
Example : Jcho Itaa song, he went to see, instead of kho Itacesla song.
In the classical language as well as in Ladakhi, the supine is some¬
times used instead of the gerund. Example : shicesla ma jigssa, bar -
khanni khangpai nangla song, not fearing death, she entered the burning
house. In classical language : achibala ma ajigspar.
Present participle active.-—' The Ladakhi ending is khan , added to
the stem ; thus tangkhan, giving ; drulkhan , going.
The classical ending ba is perhaps hidden in the present in ad,
thus yongngad may be contracted of yongba yod, especially as its mean¬
ing is approximately ‘ he is coming.’
Past participle passive.—' The Ladakhi endings are khan and skhan.
About the use of the s, see Perfect stem. Examples : shadkhan, said ;
tangsklian, given; tabskhan, thrown.
In a few cases the classical endings ba and pa, or, with s, spa are used :
1. Before direct speech the announcing verb prefers to take the classi¬
cal participle. Example : khos zerpa, he said.
&. In a form of the past tense the classical participle is used.
Example : cospain = cospin, he did it.
3. It is used vulgarly at the end of any speech, for instance mi dugpa ,
he is not here.
Gerunds.— -The Ladakhi makes use of the following three gerunds:
1. Gerund in te or ste (about the s see Perfect stem). In most cases
the te or ste can be translated by the English ing. Example : deru sovgste,
going there. This gerund is used for connecting co-ordinate sentences
with the conjunction ‘ and,’ or for expressing the conjunctions ‘while,
whilst ’tin subordinate sentences. Example: nga deru songste kho iru
hleb, whilst I went there, he arrived here.
It is used for the present participle only adverbially. Example :
thongste sheste las rtsogpo cos , he did the bad work seeing and knowing
(intentionally).
In a form of the pluperfect it is used instead of the past participle.
Example : coste yodpin, I had done it.
. c
28
LADAKHI GRAMMAR.
2. Gerund in pasang. It is a more modern form, and was perhaps
derived from pas and yang. In many cases the pasang can be translated
by ‘ because,’ in others it is usedi nstead of te. Example : mi mangpo
dzomspasang, lamas chos shadda dzads, because many people had gathered,
the lama spoke religion (preached).
3, Gerund in in, derived from the classical gin. It implies a durative
sense (for this reason it can often be translated by ‘whilst’), and likes
reduplication. Example : guco tangin tangin dugsong , they remained here
making noise.
Present tense.—
A, Simple tense. — Only the present stem is used without any endings :
1. In the negative of the present the negation mi is often placed before
the simple stem. Examples : mi shes, I do not know ; mi thong , I do not
see.
2 . Before the postpositions na , nayang and zana, the simple present
stem is used. Examples : las cona, if you do the work ; las conayang ,
although you do the work; las cozana, when doing the work,
B. Compound tenses . —
1. dug , joined to the stem. Examples : tangdug, I, you, he, etc., give,
gives ; shesdug, he knows. Stems ending in a Vowel take rug instead
of dug. Examples : charug , he goes ; berug, it opens.
Negation: The principal verb takes the classical supine, and mi is
placed between it and dug. Examples : tangnga mi dug , does not give ;
yongnga mi dug , does not come.
2. ad (Lower Ladakhi ed) joined to the stem of the verb. This ad
may have been contracted from bayod, ba being the ending of the present
participle, so that tangngad would be the literal translation of I am
giving, yongngad, I am coming.
Negation : med is placed after the supine (or perhaps present participle)
of the principal verb. Examples : coa med, he is not doing; zerra med ,
I am not saying.
This form is especially used in lively conversation ; in Lower Ladakh
the present in ed is used almost exclusively.
3. og, joined to the stem of the verb. In Central Ladakh the ending
O
'og is only used with the auxiliary in, to be, and almost only in the third
person. Example : ri ning tlionpo innog , the hill is high. In Lower
Ladakh it is also used sometimes with other verbs. Examples : balang -
ngis ibo zana, shiog, if the cow eats this, she dies.
THE VERB*
29
This og is said to be identical with the classical ending o, which is used
for concluding sentences.
Negation : innog , it is; mannog ^ it is not. Other cases are not
known.
4. Supine in in or inzhig and dug , if the action, of the verb is a last¬
ing one (durative), Example : las coin (coinzhig) dug, he is doing work
(progressive).
Negation : mi is placed before dug. Example : las coinzhig mi dug,
he is not doing work.
5. rag , feel, added to the supine of the principal verb. Examples :
ngalla rag , I am tired ; skomssa rag, I am thirsty ; shessa rag , I know.
This form can only be used with verbs which denote a perception of
the senses (with the exception of sight) or an action of the intellect.
Negation : mi is placed before rag : ngalla mi rag, I am not tired.
Note. — zerrag, I hear or heard say, is probably a contraction of zerra rag.
6. Infinitive in ces and auxiliary is not considered good language.
Example : mugces man, does not bite.
Past or Preterite. — Most of the forms express at the same time an
action which is finished at the present time, and an action finished at some
previous time (perfect, imperfect and pluperfect).
A. Simple forms :
1. Some verbs use the pure present stem for the past. This is the
case especially with intransitive and neuter verbs and in the negative.
Examples : jung, it happened ; rag, felt ; thsar, finished ; ma hleb, did not
arrive.
Negation : ma is placed before the stem : ma jung , did not happen.
2. The pure perfect stem (with s) is used. This is one of the most
generally used forms. Examples : thongs , saw ; yongs , came ; tangs , gave;
cos , made.
Negation : ma is placed before the stem : ma thongs , did not see ; ma
yongs , did not come.
B. Compound tenses. —
1. in, to be, is joined to the past passive participle in pa, ba, or, with
the s of the perfect stem, spa. Thus the termination pain, bain , or spain
is attained, and generally contracted to pin, bin , spin. Examples : thadpin,
liked ; cospin , did ; yongspin , came.
30
LADAKHI GRAMMAR.
Use of tliis compound tense :
00 a few verbs use this tense exclusively for the past, for instance
rgoshes ( rgosces ), to must ; inces and yodces , to he. Thus
rgospin, must; inben and yodpin, was.
Note. — If there is an i in the stem of the verb, the termination is generally
pronounced pen, ben.
(6) all other verbs form their past tense in pin, bin, spin before the
na , if, of the conditional. Example : hhyorangngis ngala hun
tangspinna , if you had given me news ;
(c) in the principal sentence answering to the conditional sentence,
it is good, but not necessary to form the past in bin, pin ,
spin . Examples : hhyorangngis ngala hun tangspinna, nga
. • \ w ■ i '
yongspin, if you had given me news, I should have come ;
las gyogspa cospinna [Zas] cothsar, if you had done the
work quickly, it would be finished ;
{d) the past tense in bin, pin, spin is very much used in lively
conversation, rather more for the first and second persons
than for the third. In Lower Ladakh this form is used almost
exclusively.
Negation : ma is placed before the stem of the verb : ma cospin, did
not do ; ma yongspin, did not come.
2. thsar, finished, is joined to the present stem of the verb. Ex¬
amples : las de cothsar, the work is done (finished) ; shithsar, he died (is
dead already) ; songthsar, he is gone (already).
This form is perhaps the truest perfect of Ladakhi ; it expresses an
action, finished in the present.
The verb zaces, to eat, uses the perfect stem ( a changed to o) with
thsar ; zothar, eaten [up].
Negation : ma is placed before thsar. Examples : las de co ma thsar ,
the work is not done; sha darung stub ma thsar, the meat is not yet
minced.
3. song, gone, became, is joined to the perfect stem of the verb. Ex¬
amples ; cossong, made ; tangssong, gave ; zossong , ate.
This form, together with the form mentioned under ‘ Simple forms 9
2, is approximately the historical perfect of Ladakhi. It is used very ,
much for narrative and with the third person.
Negation : ma is placed before the stem of the verb Examples : ma
cossong, did not do ; ma tangssong , did not give.
THE VERB.
31
4. adjoin is added to the present stem of the verb. This adpin is
probably a contraction of ba yodpa in, ba being the ending of the classical
present participle active, see also Present tenses 2. From this it follows
that this form signifies the continued (sometimes repeated) action in the
past. Examples : nanning ngas Muhan Lai thongngadpin, last year I saw
Muhan Lai several times ; ngas specha de silladpin , I was continually read¬
ing that book.
Negation : medpin is placed after the supine (or here perhaps present
participle) of the verb. Examples: silla medpin , was not reading;
ikongnga medpin , was not seeing.
5. yodpin placed after the gerund in te, ste, or after the past participle
passive in khan , skhan. The gerund is more generally used than the parti¬
ciple. Example : ngas las de coste yodpin, I had done the work.
Negation: yodpin is replaced by medpin \ ngas las de coste medpin ,
I had not done the work.
6. tog is joined to the perfect stem of the verb. This form corresponds
to the present in og, and very likely is the Ladakhi form for the classical
concluding to, as we have it in sgyur to. Examples : zertog, said ; yong-
stog, came ; tangstog, gave.
As regards the use of this form, it reminds us of the past in thsar, as
it expresses the true perfect. It is used principally with the third person.
It is never used with an auxiliary, nor with the verbs have, must.
Negation : ma is placed before the stem : ma zertog , did not say ; ma
yongstog, did not come. •**
7. adthsug is joined to the present stem. For the derivation of ad
see 4 adpin. In Lower Ladakh, instead of thsug, thsogs, is said, and this
thsogs, like, always implies the meaning of something doubtful. For this
reason the Lower Ladakhi form in thsogs may be considered as a form of the
dubitative. This accounts for the frequent occurrence of this form of the
past in fairy tales. In Ladakh proper, however, the dubitative meaning
of the thsug has been lost, and the past in thsug is used alternately
with the other forms of the past. Examples : yongng adthsug, he came ;
tangngadthsng, he gave.
Negation : medthsug is placed after the supine (or perhaps participle)
of the principal verb. Examples: yongnga medthsug, did not come;
tangnga medthsug , did not give. •
Note 1. — In a few cases the present in rag is also used for the past, for in¬
stance, zerrag , 1 heard say. If this form is put in the negative mi is retained, thus
zerra mi rag , did not hear say.
32
LADAKHI GRAMMAR.
Note 2. — Persons with forms of the past and present tenses. Most of the
forms, mentioned above, can be used with the first, second or third person alter¬
natively. As regards certain forms showing a (never exclusive) preference for cer¬
tain persons, the following paradigm might be formed :
Future tenses .
A. Simple form, — Without an auxiliary the pure present stem is used
or the future tense only in the negation. Examples : mi cha , shall not go ;
mi yong, shall not come ; mi hhyong , shall not bring.
B. Compound tenses. — 1. in, to be, is joined to the present stem of
the principal verb. Examples : chain (contracted chen) shall or will go ;
tangin, will give ; khyongin, will bring.
Negation : mi is placed either before the pure stem or before stem with
in. Examples : mi cha or mi chen, shall, will not go ; mi tang or mi tang
in, shall, will not give.
2. chen, shall go, is placed after the classical supine (in a) of the
principal verb. Example : ngarang rgo chugga chen, I shall close the door,
go to close the door.
Negation : mi is placed before chen or cha : chugga mi chen, chugga
mi cha, shall not close.
3. chen, shall go, is joined to the present stem of the principal verb
(probably developed from the preceding form). Examples : zerchen , shall,
will say ; khyongchen, shall, will bring. Even chachen, shall, will go, is
used. This form is very frequent in common speech.
Negation : mi is placed before the stem of the principal verb, thus mi
zer, shall, will not say.
Imperative tenses .
A • Simple forms.— 1. Many verbs use the pure present stem for the
imperative. Examples : zer, say ; yong, come ; hhyong, bring ; hor, put.
2. Verbs, the present stem of which has an a and ends in a consonant,
change the a to o, but do not add an s. Examples : tangoes, to give _ tong ,
give ; langsces , to rim -longs, get up ; sgangces, to fill— sgong, fill.
THE VERB.
88
3. All verbs the stem of which ends in a vowel add s, a being changed
to o. These alone use the full imperative stem. Examples*: coces, to do,
cos, do ; Itaces, to see, Itos , look ; pieces, to open, phes, open it ; thruces, to
wash, thrus, wash it.
Note. — Zaces , to eat, does not add s, thus zo , eat, is used.
Negation : All simple forms have ma placed before the pure present
stem. Thus o is rechanged to a, also s is dropped again. Examples : ma
zer , do not say ; ma tang , do not give ; ma Ita , do not look ; ma thru , do
not wash ; ma za, do not eat.
B. Compound tenses. — 1. tong, give, is joined to the perfect stem
of the verb ( i.e ., s is added to the present stem of the verb, in all those
cases when it can be done ; a is not changed to o). Examples : stances ,
to show, stantong, show ; tangoes , to give, tangstong , give ; chomces, to
jump, chomstong, jump.
Negation : see Simple forms.
2. cig is joined to the full imperative stem, ( i.e ,, a is always changed
to o, s is always added and associates with the c of cig to form shig ; see
Laws of sound, 1). Examples: stances , to show, stonshig , show; tangoes ,
to give, tongshig, give; Itaces , to see, Itoshig, look, or with the first per¬
son ngala yodshig, I wish I had it ; nga shishig, I wish I should die.
This form is used :
(a) for addressing several persons, a plural form of imperative ;
(b) it softens an order to a wish, if applied to a single respected per¬
son ; thus zigshig, 1 be pleased * to see.
Negation : ma is placed before the perfect stem {i.e., o is rechanged to
a, s is not dropped). Examples : ma tangshig , do not give ; ma stanshig ,
do not show.
3. ang , also, is joined to the imperative stem, as it occurs in the
.simple forms. Examples : zer ang, say ; tong ang, give ; Itosang , look ;
phesang, open ; zosang , eat. It is remarkable that zosang has the s
again.
Negation : ma is placed before the present stem with ang. Examples :
matangang, do not give ; malta ang, do not look ; ma zaang, do not eat.
4. rgos, must, and chog, may, are joined to the present stem. Exam¬
ples : chargos, go, you must go ; tangcbog, give, please.
Negation : mi is placed between verb and auxiliary, thus cha mi rgos,
do not go ; tang mi chog, do not give, must not give.
Note 1. — Interjections, used with the imperative. The oh ! of the imperative
Is expressed either by ai (pronounced like the English i), or by wa { ai is always
34
LADAKHI GRAMMAR.
placed after the verb, wa is placed before it as well as after it. Whilst ai denotes a
friendly request, wa emphasizes a strict command. Examples : iru yong ai, come
here, will you P wa, iru yong , come here immediately ; nyid rdemo log ai, sleep
well i song wa, go away.
Note 2. — If the forms of the imperative be arranged according to their respec¬
tive force, the following order might be formed : (1) simple form and ai : zer ai, do
say it ; (2) shig : zer shig , be pleased to say ; (3) simple form : zer, say it : (4) tong :
zer tong, well, say it : (5) ang and wa : zerang wa, will you say it immediately ?
Reduplication ( Reiteration ) of the verb.
If in the present, perfect, future and imperative tenses the stem of the
verb be reiterated, the reiteration serves to emphasize the verbal idea, and
by da and ni, a following ‘ but ’ is intimated :
1. Present tense : In the affirmative ni, ning, or da is placed between
the reiterated stem. Examples : zer ni zerdug, well, he says, 'he really says,
but, etc. ; tang da tang dug, well, he gives, he really gives, but, etc.
2. Preterite : da is generally inserted between the present and perfect
stems. Examples : khyer da khyers, it is really taken away, but ; song da
song , he is really gone, but (here the perfect stem is used in both cases) ;
zer da zers , he really said, but, etc.
Negation: ma or da tna is placed between the two stems. Examples :
p khyer ma khyers, he really did not take it away ; zer da ma zers , truef
he did not say it,
3. Future tense : da or ni, ning is inserted between the reiterated pre¬
sent stem. Examples : zer ning zerin, well, I shall say ; tang da tangin ,
well, I shall give it, but, etc.
Negation : mi or da mi is inserted. Examples : zer mi zerrin , I shall
really not say it ; tang da mi tangin, I shall never give it.
4. Imperative : da is inserted between present and imperative stems.
Examples : tang da tong , give it ; za da zo , eat it ; yong da yong , come
here ; song da song, or, sometimes, cha da song, go away.
Negation : ma or da ma is placed between the reiterated present stem.
Examples: tang ma tang, do not give; cha ma cha, do not go ; gjong ma
yong, do not come.
5. Durative : For expressing the conjunctions ‘ while, whilst/ the
verb is reiterated. See also Gerund in in. Examples : guco tangin tang¬
in dugsong, they remained here, making noise (all the time) ; nga gor
gorla iru dug, stay here, whilst I stop away ; kharzongngi yachula
Italta chubii Idamchu yang bud, whilst looking at the glacier- water of
THE VERB.
85
the Khardong pass, the pond-water even of Chubi (a village) is lost (a
proverb).
6. The present stem of the verb is generally reiterated before thsugpa ,
until, wait until. Examples : nga cha cha thsugpa shring , wait, until I
go; yulla hleb hleb thsagpa zaces ma thob , we received no food, until we
arrived in the village.
The Causative.
The Ladakhi makes use of two causatives, the ancient causative and
the modern causative.
The ancient causative places s before the stem of the verb ; instead of
s sometimes r is used ; before l, h is placed : e.g., ny dices , to lie down,
snyalces , to make lie down, put to bed.
The modern causative uses the auxiliary chugces , to put in (this is
the causative form of zhugces [instead of jugces ] to go in, enter). This
clmgces is placed after the present stem of the verb and the construction is
the same as with compound verbs.
Types of the ancient causative :
I. Type: g=sg (sk, sp, etc).
gangces, to be full.
barces , to burn.
gulces , to be moving, shaking.
dreces, to be mixed.
jarces , to adhere, stick to.
ny dices, to lie down.
drulces , to go.
langsces, to rise.
sgangces, to fill ( skang ).
sbarces , to light ( spar ).
rgulces , to shake.
shreces, to mix (see Laws of sound, 2).
zharces, to fasten, affix
(parallel to Laws of sound, 7)
sjarcesj becomes zharces ,
snyalces, to put to bed.
shrulces , to make go, exercise a horse,
child, etc. (Laws of sound,
2).
hlangces , to make rise, raise.
S6
LADAKHI GRAMMAR.
cagces, to be broken.
I ogees, to go, come back.
gonces, to be clothed.
gusces, to be smeared.
drigees, to be alright.
gyurces, to become, to be
turning.
shagees, to break ( = scagces, Laws of
sound, /).
lilogces , to bring back.
sgonces ( skonces ), to clothe.
sguces ( skuces ), to smear.
sdrigees, to make right.
rgyurces, to turn.
II. Type : g—kh.
budees, to cease, disappear.
drices, to be diminishing ( e.g%
water in the river or
water from a pot).
bingees, to come, flow out.
zhigees, to be destroyed.
zhagees, to be split.
zhugees , i.e., jugees, to enter.
babces, to come down.
beces, to be, become open,
buces , to be blowing (wind).
phudees , to stop.
thrices, to take off ( e.g ., the stitche3
when knitting).
phingees , to take out.
shigees , to destroy.
shagees , to split.
chugces, to put in.
phabces, to throw down.
pheces, to open.
phuces , to blow.
Ill . Type:kh=sk.
khorces , to cover, surround, skorces, to go round, turn a wheel
whirl about (of (in a mill),
snow, fog).
kholeeSi to be boiling. skolces , to cook.
phoces, to come to another spoces, to take to another place
place (e.g., water (e g., a table to another room),
spilled). take another’s work.
IV. Type : kh—k.
thonces , to come, run out.
chadces , to b9 cut off (wind,
sickness).
thsugees, to take root, grow.
cJiunces , to be tame.
thsoces, to be boiling.
tences , to take, pour
(of the voice).
cadcesi to cut.
tsugees , to plant (trees).
ounces, to tame.
tsoces, to boil.
out, utter
THE VERB.
37
Quite irregular is zhonces , to ride j causative, skyonces, to put on a
horse (make ride).
A few verbs take s, but without a causative sense. Example : phang-
oes, to throw away ; spangces to give up (in a spiritual sense). In most
cases, however, phangces is used both ways.
The modern causative with chugces has the same construction as the
compound verbs.
Compound verbs.
Compound verbs are those with two syllables in the stem.
In the affirmative the termination or the auxiliary is placed after the
second of the two syllables. Examples : hagoste, understanding ; cha -
chug dug, makes go, sends away ; hagospin, I understood.
In the negation of past and future the negative particle is placed be¬
tween the two syllables of the stem. Examples : nga darung nyid mi
login , I shall not yet sleep ; ha ma gos, he did not understand ; yong mi
chugin, I shall not make him come ; yong ma chugspin , I did not make him
come.
In the negation of the present tense the two syllables are not sepa¬
rated, and the latter of the two syllables takes the a of the supine. Exam¬
ples : nyid logga mi dug , he does not sleep ; ha goa mi rag, I do not un¬
derstand ; cha chug g a mi dug , he does not make him go.
Passive Constructions.*
1. In verbs with two stems (see ancient causative) the simple or
neuter form is used for the passive, the causative form for the active.
Example : hhangpa zhig thsar, the house was destroyed ; khangpa de
shigkhanni mi, the man, destroying the house (who destroyed the house).
2. Of the two participles the present participle has an active meaning,
the past participle a passive meaning. Example : tangkhanni mi, the send¬
ing man, the man who sends, is active ; tangskhanni mi, the sent man,
the man who was sent, is passive.
3. A passive of some active transitive verbs is formed by putting
them in the gerund in te and taking dug or yodiov auxiliary. Examples :
khyongste dug , it is brought ; ige driste dug, the letter is written. This
form cannot be used with all verbs, but is idiomatic with many verbs.
4. Most forms of the past may be used in an active sense as well as in
a passive sense (with active transitive verbs ).
_
*.The constructions ngas cospin , etc., must not be considered as passives ; ngas
cospin does not mean * it was done by me,’ but ‘ by me was doing.’
38
LADAKHI GRAMMAR.
In the active the subject takes the instrumental, and the object the
accusative or dative. Example : ngas las de cospin, I have done the
work.
In the passive the object of the action is put in the nominative. Ex¬
ample : las de cothsar , the work was done.
5. All active transitive verbs form the passive indirectly by changing
the order of the sentence. Thus the nominative of the English passive
sentence is changed to the dative or accusative of an active sentence.
Thus instead of ‘ I am loved,’ we say ‘ he, she, it loves me.’ Examples :
khos ngala yasha corug, he makes love to me, I am loved ; khos ngala
rdungdug, he beats me, I am beaten by him.
The Dubitative.
1. Supine in a and yoddro, sometimes contracted to addro. Example :
tangnga yoddro, perhaps he will give.
2. Stem of the verb and indro. Example : tangindro , perhaps he will
give.
3. In Lower Ladakh inthsogs, joined to the stem, is often used
with a dubitative meaning. Example : tanginthsogs, perhaps he will give.
Also khag, kyag, joined to the stem of the verb, is often used in a similar
sense.
Note. — In many cases cishe , who (what ) knows, put at the beginning of the
sentence, will suffice.
Auxiliaries.
The Ladakhi makes use of three words meaning ‘ to be*: dugces ,
inces, and yodces. These may often be used alternatively. All form a
preterite : dugs or dugsong, inben, yodpin. In the past, yodpin is the most
generally used. A future is formed by dugces only : dugin. The future
tenses of chaces, to go, become, and yongces, to come, to happen, are often
used instead.
The negations are : midug, man ( main ), med ( mi yod), for the present
tense ; ma dugs, ma dugsong, medpin, for the past ; mi dugin for the
future tense.
Cases in which only one of the three can be used : —
yodces is used to signify a possession (= to have). Example : ngala
specha sum yod, I have three books.
If a condition has to be expressed by a sentence the predicate of which
is not a verb, yod and in are used before the na of the condition.
THE ADVERB.
39
Inces must be used for the copula, if the predicate is a substantive and
the subject a living being. Example : mi de ladagspa zhig in, that man is
a Ladakhi.
dugces is mostly used for ‘ be * whenever it means something like ‘ to
live/ * to dwell/ Example : mi de khangpai nangna dug, that man is in
the house ; but yod is sometimes used in the same sense.
If the predicate is an adjective, yod is preferred (but not exclusively)
in the affirmative, dug in the negative. Example : ri thonpo yod , the hill
is high ; ri thonpo mi dug, the hill is not high.
THE ADVERB.
I. — Primitive Adverbs , — For expressing the * not * of the negation, mi
and ma are used. Summary of the use of mi and ma
ma is used : -
(1) with all forms of the preterite, thus : ma jung, it did not happen;
ma cospin, I did not do it ;
(2) before the imperative, thus : ma tang, do not give ;
(3) before the na of the conditional. Example : khyorangngis las di
ma thsarna, if you do not finish the work ;
(4) it is generally used before the gerunds in te and pasang, as the
facts narrated in these sentences are generally considered to have
happened before the concluding sentence ;
(5) before the supine in a, if it is used in a gerundial sense. Example :
cang ma zerra bingste song, he went out without saying anything.
mi is used
(lj in all forms of the future, thus ngas las di mi coin, I shall not do
this work ;
(2) . with all forms of the present, thus : kho yongnga mi dug , he
does not come ;
(3) with the gerund in in, thus : mi tangin, not giving ;
(4) before the infinitive (of present and future), thus : las de diring
mi thsarcesla mangpo gors, in order not to finish the work to-day, they
loitered much.
There are many adverbs which are always used with certain verbs
and form idiomatic phrases with them.
Examples ;
shrabba shribbe thongcesl to see only a mist.
throb rtsigces , to pile up all (bricks, wood, etc.).
40
LAIAKHI GRAMMAR.
lib cagces,
lib yongces ,
lib cJiongshes ( Icebces ),
mog shreces,
mog kholces,
rug (rob) duces ,
chab yongces ,
to break everything,
to come suddenly,
to jump suddenly (on a horse),
to mix altogether,
to whirl about (many birds, men),
to sweep everything (clean away),
to come at once.
shrarara shrarsong ( cliaces ), to go straight on, without delay.
jababa bab chaces , to walk softly, lingering.
skoag kogces, to snatch away.
doag nences , to fetch quickly, to pick up (leam
quickly).
II.— Derived Adverbs. — Those derived from an adjective do not differ
from the original adjective, thus : rgyalla , good, well ; g yog spa, quick,
quickly.
Often the adverb is transcribed by lugs, way, manner, or similar words.
Example : de yamtsanni lugsla jung, it happened in a funny way.
Adverbs are derived from verbs by putting them in the gerund. Ex¬
amples : gorte , slowly, from gorces, to loiter ; drulte, on foot, from drulces,
to walk ; zhonte, on horseback, from zhonces , to ride.
Adverbs of place are derived from substantives or pronouns, by adding
some local postposition. Many of them are not different from the corre¬
sponding postposition ; even iru, here, can be used as a postposition with the
genitive, thus : ngai iru yong, come here to me. A few of the most com¬
monly used are : thurla, downwards ; gyenla , upwards j deru, there ; denas,
then, from there.
THE POSTPOSITION.
What Jaschke calls simple postpositions have already been described
as case endings. Dang, with, by means of, might be added.
Compound Postpositions :
I.— Governing the genitive :
nangna , within, inside.
nangla, into.
nangnas, out of,
rgonas , through.
khanas, through, by.
stingla, after (time).
stingnas, after, behind (time,
place).
ka, kh athogla, on, upon, above.
khanas 1 <. n
> from above.
khathognas I
zhesla , after (time, place).
THE CONJUNCTION.
41
pharkhala, beyond, on the other
side.
yognas, from beneath.
gyenla , upwards, uphill.
gyennas, from above.
angola , thither,
ingol a, hither.
chogsla, in the direction of.
barla, between.
tsa , near, before, towards.
dunla, before.
skundunla , before (a respected
person) .
dunnas, from before.
Note : In Lower Ladakhi many of
gyabla , behind.
gyabnas , from behind.
nganla ^
ngunla before.
yogla, under, underneath, below.
thsurkhala,' on this side.
Itagpala , above.
thurla, downwards, down hill.
thurnas, from below.
phila , for.
chogsnas, from the direction of.
thsabla, instead of.
phugsla or bugsla, within, at the
far end of (a room, valley),
these are governing the accusative.
— Governing the accusative :
thsugpa
thsagpa J Un^‘
dang nyampo , with.
gy«dte 1 tlll.ough.
zhugste I
thsogse
thsogsla j^e*
dang nyemo , near.
nangltar , like, according to.
III. — Governing the ablative :
pharla, since. | angola , thither, since.
THE INTERJECTION.
The use of wa and ai with the imperative has been described under
Imperative. The following are some of the more commonly used in¬
terjections : wa kun (gun) or wakunne, oh, you all ; la, oh, is said instead
of wa in Lower Ladakh j ale , isn’t it so P ongle or oale or khas, khassale ,
well, yes.
THE CONJUNCTION.
T. — Coordinate conjunctions. — The common word for £ and 1 is dang. It
is, however, not often used for connecting whole sentences, but several
subjects, objects, etc., in the same sentence (contracte dsentence). Ex¬
ample : ser dang mul dang Icags de thsangma deru yod , there are gold,
and silver, and iron, these all.
42
LADAKIII GRAMMAR.
For connecting whole sentences, instead of dang the gerund in te is
used ; often yang, and, also, placed at the head of the following sentence,
may be added. Example : kho iru yongste, logste song , or kho iru yongstef
yang logste song , he came here and went back again.
yang, when repeated, has the meaning of ‘ as well as ’ (Latin et—et).
Example : thruggu yang yongs , ama yang yongs, the child came as well
as the mother.
yangna means ‘or,’ and is used for connecting several subjects,
objects, etc., in a contracted sentence. Example : ser yangna mwl ci
khyongnayang, gold or silver whatever you bring,
In many cases the ‘ or * connecting coordinate sentences is expressed
in the following way : the verb of the first sentence takes the a of the
interrogative, the second sentence is affirmative, no conjunction is placed
between the two. Example : ladagsla chenna, khaculla chen , will you
go to Ladakh, or will you go to Kashmir ?
yangna, repeated, means ‘either — or’: yangna rtsogpo inna yangna
lenba inna, ngas mi skes, either he is wicked or he is lazy, I do not know.
For expressing ‘ but,’ inkyang , inskyang, innayang may be used; but
it must be mentioned that Ladakhis practically do not use these words
at all. (In the Kesarmyths — 60 large pages — none of these words can
be found.)
Another Ladakhi way of expressing ‘ but ’ is that of using ni, ningl
in the sentence with ‘ but.’ Example : nga songpin, kho ning ma song ,
I had gone, but he had not ; mikun song , khurru ning ma khyers , the men
are gone, but the loads are not taken.
A conjunction ‘ for ’ does not exist in Ladakhi. As the Kesarmyths
show, the Ladakhis are not in need of it. It may be expressed by ci
phila zerna , if one asks why, or simply ci phila , cila may be used.
II. — Subordinate conjunctions. — As many of the conjunctions are
properly speaking relatives ( garu the terminative case, ganas the ablative
case), the use of the relatives must be defined first. Most of the English
subordinate conjunctions do not exist in Ladakhi, and have to be
expressed by other words and forms.
1. Use of the relative pronouns : — If the subject, object, or adverbial
adjunct of the chief sentence be expressed by a subordinate sentence, then
the subordinate sentence is introduced by a relative pronoun. Then the
subordinate sentence is placed before the chief sentence and often
takes the na of the condition. Examples : sus ngazhala yasha conat
THE CONJUNCTION.
43
mi des ngazhala chadpa phogvhugdug, who loves us, punishes us ; nga garu
thaddug, deru chen, where I please, there I shall go.
This construction is not compulsory, and the following may always
be used instead of it.
2 . If the subordinate sentence contains an attributive adjunct to the
subject, object, or an adverbial adjunct of the principal sentence, then the
verb of the subordinate sentence takes the genitive of the present or past
participle — according to the meaning of the sentence — and is placed before
that part of speech to which it belongs. Example : I beat the man who
does wrong. Here c who does wrong ’ is attribute to £ man,’ and so we say :
I beat the wrong doing man, digpa cokhanni mila rdungdug.
Note. — If a subordinate sentence expressing the subject is constructed according
to 2, the participle cannot be put in the genitive, but must be used as an indepen¬
dent subject in the nominative or instrumental. Example: ngazhala yasha co*
khannis ngazhala chadpa phogchugdug, he who loves us, punishes us.
3. A conditional sentence is very much like a relative sentence under
1. Then galte , if, takes the place of the relative, and the sentence is con¬
cluded with na. This galte , however, is generally left out ; when used, it
emphasizes the ‘ if.’ Example : galte ngai tsa yongna, zaces thobin, if you
come to me, you will get food.
4. Subordinate sentencesi ntroduced by the conjunctions * although *
or ‘ in spite of ’ are constructed like conditional sentences, and yang , also,
is added to the na. Example : ngala zu?mo yodnayang ( naang ), nga aru
songbin, although I had pain, I went there,
5. Sentences introduced by ‘just as, — so,’ are construed similarly to
the relative sentences, the subordinate sentence beginning with gazng,
gazugla, gazuggis, the principal sentence with dezug, dezuggis. Example :
gazuggis las cona (or corug), dezuggis khyorangla Tila thobin , as you
work, so you will get wages.
6. To express the idea of simultaneousness (conjunctions 1 while,
when, whilst’), we may use the following forms :
(u) inzhig or inzhigdang (see Gerund in in) is joined to the stem of
the verb. Example : las de coinzhigdang kho hleb, whilst I did
that work, he came. ^
(6) The verb takes the classical supine in a, and the ending zamshigla
is added. Example : las de coa zamshigla kho hleb, whilst I
did the work (at that very moment ) he arrived.
D
u
LADAKHI GRAMMAR.
( c ) zana or zanas is added to the stem of the verb. Example : las de
cozana hho hleb, he arrived, when I did the work.
(cZ) The verb is put in the gerund in te ( ste ). Example ; ngas las de
coste , hho hleb, he arrived, whilst I did the work (near the end
of it).
(e) nam, when, is placed before the verb of the subordinate
sentence, and na concludes it. E xample : ngazha deru nam
hlebna , hho yang hlebin, when we shall arrive there, he will also
arrive.
(/) The verb takes the classical supine in a , and dang is added.
Example : deru shyodda dang, whilst going there.
( g ) hyia (corrupted from hyimala') is added to the verbs.
Examples : nyima sharhyia hho song , when the sun was about
to rise, he went off ; hhyonghyia , when he brought it.
7. To express the word ‘ since/ pharla is placed after the ablative
of the infinitive (ending in ces or pa). Example : hhyorangla nad
phogpanas pharla hhyorang ma thongs , I did not see you, since you were
ill.
8. To express ‘ until J or ‘ till/ thsugpa ( thsagpa ) is placed after
the reduplicated stem of the verb. Example : hhyorang ngazhai tsa yong
yong thsugpa ngazha iru dugs, we sat here, until you came to us.
9. To express the conjunction ‘ before/ nganla or ngunla are used.
Before one or the other of these words the comparative particle sang
is placed. Example : ngazha chaces sang nganla hho hleb, he came,
before we went.
Or the verb takes the classical infinitive in ba, a, and the negation
ma. Example : ngazha ma chavai nganla hho hleb, he arrived, before we
went*
10. To express ‘as often— so often/ the verb of the subordinate
sentence might be included in nam — naang ( nayang ). Example : nam
yongnaang , hhyorangngis nga thongin, whenever (as often as) you come,
(so often) you will see me.
11. To express the conj auctions ‘ because, for the reason, in order
to, that/ either phila with the genitive of the infinitive, or la added to
the infinitive, or pasang added to the perfect stem are used. Examples :
ngalte yodcessi phila pholong zhiggi hliala dugspin, or ngalte yodpasang
pholong zhiggi hhala dugspin, because I was tired, I sat down on a stone;
THE SENTENCE.
45
logste yongcessi phila (or yongcesla ) khola bodpin , that he might come
hack, I called him.
12. To express ‘by means of,’ rgonas, khanas,' and dang ( nyampo )
are used with the infinitive. Example : zhag dang nyungngun zhig Jilab-
cessi khanas ngala blobs mangpo thobsong , by (means of) learning a
little every day, I made much progress.
13. To express ‘ so much the more, so much the less/ mangnga is
used. Example : dagsa stonla khyagsna, stingla gunla mangnga khyagsin,
if you feel the cold now in autumn, so much the more you will feel it in
winter'; dagsa ma thobna, stingla mangnga mi thobin , if you do not get it
now, so much the less you will get it afterwards.
Note. — The preceding pages will have shown plainly that in very many cases
postpositions are used instead of conjunctions, and that the subordinate sentence
becomes part of the principal sentence.
THE SENTENCE.
Arrangement of words. — The verb invariably concludes the sentence.
There is no strict rule as regards the arrangement of the other words in a
sentence, but the general arrangement is the following : (1) adverb or
adverbial phrase of time and place, (2) subject, (3) object, (4) verb.
Example : diring ngas ige zhig driin, to-day I shall write a letter.
The order of the words belonging to a substantive, is this; (1) the
genitive, (2) the governing substantive, (3) the adjective unless it is put
in the genitive before, (4) the demonstrative pronoun, di or de, (5) the
numeral, (6) the indefinite article. Example : ngai bomo chungngun di,
this my little daughter ; rasmarpo zhig , a red linen ; yul chenmo sum,
three large villages.
The interrogative sentence. — An a must always be added to the verb at
the end of the sentence, if the sentence has no direct interrogative word
such as ‘what, how, who, where/ etc. Examples: khyorang yonginna,
will you come ? su yongdug, who comes ?
The indirect question, introduced by ‘ if ’ or ‘ whether/ must be turned
into a direct question, and to express the doubt, the verb is given both in
the negative and the affirmative. Example : hhola khyorang yongnginna
mi yong, drispin , I asked him whether he would come.
In indirect speech, including wishing, thinking, the speech is generally
turned into direct speech. Example : khyorang diring yongin, sam, I
thought you would come to-day.
d 2
46
LADAKHI GRAMMAR.
If the verb inces of the subordinate sentence is in the same tense as the
verb of the chief sentence, it may be put into the infinitive (in ba or cos),
and the subordinate sentence becomes part of the chief sentence. Ex¬
ample : ngas dezug inba thsorrarcig, I heard that it was so.
Note. — The classical language uses the supine in par in this case instead of the
infinitive. The Ladakhi inba seems to be an infinitive, as it may always be replaced
by inces, never by inces la.
APPENDIX
SKETCH OF LADAKHI GRAMMAR
CONTAINING
IDIOMS AND USEFUL SENTENCES
WITH
LITERAL TRANSLATION.
48
LADAKHI GRAMMAR.
NaMLDA DUS ZHI.
Spidha .
(]) Gangs dang kha nyiska zburug.
(2) Kkyags droldng, lcangmala kkyigu tangdug,
(3) Ngotlisod tlisangmala menfcog bardug.
(4) Rtsasbing nagtksal tbsangma ngonpo charug, spidlnng dragpo
gyugdug.
(5) Sadrod chudrod pheldug, ja tbsangmas skad knyanpo tondng.
(6) La berng, zbingsbmos dang ngampo las mangpo tbondug.
(7) Sann rdoldug, lud skyarng.
(8) Sbol zumcessi skabsla thongskad tondug (or tangdug),
(9) Ma sbmoskbanni zhingla tba zerdug,
(10) Skorlung zhigla drephutsub zerdug.
(11) Mentogla hlagspa phogna, phiddug.
(12) Spidnyin ringmola drangsum dang drosum, mitbse ringmola
sky id sum dang dugsum.
(13) Sala skyare, sngore, mila skyidre dugre.
YarJca.
(1) Tarkala tbsad dragpo babste, dongnas sbmulcbu bingdug.
(2) Lcangmala lobma gyasdug.
(3) Yarthsere mikunnis zbingla cbu rante, blungsla balang tlisovala
kbyerdug.
(4) Tbsongpa tbsongla cbarug.
(5) Mentog rigs mi draces mangpo barte, lungpa'skampo inpasang-
cyang skyea mi dug.
(6) Hi tbsangma mela tbsigkban tbsogs yod.
(7) Gangrinas pbucbu yongdug.
(8) Kba rangngu kbordus, ci gon budte ci zai dus.
(9) Kbarzongngi yachula ltalta, cbubii ldamchu yang bud.
APPENDIX.
49
The four seasons.
Spring.
(1) Ice and snow both melt.
(2) Frozen things become free, the willows (all trees) are getting buds.
(3) On all green herbs flowers burn (bloom).
(4) Grass, trees, and the forest all become green, the spring storm.
runs powerfully.
(5) The warmth of the ground and water increases, all birds pour out
their sweet voice.
(6) The passes open, with the ploughing of the fields much work
comes out (is to be done).
(7) The seeds spring up, manure is carried off.
(8) At the occasion of seizing the plough, they give (sing) the plough*
song.
(9) An unploughed field is called tha.
(10) A whirlwind is called ‘ blowing of demons,’
(11) if a cold wind touches the flowers, they become frozen (fade).
(12) During a spring day it is three times cold and three times warm ;
during a lifetime we are three times happy and three times
miserable.
(13) The earth is sometimes empty [grey], sometimes green; man
is sometimes happy, sometimes miserable.
Summer .
(1) In summer a strong heat comes down, and perspiration comes out
of the face.
(2) The leaves of the willows become larger.
(3) During summer men irrigate the fields and drive (carry) the cattle
to the cultivated land for pasture.
(4) The merchants go for their trade.
(5) The flowers bum [bloom] in many different kinds ; because the
valleys are dry, nothing grows there.
(6) All hills are like glowing with fire.
(7) From the ice hills comes glacier water.
(8) (Summer is) the time when the flies fly round the mouth, when
clothing is taken off, and everything eaten.
(9) Whilst looking at the glacier water of the Khardong pass, the
pool- water of Chubi (a village) ran away.
60
LADAKHI GRAMMAR.
Stonka.
a) Stontlisad dragpo rag.
(2) Stonla shngabsa rante, zliing shngarug, phorotse corug.
(3) Shingthog thsangma thsosdug, hmindug.
(4) Phorotse bungngu dang yulthagla skyarug.
(5) Deru skamshesla cog tsugdag.
(6) Skampo yodna, khuyus (khyuis) skordug.
(7) Dru thonte, ongs chardug.
(8) Nyema longba, nyema rompo.
(9) Sogma, pliugma, rtsangan,
(10) Spidbaddus, stonrdudus.
(11) Ganglessi yangmala ltalta, spithuggi sorgob yang bud.
Gunka.
( 1 ) Gunka khyagsis rdams.
(2) Phorog dang khata yulla baba dug.
(3) Ringgo khas khorpasang rii semacan thaangma hlungsla babsdug.
(4) Rii jaslirag mia zumste zarug.
(5) Gunlda sum drongpa dalte dugate, cig dang cig dronres tangdug,
(6) Mul thaangma sing thsarna, kumste dugdug.
(7) Thognas kha ma phangna, cangti yongdug.
(8) Nam khordug. S karma tranding charug.
(9) Rama thsasla kha chudte yongdug.
(10) Sembid gyugces, rgag gyabces.
(11) Lamia dredda rag.
DUS.
(1) Daspai dus, dagsai dus, maongspai dus.
(2) Sngamo, ngathog ; sngamo zangzingla, sngamo skyaod dangpo
dang, iaskad dangpo dang, nam langs zamla.
(3) Cinan, thsarna, dzara, rgongzan.
(4) Nyimaphed, nyingungngi dus.
(5) Phithog, phidro j munshurubkyila, nyima rgaskyila.
APPENDIX.
51
Autumn .
(1) The heat of autumn is (feels) strong.
(2) In autumn the harvest comes, and the fields are cut, sheaves are
made.
(3) All fruit cooks (ripens).
(4) The sheaves they carry with donkeys to the thrashing floor.
(5) There they build a heap for drying.
(6) When it is dry, a herd (of animals) turns it about (thrashes it
by walking through it).
(7) The grain comes out, and they winnow it.
(8) Empty ears, full (fat) ears.
(9) Long straw, broken straw, weeds.
(10) Spring is the time of working, autumn the time of gathering.
(11) Whilst looking at the fine barley of Gangles (a village), the beards
of ears of Spittug are even lost.
••
Winter.
(1) Winter is fettered with ice.
(2) Bavens and crows come down to the villages.
(3) Because the hill tops are covered with snow, the animals (creatures)
of the hills come down to the cultivated land.
(4) Men catch and eat the birds and fowl of the hills.
(5) Daring the three winter months the farmers are without work, and
give feasts to one another.
(6) When all the money is entirely finished, they sit bent down.
(7) If the snow is not shovelled (thrown) from the roof, water comes
through it.
(8) The sky is cloudy. The stars become bright.
(9) The goats, knowing the taste (of the grass) etc , come into the
garden.
(10) To slide on the ice. To stumble down.
CD The road is slippery.
Time.
(1) Past, present, future.
(2) Morning ; very early in the morning, with the first dim light,
with the first cockcrow, when the sky rises.
(3) First breakfast, second breakfast, midday meal, evening meal.
(4) Midday.
(5) Evening ; when getting dark, when the sun is setting.
52
LADAKHI GRAMMAR.
(6) Tbsan; munnag sbardug.
(7) Thsanstodla koncogla soya tabrgos, tbsanskyilla nyidlogrgos,
tbsansmadla dzigstenni lasla samba tangrgos.
(8) Dunzbaggi gomazbag.
(9) Za ldava, za migmar, za lagpa, za pburbu, za pasang, za spenba,
za nyima.
(10) Nyima dragla cerdug,
(11) Cipai cirid dang nga yongs.
(12) Pbatse, butse, datse, zburabs ; yarbun kbyad medpa.
(13) Nyingang cig las cospin.
Zhagzang, duschen.
(1) Bagstonni skabsla butbsa zbigla bomozbig bagmala kbyerdug j
bagma, bagpo.
(2) Nyomi sta dang kbyongste, nyenber tangdug ; nyopa bntbsai aba
amas colkban dug.
(3) Pboldanas dranggyes zbangdug, marnas kalcor rondug, rgordza
blangdug, yar daggila tangdug.
(4) Sangma tagces, zaska lan tangces, drinlan zbuces ; drabs cbang.
(5) Ma dabcan coces, ali coces.
(6) Memesi yangtsa yungtbsa tbongs ; rgyud tbsirgyi batag.
(7) Sbava ridags rina drulva miggi rgyan ; smantbsarmo sbrangna
drulva'idkyi rgyan.
Nadrigs.
(1) Cbampa (nacbam) yongdug, yama langsdug.
(2) Yacbam yongna, so dang namcbog nyis narug ; nad yangmo,
nad lointe.
(3) Yamai rigs nyis : cig yakar, cig yanag.
(4) So bui (bus) zarug ; gosbrin langsdug.
APPENDIX,
53
(6) Night ; darkness rises.
(7) In the first part of the night we mnst pray to God, at midnight
we mnst sleep, in the last part of the night we mnst think of
the work of the world.
(8) The first day of the week.
(9) Monday, Tuesday, Wednesday, Thursday, Friday, Saturday,
Sunday.
(10) The sun touches the rocks.
(11) i came, when the birds were singing.
(12) To all eternity ; summer, winter without difference (always).
(13,) I worked a full day.
Festival (good day, great time),
(1) At the occasion of a wedding they take (lead) a girl to a boy for
his bride ; bride, bridegroom.
(2) They bring the costumed men with horses, and lift the sticks ;
the nyopas (costumed men) are appointed (to their role) by the
boy’s father and mother [the nyopas have to recite all the wed¬
ding songs ; if they do not know them well, they are beaten
with the sticks].
(3) A cake of flour is raised, pieces of butter are smeared (round the
mouth of the jugs), beer basins are raised, pieces of butter (called
yar ) are smeared on the bread.
(4) Prepare a feast, return an invitation, return kindness ; engagement
beer.
(5) To take fine clothes, dress a child prettily.
(6) Grandfather saw many children and grandchildren ; in direct line
(root) of descent.
(7) The wild deer walking in the hills is the joy of the eye ; a fine
girl walking in the street is the joy of the heart.
Kinds or illness.
(1) Cold in the head comes, earache rises.
(2) When yadiam comes, the teeth and ears both ache ; slight disease,
heavy illness.
(3) There are two kinds of earache : one whitn (slight), one black
(heavy).
(4) The worm eats the tooth ; the headworm rises.
LADAKHI GRAMMAR.
54
(5) Phoala badkanni zurmo yongdug ; phoa kabthsad.
(6) Buru mangpo thondug ; drumpa phogna, drnmsbnag bingdug.
(7) Tsenad yongna, pliogkhanni mi dang zan mi za, kba yang mi shre
goslag ang mi shre, kanglag thsangma ruldug.
(8) Bnru tsirna, shnagshub thondug.
(9) Zugspo thsangma burn dang khyeddug.
(10) Lagpa shrangshes, lagpa shagces.
(11) Migla sha shrin kabces yongdug ; lingthog yongna, sha thugmoi.
phila cyan g thong mi thub.
(12) Go manna munne thsogs rag.
(13) Thrid yongces, thsalces.
Hatripai tsa chaces.
a) Gabsha thsongces mi dugga ? Mi dug, dug.
(2) Saglad ngonpoi rin tsam ? Gazha cigla girmo nyis.
(3) Saglad dei nangnas gazha sum cod !
(4) Stongskud, resimi skudpa.
(5) Goshen (=goschen) Genkhaab Zarbaab.
(6) Thsongzog gyogspa hlebinna ?
(7) Thsongzog de thsangma ganas khyongdug ?
(8) Nyerangngis ngala girmo gya karskyin salinna.
(9) Bulonla mi tang ; bundag.
(10) Bulon rtsodrgos; babcilus, baki.
(11) Lcagzo, mulzo, shingzo.
(12) Nyangces, ltaces zhig tong !
( 1 3) Mul thsangma gyaggoa tangste, godla song.
Zhonces.
(1) Stala rga gyogspa stod !
(2) Stala rgalpa ma thontogga ?
(3) Sta de drogs mi drogskhan yodda P
(4) Shrunpo dugga, kha bolmo dugga ?
(5) Obchen, oblung, slrrabs, shrablung.
(6) Sta thurgo dang tagrgos, zilcha.
(7) Sta drulla mi rag !
APPENDIX,
55
(5) To the stomach the mucus illness comes ; the stomach has gastric
catarrh (all covered with mucus).
(6) Many boils come out ; if smallpox hits (a man), the pus of small¬
pox comes out.
(7) If leprosy comes, they do not eat food with the stricken man, do
not mix mouths (speak), do not mix clothes, his hands and feet
all become rotten.
(8) If you press a boil, the pus cover comes out.
(9) The whole body is covered with boils.
(10) Swelling of the hand, to cut the hand,
(11) There comes a cloud of flesh to cover the eye ( Pterygium ). When
cataract comes, you cannot see anything on account of the thick
flesh.
(12) The head feels giddy.
(13) To sneeze, to choke.
Going to the merchant.
(1) Are there not boots to be sold P No, yes.
(2) What is the price of the green cloth ? One yard two rupees.
(3) Cut me three yards from that cloth !
(4) Silk thread.
(5) Silk cloth, gold braid, silver braid.
(6) Will the goods arrive soon ?
(7) From where do you bring all those goods P
(8) Will you kindly lend me a hundred rupees ?
(9) I do not lend ; the creditor.
(10) I must demand debts ; balance.
on Goods of iron, of silver, of wood.
*
(12) Give me a sample !
(13) He spent much money and wasted it.
Riding.
(1) Saddle the horse quickly !
(2) Has not the horse a sore back ?
(3) Does the horse not shy ?
(4) Is it safe, is it soft-mouthed ?
(5) Stirrup, stirrup-strap, headstraps, bridle.
(6) Fasten the horse with the stable strap, saddle cloth,
(7) The horse will not go !
56
LADAKHI GRAMMAR.
(8) Sta ldarab dang druldug, yorga dang druldug, gyogyor dang
drnldug.
(9) Sta tlnirru dang ragste.
(10) Sta spukha ngonag, sta skyangngu, olla, olla stingkar, ngangpa,.
tlirao, ablag, ragpa.
(11) Stazbon gocbag, bongzhon lagcbag.
(12) Migpa gyabces.
(13) Stas dug bagtog.
(14) Polo rtseces, polo halka song, polo muldar song, drapbogs gyabces%
Spon, beda.
(1) Sponnis tbangka (skutbang) zbangsdug.
(2) Rimo drices, tsi gyabces.
(3) Kartsi sknces, bag coces.
(4) Rtsi sosoi ming ning : liti, tbsal (marpo) ; an (karpo) ; ting-
(ngonpo) ; spangma (ngonpo) ; serpo ; sbmugpo.
(5) Ln nyagssi kba tangrgos.
(6) Rolmo, gartse hlulen.
(7) Sarangi, gopong, beang sbrogces.
(8) Rolmo tbrabces ; daman, dabs rdungces,
(9) Snrna, blingngu, tbredling pbnces.
(10) Gyaling ning lamai snrna in, gyadnng tbsangmai sang chenmo
in ; sbkangling.
(11) Beda ning marabs rigsmed ; spon ning yarabs, rigs sang.
Mentog.
(1) Tlisepbadla cnrn tbsogs, kabrala nynti tbsogs drasbu cbags dug.
(2) Kabra ning kante tbsangma bndcesla cbnorla tangdug ; denas
thsodma tbosgs tsorng.
(3) Sarisbradmai sann mongedal tbsogs yongdug.
(4) Drimoggi batagnas tbrag tbsogs marpo tbonte, ramai tbraggi
tbsabla cbodpala skurug.
(5) Pololing, sea, droma, gararutse, conjor, ganglanagla, skyalbn
mentog.
(6) Rirgognas tbsongngi tbsabla skotse sbragdug.
APPENDIX.
57
(8) The horse gallops, canters (in a Ladakhi way), canters quickly.
(9) A horse with a foal,
(10) A horse of black blue colour, chestnut horse, of black colour, black
with white hindfeet, bay horse, dappled horse, whitish horse.
(11) Horse riding (causes) head breaking, donkey riding (causes)
hand breaking.
(12) To shoe a horse.
(13) The horse has eaten poison (a poisonous plant).
(14) To play polo, the ball has gone through the goal, has missed the
goal, to hit the ball at the beginning of the game (in the air).
Painter, sculptor ; musician.
(1) The painter prepares the cloth (for his painting).
(2) To write (paint) a picture, to colour.
(3) To smear white colour (whitewash a room). To make masks,
(4) The names of the different (pigments) are : red, white, blue, green,
yellow, violet.
(5) You must sing the song according to the tune.
(6) Large instrument, music for pleasure.
(7) To play the violin, guitar.
(8) To play the harmonium, beat the drum, tambourin.
(9) To play the clarinet, flageolet, flute.
(10) The Oyaling is the clarinet of the lamas, the gyadung is the
largest (instrument) ; flageolet made of the human thigh bone
or of brass.
(11) The musician is low, of no caste ; the painter is high, of good caste.
Flowers.
(1) The thsephad produces fruits like coral, the hair a like pears.
(2) To extract all the bitterness from the habra, they soak it, then
they cook it like a vegetable.
(3) The seed of sarishradma is (comes) like mongedal (peas).
(4) Out of the root of drimog blood red (colour) comes ; it is used
instead of the blood of goats for offerings.
(5) Mint, rose, potentilla, a labiata, glacier-potentilla, primula, ane¬
mone. (leather bag).
(6) From the hill -garlic they roast cakes (which are used) instead of
onions.
LADAKHI GRAMMAR.
(7) Mislirolnas dara dang drangtbur corug.
(8) Skalzangmentog, khilagpamentog, Reskompa,
(9) Mentoggi lobma dral cigcig yodklianla skyangtbsag, dral mangpo
yodkbanla rgurthsag zerdng.
Sanggyessi chos.
(1) Sngongyi nampar sminpa.
(2) Skyeva nences.
(3) Drova rigs drug : hla, blamayin, mi, dudro, nyalva, idag.
(4) Skyerganacliii dugngal.
(5) Jamyang, Chagdor, Candrazig ning stanba sbrante tsugkban in.
(6) Khogunla sbrulpa zerdug : Khokunnis mane zlxangces dang mane
skorccs dang trangnga skorces dang skorra skorces dang mane
tonceala tekbanni slioga tbsangma tengs.
(7) Zodpa ltabui gev a med, zbeddang ltabui digpa med.
(8) Skalpa nyigmai dus, skalpa logla, jugla.
(9) Thalbala gynrces ; ringsbrel.
( 10) Obogs zbii sbrulpai ming ning : Lodzambuling, nubbalangscod,
sbarlus bagpo, jangdraminyan.
(11) Lama ranggo ma tbonna, sbinpoi yandren ci coin ?
(12) Bongngni namcbogla serlugna yangna tbalba lugna, cigcig in.
(13) Rangskyon pbad gang borte, miskyon rgyegangla ma tbrel.
(14) Stembrel; stagspa tbondng.
(15) Gy an gyabces, mo gyabces.
(16) Colo rtseces, ngags tangces.
LAGSHESPAI LAS.
(1) Lagsbcs kungyi yogpo in, stamsbes kungyi sponbo in.
APPENDIX.
59
(7) From the mishrol they make with butter- milk (a dish called)
drang thur.
(8) Aster, Cammomilla, Arnica.
(9) A flower which has only a single row of petals is called simple ; if
it has many rows of petals, it is called a ninefold (flower).
Religion op Buddha.
(1) The previous things ripen, (become more perfect through many
births).
(2) To take birth, rebirth.
(3) There are six kinds of existence : Gods, not being gods (a little
lower), man, animal, hell, beings with very small mouth, who
always hunger.
(4) The misery of birth, growing old, illness, and death.
(5) Jamyang, Chagdor and Candrazig are those who planted the
teaching firmly (in people’s minds).
(6) They are called incarnations ; they have planted (established) the
custom of building mane walls, turning prayer wheels, turning
(using) rosaries, going round holy places and uttering manes
( i . e., om mani padme hum) .
(7) There is no virtue like patience ; there is no sin like anger.
(8) At the end of a kalpa (100,000 years), never.
(9) To become dust, wither ; bone of a saint,
(10) The names of the Bodhisattvas or continents of the four directions
are : Lodzambuling (south), Nubbalangscod (west), Sharlus-
bagpo (east), Jangdraminyan (north).
(11) If the lama does not come out (cleanly) with his own head, how
can he draw upwards the dead ?
(12) It is the same, whether you pour gold or dust into the donkey’s
ear. (Religion is not for stupid people.)
(13) Putting aside the large bag with your own faults, do not deride
the little bag of the other.
(14) Progress in the welfare of the soul ; a sign comes out (said when
a well-known sinner comes to misfortune).
(15) Cast lots, cast lots in a religious way.
(16) To play at dice, recite incantations.
Artisan’s work.
(1) Who is clever with his hand, is servant of all ; who is clever with
his speech, is master of all.
E
60
LADAKHI GRAMMAR.
(2) Tbsarnyan yongnga mi dug.
(3) Gabsba kangpala tbrig gadda rag.
(4) Kot tlirodda mi dug.
(5) Hlamkban, tbsempopa, sbabtbsongpa, sbingkhan, gara, sergar.
a
(6) Lasla lamkhan zbig, las mi lamklian zbig.
(7) Ngas kbarlen tangdug,
(8) Kbangpa stadia borcessi rdungmala ka zerdug, tboggi sbing
rompola mardung, tbsadmai shingla burdung, shing tbramola
tbrallu zerdug.
(9) Rtsigpa ; pbullu,
SoLKHANG.
(1) Me pbu rgos ; me tbugssa mi dug.
(2) Oma nante kbyongs ; alu pbagspa ma sbua kbyongnga ?J
(3) Kbo sba kbabcudte dug : zaces gyesmo mi dug,
(4) Sba, oma ruldug.
(5) Nga cbang tbungcesla ma jangkban in.
(6) Dzangs ma eo !
(7) Kodpo sulu bulu song.
(8) Zangbus sbarag sbarag zerdug.
(9) Dram, nyungma, sbranma, serragtburman, povarilu, tsa, massalla.
(10) Ma bu drabstbun cbana, tbsalgo tbsodmas cbod.
Hlabzha tangoes.
(1) Sbed dang zer, sbubste ma zer !
(2) Kbas blobba zum ! Hlonas zum !
(3) Hlola jangte dug, iddu yongdug.
(4) Tbsirri kba zer ! Tbsabig sbesbes mi rag !
(5) Sny ng lee rompo rag, nagtsa mi dug.
(6) Iru don mi rag, tbrig zobsong.
(7) Ha ma zerte, nying zburte sil !
(8) Tbsigs tangoes, kba kyeces.
(9) Samig ltaces.
(10) Samba sngonla ma tangna, gyodpa stingnas yongdug.
(11) Zocan drigos ! Tbsirug tangoes.
APPENDIX.
61
(2) He never gets ready (readiness does not come) .
(3) The hoots fit well (on the foot) .
(4) The coat does not fit well.
(5) Shoemaker, tailor, butcher, carpenter, blacksmith, gold (silver)
smith.
(6) A diligent worker, a lazy worker.
(7) I build a house.
(8) The beam which keeps the house erect is called pillar, the big
beam of the roof is called motherbeam, the middling one boy-
beam, the thin sticks are called thr alius.
(9) A wall, a small hut.
The Kitchen.
Make (blow) fire ! The fire will not burn.
They brought extra much milk ; shall I bring the potatoes
unpeeled ?
His mouth waters for meat ; the food is not savoury.
Meat becomes rotten; milk becomes sour.
I am not used to drink beer.
Do not be embarrassed ! (se gener).
The pot broke to pieces.
The boiler hums.
Cabbage, turnips, peas (beans), carrots, pepper, salt, spice.
If mother and daughter agree in their counsel, breakfast (may) be
cut off with vegetables (only).
To Teach.
(1) Speak loudly (with force), do not speak softly !
(2) Learn by heart !
(3) I remember.
(4) Say it word by word ! I do not know it well !
(5) The pen is broad, there is no ink.
(6) This I do not understand, guessed right !
(7) Not yawning, read with thought !
(8) To scold.
(9) Looking to the ground.
(10) If you do not think about it first, you will repent afterwards.
(11) You must write nicely ! To do arithmetic.
(1)
(2)
(3)
(4)
(5)
(6)
(7)
(8)
(9)
(10)
62
LADAKHI GRAMMAR.
Yangspala chaces.
(1) Nga dang nyampo ckanyin ragga ?
(2) Diring cliarpa mi yonginna ?
(3) Kho lam clmgspin, kho snste songspin.
(4) Basgo tlisugpa draglam tsam yod ?
(5) Lam largu lnngrgu zkig yod.
(6) Yonchogsia song, yasckogsla song, gyabla song, drangpoa song,
(7) Ngala tlisadpa rag, nga skomssa rag, nga ngalla rag.
(8) Nga kangzhenla chen.
(9) Gonces yanglngga gonte chen.
(10) Mingan thsogs sebla songspa, shingngan taku dang thng*.
APPENDIX.
bo
To GO FOR A WALK (FOR PLEASURE).
(1) Would you like to go with me P
(2) Will it not rain to-day ?
(3) I had put him on the road, I had gone to meet him.
(4) How many mail stages are there to Basgo ?
(5) It is a very uphill and downhill way (there are nine passes and
nine valleys in it).
(6) Go to the left, to the right, backwards, straight onward.
(7) I am hot, thirsty, tired.
(8) I shall go barefoot.
(9) I shall walk, carrying my outer clothing.
(10) A bad man had gone into the middle of the wood ; there he met
only with crooked, bad wood. (In a bad man's eye everything
looks bad.)
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ASIAN
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4.141
10. ft)
23.(4
Pliotogrivu
24. (41
14.(41
21(41
30. 141
26 (41
CENTRAa ASIAN ANTIQUITIES. MSCELLANEOUS OBJECTS (RELATIVE SIZE!
15. (41
16. (41
21. ft)
12.(4
19 (41
28. (41
29.(41
31. (41
32.(41
Survey of India. 0fficaB.CalciitlaJlovember.1901.
13. li)
11. (I)
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